Category Archives: Business

Rebellion Publishing announces a Deal with Universal for Direct Market Distribution

In a new non-exclusive deal covering North America and Canada, Rebellion Publishing, the home of both 2000 AD and The Treasury of British Comics, are partnering with Universal Distribution to distribute publications to the comic book Direct Market. Working together, Universal will be offering Rebellion’s extensive back-catalogue of modern and classic comics across North America.

Rebellion are the publishers of 2000 AD, The Galaxy’s Greatest Comic, which features internationally-loved characters including Judge Dredd, Judge Death, and Rogue Trooper. Through the partnership with Universal, retailers will now be able to add titles from Rebellion’s backlist, including the six-volume Best of 2000 AD aimed at new readers; original graphic novels like Big-Ass Sword by Andreas Butzbach; the Eisner-Winning book I Am The Law: How Judge Dredd Predicted The Future by Michael Molcher, and new graphic novel collections for Judge Dredd, Strontium Dog, and Rogue Trooper, amongst others.

Rebellion titles will first become available through Universal in October, featuring frontlist and backlist titles releasing in December 2026 including the weekly 2000 AD, the monthly Judge Dredd Megazine, and graphic novel collections like The Complete Zenith Colour Omnibus.

Logos of Rebellion Publishing and Universal Distribution side by side.

BookWalker Expands its Catalog with the Launch of Mahjong Pros Publishing

Cover of the book '136 Ready-to-Use Mahjong Strategies & Tactics' featuring a character with pink hair in a black and white outfit, surrounded by Mahjong tiles. The image includes promotional text for BookWalker.

BookWalker has announced an exciting new partnership with Mahjong Pros Publishing. Starting September 15, 2026, four highly specialized titles spanning tactical strategy guides, iconic mahjong manga, and illustrated memoirs of professional players will join the BookWalker platform.

As interest in mahjong continues to grow among global tabletop, gaming, and manga enthusiasts, this collaboration brings premier English-localized mahjong literature directly to BookWalker’s international digital storefront.

Launching September 15, 2026

BookWalker readers can access digital editions of the following launch titles:

Practical Magic 2 knocks Spider-Man: Brand New Day Out of First Place

Promotional poster for the movie 'Practical Magic 2' featuring two women, one with dark hair and one with blonde hair, set against a dark background with candles and a house in the background. The text includes the actors' names and 'Everything you've wished for'.

Practical Magic 2 debuted in first place at the weekend box office grossing an estimated $30 million domestically and $16 million internationally for a worldwide gross of $46 million.

The original film debuted in 1998 opening with $13.1 million domestically and went on to gross $46.7 million domestically and $47.7 million internationally for a worldwide gross of $94.4 million. Warner Bros. should be happy with this sequel which doubled its domestic opening and nearly matched its entire domestic run in one weekend.

Spider-Man: Brand New Day slipped to second place grossing $8.4 million domestically and lifting that total to $935.2 million. It’s inching closer to that unprecedented $1 billion domestic mark, something never achieved. Internationally, it added $31 million to its total which is now $1.516 billion. The movie has grossed $2.451 billion worldwide. It’s the top grossing domestic film by a wide margin, $335 million. It’s also the top grossing film worldwide by about $800 million. The movie is now in second place for the all-time domestic gross (and will pass that this week) and is currently in third place for all-time worldwide gross. It’s possible the film could move into second place, though unlikely.

The Odyssey dropped to third place with $7.4 million to bring its domestic total to $600.5 million. Internationally, it grossed $41 million over the week and stands at $1.084 billion. Worldwide, the movie has grossed $1.684 billion.

Runner debuted in fourth place with $6.4 million domestically and no international return.

Coyote vs. Acme rounded out the top five with $4.1 million to bring its domestic total to $45.6 million. Internationally, the movie added $10 million over the week and has now grossed $17.2 million. Worldwide, the movie has grossed just under $65 million. The movie is being cheered as some sort of victory against Warner Bros. who shelved its released. Originally, Warner Bros. took a $30 million tax write off but eventually sold it to Ketchup Entertainment for $50 million. Warner Bros. would have needed the film to gross $140 million to make a profit. As is, they’d be seeing around a $40 million loss. Instead, they took a $20 million loss on the film. Ketchup needs it to gross about $120 million to see a profit (they spent $10 million marketing) which the film hasn’t earned and likely will need to be made up in streaming and physical/digital media sales. It’s unknown if/what Ketchup gets out of that. They also reportedly sold some international rights for $20 million, which even with that, they film is still far from profitable. In the end, Warner Bros.’ decision on paper seems to have been the right one.

