The series debut of the anticipated horror comic Fear Case by writer Matt Kindt, artist Tyler Jenkins, and colorist Hilary Jenkins has sold out at the distributor level ahead of its February 3, 2021, on-sale date. Dark Horse Comics has tapped the critically acclaimed Andrea Sorrentino to provide a new cover for the issue’s second printing.
Described as “True Detective” meets “The Ring”, Fear Case marks Matt Kindt’s first foray into the horror genre.
Fear Case#1, out on February 3, 2021, features a standard cover by Tyler Jenkins and variant covers by Francesco Francavilla and Duncan Fegredo. Dark Horse Comics will publish the second printing variant of issue 1, featuring an all-new cover by Andrea Sorrentino, on February 10th, 2020.
Posting on their social media channels in efforts of transparency, Dark Horse Comics has announced new policies regarding harassment, discrimination, and a Code of Conduct.
This comes after waves of renewed criticism for the company regarding its employees. Allegations against editors Scott Allie, Brendan Wright, and freelancer Cameron Scott all came out this past summer.
You can read their full statement below.
With the help of outside HR Consultant, McGeachy Consulting, Dark Horse leadership has been reflecting, discussing and implementing new and updated policies to ensure the safety, happiness, and well-being of all employees.
Here are the measures that we have instituted:
• An updated Code of Conduct policy that we are asking all employees, creators, and business partners to uphold
• A more in-depth anti-harassment and anti-discrimination policy, which includes a clear reporting policy, for employees across all departments and divisions
• A newly formed Employee Relations Committee that manages, guides, and directs any significant employee relations issues that arise at Dark Horse
• A newly formed HR Executive Committee focused on implementing HR strategy, planning, and policy
• Identification and introduction of new company values assembled into a Culture Document helping to define and inspire our workplace culture
Beginning this year, an annual series of harassment and discrimination prevention training sessions will be implemented for all our employees. Dark Horse will continue taking the necessary steps forward to prevent harassment and discrimination within the workplace. We can and will do better.
We are optimistic about the future as we continue to improve and update our company policies. It continues to be our goal to be a company in which every single person feels valued and where every person feels safe from harassment or discrimination of any kind. While there is more work to be done in the many months ahead, we remain deeply committed to positive change in the workplace.
The statement sounds like a fantastic start. Will it begin a wave of changes throughout the industry where these types of policies are implemented?
The legendary creator of Hellboy, Mike Mignola, is reuniting with Christopher Golden, artist Peter Bergting, and colorist Michelle Madsen for three all-new comic book stories. These three new titles—Cojacaru the Skinner, Imogen of the Wyrding Way, and The Golem Walks Among Us!—present three standalone “Tales from the Outerverse,” which will expand the fan-favorite world of Baltimore and Joe Golem, as well as upcoming seriesLady Baltimore, in unexpected and unusual ways. In these stories, the mythical hero Cojacaru the Skinner returns from the grave, the powerful Wyrder Imogen pursues her foes, and the legendary Golem awakens…
The release of the new “Tales from the Outerverse” titles will follow the publication of the eagerly anticipated new series Lady Baltimore: The Witch Queens, which debuts from Dark Horse Comics on March 24, 2021. That series follows the adventures of the woman who was once Sofia Valk, who must embrace the title of Lady Baltimore as witches, monsters, and Nazis march through Europe.
About The Tales From The Outerverse Titles
Cojacaru the Skinner Two-Issue Series. Issue 1 debuts on April 21, 2021
Cojacaru the Skinner, the strange and enigmatic bane of Eastern European witches, has been dead many years. But from a bloodied French town in the throes of World War II, a plea for help carries across the winds of time. A desperate band of resistance soldiers and their white witch allies rest their fate in the hands of Cojacaru’s ghost. And when she answers their call, it will be heard near and far.
Called forth from beyond the grave to fight witches once again, Cojacaru the Skinner wreaks her havoc on the witches of the Hexenkorps. But with their evil buoyed by the violence of the Nazis and the supernatural presence of the Outer Dark, the ghostly warrior will have to depend on a ragtag group of white witches and resistance soldiers to back her up. It will prove to be a desperate fight indeed.
This is the story of Cojacaru the Skinner, once a small girl named Crina who befriended a witch-hunting golem. It is a story of horror, desperation, and, ultimately, hope.
