Category Archives: Webcomics

Terrible Twos: Altar of Pine & Disorder

Sometimes you can’t help but notice that there are similarities between stories. I always find this pretty spectacular because it shows how certain themes and aesthetics can be simultaneously universal and idiosyncratic. Even when they come from separate genres this is true, and those genres themselves could share similarities as well. That is why for this review, I want to talk about not one but two webcomics: Altar of Pine by Cayde and Disorder by Erika Price. One is a historical dark fantasy tale, the other is arthouse horror. One gets its art style from watercolor expressionism and medieval woodcuts, the other is a black and white demon crossbreed between H.R. Giger and heavy metal album covers. And yet, both series are about identity, depression, anxiety, queerness, and a search for a deeper meaning to life beyond struggle. 

Altar of Pine

Created by Cayde

Altar of Pine

In a colonial New England town, there lives a poor fisherman by the name of Alexander. He is lonely, doesn’t connect with his community, and is in debt to the miserly Montgomery. Not even Alexander’s only friend Pritchett is much of a friend. Alexander prefers to get lost at sea and not have to think about life, a certain freedom within nothingness. On one of his expeditions, Alexander is capsized and washes ashore on a seemingly abandoned island. Except for the cabin with strange potions…the totems made from skulls…and the spirits within. 

Altar of Pine is based on heavy research into history and witchcraft. The latter of which series creator Cayde is a practitioner of. Yes, unlike most cases where your mom is wrong about comics, this particular book will teach you the dark arts. If that is not your jam, I suggest you go read a Chick tract. 

The witchcraft hits early when you first go into the comic’s main website and, BAM!, there’s a very polite Satan warning you that there is explicit content in the series. Thanks, Satan! 

Altar of Pine

The coloring in Altar of Pine is done with watercolors. This approach has taken some ground in indie and non-Big Two comics as an alternative to the polished look of digital coloring. For many artists watercolor can give comics a softer, more traditional look. It’s also great for creating surreal and experimental designs. The artists participating in this movement are diverse, from mainstream icon Dustin Nguyen to cult superstar Niina Salmelin. 

Altar of Pine

Cayde’s technique is more subdued than these contemporaries. The first chapter of Altar of Pine focuses heavily upon the sea. The application of blue is grainish and ghostly. It invokes deep feelings of melancholy, the same feeling written all over Alexander’s face. 

This approach, using color to reflect the character’s mental state, is used later in a scene of Alexander’s town. The color choice is a yellow to symbolize the concentration of human life that exists within the village. Traditionally, that would invoke feelings of warmth and security. Alexander, however, feels fear, pain, and isolation as Montgomery and his men ransack his home, and no one lifts a finger to defend him. After the confrontation, a three-panel page shows a three-step transition from the yellow of the village to the green of the forest and, finally, the blue of the sea. 

In each panel, the colors and the feelings they invoke become more melancholy in nature. Yet Alexander’s emotional state improves as illustrated by this image. 

Altar of Pine

Watercolor becomes increasingly experimental when Alexander arrives on the mysterious island. The application of a singular shade in previous pages is replaced with a cabin scene with multiple colors. Not only does it look like how it would in real life, but there is also a feeling of peace and balance. After applying a suspicious green cream to himself, Alexander enters a realm where everything is cloudy and spooky, an unknown territory where anything could happen. The ultimate purpose of watercolor in Altar of Pine is empathy. The reader is meant to feel the same whirlwind of emotions that Alexander is feeling. 

Color also adds to character design. No one in Altar of Pine is a perfectly chiselled superhero or baby-smooth waifu. Nothing against the supes and waifus of the world. Most are middle-aged people with skin issues, gray hairs, and always some kind of belly fat. These characters live in a rough time period and eat some dank-ass food that Gordon Ramsey would need days to spice up. They aren’t exactly going to be in Vogue is what I’m saying. 

