Category Archives: Television

Rob Liefeld Teases Youngblood is Coming to Film or Television… Maybe

Rob Liefeld is on a roll with Deadpool being a box office hit and its sequel coming to theaters this year. The prolific comic creator has a lot of properties with Youngblood being the one he helped launch Image Comics with.

Could that be coming to theaters or television? Looks like there’s some movement according to his Instagram account.

Reality or building hype? We’ll find out!

Moon Girl and Devil Dinosaur Heads to Television

More Marvel is coming to television as it’s been announced that Lunella Lafayette and Devil Dinosaur are heading to television. Marvel’s Moon Girl and Devil Dinosaur is in development from Marvel TV and based on the hit comic series.

The series follows nine-year-old super-genius (the world’s smartest person) Lunella Lafayette and her red dinosaur. Lunella, a.k.a. Moon Girl, was created by Brandon Montclare, Amy Reeder, and Natacha Bustos.

Marvel’s Moon Girl and Devil Dinosaur is being produced by Marvel Animation, Cinema Gypsy Productions (Laurence Fishburne and Helen Sugland who also have produced black-ish and grown-ish). Titmouse, Inc. is the animation company. The project is being considered for one of Disney’s channels.

Jessica Jones Season 2 Gets New Images

New York City private investigator Jessica Jones (Krysten Ritter) is beginning to put her life back together after taking down her tormenter, Kilgrave. Now known throughout the city as a super-powered killer, a new case makes her reluctantly confront who she really is while digging deeper into her past to explore the reasons why.

Krysten Ritter (Jessica Jones) is joined by an incredible returning cast that includes Rachael Taylor (Trish Walker), Carrie-Anne Moss (Jeri Hogarth), Eka Darville (Malcolm Ducasse) and new cast members Janet McTeer and J.R. Ramirez, among others.

Netflix has released a bunch of images for the upcoming second season.

Marvel’s Jessica Jones returns for a second season on International Women’s Day, March 8, 2018 on Netflix.

Marvel’s Jessica Jones Season 2 Gets a New Trailer “Her Way”

New York City private investigator Jessica Jones (Krysten Ritter) is beginning to put her life back together after taking down her tormenter, Kilgrave. Now known throughout the city as a super-powered killer, a new case makes her reluctantly confront who she really is while digging deeper into her past to explore the reasons why.

Krysten Ritter (Jessica Jones) is joined by an incredible returning cast that includes Rachael Taylor (Trish Walker), Carrie-Anne Moss (Jeri Hogarth), Eka Darville (Malcolm Ducasse) and new cast members Janet McTeer and J.R. Ramirez, among others.

Marvel’s Jessica Jones on Netflix is Executive Produced by series Showrunner Melissa Rosenberg (“Twilight”, “Dexter), Raelle Tucker (“True Blood”), Jim Chory (“Marvel’s Daredevil”, “Marvel’s Luke Cage”, “Marvel’s Iron Fist”) and Jeph Loeb (“Marvel’s Daredevil”, “Marvel’s Luke Cage”, “Marvel’s Iron Fist”) who also serves as Marvel’s Head of Television.

Marvel’s Jessica Jones returns for a second season on International Women’s Day, March 8, 2018 on Netflix.

Recap: Supergirl S3E13 Both Sides Now

SupergirlBoth Sides Now” starts off with the full scale assault, complete with lackluster door kicking in by Supergirl on the apartment of a suspected Worldkiller, who is so engrossed in her Lisa Loeb singalong that she doesn’t even notice the armed cavalry that has come into her apartment. The fear of the guns drawn squad unleashes her inner Worldkiller and she sends out some seriously destructive screams that shatter windows, peel paint, and the glasslike walls. Samantha is feeling slighted by Lena taking over more day to day operations to give her friend a break until they can figure out what’s going on with her medically. Mon-El and Winn set out to do some spaceship repairs before the Legion can’t go home again which feels like the start of some good old fashioned boy bonding and hijinks.

