Writer, artist, colorist, and letterer Tyler Boss wants to welcome you to Pendermills in new mystery miniseries Dead Dog’s Bite.
Cormac Guffin has gone missing. There are no police leads and no one seems to care. That is, no one except her best friend Joe. As Joe’s hunt begins, she discovers the horrors of her small town run far deeper than she had ever known.
Throughout the miniseries, Boss is joined by variant cover artists Ian Bertram, Joshua Hixson, Phillip Sevy, and Tom Reilly.
Issue #1 (of 4) of Dead Dog’s Bite arrives April 8, 2020.
Dark Horse Comics and Twentieth Century Fox, with writer Cristiano Seixas, artist Guilherme Balbi, and colorist Candice Han, adapted from the screenplay written by Dan O’Bannon, brings you Alien: The Original Screenplay.
Alien: The Original Screenplaypresents an alternate line of events initially conceived by Dan O’Bannon before it became the Alien motion picture manuscript. En route to back to Earth, the crew of the starship Snark intercepts an alien transmission. Their investigation leads them to a desolate planetoid, a crashed alien spacecraft, and a pyramidic structure of unknown origin. Then the terror begins . . .
Alien: The Original Screenplay#1 (of five) goes on sale April 22, 2020, just in time for Alien Day celebrated on April 26th!
Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!
Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!
Find out what folks think below, and what comics you should be looking out for this Wednesday.
Bloodshot #5 (Valiant) – We’re excited for the movie and the new volume has been a lot of fun. Hop on the bandwagon now!
Green Lantern Legacy (DC Comics) – DC has been knocking it out of the park with their graphic novels for younger readers. We’re excited to see what this new takes on the Green Lantern myth is like.
Hellboy Winter Special 2019 (Dark Horse) – Hellboy is always a fun comic and the one-shot “winter specials” are always a good read to pick up and enjoy.
Iron Man 2020 #1 (Marvel) – Tony Stark is “dead” and Arno has taken over as Marvel looks to the rise of the robots in this mini-event to kick of 2020.
James Bond #2 (Dynamite Entertainment) – The first issue was good but odd as a James Bond story. Still, the theft of art is a new situation for the government agent and where this all goes has us interested in this one.
The Question: The Deaths of Vic Sage #2 (DC Comics/DC Black Label) – One of the best comics to come out of DC Black Label so far. It’s quality in both storytelling and art.
Rai #3 (Valiant) – This is one of the best new series out there right now. Each issue has been amazing.
Rising Sun #1 (IDW Publishing) – Another popular board game gets a comic adaptation. It’s always interesting to see what direction these go in. As board game fans, we’re excited.
Second Coming #6 (AHOY Comics) – The first volume wraps up in this smart look at religion and hero worship.
Undiscovered Country #3 (Image Comics) – The first two issues of this series have been a wild ride. We’re excited to find out more about this isolated future America and what it’s warped in to. This is going down the rabbit hole to find a Mad Max world of possibility.
From the world of the Eisner Award-winning Black Hammer series comes a bizarre, sci-fi adventure origin story! Black Hammer writer and co-creator Jeff Lemire and acclaimed artist Tyler Crook bring the next story from the world of Black Hammer: Colonel Weird: Cosmagog.
Wacky space adventurer Colonel Randall Weird leaves the Black Hammer farm and embarks on a strange journey through space and time for something that he’s long forgotten with his sanity and life at stake!
Colonel Weird: Cosmagog #1 (of four) goes on sale on April 22, 2020.
DC the 80th anniversary of Batman‘s debut in Detective Comics #27 with its publication of Detective Comics #1000, the best-selling comic book published in 2019, based on total unit sales to comic book specialty retailers, according to Diamond Comic Distributors, the world’s largest distributor of comics, graphic novels, and pop-culture merchandise.
Featuring stories and artwork from creators such as Brian Michael Bendis, Geoff Johns, Paul Dini, Denny O’Neil, Scott Snyder, Neal Adams, Greg Capullo, and more, this oversized issue presented the best in Batman stories, spanning past, present, and future.