Aside from looking realistic, the characters drawn in Altar of Pine‘s grimey fashion also better express their emotions. Whatever they feel, it always gets reflected by the watercolor scheme around them. Sometimes it is an intentional effect, other times it’s a natural occurrence that just seems to fit. It is not trying too hard to make a point of being symbolic. Everything is just so naturally in-sync to the tone of the story that it does not need any extra effort. 

Grimey melancholy might not sound like the best emotion, but I think it makes sense to the story. Alexander is in a crappy position, and his only relief right now is to be alone. This might be when his depression intensifies, but it also might be helpful in unconventional ways.

Altar of Pine

I am not a mental health professional, but I do suffer from anxiety and depression. I have for some time now. Because I’m introverted, being around people exacerbates my downward spiral. When I walk alone though, along the streets, by the side of the sea or deep in the forest, I experience relief unlike any other. My mind clears and I regain a sense of purpose. I don’t want to die, I want to live and marvel at the treasures of the world. Ironically enough, loneliness is the key to recovery.

This is just my own interpretation, but I feel Alexander suffers similar episodes of anxiety and depression. It’s symbolized from the time as he escapes town on a boat to washing up on the shore of the island. As he struggles and makes new discoveries, I can’t help but be reminded by the same feelings I go through during those dark times. While Alexander’s return to the town does not conclude with elation, his desire to tell of his journey shows that, ironically, alienation pulls him out of the depths of despair. 

That’s as far as I can analyze the story. Partly because I don’t want to give too much away but also we are not that far into it. There are only three completed chapters so far, and Alexander has only begun to discover the mysteries of the island. There isn’t much to analyze or discuss from such an insignificant chunk of story. However, it’s enough to keep me reading, and perhaps for those who enjoy a dark fantasy about healing mixed with wonderful watercolor art. 


Created by Erika Price

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Where do I even begin talking about this comic? The simple answer is that I can’t because there is so much complexity to it, anything I say will be merely a scratch at the surface. The series’ website describes it as a “series of dark and surreal short horror comics, created as art therapy.” Boy, this must be some therapy because the stuff that goes down in Disorder would make Clive Barker, H.P. Lovecraft, Kathe Koje, Junji Ito, David Cronenberg, and honestly any other dark creative drop dead from feelings of inadequacy. 

There are no traditional plots in Disorder. It reads like a series of vivid nightmares accompanied by cryptic narrations and surreal images. Each involves an entity of some sort as it endures pain, dread, and a never-ending struggle for self-actualization. The true greatness of the series is how, in both writing and art, it never fails to be simultaneously unique and signature to Price’s ouvre, and touching upon themes that are universal and esoteric. 

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In Issue #1, the cover displays many key characteristics of the art style: Black and white, heavily detailed lineart, unique patterns, and alien bodies. The story of this particular issue involves ginormous humanoid entities constructed out of cities. Concrete, glass, wires, steel, plaster, skyscrapers, railings, and asphalt twist and bend to shape these behemoths into being. As a result, it causes them great pain, at least that’s what I’m able to deduce. Interestingly, there are onlookers who walk toward the city and become citizens, as though the grotesque terraformation hypnotizes them. The layout for each page consists of large panels, some of them splashes, to fit in as much detail as possible. The effect is a sense of the grand scale of this humanoid city.

The other four chapters have similar stories of humanoids and the pain they experience. While the style remains the same, creator Erika Price varies in themes and execution. In particular, the panel layouts get into some delightful mischief. A good number of them are standard, albeit pushing the boundaries of those standards. Some are straight out trippy, such as in issue #3.

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This issue has heavy organic aesthetics to it, many of the life forms consisting of reptilian, amphibian, and fish qualities. Panels are constructed out of shapes resembling air bubbles and cellular patterns. The entire chapter is quite chaotic much like the biosphere it represents, and yet it all makes a visual sense to the cryptic narrative being told. 

