Tag Archives: heavenly blues

The Mystical Heist Mash-Up From Beyond The Grave Heavenly Blues is the Latest Title Box

People live. People die. The “good” are pleasantly escorted off to Heaven; while the rest unceremoniously rots in Hell. Hell – a world where torture isn’t retribution, it’s just hazing. Isaiah Jefferson fancied himself a dashing rogue; the greatest thief of the Great Depression, but a cruel betrayal left him dead in the dirt. Erin Foley was a scared grifter desperate not to be another child fed to the violent maw of the Salem Witch Trials. When they’re given the chance to leave Hell and spit in the face of judgment, can they face their demons and become the master thieves they were meant to be?

Heavenly Blues is the latest Tuesday Title Box from Scout Comics and is by writer Ben Kahn with art and cover art by Bruno Hidalgo. There’s a mystery element in each box offering that includes rare variants and out off print covers. Some of boxes may also contain extremely rare HOLOFOIL editions that can only be found within!

The Heavenly Blues Tuesday Title Box features issues #1- #6 and the Comic Tag containing the entire digital graphic novel. Limited to 200 boxes, you can get yours for $39.99!

Scout Comics’ Wave Two Comic Tags Are Now Available!

The second wave of Scout Comics Comic Tags have been revealed and are now available. The second wave includes Grit, Metalshark Bro: Volume One, Once Our Land: Volume One, Solar Flare: Season Two, Heavenly Blues, The Shepherd: Volume One, Smoketown, and Infernoct.

Scout has hinted more publishers are coming on board in the future.

Comic Tags is a way to both distribute and collect digital comic books that addresses some of the biggest problems that comic publishers and comic collectors face. Comic Tags are a hybrid of comic books and trading cards.

These limited edition collectible cards each have a unique scratch off code to download a PDF copy of the graphic novel featured on the card. They’re attached to hangable backers that open, close, and look like a mini-comic book. These backers have interiors that are pulled right from the comic, giving you a glimpse at what you’re getting and a fun art piece to hang on to along with the collectible card.

Comic Tags have a price point lower than buying typical print and digital trade paperbacks. Most graphic novels are priced between $14.99 and $29.99 each.

Like the first wave release, the second wave of Comic Tags are launching at a retail price of only $6.99 each. For collectors, it’s a fraction of the trade paperback price. For publishers, it’s a whole new product line and profitable way to sell their digital books.

Preview: Heavenly Blues #5 & #6

HEAVENLY BLUES #5 (of 6)

Ben Kahn (Script and Letters), Bruno Hidalgo (Art and Color)
October 9, 27p, $1.99, Digital

Isaiah and Erin walk the razor’s edge of deception, spinning a web of lies to play the angels against each other. But there’s one thing the thieves didn’t account for: running afoul of the law. The ghosts of the past have come to haunt a member of the gang, famed outlaw Coin Counter Turner. If he can’t shake the lawman that hunted him in life, the thieves’ plan will unravel before it can even begin.

HEAVENLY BLUES #5 (of 6)

HEAVENLY BLUES #6 (of 6)

Ben Kahn (Script and Letters), Bruno Hidalgo (Art and Color)
October 9, 38p, $1.99, Digital

The heist is on! All the plans are in motion, and the die is cast. Isaiah, Erin, and their team will either pull off the biggest theft in history, or face the same failures that doomed them in life. The plan’s simple: cause chaos, steal the Holy Grail, and get out while the getting’s good. If it works, they’ll be resurrected back on Earth. If they fail, they’ll spend eternity in a prison far worse than Hell.

HEAVENLY BLUES #6 (of 6)

Ignatz-nominated series Heavenly Blues gets a digital release from Scout Comics and Illicit Press

In celebration of Heavenly Blues’ nomination for “Outstanding Series” at the upcoming Ignatz Awards, the acclaimed series will be available for the first time on digital comics leader comiXology. Illicit Press is partnering with original publisher Scout Comics to bring the series to its widest audience yet.

