Category Archives: Business

McFarlane Toys Announces Licensing Agreement with Crystal Dynamics for Lara Croft Action Figures

McFarlane Toys has announced a licensing agreement with Crystal Dynamics to bring the legendary Tomb Raider brand to life with an exciting new collection of Lara Croft action figures. This collaboration marks a new chapter for fans and collectors of one of gaming’s most beloved heroes. 

In celebration of the Tomb Raider franchise’s 30th anniversary, the inaugural release is a McFarlane Elite Edition Lara Croft, inspired by Tomb Raider: Legacy of Atlantis, the highly anticipated AAA re-imagining of the groundbreaking original 1996 game, currently in development by Crystal Dynamics and Flying Wild Hog. This 7″ scale figure will capture Lara in her classic look, complete with her signature weapons and accessories, providing fans with the definitive Lara Croft action figure to add to their collection. The figure will be timed to coincide with the game’s launch.

There will be more exciting updates to come, as the collection will expand in the future with additional action figures and collectibles based on Tomb Raider: Catalyst, the next bold evolution of the franchise. 

All figures will be available for purchase online and through select retailers.

Logo showcasing a collaboration between McFarlane Toys and Crystal Dynamics.

It’s a new movie at Top of the Weekend Box Office as Other Mommy Debuts in First Place

Movie poster for 'Other Mommy' featuring a woman in a dark dress with a menacing expression, set in a dimly lit room with red tones. The poster includes text with the title, release date October 9, and names of key producers and director.

Verity‘s time at the top of the box office was short lived as Other Mommy took the top of the box office with an estimated $27.5 million. The horror film also grossed $17.7 million internationally for a worldwide debut of $45.2 million.

Verity slipped to second place with $11.5 million domestically to bring its domestic gross to $53.9 million. It doubled its total internationally over the week and has grossed $60.1 million. That puts the film at just under $114 worldwide after two weeks.

Heart of the Beast held on to third place with $7.1 million to bring its domestic gross to $49.7 million. The movie grossed $21.4 million over the week internationally to bring that total to $81.7 million. Worldwide, the movie has grossed $131.4 million.

Resident Evil slipped to fourth place from the last weekend’s second. The movie added $5.8 million to its domestic total which is now just under $136 million. Over the week, it grossed $61.2 million over the week internationally and now stands at $181.7 million. Worldwide, the movie has grossed $320.2 million.

Forgotten Island moved up one slot to fifth place with $4.5 million domestically and has now grossed $30.3 million. The movie has also grossed $19.9 million internationally for a worldwide total of $50.2 million.

In other new films, The Social Reckoning didn’t get many friend requests opening in seventh with $4 million while in 2,606 theaters and $5.5 million total so far. Internationally it grossed $3.5 million for $9 million worldwide. The Social Network opened in 2010 with $22.4 million domestically.

In comic related movies…

Avengers Endgame: Encore dropped to twelfth place after last week’s seventh place debut. The movie added $1.4 million to its domestic gross which is now $39.1 million. Internationally, it added around $9 million to bring that to $98.8 million. Worldwide, the movie has grossed $137.9 million.

Spider-Man: Brand New Day slipped to fourteenth place, with $1 million to bring its domestic gross to $956.4 million. Internationally, it added $5 million over the week and has grossed $1.556 billion for a worldwide gross of $2.513 billion.

Coyote vs. Acme grossed an estimated $500,000 over the week to bring its domestic total to $60.1 million. Over the week, it grossed $2 million internationally to bring that to $38.2 million. Worldwide, the movie has grossed $98.3 million. The movie would need to gross around $120 million for Ketchup to make a profit and it’d have had to have grossed $140 million if Warner Bros. released it.

Numbers have 35 movies grossing $79,909,272 from 35,741 theaters for an average of $2,236. That is compared to last week’s 70 movies grossing $99,411,984 from 37,993 theaters for an average of $2,616.59.

Pen America reports nearly 12,000 Books Banned in Public Schools in the 2025-26 School Year

Cover of 'Anne Frank's Diary: The Graphic Adaptation' featuring a central illustration of Anne Frank with the word 'CENSORED' overlaid, surrounded by characters from the story.

Pen America has released its “Index of School Book Bans” and has reported that 11,982 books were banned during the 2025-2026 school year. That beats a previous high of 10,046 in 2023-24 and nearly double 2024-25’s 6,870. The amount of bans have increased almost 375% since the 2021-22 school year, the year that PEN America began tracking.

7,370 unique titles were banned in public schools impacting over 4,000 authors. Over 4,500 of the titles were not previously recorded in PEN America’s tracking. It was also a record number of school districts participating in banning in a single school year, 114.