Annual comic book sales in the comic book specialty market increased in 2019 by nearly 4% over 2018 while graphic novel sales declined by 2%, for an overall increase in print over the previous year by 2.23%.
Marvel Comics was 2019’s top publisher in the comic book specialty market, with a 40.20% dollar market share and a 44.72% unit share. Marvel Comics’ top comic book for the year, Jonathan Hickman and Leinil Francis Yu’s X-Men #1, ranked #3. Overall, Marvel had seven titles in the top ten comics of the year, including Black Cat #1 at #4; Absolute Carnage #1, the first issue of Marvel Comics’ winter event, at #6; Marvel Comics #1000, a special issue celebrating the 80th anniversary of the publication of Marvel Comics #1 in 1939, at #7; Hickman and Pepe Larraz’s House of X #1, beginning Marvel’s X-Men relaunch, at #8; Powers of X #1 at #9; and War of the Realms #1 at #10.
DC was the comic book specialty market’s number two publisher in 2019 with a 29.29% dollar market share and a 30.74% unit market share. DC had two of the year’s top ten comics; in addition to Detective Comics #1000, DCeased #1 ranked #5 for the year. On the graphic novels chart, DC charted five titles; thanks to interest from HBO’s acclaimed adaptation, Alan Moore and Dave Gibbons’ Watchmen returned the top of the year’s sales charts. Also among the top graphic novels were Tom King and Mitch Gerards’ award-winning Mister Miracle at #5, Sean Gordon Murphy’s Batman: White Knight at #7, Alan Moore and Brian Bolland’s Batman: The Killing Joke at #9, and Brian Azzarello and Lee Bermejo’s Black Label title Batman: Damned at #10.
Image Comics was the year’s third largest comic book publisher with an 8.04% dollar market share and a 7.69% unit market share. Todd McFarlane’s Spawn #300, featuring contributions from Scott Snyder, Greg Capullo, Jason Shawn Alexander, J. Scott Campbell, and Jerome Opeña, was the year’s #2 comic book. Image Comics had four of the year’s top ten best-selling graphic novels, led by Brian K. Vaughan and Fiona Staples’ Saga Volume 1 at #2, followed by Marjorie Liu and Sana Takeda’s Monstress Volume 1 at #4, Kieron Gillen and Stephanie Hans’ Die Volume 1: Fantasy Heartbreaker at #6 and Robert Kirkman’s The Walking Dead Volume 31, the final volume of the series, at #7.
IDW Publishing was the year’s fourth largest publisher with a dollar market share of 3.55% and 3.29%. Their top ranked comic book for the year was Teenage Mutant Ninja Turtles #100 which ranked #66 for the year.
With a dollar market share of 3.19% and a unit share of 2.33%, Dark Horse Comics was the year’s fifth ranked publisher. Gerard Way and Gabriel Ba’s Umbrella Academy Volume 1: The Apocalypse Suite, adapted to television by Netflix in 2019, was their best-selling graphic novel at #3.
BOOM! Studios was the sixth ranked publisher at 2.56%, and Dynamite Entertainment was seventh at 2.16%. Viz Media, Oni Press, and Titan Comics rounded out the top ten comic book publishers for 2019.
Now that 2019 is in the history books, it’s time to have a look back at some of the comics, movies and events that really stood out for me during the year. Now this is all based on what I’ve read, and if your favourite comic isn’t here, it may be because I may not have read it, not because I didn’t like it.
Just like last year, we’re looking at comics (ongoing or miniseries) without focusing on single issues or breaking them into specific categories, I’m going for everything in one. If it came out in 2019, then it’s fair game for me. Below you’ll find Eight of them in fact, that for one reason or another rocked my socks off. Underneath that, you’ll find my list of comic book/nerd based movies and T.V. shows. Same general format as the comics, though the total number may be different.
I haven’t decided yet.