Reuniting writer Ben Kahn and artist Bruno Hidalgo, the creative team behind Shaman and Gryffen: Galaxy’s Most WantedHeavenly Blues introduces readers to Hell’s greatest thieves, as they plan eternity’s greatest heist—against the angels of Heaven itself! To pull it off, Depression-era gun runner Isaiah Jefferson and accused Salem witch Erin Foley enlist a crew of outlaws from across time, including an Old West bank robber, a samurai addicted to a drug that provides a glimpse of the living world, and an Ancient Egyptian tomb raider. Together, they must evade the forces of both realms as they seek the afterlife’s greatest prize!

By turns thrilling, poignant, and darkly funny, Heavenly Blues was a critical darling upon its print serialization and has been optioned for film. The new digital editions re-present the six-issue series in its entirety, complete with Hidalgo’s breathtaking covers, just in time for the Ignatz Awards at 2019’s Small Press Expo. If attending the convention, you can vote for the series.

Issues #1 & #2 release September 11
Issues #3 & #4 release September 18
Issues #5 & #6 release September 25

Issue #1 will be offered at 99¢ for a 27-page issue. Subsequent issues will be offered at $1.99.

Heavenly Blues #1

Ben Kahn writes Gryffen Galaxy’s Most Wanted and Heavenly Blues and is on Graphic Policy Radio!

Ben’s not writing a dystopia, they’re writing a catharisis! “Like the Hulk!” but with a pink queer undercut. 

Ben Kahn is a comic book writer based in New York. Their latest series, Gryffen: Galaxy’s Most Wanted, is their third collaboration with artist Bruno Hidalgo after Shaman and Heavenly Blues.

Gryffen is a genderqueer, anti-fascist space opera published by SBI Press exclusively on comiXology

Heavenly Blues sees a ragtag group of deceased thieves condemned Hell team up to pull the ultimate heist on Heaven. Art also by Bruno Hidalgo. 

Follow Ben on twitter at https://twitter.com/BenTheKahn

FlameCon 2018: Writers Ben Kahn and Rachel Silverstein Talk Their New Comic, Renegade Rule

FlameCon 2018 marked the debut of the creator owned comic book Renegade Rule #1. It’s a slice of life comic about an all female VR eSports team called Manhattan Mist featuring the team members Amanda, Sasha, Jessie, and Tonya. It is written by Ben Kahn (Heavenly Blues) and Rachel Silverstein, a J.D. student and member of Marvel’s Agents of GIRL with art by Sam Beck (Verse).

At the convention, I got the latest scoop from Ben Kahn and Rachel Silverstein on this exciting new book.

Graphic Policy: How did you all meet creatively and decide to work on this comic together. Ben, I know you’ve done a lot of solo books in the past so why did you want to bring on Rachel as a co-writer?

Ben Kahn: We met at the first Five Points festival last year.

Rachel Silverstein: It was totally random, and Ben was one of those hecklers, who had a table. And I walked by, and he said, “Hey, buy my comic.” And I bought the first two issue. Then, we somehow got into the topic of Judaism on Twitter, and I was in Israel at the time. Then, we kind of became friends after that.

BK: Rachel was in law school. I’ve been there when I wanted to make a comic and didn’t have the resources to sink into it, and I’m like, “Hell, let me pay it forward.” Because I had read scripts by her and knew she was an amazing writer. This will not stand if she goes out and becomes a lawyer without ever gracing the comic book pages. We’re gonna make something happen.

What does Rachel like? Girls and video games. There’s a comic there somewhere.

GP: Renegade Rule is all about video games. What has your experience been of gaming over the years?

BK: I feel like the old fogey. [in cranky old man voice] Back in my day, platformers and JRPGs ruled the land. I was into more of the single player games. I loved all these fantastical plots and worlds. I don’t really like the gameplay as much. I wish I could find a medium that only did the plots and the characterization. And then I found comics, and that was all I cared about.

I always enjoyed Halo growing up. It’s probably the biggest influence on me. I spent a lot of middle school playing Halo at a friend’s house until two in the morning.

GP: Me too.

BK: For me, with a lot of the modern games like Team Fortress, Overwatch, and Fortnite, I’m an outsider looking in. Especially the fandom element and the culture that builds around it. I’ve never played Overwatch except at [Rachel’s] house a few times. But I read all the comics, watch all the cinematics, read all the wikis. So, I was definitely intrigued at the idea of having this fun, fictional crazy world to throw on top of a sports story narrative [in Renegade Rule].

