When it comes to taking down Hollywood’s worst criminals, Detective Hank Howard works alone. But when two crazed criminals decide to go full Grand Theft Auto and hijack the model for Big Caligula’s shining new fleet of food trucks, all bets are off. For the first time, Hank must team-up with Big Caligula’s Southeast Regional Manager Barb Knox, to recover the stolen whip. Together they’ll go full-throttle in a high-speed pursuit of justice, facing down a barrage of bullets, high-octane explosions, and two pizza perps who are willing to do whatever it takes to get away clean.
Story: Robert Venditti Art: David Lapham Letterer: Dave Sharpe
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“Cancel culture” has been debated in over a decade at this point. While the issue itself has ebbed and flowed, the reality is few celebrities and entertainers that have been “canceled” have stayed “canceled.” When it comes to entertainment, perceived profitability is what matters and no matter how problematic someone is, if corporations can make money off of them, they’ll be forgiven. Comedian Louis C.K. was accused for sexual misconduct in 2017 but Netflix rolled out the red carpet and gave him a platform in 2026 for a set during the Netflix is a Joke Festival at the Hollywood Bowl. He also won a Grammy for “Best Comedy Album” in 2022, his third win and first since the accusations.
At its worst, “cancel culture” is just another part of the ongoing culture wars used to score political points and galvanize a political party’s base to drive votes or put pressure on a business. That corruption does a disservice to the real world abuse and bigotry it’s supposed to address.
Comic publisher Image Comics has done their own disservice by recently welcoming back at least two individuals who have both been accused of misconduct in the comic industry.
The accusations against Ellis had some immediate impact. He had a story pulled from Dark Nights: Death Metal. DC completed the release of his Batman’s Grave series but it has not been collected. Recently his run on The Authority was released as part of DC Compact Comics line, as there were plans to bring the superhero group to the big screen, but those plans have fizzled. In general, Ellis went away, even taking a break from his weekly email newsletter, only to eventually return to that in 2022 with regular updates.
And now, Warren Ellis has returned to the world of comics with two releases by Image. On August 5, Image announced that Ocean from Ellis and Chris Sprouse was returning to print in October. It was originally released by Wildstorm/DC Comics in 2004. It was optioned to be adapted for film in 2007 but there hasn’t been much news since the initial announcement.
A reprint isn’t the only announcement from Image regarding Ellis. On August 11, the publisher said it would be releasing his new graphic novella with artist Lordess Foudre, Ghost Drive Station, this November.
I have spent the day re-reading the entirety of SoManyOfUs.com, including every testimonial. I’ve also re-read dozens of documents and communications from the transformative justice action SMOU-TJ and Warren Ellis started. I wanted to remember the hope I held at that time. I also wanted to see if I could approach this moment with gratitude instead of anger.
To believe in transformative justice is to believe people capable of change. But, as our mediator said during the process, “transformation is heartbreak.” It is crushing and painful, but it is also our right as human beings. I haven’t spoken to Warren Ellis in over 6 years. I don’t know who he is now. I don’t know how he’s changed, but I’m sure he has. I know Warren read all of SoManyOfUs.com and I can’t imagine an outcome where doing so doesn’t change you. But, as Kai Cheng Thom says, “Change is inevitable, growth is optional.” I was often sad that Warren, when confronted with the consequences of his actions, didn’t react in the way I expected him to. But I am grateful it led to me untangling 15 years of complicated feelings and hurtful actions.
I’m grateful that I believe we can change and hold ourselves accountable in this world. But, quoting our mediator again, “being called to accountability feels like being reminded that your shit stinks. and coming clean is hard to do.” It can feel impossible to look in the mirror and confront the worst version of ourselves. Without having the necessary support systems in place to make it possible, I don’t blame or fault anyone for not being able to do it.
We all tried our best. When our attempt at a community accountability action failed, I was disappointed, but grateful that we tried. And grateful to know that Warren had tried, too.
I currently work as an editor in comics, with books I work on being published by Image. I love comics. I love the comics community and how we all keep making them despite it being so hard, with no financial security, and no safety nets. I see groups within the community doing so much good and fighting hard to make the industry more sustainable and safer for everyone involved.
But there is no set process for anyone in the comics community to account for our actions and change our behaviour after harm or abuse has happened. This has led many people to be forced out of the industry – victims, perpetrators, and witnesses. My heart hurts for all the people who were bullied, ostracized, shunned, or threatened out of this community, particularly those I spoke to back in June and July of 2020, impacted by Warren’s actions. I hope one day this changes.
I’m grateful to everyone who was wondered if Warren has “made amends to the satisfaction of all involved.” It shows me solidarity and care are widespread within comics. I wouldn’t say I’m satisfied, but I also would say I am no longer personally invested in Warren’s transformation.