Imogen of the Wyrding Way One-Shot debuts on June 23, 2021
While on a mission in Denmark with her fellow Wyrders, Imogen hears some odd news: hundreds of refugees fleeing the spread of Nazism are traveling into the nearby forest, and never returning. Helping a young man find his refugee family will bring Imogen face-to-face with some of the worst that war can inflict upon those in need–and make her ask the difficult question of what she’s really fighting for.
The Golem Walks Among Us! Two-Issue Series. Issue 1 debuts on August 4, 2021
The Golem has a long memory….
After being awakened from his long sleep in a shrine in Eastern Europe, Josef the Golem aids in the fight against the witches that once again terrorize humanity. Deployed to a small village where a cult has taken root, Josef encounters not only witches but an old enemy who remembers him well…and is out for vengeance!
Brought to a small fishing village to fight a cult, Josef the Golem finds himself face-to-face with one of his oldest enemies from centuries of fighting witches. And when the fight comes to a head, the ultimate question will be whether fighting witches or saving humanity is really at the heart of the Golem’s purpose.
Artist Peter Bergting has created a dazzling triptych for the variant covers of Cojacaru the Skinner #1, the Imogen of the Wyrding Way one-shot, and The Golem Walks Among Us! #1.
2020 definitely felt like a year where I embraced comics in all their different formats and genres from the convenient, satisfying graphic novella to the series of loosely connected and curated one shots and even the door stopper of an omnibus/hardcover or that charming webcomic that comes out one or twice a week on Instagram. This was partially due to the Covid-19 pandemic that shut down comics’ traditional direct market for a bit so I started reviewing webcomics, trade paperbacks, graphic novels and nonfiction even after this supply chain re-opened. I also co-hosted and edited two seasons of a podcast about indie comics where we basically read either a trade every week for discussion, and that definitely meant spending more time with that format. However, floppy fans should still be happy because I do have a traditional ongoing series on my list as well as some minis.
Without further ado, here are my favorite comics of 2020.
10. Marvels Snapshots (Marvel)
Curated by original Marvels writer Kurt Busiek and with cover art by original Marvels artist Alex Ross, Marvels Snapshots collects seven perspectives on on the “major” events of the Marvel Universe from the perspectives of ordinary people from The Golden Age of the 1940s to 2006’s Civil War. It’s cool to get a more character-driven and human POV on the ol’ corporate IP toy box from Alan Brennert and Jerry Ordway exploring Namor the Submariner’s PTSD to Evan Dorkin, Sarah Dyer, and Benjamin Dewey showing the real reason behind Johnny Storm’s airhead celebrity act. There’s also Mark Russell and Ramon Perez’s take on the classic Captain America “Madbomb” storyline, Barbara Kesel’s and Staz Johnson’s sweet, Bronze Age-era romance between two first responders as the Avengers battle a threat against the city, and Saladin Ahmed and Ryan Kelly add nuance to the superhuman Civil War by showing how the Registration Act affects a Cape-Killer agent as well as a young elemental protector of Toledo, Ohio, who just wants to help his community and do things like purify water. However, the main reason Marvels Snapshots made my “favorite” list was Jay Edidin and Tom Reilly‘s character-defining work showing the pre-X-Men life of Cyclops as he struggles with orphan life, is inspired by heroes like Reed Richards, and lays the groundwork for the strategist, leader, and even revolutionary that appears in later comics.
Fangs is cartoonist Sarah Andersen’s entry into the Gothic romance genre and was a light, funny, and occasionally sexy series that got me through a difficult year. Simply put, it follows the relationship of a vampire named Elsie and a werewolf named Jimmy, both how they met and their life together. Andersen plays with vampire and werewolf fiction tropes and sets up humorous situations like a date night featuring a bloody rare steak and a glass of blood instead of wine, Jimmy having an unspoken animosity against mail carriers, and just generally working around things like lycanthropy every 28 days and an aversion to sunlight. As well as being hilarious and cute, Fangs shows Sarah Andersen leveling up as an artist as she works with deep blacks, different eye shapes and textures, and more detailed backgrounds to match the tone of her story while not skimping on the relatable content that made Sarah’s Scribbles an online phenomenon.
I really got into Vault Comics this year. (I retroactively make These Savage Shores my favorite comic of 2019.) As far as prose, I mainly read SF, and Vault nicely fills that niche in the comics landscape and features talented, idiosyncratic creative teams. Heavy is no exception as Max Bemis, Eryk Donovan, and Cris Peter tell the story of Bill, who was gunned down by some mobsters, and now is separated from his wife in a place called “The Wait” where he has to set right enough multiversal wrongs via violence to be reunited with her in Heaven. This series is a glorious grab bag of hyperviolence, psychological examinations of toxic masculinity, and moral philosophy. Heavy also has a filthy and non-heteronormative sense of humor. Donovan and Peter bring a high level of chaotic energy to the book’s visuals and are game for both tenderhearted flashbacks as well as brawls with literal cum monsters. In addition to all this, Bemis and Donovan aren’t afraid to play with and deconstruct their series’ premise, which is what makes Heavy my ongoing monthly comic.