In every one of the chapters, recurring themes of pain, alienation, and subjugation are presented in fresh ways while maintaining running visual characteristics unique to Erika Price’s style. With just a few short comics, she has already proven to be an auteur in terms of figuring out a brand and ethos. This is something that even the greatest artists in history took up to decades figuring out. Hell, double so in comics where, in the past, editorial mandates and trends held back a lot of highly talented artists. Free in the wild west landscape of webcomics, Price does whatever the hell she likes and distinguishes herself in the process.

As much as I have talked about the universal themes in Disorder, there are esoteric themes at work too. Mental illness is a big one. I get a serious sense of depression and anxiety from the comic; those are illnesses I can relate to, so in a way they are still universal even if Price is presenting them esoterically.

One theme that I think is much more esoteric is bodily dysphoria, a feeling of being trapped inside a body that’s wrong. This might be particularly personal for Price given she is a trans woman. Although I am not transgender myself, so I don’t really know what that experience is like. I don’t want to step in and explain an experience I don’t have, so I will avoid going in any deeper. I will just say I wouldn’t be surprised if gender dysphoria is a theme here. If I did offend in any way, I apologize.

That said, the theme of body dysphoria can encompass more than just gender; after all, the two can relate to each other but are still different categories. Diverse people can experience body dysphoria if they feel like something is fundamentally wrong with their body. I’m going to speak from my own experience as someone who experiences this issue because of my weight. Since I am so preoccupied with it, my other issues of depression and anxiety multiply. I repeatedly feel like I’m trapped inside a gross body full of negative emotions, and it can be suffocating. Erika Price visually captures this feeling perfectly with how the humanoid entities twist and bend and break and mutant in excruciating ways. She has captured with the pure existential id of this state. 

Erika Price also captures the pure id of Horror. Now, it might seem presumptuous to attach Disorder to a genre when its storytelling methods defy all traditional notions of narrative, but visually speaking it is pure Horror. Disorder looks horrifying. It is horrifying to read. It perfectly encapsulates everything about the genre and the various forms of media and genres under the tent, from the slimy practical effects of David Cronenberg to the gothic landscapes of black metal. It can’t be denied how Disorder is Horror in its purest essence. 

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Given how much I’ve described the series, it’s still not enough. Disorder is the most abstract, complex, and challenging comic I have yet read. I’m barely able to comprehend it still given I have only read through the series once. I feel like my analysis is just scratching the surface and that smarter critics could dig deeper and find more layers to thoroughly discuss. Simultaneously, I think I’m underselling this comic by merely trying to describe it. Much like Lifemahcine’s Weaker Sides, this is a comic to read and experience more than to analyze. I hope to go back, reread the comic, and relive the experience of the first go round so that my understanding of this peculiar series increases. 

Altar of Pine and Disorder are both unique works of art, radically different in their styles and approaches to storytelling but similarly about mental illness, introspection, and a search for self. There is beauty in these comics’ darkness, one as strange and infinite as the entities of older, darker realms. If you’re looking for dark horror and fantasy stories that will challenge you to explore dangerous worlds and uncomfortable thoughts, then I can’t recommend reading both series enough.   

Art: 10 Story: 10
Recommendation: Buy, er well read ’cause these are webcomics

Check out Cayde’s Patreon
Check out Erika’s Disorder

Catians: Resurrection – Review

“When the Great Cat departed this world a thousand years ago, it left behind Relics, which grant divine powers to their users. Cats have safeguarded the Relics for millennia, until a desperate cat revives the ancient magic to save his human friend—giving rise to a blood-thirsty monster with the penultimate Relic. Worried that the disappearance of humans could mean the end of treats and back rubs, the cats of the world must choose three people, so-called Guardians, to find and protect the most powerful Relic. In return, the chosen three gain command of the elements and the ability to take feline form. But unbeknownst to the cats and their appointed heroes, other forces have been watching the Relics, too…”

–From the official Catians website
Catians: Resurrection

Catians: Resurrection
Art: Luyi Bennett
Script: Cortney Cameron

Catians: Resurrection is a prologue to the epic, ambitious urban fantasy series. Cats seek human champions to fight antagonistic forces. In this chapter, alley cat Felix tries to make a champion out of Rose, a human he has grown fond of due to her continuous acts of kindness toward him and other strays. One night, a group of mobsters murder Rose’s husband and leave her for dead. Felix saves Rose’s life by granting her powers from a mystical cat tail, one of the relics of the Great Cat. Rose may take her revenge on the mobsters in exchange for taking on the role of champion. Unfortunately for them both, there may be consequences.