RS: For me, I would never call myself a gamer, but when Overwatch came out, I remember seeing the first posts on Tumblr of the cinematic for Widowmaker and Tracer. I was like “This looks really gay. What is it?” I thought it was a movie.

BK: Let the record show that Rachel is wearing a Pharah hat and a color matching jacket.

RS: And a D. Va backpack. I was like, “What is this?” So, I watched a lot of gameplay and thought it was really cool. I actually bought an Xbox One just so I could play Overwatch. That’s pretty much the only thing I’ve gotten into that’s relevant to Renegade Rule. When Ben wanted to make a comic with similar elements to a video game, I figured, “I can do this. I can totally do this.”

GP: Why did you guys decide to do a VR game?

BK: I just think it would be super fucking boring to have characters holding controllers for twenty pages.

RS: We also wanted it to be a little futuristic. We could add the element of them moving around and have action in it.

BK: It’s like that .hack//Sign/Ready Player One old school trope of the VR game, especially with the sports movie narrative of physicality and training. There’s a real physical element to the gameplay beyond them holding controllers.

GP: Break that whole workout scene with Amanda, the team leader, towards the end of comic because when I think of video games, I think of just sitting on the couch. But she’s pumping iron and stuff.

RS: We wanted to make it so they’re not sitting on a couch and wanted to add an element where they have to maintain their physical bodies and have the dexterity to play a video game.

BK: Because I love exercise. It’s a part of my daily routine. I went on a whole run before coming to the convention. I wanted to capture the sense of pushing yourself, and Amanda wanting to overcome her limits and being better than she is. We were trying to get the invigorating feeling of training and communicating that on the page.

GP: Renegade Rule is a self-published comic. What have been some of the challenges of doing it by yourselves?

RS: Nothing at all.

BK: Nothing unexpected. I’ve gone through the production process enough to know what it’s going to be, and our whole hope was to have issue one ready for FlameCon.

RS: Sam [Beck] really came through with that. We have to give her kudos. We never gave her a time frame to do anything. We were like “Do it at your own pace. There’s no rush”, and then we were going to be at FlameCon so let’s debut it here.

It was halfway through June, and she said she took on a few other projects. And we were like “Can you have this done by the beginning of August?”, and she did an amazing job considering the time crunch.

BK: Sam’s work on the book was so good. I look at the pages, and the colors are stunning and the atmosphere and the characters. There are some facial expressions that just make me laugh looking at them. I can’t say enough good things about Sam’s art. The girls feel like real people, and a lot of that is the way Sam brought them to life and communicated their attitudes from their fashions to their faces to the way they carry themselves. The acting she’s able to do through an image is fantastic.

GP: How were you all able to get her join Renegade Rule? Why was she the best artist for the project?

RS: We actually search on Twitter. We looked at the #VisibleWomen hashtag. I remember I saw it and sent a link to her Twitter and said, “Ben, this the artist we need. Please make this happen.” It actually worked. She was the first person we asked and was like “Okay”.  We were really lucky.

GP: I love the team name Manhattan Mist and that you named it after a character’s vape. Which member of Manhattan Mist are you, and why?

BK: We read the script out loud.

RS: We sit down to write it together. We Skype together.

BK: We’re writing every panel together. When we break down who reads what voices, Rachel reads as Amanda and Tonya, and I read for Jessie and Sasha. I feel like that’s a good breakdown personality-wise.

GP: So you treat it like a stage play.

RS: Yeah, whenever we try to think of emphasis when we bold the words for lettering, we try to read the script in different voices.

BK: We figure out the best way to read the line and then figuring out the best way to communicate that line to the reader. That’s always been a big part of my writing process. Reading the dialogue out loud and then seeing how it sounds. That’s why I’ve been kicked out of a lot of coffee shops, but I think it’s worth it for the dialogue.

RS: But to answer your question, I would definitely be a Tonya. When I had sent the PDF of Renegade Rule to one of my friends, I asked, “What are your thoughts?” And all she said back was “When you think that you’re Sasha, but really you’re Tonya.” That is so accurate. I think a lot of people would relate to that. Everyone wants to think that they’re this badass who picks up all the girls. But you’re really just the one in the bar going “I’m gonna die alone.”