Writer/artist Katie Skelly puts her own spin on the true crime genre inMaids, a highly stylized account of Christine and Lea Papin murdering their employers in France during the 1930s. Skelly’s linework and eye popping colors expertly convey the trauma and isolation that the Papins go through as they are at the beck and call of the family they work almost 24/7. Flashbacks add depth and context to Christine and Lea’s characters and provide fuel to the fire of the class warfare that they end up engaging in. Skelly’s simple, yet iconic approach character design really allowed me to connect with the Papins and empathize with them during the build-up from a new job to murder and mayhem. Maids is truly a showcase for a gifted cartoonist and not just a summary of historical events.
In her webcomic Grind Like A Girl, cartoonist Veronica Casson tells the story of growing up trans in 1990s New Jersey. The memoir recently came to a beautiful conclusion with Casson showing her first forays into New York, meeting other trans women, and finding a sense of community with them that was almost the polar opposite of her experiences in high school. I’ve really enjoyed seeing the evolution of Veronica Casson’s art style during different periods of her life from an almost Peanuts vibe for her childhood to using more flowing lines, bright colors, and ambitious panel layouts as an older teen and finally an adult. She also does a good job using the Instagram platform to give readers a true “guided view” experience and point out certain details before putting it all together in a single page so one can appreciate the comic at both a macro/micro levels. All in all, Grind Like A Girl is a personal and stylish coming of age memoir from Veronica Casson, and I look forward to seeing more of her work.
Thai/Italian cartoonist Elisa Macellari tells an unconventional World War II story in Papaya Salad, a recently translated history comic about her great uncle Sompong, who just wanted to see the world. However, he ended up serving with the Thai diplomatic corps in Italy, Germany, and Austria during World War II. Macellari uses a recipe for her great uncle’s favorite dish, papaya salad, to structure the comic, and her work has a warm, dreamlike quality to go with the reality of the places that Sampong visits and works at. Also, it’s very refreshing to get a non-American or British perspective on this time in history as Sampong grapples with the shifting status of Thailand during the war as well as the racism of American soldiers, who celebrate the atomic bomb and lump him and his colleagues with the Japanese officers, and are not shown in a very positive light. However, deep down, Papaya Salad is a love story filled with small human moments that make life worth living, like appetizing meals, jokes during dark times, and faith in something beyond ourselves. It’s a real showcase of the comics medium’s ability to tell stories from a unique point of view.
Ed Brubaker and Sean Phillips (with colorist Jacob Phillips) are two creators whose work has graced my “favorite comics” list many times. And this time they really outdid themselves with the graphic novella Pulpabout the final days of Max Winters, a gunslinger-turned-Western dime novelist. It’s a character study peppered with flashbacks as Phillips and Phillips use changes in body posture and color palette to show Max getting older while his passion for resisting those who would exploit others is still intact. Basically, he can shoot and rob fascists just like he shot and robbed cattle barons back in the day. Brubaker and Phillips understand that genre fiction doesn’t exist in a vacuum and is informed by the historical context around it, which is what makes Pulp such a compelling read. If you like your explorations of the banality of evil and creeping specter of fascism with heists, gun battles, and plenty of introspection, then this is the comic for you.
Music is my next favorite interest after comics so My Riot was an easy pick for my favorite comics list. The book is a coming of age story filtered through 1990s riot girl music from writer Rick Spears and artist Emmett Helen. It follows the life of Valerie, who goes from doing ballet and living a fairly conservative suburban life to being the frontwoman and songwriter for a cult riot girl band. Much of this transformation happens through Helen’s art and colors as his palette comes to life just as Valerie does when she successfully calls out some audience members/her boyfriend for being sexist and patronizing. The comic itself also takes on a much more DIY quality with its layouts and storytelling design as well as how the characters look and act. My Riot is about the power of music to find one’s identify and true self and build a community like The Proper Ladies do throughout the book. Valerie’s arc is definitely empowering and relatable for any queer kid, who was forced to conform to way of life and thinking that wasn’t their own.