In comic related movies…

Akira, the classic anime film, had a special re-release two weekends ago where it grossed $3.2 million. This past weekend, the film added $300,000 to the total which is now $4.3 million.

Star Wars: The Mandalorian and Grogu remained at $177.7 million domestically. Internationally, the movie gained a little and is at $167.8 million. Worldwide, the movie has grossed $345.5 million.

Numbers have 30 movies grossing $79,536,095 from 37,422 theaters for an average of $2,125. That is compared to last week’s 70 movies grossing $93,531,192 from 40,798 theaters for an average of $2,292.54.

Hearing set for October regarding Audit of Consigned Goods

October 6 is going to be a busy day when it comes to Diamond’s bankruptcy. A hearing was already set regarding the compromise between 15 publishers, Diamond, and its trustee Morgan W. Fisher regarding consigned goods. Now, two more issues are being added to the discussion.

A notice has been posted expanding the scope of that original hearing (we’ve taken the notice from American Mythology but the same notice was sent to multiple publishers):

In person hearing Courtroom 9−D Baltimore, Judge Rice.
PLEASE TAKE NOTICE that a hearing will be held on 10/6/26 at 10:00 AM to consider and act upon the following:
32 − Third Party Plaintiff’s Motion to Compel Discovery Filed by American Mythology Productions LLC. (Attachments: # 1 Exhibits 1−6 # 2 Proposed Order) (Hopkin, Catherine)
33 − Memorandum of Law in Opposition to Third−Party Plaintiffs Motions to Compel Discovery Filed by Jodie E. Bekman (related document(s)32 Motion to Compel filed by 3rd Party Plaintiff American Mythology Productions
LLC, Counter−Claimant American Mythology Productions LLC, Defendant American Mythology Productions LLC).(Attachments: # 1 Exhibit 1 # 2 Exhibit 2 # 3 Exhibit 3) (Bekman, Jodie)

The first issue, “Third Party Plaintiff’s Motion to Compel Discovery,” is regarding a filing in early August where publishers requested the court to force Sparkle Pop to allow for an audit of the consigned goods in the company’s possession. The plaintiff’s claim they haven’t gotten an updated count as to what is in the warehouse and there needs to be a physical count of what remains.

The second topic, “Memorandum of Law in Opposition to Third−Party Plaintiffs Motions to Compel Discovery” is Sparkle Pop’s response to that. They’re against the request for a long list of reasons including the cost to them, safety issues, and more.

Paramount and State Attorneys General set New Settlement Talks for October

A warning graphic featuring a skull and crossbones, with the text 'warning antitrust settlement talks occurring' in bold white letters on a black background.

In late August, Paramount and State Attorneys General were set to meet to discuss a settlement regarding Paramount’s acquisition of Warner Bros. Discovery. That meeting was canceled due to a “lack of good faith” by Paramount. California Attorney General Rob Bonta accused Paramount of breaking confidentiality and misrepresenting the discussions.

The judge in the case has instructed the parties to sit down for two consecutive days at the end of October. To prevent it from being a waste of time, the parties will submit a schedule to the judge by the end of September 15. The request to meet is pretty standard in cases and doesn’t indicate the parties are close to a settlement or it’s even in progress.

A dozen state attorneys general are suing Paramount to prevent, or get changes, to Paramount’s $111 billion purchase of Warner Bros. Discovery. The states believe that the deal violates antitrust laws and will be negative to consumers and those within the entertainment industry.

The Halloween-ish meeting is one of major dates coming up for the case.

The Supreme Court has asked the attorneys general to respond to a push by two Republican attorneys general to get the Supreme Court to stop the lawsuit. They have to respond that lawsuit by September 25.

A hearing is set regarding a $1.88 billion bond that Paramount is demanding from the states and Writers Guild of America over damage they’ll suffer due to delays of the deal.

At the end of September, a $7 million a day ticking fee for Paramount’s deal begins. That fee is why Paramount is demanding the bond from the parties suing them. The ticking fee will add $635 million a quarter to the deal and currently, the court date for the antitrust case is set for March 2027 which would add about $1.3 billion to the cost of the deal.