I am personally invested in the books I work on that come out with Image, and I really hope you don’t take any disappointment you feel in Image’s actions out on the creators whose work they publish. Seeing people boycotting Image comics feels a cruel joke when that directly affects my livelihood and that of the people who respect and support me. But I get it – this seems like a financial decision from Image, so respond in a financial fashion. I hope we can all keep ourselves open to change in the future.
My resolve to expand my capacity to hope for change – after a night of anger and crying and shouting – is renewed. Thanks for hearing me out and for reading all of this.
In 2020, Jason Latourwas accused of harassment by multiple individuals. Again, the original accuser wasn’t looking to harm a career but instead raise awareness of his behavior, as well as the “creeper” behavior in general. Numerous other individuals spoke up about their own interactions with Latour and were described as “inappropriate behavior.” Latour did attempt to take responsibility for his actions and apologized in Tweets that were later deleted. If he actually attempted to apologize to individuals or really took responsibility is unknown.
Around the time of all of this, Southern Bastards was one of the hottest comics on the market, having won multiple awards and being well regarded by both critics and readers. Created with writer Jason Aaron, the series paused due to the accusations against Latour and hasn’t returned to comics. In October 2025, it was announced that Hulu ordered a pilot based on the series.
But, like so many “canceled,” Latour returned to mainstream comics with a contribution in the Image 30th Anniversary Anthology #12 which was released in 2023. His crowdfunded graphic novel Super Ego got a bigger release from Image in May 2026, with an announcement of it in February 2026. It didn’t make much of an impact on release, honestly I didn’t know it was and thought it was still yet to come out.
At the time of that announcement, we said “2025 was the year of court cases for the comic industry and two months into 2026, it sounds like it’ll be the year of attempted returns by those in the comic industry previously accused of harassment.”
The embrace of Ellis and Latour are just two examples within the comic industry of its recent warm embrace of its troubled past. While some individuals have completely left the industry, others still find work or dip their toes in to test the waters and see the reaction. In early February 2026, Neil Gaiman broke a year of silence to address allegations against him for sexual assault among other alleged crimes. It was the first step in his attempt to re-enter the public sphere in the build up to a new book release.
There’s some irony in Image’s choice to welcome back these two individuals. In November 2021, Image employees began the unionization process with Comic Book Workers United. They had nine goals, one of which was:
A collective voting option to allow stay a say in canceling publication of any title whose creator(s) have been found to have engaged in “abuse, sexual assault, racism and xenophobia, homophobia, transphobia, anti-Semitism, Islamophobia, ableism, etc. until such time as said creators have engaged in meaningful reparations toward affected person(s).”
Now, we as consumers have a choice, if we welcome these returns and purchase their published comics or send a signal to publishers these individuals are unwelcome back until they show actual signs of acknowledging the harm they’ve done and accept responsibility. Image Comics has shown where it stands, now it’s time for the consumers, retailers, employees with publishers, and other creators to show if they really believe accusers and are against this behavior, or if it was all performative to score points online and look good to others.
San Diego Comic-Con has wrapped up and the city of San Diego has fined Marvel Studios for covering up the Gaslamp arch. The movie studio is being fined $160,000.
Marvel’s contractor was told to not cover up the arch and install an installation but it was done anyways.
DC Defender Version 03 Arkham: Chaos Prologue arrives as Gotham enters a new battle chapter. Officially licensed DC model kits feature authentic armor details, approx. 2.36 in height, and 18–24 pieces, giving each model kit a strong visual presence.
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Let me tell you about the winter I had to face all my fears.
I used to like a lot of things when I was younger, like dancing, baking, and most of all skiing. But as I got older, things started to change…I started to feel afraid of things like certain colors, numbers, and cracks in the sidewalk.
But there was a way to manage these scary thoughts, and start enjoying the things I used to – it started with something called exposure therapy.
Even though it was hard at first, I learned how brave I truly am.
This is the story of my OCD and how, despite the challenges, I learned to face my fears.
Story: Lily Williams Art: Lily Williams
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First Second provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Against all odds, Bee and the new Lost Ones have managed to save Neverland from the villainous Peter Pan. All that’s left to do is relax in paradise . . . or is it?
When a mysterious rot is discovered at the edge of the island, the fun and games come crashing to a halt. The Lost Ones must face a horrifying new reality: The magic tree, source of Neverland’s power, is dying. Desperate to save the only real home they’ve ever known, the crew must team up with an old friend of Neverland and set sail on a daring new quest for a cure. And they’ll have to find it quickly, because with every second they’re away, they run the risk of growing up too much to ever return. With their hard-fought new life on the line, this gang of perpetual youths might need more than faith, trust, and pixie dust to survive.