I’ll let you in on a little secret: slice of life is my all-time favorite comic book genre. So, I was overjoyed when writers Sina Grace and Omar Spahi, artist Jenny D. Fine, and colorist Mx. Struble announced that they were doing a monthly slice of life comic about a brother, sister, and their best friend/ex-boyfriend (respectively) set in San Francisco that also touched on the gay and indie music scene. And Getting It Together definitely has lifted up to my pre-release hype as Grace and Spahi have fleshed out a complex web of relationships and drama with gorgeous and occasionally hilarious art by Fine and Struble. There are gay and bisexual characters all over the book with different personalities and approaches to life, dating, and relationships, which is refreshing too. Grace, Spahi, and Fine also take some time away from the drama to let us know about the ensemble cast’s passions and struggles like indie musician Lauren’s lifelong love for songwriting even if her band has a joke name (Nipslip), or her ex-boyfriend Sam’s issues with mental health. I would definitely love to spend more than four issues with these folks.
My favorite comic of 2020 was The Impending Blindness of Billie Scott , a debut graphic novel by cartoonist Zoe Thorogood.The premise of the comic is that Billie is an artist who is going blind in two weeks, and she must come up with some paintings for her debut gallery show during that time period. The Impending Blindness of Billie Scott boasts an adorably idiosyncratic cast of characters that Thorogood lovingly brings to life with warm visuals and naturalistic dialogue as Billie goes from making art alone in her room to making connections with the people around her, especially Rachel, a passionate folk punk musician. The book also acts as a powerful advocate for the inspirational quality of art and the act of creation. Zoe Thorogood even creates “art within the art” and concludes the story with the different portraits that Billie painted throughout her travels. The Impending Blindness of Billie Scott was the hopeful comic that I needed in a dark year and one I will cherish for quite some time as I ooh and aah over Thorogood’s skill with everything from drawing different hair styles to crafting horrific dream sequences featuring eyeballs.
What began in Dragon Age: Deception and continued in Dragon Age: Blue Wraith, concludes in the upcoming Dragon Age: Dark Fortress, arriving March 2021 from returning creators Nunzio DeFilippis, Christina Weir, Fernando Heinz Furukawa, Michael Atiyeh, and cover artist Sachin Teng!
The next chapter in the world of BioWare’s award-winning dark fantasy RPG begins here!
Deep within enemy territory, the warrior-legend and fan-favorite Fenris and a fearless team of Inquisition agents prepare to assault a fortress said to be unbreakable in a bid to prevent the unthinkable from being unleashed, but will these heroes make it in time? Dragon Age: Dark Fortress #1 arrives March 31, 2021.
The world of the hit phenomenon Critical Role is expanding in a new mini-series from Dark Horse Comics. Written by Eisner Award-winner Darcy Van Poelgeest and illustrated by Critical Role fan artist CoupleofKooks, and covers by Helen Mask with creative consultation by Critical Role cast member Matthew Mercer, Critical Role and Dark Horse Comics present Critical Role: The Tales of Exandria.
Focused on side characters and stories, the first series in this line of bimonthly comics focuses on Leylas Kryn, the Bright Queen of the Kryn Dynasty. Leylas has spent multiple lives in her pursuit to assemble the Luxon. With her eternal lover Quana at her side, she will stop at nothing to use its power to bring a Golden Age to the people under her rule. When what seems to be the final piece of the Luxon appears nearby, Leylas sends Quana to collect it…with consequences that may threaten the entire Kryn Dynasty!
Critical Role: The Tales of Exandria#1 (of four) is the next addition in an ever-growing line of Critical Role comics, graphic novels, and art books from the ongoing collaboration between Critical Role and Dark Horse Comics! It will be in comic shops on March 17, 2021.
Matthew Rys is set to star and executive produce Wyrd, a new television series based on the Dark Horse comic created by Curt Pires and Antonio Fuso and also featured Stefano Simeone and Micah Myers.
The series is being written by Sheldon Turner and the story of an immigrant extraterrestrial in exile. Wyrd is sent to Earth to better understand humanity and when he’s left, he has to assimilate while investigating paranormal activity and attempting to find a way home.
James Stokoe, the creative mind behind Aliens: Dead Orbit and Orc Stain, comes out swinging with the brand-new kung-fu epic Orphan and the Five Beasts!
Spurred on by her master’s dying words, the adopted warrior “Orphan Mo” seeks to find and kill five former disciples who now threaten the land with corruption from their demonic powers. Part Five Deadly Venoms and part surreal grindhouse, James Stokoe brings his knack for ultra-detailed fantasy and over-the-top violence to this classic tale of revenge.