Reading Catians: Resurrection was an interesting experience. Judging by the cover, I thought I knew what waited for me. Reading through, I pretty much thought I knew how things were going to go down. Boy, was I wrong.

We begin with narration from Felix over a splash image of a rose, symbolizing the actual main character named Rose. Felix’s affection is so strong, he swears to protect her. If that sounds like a rather benign reason for intense devotion, do keep in mind that Felix, despite his intelligence and articulation, is still a cat. Nothing will ever win over a cat’s loyalty quite like regular servings of Kibble.

Catians: Resurrection-image 1

The design of the rose, the font of the lettering, and the sheer emotion in Felix’s narration has a mythic romanticism to it. It’s the kind of aesthetic I’ve witnessed in works by writers such as Vera Nazarian and Howard Pyle. It’s also that emotional intensity you get from various fantasy adventure mangas like Sailor Moon, Dragonball, etc.

Speaking of manga, the character designs are highly influenced by the medium. You have the large eyes, simplified structures and so on. Backgrounds are also simplified with buildings and rooms having no distinguishable qualities. They mostly serve to highlight the presence of characters and their relative distance from each other. If this sounds like a nice way of saying the art is generic, let me make it clear that’s not the case. While certain elements of the art are “on brand”, just as many go an extra mile.

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The coloring is digital. I assume it is because of the flawless quality that’s quite common to the technology. I sometimes have a negative response to digital coloring because of its generic application in many mainstream superhero comics. In the case of Catians, it’s very soft and easy to look at instead of being an overly bright sheen. It also lends itself nicely to “emotional coloring.” I’m sure there’s a better term for it, but what I’m referring to is the way colors can be applied to invoke a certain feeling within the reader as opposed to generic realism.

Catians: Resurrection-image 3

This page is simplistic, but it really illustrates what I’m getting at. The descending transformation of the color from red to black gives a deep, uneasy feel of a situation going from bad to worse. And yet there are the golden cat paws. These accompanied with Felix’s narration create a nice counterbalance. Without showing so much, it gives the reader a feeling of hope even as hopelessness seems overwhelming. The artist, Luyi B., achieves this effect through simple means. It shows that you don’t need Van Gogh levels of skills to make coloring interesting, you just have to put in an honest effort.

There is also some seriously great lighting going on, such as this scene:

Catians: Resurrection-image 4

Another quality of the art that sticks out is the panel layouts. Sticking yet again to manga influences, certain pages include that trick where smaller, jagged panels are deployed for intense scenes. The panels zoom in on faces and other body parts, and are accompanied by speed lines to make it more dramatic. I don’t really have insight into why this is such a good artistic decision. It just looks freaking cool!

One thing that did seem odd was how the cats appeared more realistic than the humans.

Catians: Resurrection-image 5

Their hair and faces are more defined and detailed than the humans’. The only explanation for why could be their mythical nature. Perhaps having an uncanny contrast between the two serves the story on a thematic level.

Now that I’ve mentioned it, time to go into the story side of Catians: Resurrection. This is honestly both the most interesting and infuriating part for me. The plot is very straightforward, but with certain twists and turns. Rose is on a revenge quest against mobsters who killed her husband. Basic Punisher stuff. But then comes the cat angle which is more complicated than you would think.