RockLove’s Disney, Star Wars, and Marvel Jewelry Lines Retire September 30

Silver pendant with intersecting metal bands and a circular design, featuring a yellow inner ring.

RockLove Jewelry has confirmed that September 30, 2026, is the final day to shop the Disney | RockLove line before the collection closes permanently and moves into the brand’s archive. Once the clock runs out, all Disney, Star Wars, Marvel, and 20th Century Studios pieces will disappear from the site.

RockLove first announced the retirement earlier this year, closing out a partnership that began in 2017. September 30 marks the definitive end of that era.

Why the Line Is Retiring

RockLove has said the decision comes down to the rising cost of precious metals.

“Silver prices have skyrocketed,” the brand shared in its original statement. “To restock this collection at today’s precious metal costs, retail prices would need to double, even triple. Rather than compromise on quality or dramatically raise prices, we’ve made the decision to retire the collection with integrity. When sold out, these designs enter the archive,” the brand stated.

The retirement spans a decade of Disney partnership, from the Evil Queen Dagger Heart Ring and Ursula Shell Locket that launched the Disney Villains line in 2018 to fan favorites across Frozen, The Nightmare Before Christmas, The Little Mermaid, Winnie the Pooh, and Lilo & Stitch. It also closes out RockLove’s Star Wars line, including the Kyber Crystal Collection and its collaborative series with Ahsoka Tano voice actress Ashley Eckstein, alongside its work with Marvel, with original Black Panther Kimoyo Beads worn by talent during their press tour, and 20th Century Studios, in which Arnold Schwarzenegger was just seen on his social media wearing RockLove’s Predator Warrior Ring.

Final Sale Terms

  • All remaining Disney | RockLove inventory is available through September 30, 2026.
  • After September 30, designs will not be restocked or reproduced.
  • Stock levels vary by design; several styles are already sold out or nearly gone.​

What’s Next for RockLove

RockLove’s next chapter is already taking shape. The brand has already launched collaborations with Naruto Shippuden (Viz Media) and Twin Peaks (Paramount), with additional anime and gaming projects in the works and further announcements expected in the coming months.

Maestro Media opens its publishing infrastructure to the industry with the launch of Overture by Maestro Media

Logo of Overture by Maestro Media featuring a dancing figure and elegant typography.

Maestro Media, the two-time Inc. 5000 fandom company behind The Binding of Isaac: Four Souls, Clash of Clans: The Epic Raid, and REWIND, has announced the launch of Overture by Maestro Media, a new initiative that gives designers, publishers, licensors and retail partners access to the publishing, licensing, manufacturing and commercial infrastructure Maestro has built to bring products from concept to shelf.

Maestro now operates across three businesses: Games, which develops and publishes titles under major entertainment licences; Direct to Consumer Products, which turns those worlds into physical goods fans live with; and Digital, which brings Maestro’s tabletop titles into video game formats, beginning with a digital edition of Bridge Constructor: Breaking Point developed with Headup Games.

All three businesses draw on the same capabilities Maestro has developed across crowdfunding, direct-to-consumer and retail. With Overture by Maestro Media, the company is making those capabilities available to creators and partners globally.

Overture by Maestro Media works three ways. It can co-publish a finished game, carrying it through licensing, manufacturing and into retail. It can partner on development, production and go-to-market. Or it can acquire a title outright and bring it to a wider audience. Through the platform, designers, publishers, inventors and IP holders bring a project to Maestro and get a seat at the table as it moves through development, manufacturing and onto shelves.

The initiative builds on the infrastructure Maestro has developed since 2019. Javon Frazier, Founder and CEO, has raised more than $16 million across 16 crowdfunding campaigns, while Maestro has worked with more than 40 licensed properties, shipped more than 400,000 products and built a community of more than 200,000 fans.

Ryan Lumax has been promoted to Vice President and Head of Games. Prior, Lumax spent eight years at Lion Rampant Imports, the Canadian distributor acquired by Asmodee in 2019, serving as Head Purchaser and later Purchasing Manager before joining Maestro in 2025. At Lion Rampant he worked with the Zoch Verlag catalogue, including Ghost Blitz, the title Maestro will bring to North America in January 2027.

