Amazon has announced that the first season of The Tick is coming to their service on August 2. The full season will be ready to stream through Prime Video service.
Based on the cult Ben Edlund comic series, the character debuted in 1986 and was the subject of an animated series on Fox in 1994 and a live action show in 2001.
Amazon brought the series back with actor Peter Serafinowicz stepping into the blue suit as part of their pilot season. The response was good enough to get a full season order. Since the pilot images have been released of an updated look to the character’s costume and it’s unknown if this will be explained or just is.
You can watch the pilot now on Amazon.
Daisy teams up with an unlikely partner; Aida prepares to put her endgame into effect.
Marvel’s Agents of S.H.I.E.L.D. is interesting in that the final game plan for Aida is clear and it doesn’t make a hell of a lot of sense when you think about it.
Aida is using Fitz to try to build a system to give her a real body, because? I don’t quite understand the reasoning behind it all since she’s a robot, has free will for the most part, and is in full control. Why would she want to make herself weaker? This also the question as to why she’s keeping everyone alive? Other than Fitz, I’m not really seeing the point at all.
But the episode is all about that build to the point where the team will eventually defeat her and escape. We know it’s coming, it’s just more of a question as a how and what the fallout will be.
What’s also interesting is so many characters being willing to accept that they don’t live in the real world and go along with things. There’s some serious flaws in Aida’s program apparently. You’d think she’d make it all work in her favor a bit more, wouldn’t you?
This part of the season has gotten to the point where the concept is better than the actual execution. It’s not bad and there’s lots of action but the holes in the plot are a bit too big to ignore.
With the future of the show up in the air, it’ll be interesting see how far the series will go, and maybe it’ll be able to revitalize itself a bit before the season wraps up. The story here had a lot of promise when it began but has quickly fallen into a lot of the issues that we’ve seen before.
Overall Score: 7.05
Liv consumers the brain of a murder victim who had the reputation of being an office gossiper; Blaine and Peyton grow closer as they wait to see if Ravi is able to reverse the effects of the cure; Major is one step away from fulfilling a promise.
iZombie gives us an episode that mostly sticks to its formula in this episode but what the series seems to be doing in its third season is adding in a bigger mystery, well really mysteries.
Most of the episode focuses on a murder which has Liv consuming a brain to help figure out who the murder is. It’s the usual for the show and Rose McIver is always fantastic playing off the various personality quirks of her new brain. That story is interesting and there’s lots of fun, and funny, moments that keep it interesting.
But, the episode is really about those ongoing stories.
The fix to the zombie cure, the zombie killer, Blaine and Peyton, that’s all explored here and then some. And I think that’s where this season is really standing out. It’s able to mix in four or five different plotlines in a way that’s not completely clear how they all come together and every single bit feels like it has more than enough time to move it forward and entertain.
As always, the cast is fantastic and how they interact always stands out. When it really comes to having fun and seeming like they’re having fun, this cast and show really stands out. And here too, we get that, even when the story itself is a little dark.
iZombie constantly entertains and this season has picked up after a slow and odd start. Consistently it delivers one of the most fun hours of television and consistently has me laughing and putting a smile on my face.
Overall Rating: 7.65
Barry travels to the future to find out Savitar’s still unknown identity in the hope of saving Iris; the hunt for Killer Frost continues in 2017.
The Flash goes back to the future as Barry hopes to find the identity of Savitar and instead finds his friends broken and still grieving. Trips out of time are always interesting and open up opportunities to explore some of the characters and what makes them, them. Here we get a sense of that but it has more to deal with the friendship and unit everyone is.
With the death of Iris, Barry has given up and things have fallen apart. There’s some interesting things to see how everyone has taken it and what they’re up to.
But, the episode is a little weak in that we see some Rogues who have taken over the city beating up the Flash, but you don’t get a sense the city is under some crime spree and with only two, it’s a little weird. There should be more Rogues and villains taking advantage, but I never got a real sense that was the case. So, with hints the Rogues have beat up the Flash and his team, it’s kind of blah.
But, we see the band get back together in a way and that’s cool. Barry also is given a little help from future Barry, so it’s not all lost. Overall, the episode feels like it has a Scrooge sort of vibe about it, so nothing really new in that way.
The episode though really pays off at the end when Killer Frost is confronted by Savitar. It’s clearly someone who has gotten her attention, which has me that much more interested in finding out who is behind it all.
Not a bad episode, but one that doesn’t add a ton to the series other than giving Barry a little more effort to defeat Savitar. Still, I really want to know who Savitar is!!!!
Overall Rating: 7.35
Warner Bros. Television and DC Entertainment have announced a new digital service which will air exclusively the new Titans live action show and Young Justice: Outsiders, the third season of the Young Justice television show. Both shows will debut in 2018.