The cats have a central god figure, The Great Cat, who wants them and humanity to live in harmony. To achieve this, The Great Cat sometimes grants certain humans relics, which must be given to them by a feline aid. When Rose gets her tail, some of the things she does with it include creating a tombstone, turning into a cat humanoid, and even making a person. Yeah, I have no idea how it works. It is not specified to how many relics there are, what exactly they do, or any limits to the power they wield. That seems to be info that will be brought up later in the series.

If all I described makes Catians sound like a mad plot, boy do you have no idea until you read it for yourself. All the crazy ideas going on in writer Cortney Cameron’s head are machine-gunned out through plot beats that waste no time with subtlety. There are plot holes like a moon crater, characters not as well-defined as they can be, and yet the sheer mania of it all crackles with delightful, enthusiastic creativity. It reminds me of the 60s-era Marvel comics such as The Incredible Hulk #1 where he goes from stalking a U.S. military base as a Frankenstein-esque monstrosity to being zipped away in a high-tech jet to the USSR and escaping via From Russia With Love meets the proverbial bull in a china shop.

Such nuttiness might be too much for certain readers, but it’s arguably what makes comics such a fun medium. Only in comics can you compact so many ideas into one go-round. It’s all a matter of making it as visually compelling as possible while maintaining a certain kind of narrative pace. If you got both down, you can go crazy. Catians: Resurrection achieves this balance perfectly.

Until the ending. Most of the story up to this point is a combination of urban fantasy, superhero origin story, and revenge thriller that goes together very well. The ending, however, is a bizarre cross between David Cronenberg and H.P. Lovecraft. It suddenly stops being Rose’s story and gears toward the mythology behind the cats and their larger conflict with yet to be named antagonistic force. At least that’s what I can remember. I might just be experiencing whiplash and need to reread the comic, but something about it just seems off.

It might be that while Catians is a crazy train narrative, it felt like there was still a track it stuck to. Now, it feels like the train has jumped off into a completely new track. It’s still an interesting one, I will admit. I’m gripped enough by the cat mythology in order to give future entries a chance. But, Rose’s arc seems to have been unceremoniously ditched. On the other hand, there is a strong implication that Rose could come back, so this may not be the case.

Only time will tell. The story is still in its infancy, and there is no telling where it will go from here. Waiting to see is both thrilling and trepidatious.

Catians: Resurrection is not soaring to new heights of comic literature, but it knows the kind of story it wants to tell and does so with immense creativity and beautiful art. The only issue is the twist ending, which is up to the reader to decide how to feel about. If whacko, action-packed stories with fascinating mythologies is your thing, go check it out. If nothing else, it has drawings of cats in it. Those are always a win no matter what!

The comic
Luyi Bennett
Cortney Cameron

BOOM! Studios Teams with Tapas to Bring New Heavy Vinyl from Carly Usdin and Nina Vakueva for the Mobile Experience

BOOM! Studios is teaming up with Tapas Media to bring bit-sized stories to you. Together, BOOM! Studios and Tapas will create a unique print and digital partnership around one of BOOM! Studios’ most popular original series, Heavy Vinyl.

Heavy Vinyl: Riot on the Radio, written by Carly Usdin and with art by Nina Vakueva, was originally published in print by BOOM! Studios in 2017 and amassed a global following. With this partnership, Tapas Media is teaming up with BOOM! to adapt Heavy Vinyl to a scrolling, mobile-friendly experience. Tapas will publish the mobile formatted version of Heavy Vinyl and introduce the series to a digital-native audience. Heavy Vinyl: Riot on the Radio will be available via Tapas through their website and mobile apps available for both iOS and Android, and Tapas Media will debut the new Heavy Vinyl original graphic novel exclusively on their digital platform prior to its physical release.

Tapas Media is a leader in webcomics with 50,000 creators from all over the world and 60,000 original titles published to date. They’ve published one million unique episodes and over 4 billion views.