Supergirl and Alex have some very different feelings about how to deal with the first Worldkiller they’ve managed to capture. In typical Supergirl fashion, she wants to save her and find her humanity while Alex is hellbent on killing it, with fire or Napalm or whatever is clever and available. Since Julia is no longer in control and Purity seems to be in charge of this party, Alex and her go toe to toe verbally getting us ready for one of the sisters to be proven wrong. While the Danvers sisters are trying to figure out how to solve the Purity problem, Samantha is trying to enjoy a hopefully Reign free ditch day with Ruby.

It doesn’t take very long before Alex is done playing nice and calls Supergirl out on her brand of illogical, saccharine filled hope which adds a nice level of realism to the mix. She makes very valid and human points with her argument that cynicism is what keeps us humans alive and she makes it known that she is about to do things her way if that’s what it is going to take to save our world and keep them both alive. Alex and Purity continue their verbal sparring and Purity doesn’t pull any punches and goes for all the soft spots in her attempts at destroying Alex’s very soul since she can’t destroy her physically yet.

The crystal they recovered and took straight to heart of the DOE headquarters is activated while Supergirl is talking to Purity and Reign gets activated while Purity uses her sonic boom level vocals to tear the DEO headquarters apart in her escape. Which is kind of heartbreaking because Reign was out with Ruby at the time, luckily Lena was only a phone call away and she gets a bit more insight into what’s going on with her friend. But, with Reign out in the wild with the mission of finding and guiding a “newborn” Worldkiller, I get a sinking feeling in my stomach because, I’ve grown fond of Sam and Ruby and as a comic book reader, I have a sense of where this is all headed.

Purity and the DOE All Star team go toe to toe in a subway station, with Supergirl getting most of the WWE action, while Alex tries to save the commuters, Mon-El and J’onn J’onzz try to save the structure. In a change of pace, Alex is the one who coaxes Julia out of Purity just in time to save Supergirl from a crushing throat blow. The calm is short lived though because Reign shows up and is ready to kill them all, Julia agrees to go willingly with Reign to avert the oncoming slaughter and they speed away in search of their third sister, Pestilence. I can’t be the only one who thinks it’s kind of cool that you need four HorseMEN to run an apocalypse but only 3 women to kill a world. Lucky for us that isn’t the end of Reign tonight because we get to see Samantha and Lena get into a bit of a spat over Ruby and how much she should know about her moms mysterious condition and Lena gets a sneak peek into the fact that she might be Reign which, might be a good thing because Lena truly wants to help her friend.

What was supposed to be some quirky, fun, hijinks filled boy bonding over old cars and space ships takes a turn for the serious & the writers added a bit of relationship tension into the mix with Imra and Mon-El who seem to be in the middle of a marital spat. There was a lot unsaid when Imra walks in and makes some suggestions about how they guys can fix the cars and just as suddenly she storms out with a vague quip. Her actions seemed very boilerplate and gave off some serious , “women be crazy” stereotypical vibes that I wasn’t too fond of. The story of their marriage gets told to J’onn J’onzz and it isn’t a romantic one which opens the gate to will they or won’t they on the Supergirl/Mon-El tip. While the writers are clear on the reasons Mon-El has been having weekly chats with Kara, it also leaves a bad taste in my mouth because, I’m worried that the writers are veering towards an eventually reconnect which isn’t a bad idea because of the infidelity, relationships are complicated, it’s a bad idea because Kara is still finding herself and learning to live on her on. , sans male attachments and through heartache. I am happy that the writers keep things honest when it comes to emotions and the complexity of relationships but, the way things are headed, I worry about Kara retaining any sense of agency. Especially since the story hasn’t been too focused on her this season outside of to show her heartbroken or proving how girl power filled she is by focusing on every woman on screen who isn’t her.