Executive producers Akiva Goldsman, Geoff Johns, Greg Berlanti and Sarah Schechter are teaming up for the all-new live-action drama series Titans which is in the early stages of production.
Titans follows a group of young soon-to-be Super Heroes recruited from every corner of the DC Universe. In this action-packed series, Dick Grayson emerges from the shadows to become the leader of a fearless band of new heroes, including Starfire, Raven and many others. Titans is a dramatic, live-action adventure series that will explore and celebrate one of the most popular comic book teams ever.
Titans will be written by Akiva Goldsman, Geoff Johns, and Greg Berlanti. Goldsman, Johns, Berlanti and Sarah Schechter are executive producers of the series from Weed Road Pictures and Berlanti Productions in association with Warner Bros. Television.
In Young Justice: Outsiders, the teenage Super Heroes of the DC Universe come of age in an animated world of super-powers, Super-Villains and super secrets. In the highly anticipated new season, the team faces its greatest challenge yet as it takes on meta-human trafficking and the terrifying threat it creates for a society caught in the crossfire of a genetic arms race spanning the globe and the galaxy. Passionate fan support set the stage for the new third season.
Sam Register is executive producer of Young Justice. Brandon Vietti and Greg Weisman are producers of the series, produced by Warner Bros. Animation. Emmy Award winner Phil Bourassa serves as the series’ art director.
Lena’s ex-boyfriend comes to National City to unveil his nano-technology breakthrough; Lena asks Kara to attend Jack’s conference with her for support.
After a bit of a break Supergirl is back with an episode that feels like a transition from the first half of the season to the rest of the season. The episode is a Lena Luthor-centric episode as it has to deal with her ex-boyfriend coming to town. That ex might look familiar as he’s played by iZombie‘s Rahul Kohli who plays Jack. The episode is interesting as Kohli’s character on that show has had some recent issues when it comes to women and his interaction with them, so to see this episode also focus on a relationship is a bit… weird. While I know it shouldn’t play on my mind, it did.
The episode though feels like one to transition the characters in various directions.
Kara’s situation concerning her job is the focus of her growth and that’s where this episode focuses her. We get more information about Lena and she’s given some depth by showing her being vulnerable concerning Jack. But, even through all of that, the end of the episode is her major twist. Then we get some stuff between Guardian and Winn.
It’s all rather forgettable when it comes to the big picture. None of it is bad in any way, and the bad guy in this episode feels different at least compared to the super powered aliens that have made up the bulk of them this season.
But, other than shifting some of the relationships, not much in this episode is really memorable or stands out. Not a bad hour, but also not the most super one either.
Overall Rating: 7.0
Nygma (Cory Michael Smith) convinces himself that he doesn’t need Penguin (Robin Lord Taylor) to succeed and begins to introduce himself to Gotham as “The Riddler.” Bullock (Donal Logue) and Lucius Fox (Chris Chalk) get caught up in Nygma’s mind games, while Gordon (Ben McKenzie) learns troubling news about his father’s death. Meanwhile, the Court of the Owls reveals its next move.
Gotham returns with an interesting episode that focuses almost completely on Nygma and it’s all presented in a series of mind games featuring Lucius Fox and Harvey Bullock. What’s interesting is the episode is mostly devoid of Gordon whose story is relegated to the secondary story. Instead, coheadlining the episode is more of a focus on Bruce and “evil Bruce.”
There’s some good and a lot of bad.
The good, actually close to great, is the story featuring Nygma, Fox, and Bullock. The story is entertaining, especially to see Fox and Nygma challenge each other’s brains. The focus on brain instead of brawn is a nice shift from the more physical aspects of previous episodes. But, the story really feels like we’re just getting to the point Nygma calls himself Riddler. Almost as the story is crafted around that concept. It’s not a bad aspect, but it feels a little forced. Still, Cory Michael Smith as Nygma has a solid spiral into his insanity.
Then there’s aspects involving Bruce and Gordon and while they move things along, there’s just not much excitement there. The series is clearly pushing Bruce to his eventual turn into Batman, which is strange since he’s barely a tween and we see some of those steps here. Then there’s this Gordon and the Court of Owls story, which also involves Bruce… that I’m holding out to see how it really plays out.
Overall, not a bad episode in its return but it still shows some issues with mixed acting and story plotting. The series isn’t consistent in its quality within its episode which makes for a choppy experience and entertainment.
Overall Rating: 6.45
In Attack on Titan’s “Southwestward,” we get a build-up to what should be one of the defining battles of the second season: The Siege at Utgard Castle. This episode seems to work as more of a build for the next couple of episodes to come. Without much to lean on story-wise, this episode builds up the anticipation of what’s about to happen.