Orphan and the Five Beasts#1 (of four) will be in comic shops on March 17, 2021.The four issues feature interlinked covers illustrated by James Stokoe himself.
In Barbalien: Red Planet #2, writers Tate Brombal and Jeff Lemire, artist Gabriel Hernandez Walta, colorist Jordie Bellaire, and letterer Aditya Bidikar use the Black Hammer Universe sandbox to show the danger, tension, and yes, joy of being a queer man in the 1980s during the AIDS crisis. The first half of the comic is an homage to ball culture as Miguel, the young Latinx gay activist that Barbalien saved last issue, shows Mark Markz (Disguised a closeted, blond gay man named Luke) around an underground gay club until it is raided by the police. The dark, yet welcoming colors from Bellaire create a vibrant space that is interrupted by the jarring reds of the homophobic cops, their night sticks, and slurs. These are Markz’s colleagues on the force, and throughout the comic, he grapples with his different identities and roles in society: Martian, gay man, and police officer and tries to reconcile them while using abilities to be different things to different people.
Barbalien: Red Planet has done an excellent job of showing how difficult life was for my queer elders. Nowadays, I can go on Yelp and find a decent gay bar or queer-friendly space. Coming out was personally difficult, but being queer is something that is mostly tolerated by members of American society unless you’re a piece-of-shit Republican or Trumper. Rainbow capitalism is a thing, cops show up at Pride, well-meaning, yet tone-deaf corporate grocery stores think that “ally” is part of the LGBTQIA spectrum, and Ru Paul is a fracker. There is an assimilationist streak going on in the queer community (i.e. Lesbian couples throwing gender reveal parties.) where folks try to fit in with our late-capitalist, neoliberal, and fuck it, white supremacist kryriarchal society instead of resisting it. They applaud a racially profiling medium town mayor for being the first LGBTQ cabinet member in the administration of a right of center groper and a gender essentialist TERF and amuse themselves by watching annoying, heterosexual late-night TV hosts act out queer male stereotypes before a bloviating audience. (Aka fuck Pete Buttigieg, Joe Biden, Kamala Harris, James Corden, and Prom.)
However, Barbalien: Red Planet #2 doesn’t do any of this and centers on the BIPOC who were critical in the struggle for LGBTQ rights and trying to get the U.S. government to acknowledge the AIDS crisis. In Barbalien: Red Planet #2, Brombal, Lemire, and Walta introduce readers to the Black drag queen, Knight Klub, who is drawn, colored, and even lettered in a larger than life manner. She is an inspiration to queer men like Miguel, who spins stories of her being at Stonewall and assaulting a police officer at the White Night Riots. And Knight Klub lives up to the hype in the comic as she reads one of the raid cops and gives Miguel and Luke a chance to run away into the Spiral City night. The tension between direct action and trying to lay low continues towards the end of the book when Miguel’s friend Rafael channels his inner Marsha P. Johnson and throws a brick into a police station where the cops are planning to “shut down homosexual spaces”. He is angry that the police grabbed his partner Devon, who is HIV positive, and was inspired by Miguel hanging up a Pride flag at the courthouse. However, this is also just plain dangerous even with Markz mediating and trying to make none of his new friends are arrested or hurt. Because I live in an ostensibly more tolerant society, I can’t 100% relate to what happens in this comic, but I definitely have decided to not publicly come out as nonbinary because of pushback and constantly dealing with being misgendered. (I’m using he/they pronouns for now, but really prefer they/them.)
These atmosphere of activism and the characterization that Tate Brombal gives to Miguel, Rafael, and Devon are like the velvet to the emotional diamond that is Luke’s coming out story. This is technically his second coming out because Barbalien was exiled from Mars for being gay, sympathetic toward humans, and a peaceful man in a warlike society as shown in his previous stories. Luke is new to being around people like him, being called slurs, and even dancing and definitely comes across like a deer in headlights. However, to Miguel, it looks like he is giving off mixed signals, and Walta does a wonderful job of showing his frustration when Luke shrinks away from a kiss. He is exploring his identity during a volatile time, but there are some peaceful moments like Barbalien hanging out next to a Pride flag in Spiral City’s gay village.