GP: So relatable.

BK: I think I’ve always been more of a Jessie. I’m not quite always on the ball. “Yeah, yeah that thing we’re doing, but also that thing that has nothing to do with that relevant thing.” Jessie is all about the sloth videos.

GP: I like the romances set up in Renegade Rule #1. You’ve got Jessie and her boyfriend and Amanda with her crush on Gabby. What role will romance play in the book going forward?

BK: In sports stories, you’ve seen the rivals that launch a thousand fan fics. So, we thought what if that subtext was very textual. We want to do that love story with a rival story.

RS: We’re doing cliche. Number one enemy becomes the love interest.

BK: I think this is gonna have a few more punches to the face than the cliche love story.

RS: We have a lot of big things planned for Amanda and Gabby.

BK: It’s gonna be fun because these are two very driven, very competitive, very compassionate women that are gonna find a lot in common. Sparks and punches will fly to use my marketing poster line.

GP: Do you find writing the action/video game scenes or the slice of life scenes more enjoyable?

RS: I love the slice of life stuff.

BK: The slice of life stuff is really fun. I always love that intersection between fantastic and mundane so it feels unique to write an eight page stretch of friends hanging out at a bar. Action is fun, especially when we get to play with because what I like about having the video game motif is we get to have very epic sci-fi action visuals without having to do the whole epic sci-fi war part. Fuck it, lizard man, cyborg, and ninja that’s who they’re gonna fight this issue.

GP: Can you guys tease out any of the teams that Manhattan Mist is facing?

RS: Yes. We spent a long time coming up with teams, and we trashed a couple of them. The big thing for us was coming up with the names.

BK: Let’s see, we’ve got their Y-chromosome doppelgangers, the Nashville Banjos coming up. It’s the Mist, but with slightly relationship dynamics. They can very much get in the heads of our girls.

RS: Then, we’ve got the Brooklyn Sharpshooters, who are the best team.

BK: Their colors are purple and gold. ‘Cause even in Brooklyn, it’s totally not a take on the L.A. Lakers. One thing I like, starting in issue two, is the differing play styles and the philosophy behind it. There’s the Santa Fe Shinobi, who represent regimented training in all areas. It’ll be fun putting that up against a bunch of friends and that mess around, have fun play style of the Manhattan Mist.

GP: I have one last question. Ben, you have the Heavenly Blues trade coming out from Scout Comics in December. Why should fans of Renegade Rule pick up Heavenly Blues?

RS: Why shouldn’t they?

BK: So, the basic plot of Heavenly Blues is about a group of thieves in Hell from throughout history, who team up to pull the ultimate heist on Heaven. If you like a team full of chaotic scoundrels who come together to be more than the sum of their parts going up against impossible odds and pulling off an impossible job, Heavenly Blues is the book for you. Also, it has weaponized gay kissing. I guess if you can’t imagine that you’re just gonna have to buy the book.

Buy a physical copy of Renegade Rule #1 on Etsy.

Follow Ben Kahn on Twitter.

Follow Rachel Silverstein on Twitter.

Review: Heavenly Blues #6

“The World was all before them, where to choose/Their place of rest, and Providence their guide/They hand in hand with wandering steps and slow/Through Eden took their solitary way.”- John Milton from Paradise Lost XII.646-9

Heavenly Blues #6 is an all action and bisexual friendly making out sequence-filled conclusion to Ben Kahn and Bruno Hidalgo‘s Ocean’s 11 meets Mike Carey’s run on Lucifer with a side of The Great Train Robbery and Indiana Jones and the Last Crusade heavenly and hellish crime saga. They have done a fantastic job establishing the various members of the crew throughout the previous five issues, including master thief Isaiah, young girl/accused Salem witch/queen of snark Erin, Egyptian grave robber Amunet, drug addict ninja Hideki, and my personal favorite character, bisexual cowboy Coin Counter, and now it’s time to set them loose in a variety of set pieces leading up to a kind of perfect ending. Interweaving the character backstories throughout the main narrative of the miniseries really pays off in spades, especially once you get to the impactful final page.