Webtoon Launched Five New Series From Discover in March

Webtoon continue to add new series to their diverse library with FIVE new titles launched in March! Determined to be the leading destination for creators to build an audience, all five new series come from the Discover platform!  Unlucky is as Lucky does was a 2018 Discover Creator Contest finalist and is the wacky, not-so-lucky adventures of a 7-year-old princess,  Axed – featuring a monster hunter is comedy series created by a Canadian and a Brit, Muted by Miranda Mundt (try saying 5 times fast – GO!) is a witchy tale of a girl trying to protect her families supernatural legacy, the winner of the 2018 Discover Creator Contest Cape of Spirits debuted this month to much excitement from the Webtoon creator community, and finally Matchmaker Hero is a sci-fi series featuring love and tomatoes!

Unlucky is as Lucky does

Creator: M. Nires – a 23-year-old Canadian artist/stick figure who once ate pickles and peanut butter

Description: An enemy from afar has threatened to kidnap the king’s daughter. The king springs into action seeking the most elite members of his kingdom to protect her. Sounds like your average everyday fantasy tale. Except that it isn’t… The king is overprotective, the queen can barely tolerate the king, the princess-in-distress is only 7 years old but is strong enough to beat up anyone in the kingdom, and the man or woman who must protect her? He doesn’t have to be the strongest or the smartest…just the LUCKIEST person who ever lived. So yeah, what this tale lacks in tradition, it makes up for in sheer over-the-top lunacy!

Link: Unlucky is as Lucky does

Updates every Wednesday and Saturday


Creators: Shren Patel (Canada) and illustrator Emi MG(UK)

Description: Meet Axelia. Since she was a little girl, all she’s ever wanted to do was become a Monster Hunter. Tough and tenacious, she worked hard to achieve her dream. And then on the day she graduated from Monster Hunter school, with her whole professional life ahead of her…the world declared eternal peace between monsters and humans. Well then. Now, with a useless degree, and no other viable job skills, Axelia must take on any job that will have her. Alongside a wisecracking, underachieving demon and pretty wood nymph whose roots don’t quite reach the soil, Axelia is determined to find the adventure she craves – even if it’s at a soul-crushing minimum wage job. Girl’s gotta eat, right?

Link: Axed

Updates on Wednesday and Sunday


CreatorMiranda Mundt – a Seattle illustrator and wannabe animator on YouTube, Miranda spends 90% of her time at home drawing and playing video games with her roommates, 6 cats, and 2 dogs.

Description: On the full moon of her 21st year, the young witch, Camille Severin, is expected to perform the traditional ritual to summon forth a winged demon for her family’s success and prosperity. But when the ritual goes wrong, it reveals the terrifying truths about herself and the secrets that threaten to tear her family apart.

Link: Muted

Updates every Friday

Cape of Spirits

Creators: Kristina N.and Elie Byun

Description: A former heir to the throne, Jinsei Kimura is now a fugitive on the run from the very empire he once called home. Now, to clear his name, Jinsei must fight alongside a team once sworn to deliver his head – working together to uncover the truth behind the coins that power their civilization. In a world without trust, where long-time allies are now enemies, can Jinsei harness the power of the Spirit Coins to find his own personal redemption?

Note: Written by Kristina N. ten years ago but shelved because she loved the characters but could not develop the story until Elie came alongCape of Spirits is the story of the videogame within the story of the popular Webtoon Discover series, Fictional Skin – 226,000 subscribers, 88 episodes with more than 16.7 million reads since summer of 2016. During the contest, Cape of Spirits boastedmore than 1.9 million views, with more than 15,000 likes per episode and 179,000 subscribers in just eight episodes!

Link: Cape of Spirits

Updates every Wednesday

Matchmaker Hero

Creator: Madeline Ince – an awkward midwesterner who occasionally enjoys a good murder with friends. A good murder story, of course.

Description: Richie is a simple boy with a simple life. Yes, he has a distinct tomato allergy, and no, he’s not interested in dating. That is until he goes on a blind date with Elle, the richest girl in the town of Overlook. It’s an awkward date that gets straight up weird when Elle asks him to fight aliens alongside her. Wait…what? It turns out, not only do aliens exist, but they’re also linked to Richie’s past. Now, Richie has to find the answers to his alien heritage, while hiding the true motives behind the fabricated romance between him and Elle. What could possibly go wrong? Not much, besides fighting seven mega-powerful alien heirs who threaten to destroy everything he loves.

