Black Widow #4 continues what is a hell of a series. Each issue has built on the last to deliver an action-packed thriller whose twists, turns, and actions entertain. We get a better sense as to what has gone on as Black Widow’s memory comes back and she does what she does best, kick ass.
Writer Kelly Thompson just ups everything and delivers the outlandish story in a way that works. We now know where Natasha’s kid came from and a better sense of her husband. We also are delivered a real connection between them all upping the stakes of everything.
Thompson also makes sure to keep things fun. Whether it’s Clint and Bucky’s back and forth or the villains realizing how screwed they are, there’s some laughs keeping the overall tone light. This is an action packed story with a smile and a wink.
It also has a hell of a style. Elena Casagrande and Carlos Gómez split the art duties between the past and present. Jordie Bellaire and Federcio Blee split the color in the same way. There’s clearly a lot of coordination and work being down between the teams as sequences mirror each other in some ways. The use of panels really emphasizes the flow of the action. There’s also a solid amount of detail when it comes to faces and body language to really make the emotions pop. The colors too really differentiate between the two time periods of the comic.
Black Widow #4 continues what is a fantastic series. It really brings a lot of fun and action. Each issue delivers laughs and cool moments. This is one of the best debuts for the character in years. If you’ve missed out, it’s not too late to catch up and see the quality you’ve been missing.
Story: Kelly Thompson Art: Elena Casagrande, Carlos Gómez
Color: Jordie Bellaire, Federico Blee Letterer: Cory Petit
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy
Marvel provided Graphic Policy with a FREE copy for review