These are the moments to savor between cop raids/attacks, and the most typical superhero/sci-fi part of this comic, which is a basically smartphone-wielding Martian bounty hunter tracking Barbalien down to make him pay for his “crimes” against Mars. The bounty hunter is a fairly straightforward protagonist, but Bombral, Lemire, and Walta draw some ghastly parallels between how he treats human beings and the police treat queer men and don’t pull any punches. They’ll kick down the doors just like the bounty hunter will blast them away with a similar intense color palette from Jordie Bellaire, who does a wonderful job gauging the emotion of each panel from peace to awkwardness and even sadness in a silent sequence where Luke looks at the sleeping Miguel, pictures of him with his partner, and then looks down at his police badge as he tries to reconcile his desire for peace and to do good with his true identity as a gay alien.
Two issues in, and Tate Brombal, Jeff Lemire, Gabriel Walta, Jordie Bellaire, and Aditya Bidikar’s Barbalien: Red Planet is easily my favorite story set in the Black Hammer universe (Black Hammer ’45 is fantastic too.). It’s the one I’ve been able to personally connect to. It’s a soul-searing character study for Barbalien/Mark Markz/Luke, and how he struggles with his identity and place on Earth/Spiral City while also centering the role of BIPOC in LGBTQ+ activism during the 1980s and telling their stories as well. And it does all of this with a superhero secret identity/shapeshifting twist.
Script: Tate Brombal Story: Jeff Lemire and Tate Brombal Art: Gabriel Hernandez Walta Colors: Jordie Bellaire Letters: Aditya Bidikar Story: 9.0 Art: 9.4 Overall: 9.2 Recommendation: Buy
Dark Horse Comics provided Graphic Policy with a FREE copy for review
Wednesdays (and now Tuesdays) are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!
Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!
Find out what folks think below, and what comics you should be looking out for this week.
Batman/Catwoman #1 (DC Comics) – We read the first issue and mixed about it but this one is on a lot of people’s radars.
Black Widow #4 (Marvel) – This series has been fantastic so far. Full of action and humor, it’s just beyond entertaining, and this issue ups the “holy crap” factor.
Captain Canuck Season 5 #1 (Chapterhouse) – If you’re looking for superhero comics not from the big two, check this one out.
COVID Chronicles (AWA Studios) – Chronicling ten personal accounts from the frontlines of COVID-19. A perfect example of graphic journalism.
DCeased: Dead Planet #6 (DC Comics) – The series begins to up the action as numerous plot threads begin to come together for a hell of a battle.
E-Ratic #1 (AWA Studios) – A new superhero series staring a 15-year-old who can only use his powers for ten minutes at a time. The concept sounds interesting and it’s from the talented Kaare Andrews and Brian Reber.
Far Sector #9 (DC Comics/DC’s Young Animal) – Things become much clearer in this issue as we continue to question who we can trust.
Happy Hour #2 (AHOY Comics) – In a world where you can’t be unhappy, the state will go to horrific lengths to make that happen. The first issue was an intriguing concept and we want to check out more.
Hellboy & the BPRD: Her Fatal Hour (Dark Horse) – The follow up to “The Beast of Vargu”, Hellboy is always a good time to read.
Justice League: Endless Winter #1 (DC Comics) – The mini-event kicks off here and it feels like an old-school DC storyline.
Kill a Man (AfterShock) – The highly anticipated MMA graphic novel is here and it exceeds our expectations. A great mix of focusing on characters and grappling.
King in Black #1 (Marvel) – Marvel’s next big event kicks off here and it’s a hell of a start.
Knock Em Dead #1 (AfterShock) – A new series from Eliot Rahal who we’ll read no matter what it is. This is a supernatural horror taking place in the world of stand-up comedy. We’re intrigued.
Lumberjanes: End of Summer #1 (BOOM! Studios/BOOM! Box) – The beloved series wraps up.
M.O.D.O.K.: Head Games #1 (Marvel) – We laughed multiple times during this issue that’s a lot of fun. We can’t wait for the second issue.
Overwatch: Tracer – London Calling #1 (Dark Horse) – The hit game comes to comics and it’ll be interesting to see how this one goes over with that crowd.
Red Atlantis #2 (AfterShock) – The election thriller continues and we really want to know where this one’s going. Very timely and not a direction we’re expecting.
Seeds of Spring #1 (Microcosm Publishing) – A Canadian teenage exchanges books and tapes with a pen pal. The series juxtaposes the main character’s life with that of 19th-century Russian anarchist Peter Kropotkin.
Strange Adventures #7 (DC Comics/DC Black Label) – A hell of a reveal in this issue.
The Walking Dead Deluxe #4 (Image Comics/Skybound) – It’s been interesting reading these newly colored releases in the age of COVID. The context definitely has changed a bit since they were first released.