Even though the battles are technically between dead people and immortals, Bruno Hidalgo draws hand to hand fight scenes with weight behind them thanks to close-ups of each punch or kick and good old fashioned speed lines. Isaiah really gets the shit beaten out of him by various angels and the bruises he takes throughout the book are a reminder of how desperately and painfully he wants to be mortal. Each hit and possible angelic captivity shows that even though he was a solo thief in his past life, Isaiah is a great leader and generally gives a shit. Hidalgo has a great sense of humor to match Kahn’s heat of battle/pointing guns at people being glued to their technological devices in the afterlife banter, and the silent panel is one of the funniest scenes in the comic. Also, he uses a kind of burnished yellow/gold tone for the angels that makes them look like slightly overcooked Simpsons characters and is kind of hilarious. Even though they have an important role to protect the nicer side of the afterlife, angels aren’t all knowing and don’t make great conversation partners. They also don’t have free will and make great patsies and antagonists in action sequences.

In the end, Heavenly Blues #6 joins the pantheon of Holy Grail stories, and its use of the slightly shinier cup of the carpenter than the one the Drs. Jones found is much more than just a heist MacGuffin or the object of a video game fetch quest. It represents human freedom in all its dented flawed glory: the freedom to transcend the boxes that society has placed us in and have another shot at living a great life like the Heavenly Blues crew achieves in the end. And free will is definitely something worth fighting for literally as Amunet uses the Grail as a literal melee weapon as she dips and dodges the angels’ mechanical guardian for it. Isaiah even gives an angel a taste of free will after battling with him for a whole issue and posits the idea that maybe it’s better to just chill and fade away than live forever doing the same thing. Hidalgo uses an almost euphoric light purple to show this embrace of oblivion, and it’s a wonderful reminder that, throughout its run, Heavenly Blues has been as much about theology and philosophy than it has been about crime capers and shootouts.

Ben Kahn and Bruno Hidalgo make Heavenly Blues #6 part highlight reel, part beautiful conclusion to five people’s journey to achieve not just eternal life, but life. It’s fun to watch to this heist play out on the page instead of through exposition, and the ending is well-earned. I will miss this fun, flawed cast of characters (Especially Coin Counter.) and look forward to more thought provoking and ass kicking Kahn and Hidalgo joints in the future.

Story/Letters: Ben Kahn Art: Bruno Hidalgo
Story: 9 Art: 8.5 Overall: 8.8 Recommendation: Buy

Scout Comics provided Graphic Policy with a FREE copy for review

Logan’s Favorite Comics of 2017

In 2017, I found it increasingly difficult to keep up with all the new comics releases because of personal stuff etc.. There was also the sheer hatred and bigotry of some comic book fans, who foamed at the mouth every time a character that wasn’t a straight white male starred in their own book or if female characters weren’t drawn in an early 90s Image male gaze-y way. Creators and companies weren’t exempt from this either from Howard Chaykin’s transphobia and Islamophobia in his low selling Image book Divided States of Hysteria to the revelation that new Marvel Editor-in-Chief C.B. Cebulski lied about writing comics under the Japanese pseudonym Akira Yoshida for years and suffered little to no consequences for it.

However, there was a lot to love about the comic books of 2017, and I found solace, entertainment, and inspiration in many books from (becoming) old favorites about godly pop stars and dark knights to intriguing new titles about all girl fight clubs and young people experimented on by the government.

 

  1. Batman #14-37 (DC)

In 2017, writer Tom King and a crack team of artists including David Finch, Clay Mann, Mitch Gerads, Mikel Janin, Joelle Jones, and Jordie Bellaire explored almost every nook and cranny of the Dark Knight’s world in their work on Batman. Sure, there were epic arcs featuring one on one battles with Bane, a yearlong gang war with the Joker and Riddler, and a little family reunion in the “Button” crossover. But what Batman resonate as a comic book was the standalone and two part stories from King and Gerads showing the sweetness of the relationship between Batman and Catwoman to the emotional tale of Kite Man (Hell yes). King has a real knack for telling O. Henry-esque stories of ideas that humanize iconic characters none more so than “Superfriends” where Batman and Superman go on a double date with Catwoman and Lois Lane. An artistic highlight of the book was Joelle Jones’ beautiful, savage, and a little bit sexy depiction of Batman and Catwoman fighting for their love against the most evil of exes.