Overture by Maestro Media formalizes a role Maestro has already played in helping games and creators reach new audiences . The company brought Zoch Verlag’s award-winning Ghost Blitz to North America for the first time and partnered with Nighthawk Interactive on Half Truth: Second Guess.

That work continues with Maestro’s partnership with leading Brazilian tabletop publisher D20 Culture to co-publish the titles Justice League Unlimited and The Lord of the Rings: Foes of Middle-Earth worldwide, in all languages.

Alongside Games, Maestro is expanding its investment in Direct to Consumer Products, the company’s fastest-growing line of business.. The division spans collectibles, plush, apparel and subscription programs Maestro’s first subscription program, built around The Binding of Isaac: Four Souls, became a multimillion-dollar success, delivering exclusive collectibles to fans around the world. It has now been followed by Unboxing of Mewgenics, based on Edmund McMillen’s breakout video game.

Mewgenics sold one million copies on Steam in seven days, reached more than 115,000 concurrent players and holds a 90% positive rating across more than 50,000 Steam reviews. It is not merely a hit game. It is one of 2026’s breakout entertainment properties with a recent Gamescom featured performance. Unboxing of Mewgenics is available now at
UnboxingofMewgenics.com.

Overture by Maestro Media will be open to publishers, licensors and creative partners from launch. The first submission window for game designers opens January 1 and closes January 30, 2027. For more information, contact
Maestro@hopscotch.one.

Sparkle Pop submits Memorandum of Law Dropping Details of the Consigned Goods Negotiations

A hearing has been set for October 6 focused on the potential compromise between (old) Diamond and its trustee Morgan W. Fisher and 15 publishers regarding the fate of consigned goods in possession of (old) Diamond and the warehouse of Sparkle Pop. While (old) Diamond, Fisher, and the publishers are in favor of the deal, lending bank JPMorgan Chase submitted a filing with a “reservation of rights” while Sparkle Pop submitted a filing objecting to the compromise. Now, Sparkle Pop has submitted a “memorandum of law” going into details about the negotiation over the consigned goods.

Here’s how things break down with the Sparkle Pop’s key points as well as revelations of the behind the scenes negotiations.

Inspection of Sparkle Pop’s Distribution Facility

Part of Sparkle Pop’s objection is the call for inspections of Sparkle Pop’s distribution facility which it calls “highly intrusive.” Publishers have filed a motion to get Sparkle Pop to open up the facility to inspect what remains and get a better account of what remains. There’s a belief that Sparkle Pop has sold more consigned goods than is known and that money would be owed for that.

Sparkle Pop believes the inspection is a fishing expedition to get more information to be used in what it calls “baseless and hypothetical claims” that would be brought against Sparkle Pop.

There has been hints at negotiations between the publishers, (old) Diamond, Fisher, and apparently Sparkle Pop. But, Sparkle Pop in their objection stated they were a part of the settlement agreement. Directly from their objection filing with the key part in bold:

If this Court were to approve the proposed settlement (negotiated without Sparkle Pop’s involvement and which wholly discounts Sparkle Pop’s interests), Sparkle Pop would not only have to relinquish its interests in the registry and escrow…

But, in this latest filing, Sparkle Pop says they were part of the negotiations:

The parties engaged in meet-and-confer discussions by email over the course of a week, during which Sparkle Pop made multiple unilateral concessions and provided supporting data. After the last round of Sparkle Pop’s concessions, however, when Sparkle Pop believed that the parties were negotiating in good faith towards a resolution, counsel for the Third-Party Plaintiffs abruptly terminated discussions without further explanation and brought this Motion.

But, this can be true as well, Sparkle Pop provided data and info but wasn’t part of direct negotiations. They also could have been involved at one point and it was determined they were being an obstacle to getting things settled as well. All of this is sure to come out at some point.

What has come out is that Sparkle Pop wanted publishers to pay for the inspection. In this latest filing, Sparkle Pop states they first proposed a fee of $1,000 per hour to “defray costs Sparkle Pop expected to incur” during the inspection as well as wanting the plaintiffs (publishers) to pay the rent and processing fees that Sparkle Pop claims it is owed. Sparkle Pop then reduced the proposed fee to $639.94 per hour and dropped the rent request entirely.