“Young Adult” books made up 58% of the bans with “Adult” coming in second with 26%. Fiction was the vast majority of the bans accounting for 87%.

Texas led the states with between 8,001 and 9,000 bans with Florida coming in second with between 3,001 and 4,000 bans. The two states made up nearly the entirety of the bans.

Highlighted in the report is the continued trend of manga and graphic novels being targeted. From the report:

Much like books with diverse characters and identities, the sea change in manga’s popularity has been met with backlash from would-be book banners. And as with graphic novels and other illustrated texts, visual panels in manga books are often taken out of context with challenges often targeting visual depictions of sex, violence, and gender identity. “Context stripping,” or examining panels or images without any regard to the book as a whole, is a common tactic in misinformation campaigns against manga titles, with censorship advocates deeming them “inappropriate” or “explicit.”

Pie chart showing the forms of banned books from July 1, 2025 to June 30, 2026, with 78% categorized as General Prose, 14% as Graphic Novels, and 8% as All Others.

Atsushi Ohkubo, Hajime Isayama, Rumiko Takahashi, and Yusei Matsui are some of the most commonly banned graphic novel/manga authors.

While there are some efforts to pushback on these bans, from our perspective, the actions don’t seem to be highlighted enough or pro-active enough across the board. Comic publishers, creators, and their defending organizations have a lot of work to do to get ahead of these efforts and defeat legislation before it’s passed and opposed candidates before they’re elected. As a whole, the pushback against this censorship has been asleep at the wheel and needs a renewed concerted effort so that next year’s report isn’t yet another record year.

DC Comics joins Skydance Products & Publishing Division along with Warner Bros. and Paramount Consumer Products Groups

DC Comics logo

We have one answer as to who will be calling the big picture shots when it comes to DC Comics and its new parent company Skydance. Consumer-products are being consolidated into one group, Skydance Products & Publishing headed by Josh Silverman.

Silverman joined Paramount Skydance in 2025 as the president of global products and experiences and serves as the president of global products and publishing for Skydance. Robert Oberschelp, president of global consumer products at Warner Bros. Discovery will remain, for now, and report to Silverman.

DC Comics, Paramount Global Publishing, Paramount and WBD licensed publishing, WBD consumer products and Paramount consumer products, as well as brand partnerships, retail and e-commerce, and other commercial initiatives, will now all fall under Silverman’s leadership.

Silverman was the chief franchise officer at Mattel before joining Paramount. Mattel’s former Chairman and CEO is now Co-Chief Executive Officer of the new Skydance. Silverman also worked for Disney including as the EVP of global third-party commercialization leading consumer product licensing, and Marvel Entertainment.

Silverman’s note to the division’s staff is below where he specifically mentions DC. He faces challenges such as Skydance’s lead David Ellison’s focus on technology, presumably AI, and DC’s Jim Lee’s stance against the technology. Increasing licensing of DC’s properties is another way we’d expect the company to raise revenue and profits to help pay down debt.

Team,

Today marks a historic milestone, the first day of our new company, Skydance, and our organization, Skydance Products & Publishing. I want to welcome you and share some information about the road ahead.

I am honored to lead this division, bringing together Consumer Products, Publishing, and DC, and look forward to getting to know you.

The combination of Paramount and Warner Bros. Discovery creates a next generation tech-forward global media and entertainment company with endless opportunity. It also represents significant change. I recognize that many of you have questions about what comes next. Please know your day-to-day work and processes won’t change immediately. We are beginning the integration process which will be approached thoughtfully. I am committed to keeping you informed and sharing updates as soon as possible.

What is already clear is the tremendous talent across our organization and our shared mission to deepen and extend our fans’ emotional connection to our iconic brands and franchises through high-quality products and stories. Through our globally connected ecosystem, partnerships and world-class storytelling and world-building, your work brings our brands to life and plays an important role in the company’s success.

I want to recognize Robert Oberschelp and the Warner Bros. Discovery Consumer Products team and the strong foundation they have built.

I also want to welcome Anne DePies, Jim Lee and all of DC and celebrate the incredible way they have continued to engage audiences for generations.

I look forward to working with Robert, Anne and Jim and their respective teams as we unite the strengths of both studios, create new opportunities for our partners, and unlock new ways to connect with fans who remain at the heart of everything we do.

As you heard in this morning’s global Town Hall, David and Ynon are very clear on the vision, mission, and strategic priorities for Skydance. If you were unable to join, I encourage you to watch the replay available on the Skydance Integration Hub, which will serve as a go-to source for updates, FAQs, and other information as we progress through this transition.

I’m looking forward to the journey and excited about what we will achieve together in this next chapter.