I was playing with the order of these right up until I sent it off for publication. I’ve no idea why I only allowed myself the number I did because there were far more comics I read that I wanted to include here. Comics like X-Force, Batman: Last Knight On Earth, Crecy and X-O Manowar were tough to leave off this list, but at the end of the day the books below are the ones that had me the most excited.
For me, these were the very best books (whether miniseries or ongoing) of the year in a sea of high quality comics from all publishers.
8. The Last God(DC Black Label)
Recency bias? Possibly. But over the three issues of this book that I’ve read, I have become thoroughly enamored with how the twin narratives play into and off each other. I almost missed the comic, if I’m honest. It wasn’t until a coworker at my LCS put it in my hands and told me to take it home that I actually did. I haven’t regretted buying this book for a second as I devoured the three issues one after the other. I’m not normally one for fantasy in my comics, but this year that’s almost exactly what I’ve enjoyed the most.
7. Berserker Unbound (Dark Horse)
I had picked this book up purely because it was a new Jeff Lemire book, and Lemire is an author whom I’ll give his comics a chance without knowing what the story is about because I’ve yet to read a book of his that I don’t life. The four issue story about a barbarian thrown from the realm of fantasy into New York City tackles the loneliness and loss felt by those who have nothing left, and the hope that a new friend can shine upon your life. Plus, it’s brilliantly illustrated, with Mike Deodato Jr. using a fantasy inspired high art style that’s eerily reminiscent of the Conan magazines without ever feeling tired.
6. Dead Man Logan (Marvel)
The final send off for Old Man Logan before his younger counterpart is resurrected properly, this twelve issue series always had an ending that we’d expect. There was no secret that Logan would die in the comic, but Ed Brisson was still able to make you care about the death of an alternate version of a character many consider to have been over exposed for much of the first half of this century. I couldn’t get enough of this character’s story, and to finally see an end to Logan’s story left me feeling complete.
5. The Life And Death Of Toyo Harada (Valiant)
Man oh man. I don’t have enough space to rave about how much I loved this series. It is the culmination of Joshua Dysart’s work on the character which began with Harbinger #1 in the 2012 relaunch of Valiant. This series focused on one of the most complicated men in the Valiant universe, telling the story of his life and death (it’s in the title, it isn’t a spoiler), and we’re left wondering whether Toyo Harada was really the villain he’s often portrayed as or whether he was simply a misunderstood hero whose methods rarely aligned with what the world found acceptable in his quest of Peace – at any cost.”
4. Incursion (Valiant)
Perhaps one of the more underrated of Valiant’s miniseries this year, but but had been on my radar for some time given that one of the featured characters was the Eternal Warrior – easily my favourite character in the Valiant universe (as I type this, I am wearing a custom made Wrath Of The Eternal Warrior shirt), and so I knew I’d lap this series up. I didn’t expect to be so taken with the father/daughter dynamic between Gilad and Tama as they face off against the antithesis of all life in a very private battle for the lives of billions of people – but that was only a happy coincidence for Gilad – he was determined to save the young Geomancer at any cost.
3. Once And Future (BOOM! Studios)
This book took me off guard; when my Those Two Geeks co-host Joe told me to pick it up, I was expecting a pretty decent comic (he’s never yet steered me wrong). Instead I found a re-imagining of Arthurian legend with revelations that are teased out ever so slowly as our protagonist gradually becomes aware of who he is and his place in the world. Maybe because I have an incredible soft spot for Arthurian legends, maybe because Dan Mora’s art is right up my alley, or maybe it’s something else entirely, but I love this series.
2. Voracious: Appetite For Destruction (Action Lab: Danger Zone)
I’m surprised that this series fell to this spot in my list; Markisan Naso, Jason Muhr and Andrei Tabucaru’s masterpiece of comic book story telling was among the very best of 2019 – and considering that my expectations were sky bloody high for this series, that it was able to exceed them still blows my mind. I can’t pick one aspect or creator of this series to single out – all deserve an equal measure of praise and credit. Whether it’s Naso’s incredible writing and grasp of dialogue, Muhr’s emotionally powerful art or Tabucaru’s way of breathing life into the pages… each and every aspect of this series was spectacular.