Link: Matchmaker Hero

Updates on Monday

Lion Forge Will Collect Ariel Slamet Ries’ Webcomic Witchy in September

In conjunction with the Lion Forge panel at C2E2, the publisher of “comics for everyone” announced the collection and publication of Ariel Ries’s beloved webcomic, Witchy! Praised around the internet since its first appearance five years ago, Witchy was nominated for the 2015 Ignatz for Outstanding Online Comic, the 2016 DINKy for Outstanding Web Comic, and the Danish “Pingprisen” for Best Online Series in 2017 and 2018.

Now, Lion Forge announces the first long awaited print collection for release just in time for back to school reading!

In the witch kingdom Hyalin, the strength of your magic is determined by the length of your hair. Those that are strong enough are conscripted by the Witch Guard, who enforce the law in peacetime and protect the land during war. However, those with hair judged too long are pronounced enemies of the kingdom, and annihilated. This is called a witch burning

Witchy is an ongoing webcomic about the young witch Nyneve, who is haunted by the death of her father and the threat the Witch Guard poses to her own life. When conscription rolls around, Nyneve has a choice to make; join the institution complicit in her father’s death, or stand up for her ideals?

Witchy is updated online every Tuesday and Friday, with the print edition to be solicited in the July-dated PREVIEWS catalog for release in September.


Ophiuchus Heads from Webcomic to Print this August

Image Comics is pleased to announce that the popular webcomic, Ophiuchus by Alexis Leriger de la Plante and Natasha Tara Petrović will be collected in its entirety and debut in print from Image Comics this August.

Perfect for fans of Sloane Leong’s Prism Stalker, the day-glo drenched, cybernetic Young Adult/Teen adventure of Ophiuchus follows the story of a lone sentry to an ancient inactive warp gate. But when a strange being breaks through and infects her with a sentient virus, she’s approached by two machines who implore her to follow them to the center of the universe and put an end to the malevolent rot before it spreads to the surrounding worlds.

Ophiuchus trade paperback (ISBN: 978-1-5343-1406-1) is a complete, standalone graphic novel and will be available in comic shops on Wednesday, August 21 and available in bookstores on Tuesday, August 27.


Panels To Chords Ninety – Nine Righteous Men

Ben and Madi are back for a all-new episode of Panels To Chords! This time, they’re talking about K.M. Claude’s Ninety-Nine Righteous Men, the cult hit webcomic about two priests with a shameful history between them that must join forces to vanquish a demonic being of lust possessing a helpless choir boy. It’s sexy, blasphemous and darker than your morning coffee. Just what the doctor ordered!

Webcomic Ordinary Princess is Printed for the First Time this Summer 2019

In an extraordinary land full of extraordinary people, what does it really mean to be ordinary? That’s what we discover in Extraordinary: The Story of an Ordinary Princess, inspired by M. M. Kaye‘s beloved novel! Journey with Princess Basil, a princess whose gift is simply to be ordinary. Portland comics artist and writer Cassie Anderson takes her webcomic out of the digital world for the first time in this tale of magical adventure, full of soul and humor for readers of all ages.

In her quest to be more than just ordinary, Basil tracks down the fairy godmother who “blessed” her, and learns the answer to her ordinariness might more challenging than it appears. Follow along on her expedition as she escapes unusual kidnappings, gnomes, snarky foxes, and a badger or two, and along the way learns just what it takes to be extraordinary. 

The exquisite Extraordinary: The Story of an Ordinary Princess comes to your local comic shop July 24, 2019.