  1. Josie and the Pussycats #4-9 (Archie)

Josie and the Pussycats is a gorgeous, funny book that ended much too soon although it is nice to see artist Audrey Mok working on the main Archie title. Writers Cameron DeOrdio and Marguerite Bennett craft the rare Archie book that looks at both romantic and platonic relationships from the POV of young adults, not teenagers. They, artist Mok, and colorist Kelly Fitzpatrick imbue the title with a Saturday Morning cartoon zaniness, including high speed boat and motorcycle chases, kidnappings, and jokes about the polar bears from The Golden Compass. Yes, DeOrdio and Bennett overload all kinds of pop culture references and allusions in Josie, but it adds to the book’s energetic feel along with Mok’s fantastic fashion designs and Fitzpatrick’s bold colors. Josie and the Pussycats has some real heart to it with characters having all kinds of intense conversations about love, friendship, and fame between the over-the-top setpieces.

  1. Heavenly Blues #1-4 (Scout)

Writer Ben Kahn and artist Bruno Hidalgo’s Heavenly Blues blends the cosmology and philosophical and theological themes of Vertigo classics like Sandman and Lucifer with a quick and dirty heist thriller as a band of criminals, including a Great Depression Era thief, a girl who was sentenced to burn during the Salem Witch Trials, and a bisexual cowboy team up to break into heaven and steal something you may have heard of. Witty writing from Kahn and rhythmic art from Hidalgo that flows from the building of the Great Pyramids to the Old West and even an angel lounging in sweatpants keeps the story on its toes with flashback to each thief’s past life create an emotional connection to them. This is the perfect comic for folks who like to think about the nature of evil or the possibility of an afterlife while also watching Oceans 11 or Logan Lucky with a whiskey on the rocks.

 

  1. Shade the Changing Girl #4-12 (DC/Young Animal)

The crown jewel of DC’s Young Animal imprint, Shade: The Changing Girl is a beautiful, meditative look at identity and humanity from the perspective of a bird alien Metan girl named Loma Shade, who has possessed the body of teenage girl bully. Cecil Castellucci, Marley Zarcone, and Kelly Fitzpatrick’s story really took off when Shade decides to hit the road first for Gotham and eventually to meet her idol, Honey Rich, the aging star of a 1950s sitcom that was popular all over the galaxy. Zarcone’s artwork is extremely fluid and complements Shade’s reaction to the influx of stimulus all around her that is humanity as she begins to understand concepts like nostalgia and of course the big ones: life and death. Shade the Changing Girl is more poem than sci-fi thriller/mindbender, and Castellucci’s poetic captions, Zarcone’s sincere facial expressions, and Fitzpatrick’s, well, groovy colors bypass the critical part of the brain and go straight for the emotional center. It is an empathetic study into how humans communicate and navigate this complex world from a visitor from an equally as complex society so hence conflict.

  1. Generation Gone #1-5 (Image)

Comics’ enfant terrible Ales Kot makes his triumphant return with Generation Gone, which is one of his most accessible works that still takes shots at the kyriarchy and patriarchy through the lens of the “superhero” origin story. Artist Andre Araujo and colorist Chris O’Halloran provide equal parts majestic, disgusting, and triumphant wide screen visuals throughout the series from bodies being stripped down to bone, muscles, and organs to flying in the sunset. The way that the three main kids Elena, Baldwin, and Nick is a little bit of techno-organic body horror like Scanners filtered through 2017. Kot avoids typical superhero team up tropes and has them constantly at each other’s throats that all really boils down to toxic masculinity, especially Nick, who is like Max Landis with a healing factor. Generation Gone is an epic and visceral story with all kinds of carnage and big explosions that is ably balanced by Ales Kot’s nuanced characterization. There’s some decent world building, but it takes a backseat to Elena, Baldwin, and Nick’s journey and squabbles along the way.