Overall this episode was a whole lot of conversation and a little less action, Elvis would not have approved and for the most part neither do I. The problem of late with Supergirl is that it stays very formulaic and enjoys going as close to the girl power line and straddling it with pop feminism. Despite the show being called Supergirl, the other women in the show seem to be better written and take center stage. Most of Kara’s emotional complexity comes from a place of discovering herself through her romantic relationships and less about her own emotional growth and discovery. It’s been wearing on me in a way I can’t put my fingers on but, the show seems to becoming stagnant and I feel like the staff should get back to basics and make a Supergirl show about Supergirl. It’s not to say that they can’t have fun with the other characters but, they shouldn’t be the central focus of the show and they shouldn’t have solid storylines, emotional arcs and depth while the main character gets campy one note lines that seem to be the equivalence of an emotional Groundhog Day that’s been running on a loop for most of the season. I hope that things turn themselves around for the rest of the season because, while last nights episode was solidly written and not horrible, it wasn’t a standout and while I don’t expect every episode to be a home run, it should at least make me want to come back for more immediately without using the last scene cliffhangers in every episode just to give us a bait and switch.

Overall Rating: 7.1

Recap: Supergirl S3E12 For Good

The DEO is on the hunt for the rest of the Worldkillers, that’s the central story in the Supergirl episode “For Good.” But, the rest of the characters help to push the story along and whose plots ultimately intersect. Alex tries to diagnose what’s going on with the humor form of the super villain we’ve come to know as Reign. Morgan Edge is out for payback against our favorite Luthor after an attempt on his life.

The writers continue their formulaic approach to story set up, all the main parts of what’s going to happen in the episode are set up before the first commercial break. We know that Kara and Jimmy are going to have to defend Lena’s honor against Edge’s accusations and possible war on her. We suspect that Reign will become Reign full time and might possibly give Alex the child she’s always wanted and that the WorldKillers will be discovered one by one and set up the rest of this seasons arc. In true Supergirl fashion, we’ve come to expect that two of these story lines will be explored in depth and have real teeth and one of them will fall to the wayside until the last few minutes where we will get an AHA moment of a glimpse of the story to come.

“For Good” is all about Alex showing off her doctor chops and maternal instincts along with Lena and her Luthor family drama. Kara and Jimmy try to calm down a reasonably distraught Lena who is over all of the drama and toxic masculinity oozing from Edge’s every pore, while Alex finds nothing terminal in brain scans so she takes some blood and sends it and the scans out to a professional. Reign gets humanized as she talks out her fears about what will become of her and her daughter Ruby. Alex shows off her bedside manner and friendship, urging her to talk to Lena and let her friends in. Which might be hard because Lena is going through a lot on her end. Jimmy ends up chasing down a coffee cart thief after Lena ends up poisoned. While Supergirl still in Kara clothes breaks cover to take her friend to the DEO to save her life.

Jimmy goes full fledge vigilante and out of character attacking Edge on a carport rooftop and J’onn J’onzz reminds Kara that she needs to get Lena out of the DEO before she finds out where she is. He does his magical alien negro pep talk for the episode by retelling some of his life on Mars giving Kara a glimmer of hope about the things to come.

Lena wakes up and is ready to go to war but is talked down by Kara and Jimmy who remind her not to go full Luthor because she is better than that. After hearing of a magic bullet, she realizes that her mother is behind it and heads for a clandestine meeting involving those signature Luthor trench coats.

Mamma Luthor gives another sinister pep talk to her daughter trying to get them to join forces under the guise of love, while simultaneously demeaning all the good qualities that Lena has and her current career trajectory. Samantha (human Reign) opens up to Lena and Kara about the craziness going on with her, most of which has to do with her maternal instincts towards Ruby. There’s a nice bit of sisterhood and they rally around her and try and figure out what to do about her child. Lena having a change of heart and opens up to Kara about her actual attempt on Edge and let’s her know that her mother is back. The touching moment snaps Lena back to reality and she realizes she needs to integrate all sides of her because, there is nothing wrong with being cunning and strategic as long as you don’t go full Luthor sociopath.