Story: Tom Taylor Art: Jon Sommariva Color: Ander Valadez, Jon Sommariva Lettere: Wolfgang Bylsma
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Raised in the world of fey, seventeen-year-old Rosefinch has the ability to lift curses with nothing but a twist of her fingers. But when a witch’s magic is left long enough in the fey realm, it becomes supercharged, painful to use, and potentially even dangerous.
Following a rumor that the village of Harp is home to a witch who might be able to help control her magic, Rosefinch discovers an ancient ruined castle with the inhabitants long gone; the only remaining soul a knight cursed to stand a frozen guard at the entrance. The magic she uses to free them melts more than just the ice, and soon, Rosefinch is falling for this charming stranger. But Thierry has secrets of their own, as do other members of the Harp family still hidden within the castle walls. The Harp witch’s wicked magic ripped this family apart for a reason, and Rosefinch must find a way to stop the curse or she’ll lose Thierry―and the chance to learn the truth about her magic―forever.
Story: Mars Lauderbaugh Art: Mars Lauderbaugh
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Feiwal and Friends provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
A timely graphic memoir about the far-reaching impact of racism in today’s society, as seen through the lens of one couple’s interracial marriage.
Where does the concept of “the other” come from? And who truly benefits when we allow fear of the other to steer our society? Through charming banter and illuminating anecdotes from their personal lives, writer-artist Nick Abadzis and psychotherapist Angela Watson chronicle their nearly forty-year interracial relationship, their respective family histories, and their ongoing experiences with anti-Black racism in Britain and America, from the overt racial taunts of childhood bullies to the more subtle biases of the adult workplace.
In the midst of a dangerous political backlash that threatens to derail decades―if not centuries―of movement towards a more equitable and diverse world, My Beloved Other puts questions of race front and center, and turns a critical eye to the systems that seek to exploit our differences. Above all else, it challenges readers to do what can sometimes feel impossible: keep hope alive for a future where difference is embraced as a source of unity, not division.
Story: Nick Abadzis, Angela Watson Art: Nick Abadzis
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23rd Street provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
What remains after the end of the world? For the last of humanity in a world of perpetual winter, the only way to survive is to adapt—but for Lynx Takuma, the past cannot be so easily left behind.
Lynx Takuma is standing still. As a bio-enhanced detective in New Borealis, one of the last habitable cities after worldwide climate disaster, Lynx knows what she’s meant to do: break up crime syndicates, track down rogue Qual technology, and keep the peace alongside her reckless-but-trusty partner Task and her crime-fighting talking cat Skua. But ever since Simone…
Well, she’s not thinking about Simone. Or about anything beyond getting through the next day, and the next, and the next…
Story: Samuel Sattin Art: tokitokoro Lettering: Phil Christie
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VIZ Media provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
One thousand years ago, superstition and the sword ruled. It was a time of darkness. It was a world of fear. It was the age of GARGOYLES! Stone by day, warriors by night, they were betrayed by the humans they had sworn to protect…frozen in stone by a magic spell for a thousand years. Now, here in Manhattan, the spell is broken, and they live again! They are defenders of the night! THEY ARE GARGOYLES!
It is 1997. The Manhattan Clan has remembered their calling…being heroes to the helpless on the streets of New York. At the same time, the Gargoyles desperately search for clues to the whereabouts of their missing Gargoyle egg. And they must hurry, for an ancient, all-powerful evil has awoken, with a score to settle…
Gargoyles Vol. 2 #1 continues the previous series while serving as an entry point for new readers.
Written by Greg Weisman, Gargoyles Vol. 2 #1 kicks off a new volume but does so in a way that’s heavily focused on new readers. If you’ve never read a previous comic or don’t know the animated series, the debut issue runs you through everything you need to know. It’s done so in a way that it skews almost too heavily towards new readers and might lose the long time fans.
The issue introduces us to the concept of the Gargoyles and their big picture battle, regaining an egg that was stolen from them. Their relationship with the people of New York City is explored, doing a fine job of laying out everything readers need to know. All of this is done around some tense action as the Gargoyles fly into action to save individuals who might plummet to their doom.
All of it is ok, but it’s a little odd so many important people are stuck in the same situation. Still, Weisman uses it to introduce us to key players who have, or will, play a role in the series as it progresses. It’s written clearly for those that are new and the way it’s introduced, for younger readers who might overlook the coincidence.
The art by Gerardo Gambone is good. With color by Robby Bevard and lettering by Jeff Eckleberry the comic continues the style of the animated series and brought over to the comics. The action has a nice flow to it and the characters all look solid. Overall, it’s nice art with some solid panels and pages. But, overall, it doesn’t do anything that breaks from the style the property is accustomed to.
Gargoyles Vol. 2 #1 is a fine start that is a good introduction to the characters and world. It helps build what’s to come but might focus a bit too much on catching readers up. New readers won’t have an issue but those who have been reading the previous volume might find it doesn’t have enough to excite them.