  1. The Wicked + the Divine #25-33, 455 AD, Christmas Special (Image)

In its fourth year (Or “Imperial Phase”) as a title, Kieron Gillen, Jamie McKelvie, and Matthew Wilson’s The Wicked + the Divine became both more self-indulgent and introspective before the ending the year with more emotional destruction and much needed side dish of pure fanservice. The main focus is on the relationships of the Pantheon from Dionysus’ truly soulful friendship with Baphomet (They spend most of an issue talking in the dark, and it’s lovely.) to the intense connection between Persephone and Sakhmet and the older brother/little sister Baal and Minerva that takes a big turn for the disquieting. Even though McKelvie’s figures and fashion decisions are still flawless as usual, WicDiv uncovers every metaphorical wrinkle or mole on the Pantheon members by the time “Imperial Phase” ends in a truly soul crushing manner like the slow build in “In the Air Tonight” before the epic drums. And after it’s over, Gillen and a host of talented guest artists deliver a comic that is sexy, thoughtful, and filled to the brim of feels showing what the Pantheon were like when they were young and less dead. The Kris Anka and Jen Bartel Baal/Inanna short is most definitely the hottest thing I read in 2017.

 

  1. Kim and Kim: Love is A Battlefield #1-4 (Black Mask)

Shifting the focus from Kim Q to Kim D in this fantastic sequel to the Eisner nominated miniseries Kim and Kim, Mags Visaggio, Eva Cabrera, and Claudia Aguirre confidently tell the story of a woman trying to get over an ex that she really cared for, but wasn’t good for her. There are also mech suits, space battles, basses being used as a blunt instrument, and all kinds of space bounty hunter shenanigans. The rift and reunion between the Fighting Kim’s is super relatable as who hasn’t been disappointed in a friend for returning to the same, not cool ex over and over again. However, Visaggio gives the Kim’s great growth as friends and in their chosen career as bounty hunters by the time the miniseries wraps. On the visual front, Eva Cabrera can choreograph the hell out of a fight scene, and there is still plenty of pink from Claudia Aguirre. Kim and Kim: Love is a Battlefield is a smorgasbord of quips, fun sci-fi worldbuilding, and real friend talk and improves on its already pretty awesome predecessor.

 

  1. Mister Miracle #1-5 (DC)

Jack Kirby would have turned 100 in 2017, and there was arguably no better tribute to his imaginative work as an artist and writer than Tom King and Mitch Gerads’ Mister Miracle comic. I know I’m double dipping with King comics on the list, but he’s just that good. In his art, Gerads teaches the old dog of the nine panel grid some new tricks and uses it for everything from a tender love scene between Mister Miracle and Big Barda to him getting repeatedly beaten by his older brother Orion, who plays an antagonistic role in the series. The bar-like grid of the comic book he stars in is the one prison Mister Miracle can’t escape from. (Wow, that got meta.) Gerads uses a trippy, almost television fuzz effect to show Scott’s tattered psyche as he faces death with his escape artistry, goes to war against Apokolips, and is sentenced to execution. King’s gift of writing both the mundane and utterly cosmic comes in handy in Mister Miracle whose most memorable scenes are Scott and Barda cuddling and joking around, not the big battle scenes. Again, he and Mitch Gerads find the human and the epic, which is definitely something the King would be proud of. (Big Barda was patterned off his beloved wife Roz.)

  1. Giant Days #22-33, 2017 Special (BOOM!)

Although the facial expressions that Max Sarin and Liz Fleming draw are truly outrageous at times, Giant Days is a fairly naturally plotted comic with the friendships, relationships, and life statuses of Esther, Susan, and Daisy ebbing and flowing like normal university students. They begin the year as BFFs for life, but start to drift apart towards the end of the year as Susan and Daisy’s relationships with McGraw and Ingrid move onto the next level. Esther is kind of stuck in the lurch as her penchant for drama bombs starts to backfire. Giant Days nails the constantly evolving fluid thingamajig that is relationships as a young adult.  As an added bonus, we also get to see how the girls act and feel differently around their family versus friends as Susan’s way too big and complicated family makes quite the impression. And, of course, Giant Days is very funny, and John Allison, Max Sarin, and Liz Fleming mine the comedy out of everything from the deliciousness of home cooking, the grossness of nerd dorm food concoctions, and even a video game wedding. (Poor Dean.)