Sparkle pop then proposed:

  1. The inspection would be carried out by Debtor’s former warehouse manager, Shawn Hamrick, with the assistance of persons designation by the Third-Party Plaintiffs, as preapproved by Sparkle Pop;
  2. The Third-Party Plaintiffs to pay Sparkle Pop $639.94 per hour, to defray the significant costs Sparkle Pop would incur in connection with the inspection.
  3. The inventory count for the inspection shall be a basic cycle count (i.e., a general inventory count by carton),
  4. The inspection shall be completed no later than 10 business days from commencement of the inspection, shall be no more than one, 8-hour shift per day, and shall be conducted only after business hours or 5:00 p.m. Central Time.
  5. Sparkle Pop shall not be required to stage the Consigned Inventory for the inspection,
  6. No materials shall be removed from the Warehouse during the inspection, which would be strictly limited to Third-Party Plaintiff s consigned inventory, identified by location numbers.

Sparkle Pop claims they expect to incur a cost of $770.32 per hour for the inspection and include that logic in an exhibit you can read below.

According the Sparkle Pop, the publishers agreed to points 3 through 6 with “certain qualifications.” There was an objection to the first two points over what they saw as “unilateral control” over the inspector and there was no compromise candidate proposed. The second point was just rejected.

Sparkle Pop says the inspection is far more complicated than providing documents and that relevance needs to be proved because of that.

Who Owns the Stock?

Sparkle Pop continues to focus on the fact that who actually “owns” the consigned goods is still up for dispute. There’s over 30 lawsuits submitted by (old) Diamond against publishers in an attempt to resolve that question and that has yet to be decided upon and might not due to the compromise over the goods. In it, (old) Diamond gives ups its claims, which brings us to…

If There’s a Settlement, Do We Need the Inspection?

It feels like there’s some circular logic in this point. The publishers will need to pack and ship the goods as part of the settlement, but wouldn’t they need to know what’s there to ship? Sparkle Pop doesn’t seem to think so stating that the settlement is out there and that the consignors own the goods (which also seems to be odd to state since Sparkle Pop asked who owns it?), claims in cases go to the consignors, and Diamond abandons claims on the consigned goods.

Though Sparkle Pop objected to the settlement, they state they’re not against Diamond abandoning its claims:

Although Sparkle Pop has filed an objection to the motion to approve this settlement, it has not objected (and does not object) to the Trustee’s abandonment of the Estate’s claims to the Stock.

Sparkle Pop has issues with all of those cases between (old) Diamond and the publishers settled and then the publishers using the ongoing cases to try to get an inspection.

Because there is no remaining dispute as to the ownership of the Stock, the underlying adversary proceedings are effectively defunct, and if the proposed settlement between the consignors and the Trustee is approved, they will be entirely rendered moot. Under these circumstances, it is improper for the Third-Party Plaintiffs to simultaneously petition this Court to approve a settlement that resolves the adversary proceedings in their favor, while also invoking these same proceedings as the ostensible basis for seeking a highly intrusive physical inspection of Sparkle Pop’s premises.

Have they just asked for an updated inventory?

While publishers hint that they’ve asked for an update on inventory, Sparkle Pop says they haven’t. A “less intrusive” method than an inspection would be for them to ask the court to force Sparkle Pop to update the inventory list.


You can read all of the filings below:

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Joshua Izzo is Named President of McFarlane Toys

Joshua Izzo

McFarlane Toys has announced that Joshua Izzo will be joining​ McFarlane Toys as its new President, effective September 8th, 2026. Joshua brings nearly three decades of experience across toys, licensing, entertainment and franchise development.

Joshua joins McFarlane Toys from James Cameron’s Lightstorm Entertainment, where he spent nearly a decade in senior leadership, most recently as Executive Vice President. He has overseen franchise strategy, new business development and ancillary storytelling across the Avatar universe, working closely with creative, licensing, theatrical and strategic partners to build and expand one of entertainment’s most iconic film properties.

Earlier in his career, Joshua held licensing and brand franchise roles at 20th Century Fox Consumer Products and Capcom Entertainment, along with leadership positions at Hasbro and 4Kids Entertainment, giving him an impressive background and well-rounded perspective that spans toy development, global licensing and franchise management. 