1. Rai (Valiant)
Every once in awhile there comes a series that takes you entirely by surprise. I always hope I’ll like any comic I read because who wants to read a bad comic? But with Rai, I have been consistently shocked. Not because it’s such a marked improvement over Fallen World (which itself was utterly phenomenal and narrowly missed out on this list), but because Dan Abnett has been able to tell such an interesting story with such a simple backdrop. His way of making us question our use and abuse of technology, the loss of our privacy and our seeming inability to distance ourselves from what should be a tool is both as subtle as a butterflies kiss and a sledgehammer to the gut. I’ve never read anything like this before. (Disclaimer: this is based on having read the first three issues, even though the third issue won’t be released for at least another week at time of publication.)
The Television Shows
I didn’t expect to have so much great TV to watch this year, and I’ll be the first to admit I didn’t see it all. For that reason, given the relatively low number of TV shows to comics that were released (and that I’ve seen) I’ve gone with a list of three. If you’re wondering, I have yet to see Watchmen because I don’t have HBO.
3. The Boys (Amazon Prime)
Brutal, bloody and very well written, The Boys is a look at what happens when superheroes are as corrupt as the people they’re supposed to stop. But who stops the heroes? That’s where Billy Butcher (played spectacularly by Karl Urban) and his boys come in. Well worth checking out, but possibly not worth a long subscription to Amazon Prime to do so (unless you’re getting it for the shipping perks).
2. The Mandalorian (Disney+)
If you’re a Star Wars fan, and you haven’t seen this yet, then now is the ideal time to sign up for a free week’s trial of Disney + to get your fix in. This is one of the better live action offerings in the Star Wars canon, certainly it’s in my top two from what has been released this decade. It constantly surprised me how expressive the actor beneath the armour is when you can’t see his face (I say “the actor” because there are times when Pedro Pascal was unable to be on set due to scheduling conflicts and Brendan Wayne stepped in to fill the bounty hunters helmet), and how much emotion is conveyed in the scenes from the score, camera angles and body language.
1. The Witcher (Netflix)
I was waiting for this show ever since I first heard it was coming. 2019 was, for me at least, the year of the Witcher. It was the year I started and finished the books, and the year I invested over a hundred hours into the Playstation 4 version of The Witcher III: Wild Hunt. I was ready for the live action adaptation of the books to be somewhere between average and good, but I wasn’t ready for Henry Cavill, Anya Chalotra and Joey Batey to bring the characters I envisioned to life so well. I don’t think I have ever seen somebody convey so much emotion and gravitas with a single word as Cavill does so often and so well in this series. While there are some complaints that it feels disjointed, and I understand them, my only suggestion with that is to make it to the finale. Once you do then you’ll want to rewatch the season with a new found understanding of the events that you just witnessed. I don’t remember the last time a TV show left me wanting to reread, rewatch and replay as much as I could of the universe it comes from as The Witcher has. The sooner the soundtrack is available the better.
Well… this was certainly a year for movies, eh? Whether it was arguably one of the best DC movies in their live action movie universe or some movie about a bunch of people assembling something, there’s no doubt that this year had a lot of great movies released that fell within our sphere. Now there are movies from this year that I enjoyed more than some of the ones below, but because Aladdin doesn’t really fall into the scope of this list I’ve left it and others off the list. Try as I might, I couldn’t justify putting John Wick 3 on the list either, so I shaved the arbitrary number from eight to five.
5. Star Wars: Rise Of Skywalker
I seem to be one of the minority who enjoyed The Last Jedi despite its flaws, but even I’ll admit that movie paled in comparison to the finale of the Skywalker Saga. This was everything I hoped it would be and more. I cannot wait to see it again.
4. Captain Marvel
Part of me is surprised this movie came out in 2019. It’s hard to remember a time before Endgame changed the face of the MCU, but when I looked back I realized that not only did this film come out in 2019, but I enjoyed the shit out of it when I watched it.