The episode starts with a cold-open on one of the most significant parts of the entire episode. We’re back with Connie Springer in his home town trying to figure out what exactly happened. As Connie tries to come to grip with what happened to all his family and friends, other members of the Survey Corp try to help Connie figure out what transpired. Lynne suggests that because there’s no carnage, all of the villagers had to have escaped unharmed. Gelgar questions Lynne’s conclusion because Titans aren’t known for ransacking anywhere other than to specifically target humans. Moreover, all of the horses remained in the stables which means that the humans would’ve had a low likelihood of reaching safety with titans on their heels.
As they’re getting ready to move out, Connie hears the most haunting words uttered in the entire series of Attack on Titan, “Welcome Home.” Connie looks in sheer terror after seeing a Titan speak for the first time. The Titan who crushed his home and his spirit leaves Connie with more questions and no answers as to what happened to his family
The rest of the episode does an alright job of building suspense for the coming episodes while fleshing out the secondary characters. We get to see more of the relationship with Ymir and Christa who in season one were all but non-existent. The show also builds on the collective intelligence of Hanji and Armin who are able to work out that the walls were probably created by Titans still living inside of the walls. Pastor Nick finally speaks up and gives the Scout Corps some desperately needed information that Christa, a 104th Regiment Recruit, is the key to all of the Scout Corps questions. Pastor Nick says only Christa is able to reveal the answers that Hanji has been seeking, and they must find her to discover the truth. Just as this reveal happens, Sasha reports back to Hanji and Levi that they are needed at Castle Utgard.
As we skip over to Castle Utgard we find the impending doom for the remaining 9 scouts locked up in the castle tower. Titans are moving at night, somehow powered by the full moon, and the scouting group has the unfortunate luck to see the Beast Titan for the first time. As things seem dire for the Scout Regiment locked up in their tower, Hanji’s squad rides towards Castle Utgard to give some much-needed assistance.
This episode provides the viewer with a relative break in the action so that the episode can rebuild the suspense and horror that is sure to come over the next few episodes. In shows like Attack on Titan, it’s important to break up the constant slaughtering with a bit of solid foreshadowing so that the horrors of the Attack on Titan world don’t become predictable and normalized. While it’s not necessarily as exciting as the battle intensive episodes, I get why it’s needed, it just isn’t as satisfying as the episodes that came before or after.
Overall Rating: 7.20
The team gears up to leave for a company retreat when supervillain Dr. Psycho releases a toxic gas in Charm City; Emily does her best to make the most of a terrible situation.
Powerless doesn’t bounce back from last week’s episode as this one is a bit… blah, at best. The episode basically has the team stuck in a room with the threat of their dying if they head out of it and breathe Dr. Psycho’s toxic gas. The point of the episode is for the team to be stuck in a situation where they’re force to bond, it’s a tv plot we’ve seen so many times before, and this version doesn’t add anything to the formula.
Part of the episode’s issue, beyond it being a reused plot and adds nothing to it, is that there weren’t any jokes. The humor comes from props and no one really pulls it off. The biggest jokes involve either t-shirts the team is supposed to wear or the fact that Emily has to wear the pee bucket on her head in an attempt to free everyone.
When it comes to the interactions or what’s said, there’s not much there. Van makes a joke about wiping his own butt and there’s a joke about Ron using his cuteness to disarm folks. That’s it.
The series was looking good, but things have slipped these last two episodes where the concept is better than the actual final product. Where once I thought the series was finding its voice, it definitely is struggling now. The concept is there, the writing just isn’t
Overall Rating: 5.85
Marvel’s Cloak & Dagger is the story of Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph) – two teenagers from very different backgrounds, who find themselves burdened and awakened to newly acquired superpowers which are mysteriously linked to one another. Tandy can emit light daggers and Tyrone has the ability to engulf others in darkness. They quickly learn they are better together than apart, but their feelings for each other make their already complicated world even more challenging.
The network has ordered 10 one-hour episodes slated to debut early 2018. “Marvel’s Cloak & Dagger” stars Olivia Holt, Aubrey Joseph, Andrea Roth, Gloria Reuben, Miles Mussenden, Carl Lundstedt, James Saito and J.D. Evermore. The series is co-produced by Marvel Television and ABC Signature Studios. Joe Pokaski (“Underground,” “Heroes”) serves as showrunner and executive producer; Jeph Loeb (“Marvel’s The Punisher,” “Marvel’s The Defenders”), Marvel’s head of Television, and Jim Chory (“Marvel’s The Punisher,” “Marvel’s The Defenders”) also serve as executive producers. Gina Prince-Bythewood (“Love & Basketball”) directed the first episode.
Don’t miss the Series Premiere of Marvel’s Cloak & Dagger coming 2018 to Freeform!