After figuring out her mothers plan and looping Kara in for an assist, a call back to the realization that Kara is just as capable as Supergirl, the ladies make a plan to save Edge because Lena is better than that. Lena warns Edge that mad mamma bear is on the loose and coming for him because, she is a bit miffed at him trying to kill her daughter and also, because she’s crazy and likes killing people, aliens, things, whatever. After a drone attack Lena gets Edge to confess to trying to kill Lena and just when she thinks it is over, Edge tries to attack her to get the confession back, when mamma bear comes in with a super suit to finish the latest murderous plot she’s started. Edge makes a run for it and steals the recording with Lena in pursuit. Mon El goes in for to help Supergirl, since he has had some upgrades in his time in the future he can finally go toe to toe with the Luthor’s super suit. And and the end of this episodes battle Jimmy, as Guardian shows up and helps his lady Lena get the recording back.

“For Good” is an excellent reminder that Lena is one of the best characters on the show, she isn’t a replacement for Cat Grant, she’s something new and exciting. She’s a dark horse full of complicated feelings and actions and she’s wonderfully portrayed with every bit of nuisance by Katie McGrath whose talents are the only one’s not wasted this season. Everyone seems to be stuck firmly in their pigeonholed character tropes. Lena has a heart to heart with her mother and she comes to terms with every part of herself and enjoys the realization that she is better when she owns her good and bad parts. The ladies get together to hear Samantha’s test results and learn there is nothing medically wrong with her and they all agree to be there for her until they figure out what is going on. Mon El and Kara have their weekly heart to heart where he says the same thing he always does, how much he changed for her and how much she means to him.

The episode ends with its requisite come back to the pre first commercial break red herring and we meet the first world killer, the one who was activated at the end of the last episode before cutting to black and hitting us with the credits ensuring we tune in next week. The episode wasn’t bad, it was exactly what we have come to expect from Supergirl , the writers stuck with their, “if it ain’t broke” mentality and churned out another mediocre episode. There was no real tension or action but, there was a good story with pieces of heart. It was well written, a bit too much so, and so by the numbers that it was downright predictable. I realize the need for place holder episodes but, this season has been full of them and it’s had a lot of wait until next week build up in the last 2 minutes that turn into much ado about nothing.

Rating: 7.6

Marvel’s Jessica Jones Season 2 Gets an Official Trailer

New York City private investigator Jessica Jones (Krysten Ritter) is beginning to put her life back together after murdering her tormenter, Kilgrave. Now known throughout the city as a super-powered killer, a new case makes her reluctantly confront who she really is while digging deeper into her past to explore the reasons why. Krysten Ritter (Jessica Jones) is joined by an incredible returning cast that includes Rachael Taylor (Trish Walker), Carrie-Anne Moss (Jeri Hogarth), Eka Danville (Malcolm Ducasse) and new cast members Janet McTeer and J.R. Ramirez, among others.

Marvel’s Jessica Jones on Netflix is Executive Produced by series Showrunner Melissa Rosenberg (“Twilight”, “Dexter), Ruelle Tucker (“True Blood”), Jim Chory (“Marvel’s Daredevil”, “Marvel’s Luke Cage”, “Marvel’s Iron Fist”) and Jeph Loeb (“Marvel’s Daredevil”, “Marvel’s Luke Cage”, “Marvel’s Iron Fist”) who also serves as Marvel’s Head of Television.

Marvel’s Jessica Jones returns for a second season on International Women’s DayMarch 8, 2018 on Netflix.

Stan Sakai’s Usagi Yojimbo is Being Developed into an Animated Series

Gaumont has optioned the iconic, multi-generational comic book series Usagi Yojimbo from the series creator, writer, and illustrator Stan Sakai, to be developed into an animated TV series. First published in 1984, the multiple award-winning Usagi Yojimbo is to be co-produced by Gaumont, Sakai, James Wan’s Atomic Monster, and Dark Horse Entertainment’s Mike Richardson and Keith Goldberg who will serve as executive producers, with Chris Tongue as co-executive producer. The announcement was made today by Gaumont’s President of Animation, Nicolas Atlan.