I remember leaving the theater after seeing this being a little shaken. This wasn’t what I expected from a comic book movie. Much like Logan, Joker transcends the supposed limitations of comic book films and evolves into a thrilling story about one man’s descent into psychopathy. Now you and I are more than aware that comic book films are just as legitimate pieces of cinema as anybody, but for some reason Joker has pulled in critics looking to talk about Batman’s arch nemesis. While I don’t know if I’ll ever watch the movie again, I will always remember that feeling of watching something special as the credits rolled.
2. Spider-Man: Far From Home
It took me a long time to decide where to place this movie. I want to rewatch this more than any other of the movies on this list, but struggled to place it above Endgame because of what that movie represented in the culmination of the entire MCU up until that moment. But why do I want to watch this more than Endgame? Because Spider-Man: Far From Home has some fantastic acting from the entire cast, especially Tom Holland and Jake Gyllenhal, and it also feels a lot more personal than the exhaustively epic scope of Endgame. At this point, I’m comfortable saying that this is my favourite Spider-Man film yet.
1. Avengers: Endgame
Well shit. What can I really say about this movie that hasn’t already been said? When you look at it as a movie, it’s really good. The journey that Thor, Captain America and Iron Man take in the film alone could easily be the basis of solo films, likewise with Clint Barton. The finale is breathtaking in its scope, with each character getting their moment to shine amidst the madness. But when you take Endgame as a whole, as the culmination of twenty plus movies over more than ten years, it is unparalleled. I don’t honestly think I will see another film like it ever again.
Creators Justin Giampaoli, Andrea Mutti, alongside colorist Vladimir Popov, and letterer Sal Cipriano, bring you the new sci-fi miniseries Starship Down.
Starship Down follows cultural anthropologist Jocelyn Young after the earth-shattering discovery of an extraterrestrial ship buried deep under the ice of Siberia.
As she consults with US Naval Intelligence on the investigation, meddling Russians, Vatican officials, media spotlight, and her own insecurities threaten her efforts to keep the fabric of society from crumbling as mankind discovers its startling origin.
Starship Down #1 (of four) arrives March 18, 2020.
IDW Publishing has announced the March 2020 launch of Transformers vs. The Terminator, a four-issue monthly series in partnership with Dark Horse Comics that pits the deadly race of futuristic cyborgs against the sentient, converting robots from Cybertron.
Transformers vs. The Terminator brings together three longtime Transformers contributors (writers David Mariotte and John Barber, and artist Alex Milne) with writer Tom Waltz (fresh off his celebrated 100-issue Teenage Mutant Ninja Turtles run) for an epic crossover that revisits the concepts of alien invasion and time-traveling resistance fighters… but twists them in unexpected ways!
Transformers vs. The Terminator #1 will be available with multiple cover variants for retailers and fans to enjoy, including Cover A by Gavin Fullerton, Cover B by series artist Alex Milne, and two Retailer Incentive editions by comic book sensations Freddie E. Williams II and Francesco Francavilla, respectively.
Dark Horse Comics has announced the adaptation of Neil Gaiman’s Norse Mythology into comic book form! Featuring a pantheon of award-winning artists, including Mike Mignola, P. Craig Russell, and Jerry Ordway, Norse Mythology is adapted into comics by Neil Gaiman and P. Craig Russell. Colorists Dave Stewart and Lovern Kindzierski and letterer Galen Showman round out the creative team in this amazing first issue. This new series will feature covers by P. Craig Russell with colors by Lovern Kindzierski and variant covers by David Mack. Subsequent issues of Norse Mythology (18 issues total) will feature a mix of major interior artists to be announced later.
After previously writing about deities in American Gods and The Sandman, Gaiman finally brings readers to follow the northern gods in their own setting in this comic book adaptation of the hit novel! Gaiman and P. Craig Russell breathe new life into the ancient Norse stories by taking readers through the creation of the Nine Worlds to the epic origin and adventures of Thor, Odin, and Loki all the way to the end of life—Ragnarök.
The first issue of Norse Mythologygoes on sale May 27, 2020.