Joshua’s appointment as President marks an important step in McFarlane Toys’ continued evolution as the company builds on its legacy while pursuing new opportunities across toys, collectibles, licensing and entertainment. He will guide the company’s next phase of growth as it continues to expand its business and strengthen its position within the toys and collectibles industry. 

Spider-Man: Brand New Day hangs on to the Top Spot at the Weekend Box Office as it fights towards $1 billion at the Domestic Box Office

Spider-Man: Brand New Day

Spider-Man: Brand New Day was again the top movie at the weekend box office grossing an estimated $18 million over the three days of the weekend and about $24 million over the extended holiday weekend. The movie has grossed $923.1 million domestically. Internationally, the movie added $44 million over the week and it has now grossed $1.485 million for a worldwide total of $2.408 billion.

Spider-Man: Brand New Day ranks second in domestic gross, just $13.6 million behind Star Wars: Episode VII – The Force Awakens. With that little gap, there’s a good chance it’ll pass it this week to take the top spot. Worldwide, the movie ranks third, though it’s unlikely to move into second place. There’s a $391 million gap between it and Avengers: Endgame. The $923.1 million domestic haul puts it in position to be the first film to cross $1 billion domestically. You better believe Sony and Marvel will go with a hard push to make that happen before its theater run is over. There’s not much competition as far as releases for a while, so we could be seeing a major milestone happening.

The Odyssey moved back into second place grossing $13 million with just a 9% drop from the previous weekend. Domestically, it stands at $589 million. Internationally, it gross $53.7 million over the week to cross the billion dollar mark and now is at $1.043 billion. Worldwide, the movie has grossed $1.632 billion.

Coyote vs. Acme slipped to third place with $11.3 million domestically which is now at $37 million. Internationally, the movie has grossed $7.2 million. There’s a lot of crowing about the film’s “success,” mainly led by those who had a grudge against Warner Bros. and its leadership for shelving the film. The film has had an interesting history, originally shelved by Warner Bros. for a tax write off of $30 million. Ketchup Entertainment picked it up for a reported $50 million. Now, here’s the mixed part. It’s the best opening for a Ketchup Entertainment film, that’s good. It’s also a massive improvement on 2024’s Looney Tunes’ The Day the Earth Blew Up which opened with $3.2 million domestically and grossed $15.5 million its entire run. That was also a Ketchup film. But, films need to make money, so using the formula of 2x budget to figure out profitability, and with the reported $10 million marketing spent on top of what was paid to Warner Bros., Coyote vs. Acme is far short of achieving that. Warner Bros. had a $70 million budget for the film and got a $30 million tax write-off. The film might make back that production budget, so Warner Bros. would have lost the marketing budget if not a bit more. For Ketchup, the total gross will likely be about what they paid plus the marketing, and with the split with theaters, that’d equate a loss for them. They’ll need to make up the cost in streaming (and who knows what that part of Ketchup’s deal with Warner Bros. is). So, as it’s looking the decision to shelve the film might have been the right decision no matter how well it’s been received (and it is getting praised by critics and average attendees). As is, it’s hard to see Ketchup making back their investment in the theater, let alone making a significant profit. While we hate to see quality films get shelved, movies are a business and it looks like Warner Bros. knew what they were doing.

By Any Means debuted in fourth place with $7.4 million over the weekend and $9.2 million over the holiday. There’s no international gross.

Insidious: Out of the Further rounded out the top five with $6.5 million domestically and it now has a total of $55.7 million. Internationally, the movie added $16.9 million over the week and the total is $83.5 million. Worldwide, the movie has grossed $139.2 million.

Akira, the classic anime film, had a special re-release this weekend where it grossed $3.2 million from its special screenings.

In comic related movies…

Supergirl has grossed $72.4 million domestically. Internationally, the movie remained at $54 million. Worldwide, the movie has grossed $126.4 million.

Star Wars: The Mandalorian and Grogu remained at $177.7 million domestically. Internationally, the movie is at $167.7 million. Worldwide, the movie has grossed $345.4 million.

Bleach: Thousand-Year Blood War – The Calamity has grossed $4.3 million domestically. Internationally, the movie has grossed $763,798 which makes a little over $5 million worldwide.

Numbers have 70 movies grossing $93,531,192 from 40,798 theaters for an average of $2,292.54. That is compared to last week’s 69 movies grossing $102,201,265 from 38,900 theaters for an average of $2,627.28.

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