  1. Heavy Vinyl #1-4 (BOOM!)

Reading Carly Usdin, Nina Vakeuva, Irene Flores, and Rebecca Palty’s Heavy Vinyl is like the comic book equivalent of relaxing in a hot tub, but the hot tub is either cupcakes or adorable Corgi puppies. (Take your pick.) It’s about a teenage girl named Chris in 1998, who has just gotten her dream job at a record store and her first big crush on Maggie, her co-worker, who is drawn like a shoujo manga protagonist. But then she’s inducted into a top secret vigilante fight club and has to rescue the frontwoman of her favorite band. It’s high concept and slice of life just like Vakueva’s art is comedic, beautiful, and a little badass. Carly Usdin does a good job in just four issues of giving each member of the fight club their own distinct personalities and relationships while doubling down on the cuteness and awkwardness of Chris and Maggie’s budding romance. But what makes Heavy Vinyl  the best comic of 2017 is its belief in the power of women and music to change the world…

51 Minds Snags the Rights to Adapt Scout’s Heavenly Blues

51 Minds has acquired the rights to adapt the groundbreaking comic book series, Heavenly Blues, from Scout Comics & Entertainment.

Created and written by Ben Kahn with art by Bruno Hidalgo, Heavenly Blues is published monthly by Scout Comics, with issue #3 recently released.

Heavenly Blues is an Ocean’s Eleven-type story set in the afterlife, this stylish, commercial, and organically diverse crime-adventure story is centered on the greatest thieves in history – a witty team consisting of a 1920’s mobster, an Egyptian grave robber, a Salem witch, a 16th century Ninja, and an outlaw from the Old West – who team up to pull the ultimate heist for an Angel in heaven, in order to finally escape an eternity in hell.

 

Review: Heavenly Blues #1

People live. People die. The “good” are pleasantly escorted off to Heaven; while the rest unceremoniously rots in Hell. Hell – a world where torture isn’t retribution, it’s just hazing. Isaiah Jefferson fancied himself a dashing rogue; the greatest thief of the Great Depression, but a cruel betrayal left him dead in the dirt. Erin Foley was a scared grifter desperate not to be another child fed to the violent maw of the Salem Witch Trials. When they’re given the chance to leave Hell and spit in the face of judgment, can they face their demons and become the master thieves they were meant to be? Heavenly Blues reunites the team behind Shaman to deliver a mystical heist mash-up from beyond the grave.

I had no idea what to expect when I picked up Heavenly Blues #1 to read. I hadn’t read writer Ben Kahn and artist Bruno Hidalgo‘s previous work (at least I don’t think I have) so I came in clean without any expectations. And, when I got to the end, I immediately wanted to see what’s next.

Heavenly Blues #1 is an interesting comic in that the first half of it and the latter half feel so far apart, yet work so well together. The first half sets upt he second in non-obvious ways as we’re introduced to Isaiah and Erin as they debate the afterlife and torture and newly arrived individual. In this way we’re presented with a world familiar but not exactly what we’ve seen elsewhere. There’s Heaven and Hell and we’re told the general landscape as these two go back and forth.

And then we get to the second half which is the real set up for what’s to come. What starts as a philisophical discussion in many ways transitions into a heist story as we’re also presented with the background of our two protagonists. It’s an interesting shift and one that has me intrigued especially to see how and if Kahn continues this style of storytelling.

Hidalgo’s art is solid in many ways and reminds me of something, though I can’t quite put my finger on it all. There’s small details in the afterlife that tell a story on their own even if they don’t do anything but be present in the background. It’s the details here that adds so much.

The first issue is a solid one and continues Scout Comics’ record of putting out excellent indie comics that stand out for their uniqueness. I want to see what happens next in both story and art and really interested in how these two creators will present what’s to come. While this might be set up as a heist story, I’m expecting it won’t be quite as clear cut if this first issue is any indication.

Story: Ben Kahn Art: Bruno Hidalgo
Story: 8.0 Art: 8.0  Overall: 8.0 Recommendation: Buy

Scout Comics provided Graphic Policy with a FREE copy for review

« Older Entries