Extraordinary: The Story of an Ordinary Princess

Talking with Cartoonist Blue Delliquanti, creator of “Oh Human Star” on Graphic Policy Radio

O Human Star, is a webcomic about a trans robot, the humans who made her and the complex world of robotics and human development they all live in. I interviewed series creator Blue Delliquanti

Blue is the creator of the Prism Award-winning webcomic O Human Star. Blue is also the co-creator of the graphic novel Meal (with Soleil Ho) and The ‘Stan (with David Axe and Kevin Knodell).

We discuss artistic inspiration, transhumanism, robot politics, Rossum’s Universal Robots, Mike Mignola’s influence, queer stories and generation gaps and the unique joy of finding fanart of your work.

Webtoon Continues to Grow with New Comics

The #1 web comic publisher, Webtoon, continues to grow their creator community. The platform launched five new titles in January. Webtoon excels with an incredibly diverse selection of titles and the January releases are no exception! Castle Swimmer tells the story of two undersea boys whose fate intertwine into a romance like no other, Acception is a sweet tale of a very different boy who brings a fresh splash of color to the world around him, Save Me comes from the BU piecing together a Groundhog Day storyline from clues throughout BTS’ music videos over the past few years, Trailer Park Warlock finds a hero in a single-wide, and The Four of Them reminds us high school is still the same challenging yet impactful short period of our lives – this submission to their recent Discover Contest made the first cut and gathered a legion of fans. More information on each title is below – all available to binge now!

Castle Swimmer

Creator: Wendy Lian Martin

Description: What happens when your entire life is ruled by a prophecy – your future foretold by people you’ve never met, who died long before you were born. Such is the story of two young sea creatures. One believed to be a guiding light for his people, a Beacon who will lead them to a bright, prosperous future. The other is a teenage prince for who’s destiny is to KILL the Beacon so that HIS own people might thrive. When both reject the course set for them, it leads to a raucous adventure as big and unpredictable as the ocean itself – and a romance that nobody could have predicted.

Note: With more than 200k subscribers in just six episodes and more than 1.7 million global reads, Castle Swimmer marks an impressive debut on Webtoon for creator Wendy Liam Martin.

Updates weekly on Sundays


Creator: Colourbee

Description: With his rainbow-colored hair and love of all things fashion, Arcus is anything BUT your average teenager. He’s an upbeat independent thinker, proud fashionista, and like the rest of us, is just looking for a few friends to call his own. Acception may be Arcus’ story – but it’s all OUR stories too – and it is for anyone who’s ever struggled to fit in, find love, or thought that High School was pretty much the worst thing ever invented.

NoteAcception debuts with 115k subscribers and more than 1.4 million global reads

Updates twice weekly on Tuesdays and Fridays

Save Me

Creator: Big Hit Ent./LICO

Description: Seven boys. Best friends. Their fates intertwined through the good times together, but also the tough times, as they have gone their separate ways and suffered greatly as a result. When all is almost lost for these boys, one is given a special chance to go back in time and help his friends fix the mistakes that led them down this path. He’ll do anything to save them, but can he? Or is he too late?

Note: Save Me launch week was an incredible 1.1 million subscribers and more than 24 million views. This webtoon topped the trending topics and was top 10 on multiple charts in the App store.

Updates every Thursday

Trailer Park Warlock

Creator: Matthew J. Rainwater

Description: Jake Baker, the working-class warlock, struggles to make ends meet. But with the help of his friends and some down-home DIY magick, he might just keep chaos at bay, and pay his lot fees too…

Note: The creator has introduced an interesting collection of critters including a Rabblesnake…

Updates every Friday

The Four of Them

Creator: Mai Hirschfeld

Description: Getting crushed by your crush. Coming out to your parents. Learning that your sister is your biggest dating rival. High school sure does have its share of twists, turns and moments of high drama. To get through it all with your smile and sanity intact, you’re going to need some friends. Really good friends. Friends like Johnny, Mariel, Gaby and Martina who, one way or another, will find a way to get through their teenage years together.

About: This Discover title made the first cut in Webtoon’s 2018 Creator Contest – and developed an incredible readership!

Updates every Monday

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