This will be the character’s first ever tv series, though not the first time the character has appeared on an animated series. The character has appeared appeared in all three Teenage Mutant Ninja Turtles animated series. Usagi debuted in TMNT in 1987 and he most recently appeared in Nickelodeon’s three-episode arc in the summer of 2017.

Sakai’s Usagi Yojimbo takes place amidst a rich fantasy setting in 17th century Japan and features a diverse world of anthropomorphic characters. Miyamoto Usagi, otherwise known as Usagi Yojimbo, is a ronin warrior with the heart of a hero. A skilled swordsrabbit, and one-time bodyguard for a Japanese War Lord, he’s now masterless, and explores his world of immense castles and humble villages, encountering dinosaurs, Yokai (ghosts/monsters), cats, bats, bounty hunters, giant snakes, and even aliens, facing exciting adventures at every turn, always ready to help.

DC Announces Metropolis, a New Live Action TV Series to Debut on DC’s Digital Service

Batman before Batman = Gotham. Superman before Superman = Kryprton… and Metropolis!? DC Entertainment has announced a weekly live action series that explores the City of Tomorrow, Metropolis. The series will be set before the arrival of a certain Man of Steel and will follow Lois Lane and Lex Luthor as they “investigate the world of fringe science and expose the city’s dark and bizarre secrets.”

The series will air exclusively on DC’s upcoming digital service which will also be the home of the live action Titans series.

The series will explore the City of Tomorrow, before the emergence of Superman and establish the world leading up to his arrival. The concept sounds familiar, because it’s the same concept as Gotham and executive producers of that show, John Stephens and Danny Cannon, will oversee this. Cannon will direct the first episode from a teleplay by Stephens, and story by Cannon and Stephens.

With the series setting, the tone of the show should be much different than its similar in concept sister show with a science fiction tone.

In addition to Metropolis and Titans, the new DC digital service will also have two animated series, Young Justice: Outsiders and Harley Quinn.

Metropolis, which will debut in 2019, has received a direct-to-series order for a first season of 13 episodes and will go into production later this year.

TV Review: Black Lightning S1E2 Lawanda: The Book of Hope

The community starts to suspect that Black Lightning may have returned; Jefferson Pierce struggles with his decision; Gambi urges him to take up the mantle once more and return to life as Black Lightning.

I was impressed with the first episode of Black Lightning. The second episode is all about the small details and that helps make the series continue to stand out from the crowded field of comic adaptations on television.

The episode picks up on the first with Jefferson Pierce figuring out if he really wants to dive back into the superhero world. There’s kids being held against their world in prostitution and the cops don’t seem to want to do anything about it… at least they come up with shitty excuses.

While that story is interesting, an exploration of the community and what one can do in their dual roles, it’s the small details of the episode that’s great.

What’s particularly interesting is a scene with one of Jefferson’s daughters Anissa. In it we see Anissa with her girlfriend in bed talking. Anissa talks about her destroying her sink in the previous episode but says she did so when she went to “go pee.” While that might seem like a minor thing, I can’t think of too many shows, if any, admitting bodily functions yet having a woman being the one who did it. It’s a small detail, but a detail that adds authenticity to the show and weirdly feels groundbreaking in some way.

And that’s the thing the show exudes is authenticity.

One gets the feeling from the the dialogue, the interactions, this is the writers and creators’ world. There’s nothing about what happens that doesn’t feel like something that’d actually be said in the real world and the series doesn’t go overboard in all of that. It feels natural and reel. There’s another relationship moment with Anissa’s and a boy and the awkwardness again feels so realistic.

There’s also a real sense of emotion through it all. In the triple exploration of relationships. There’s acknowledgement of PTSD. You feel the sense of struggle within Jefferson. All of that is on the shoulders of the cast who raise what they’re working with to the next level (and what they’re working with is really good).

Black Lightning is great. It takes the superhero live action formula and shakes it up in positive ways that makes it leapfrog the competition. A fantastic addition to live action comic adaptations that will hopefully help raise the bar.

Overall Rating: 9.0

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