Best,

Josh

NYCC 2026: Five Questions for DC Comics…

DC Comics logo

With the purchase of Warner Bros. Discovery by Paramount Skydance, there’s a whole lot of questions as to the future of not just the movie and television studios. For us, there’s just as many questions about the future of DC Comics. In the acquisition, Paramount Skydance (now just Skydance) gained DC Comics (and DC Studios) and potentially Milestone Media and Wonder Comics. While it has been revealed that DC Studios’ leadership would remain in place, there’s still a lot of questions we have for the comic book division of this mega entertainment company.

We’d likely never be put in a position with executives to ask the difficult questions, but that doesn’t mean we still don’t have them.

Here’s the five questions we’d ask if given a chance.

  1. Skydance now owns DC Comics, but what is its ownership of Milestone Media and Wonder Comics (DC’s imprint with Brian Michael Bendis)? While Wonder Comics is likely completely owned by DC based on its characters, we’ve asked and no one seems to have an answer about the deal between Milestone and DC.
  2. Oracle’s Larry Ellison, Skydances CEO David Ellison’s dad, is a major funder in this deal. Larry was part of a strategy call in November 2020 (also articles here and here) about contesting the election with Trump’s attorney Jay Sekulow, Sen. Lindsey Graham, and more. He also described as the “chief known funder” of Opportunity Matters Fund, a PAC that supports conservative causes. How can Superman be taken seriously in promoting “Truth, Justice, (and the American way)” when it is owned/funded in part by insurrectionists who funded causes diametrically opposed to the character’s supposed beliefs?
  3. Saud Arabia is another major donor. A similar question to the second but focused on Saudi Arabia’s abuses such as slavery, and murder of a journalist. It’s clear that the country is heavily investing in entertainment and attempting to white-wash its issues. Will DC participate in that?
  4. Larry Ellison, along with major funder RedBird, and Saudi Arabia (and rumors of Elon Musk) are heavily invested in AI to the point their wealth is banking on its success. They need to show a “successful proof of concept” in entertainment to sell their snake oil to others. DC at the last New York Comic Con said it would not use AI in the creation of comics. When it is mandated by money daddies, will DC opposed the mandate? Are executives and creators willing to step down and quit over it? Jim Lee at the previous New York Comic Con took a stand against it. How deep does this belief go? Also, how does DC continue it’s lawsuit against AI companies when it is owned by individuals who are heavily invested in it?
  5. With so much concern about the debt taken on by Skydance to fund this acquisition and questions in how it’ll be paid down, along with the volatile wealth of Larry Ellison and Saudi Arabia. How does an uncertain economic future impact long term planning for DC with the needed massive cuts, consolidation, and layoffs that will need to happen to pay down the debt?

These aren’t the only questions we have. There’s still a lot more as far as who will really be overseeing the publisher and what mandates will be made as far as content, licensing, and “synergy” with other divisions. There’s also the question of licenses that Paramount Skydance had with their properties being published by others (notably IDW Publishing). Finally, David Ellison seems to be pivoting that these “entertainment” companies are really “tech” companies now with a major emphasis on leveraging technology in future plans to increase revenue and decrease cost (queue flashbacks to AOL owning Time Warner and DC in that marriage from hell).

Stay tuned, 2027 may be a very dramatic year for the currently hot publisher and we may see a big opening to counter their growth happening soon.

NYCC 2026: Blumhouse partners with IDW Publishing for new IDW Dark comics

Blumhouse is partnering with IDW Publishing to bring even more spine-tingling terror to the comic book horror imprint IDW Dark.

The petrifying partnership tears into comic shops late 2027 with the fan-favorite The Purge. Eisner Award-winning writer Dan Watters and artist Juan José Ryp brings the dystopian and compelling premise ​– a world in which any and all crime, especially murder, is legal one night a year​ – to the pages of the comics with a gripping new chapter that features all the action, tension, and emotion that fans crave from the thrilling franchise. Following The Purge will be more unforgettable hits from Blumhouse making their comic book debuts with all-new stories, including M3GAN and New York Times best-selling writer Tim Seeley taking a stab at Happy Death Day.

Logo of 'The Purge' in bold black letters on a transparent background.

A darkly comedic slasher with a sci-fi twist, Happy Death Day​ made an undeniable impact on pop culture with its mystery about a murder victim being forced to relive the day of their death over and over again to discover the shocking truth and unmask their killer.

Happy Death Day was written by Scott Lobdell known for writing numerous comics for Marvel, DC, and more. He generally has left the comic industry and was embroiled in controversy for past behavior and comments. Lobdell wrote the original film script though not its sequel Happy Death Day 2U.

Text graphic reading 'HAPPY DEATH DAY' in a dripping red font.

Packed with chills and twisted humor with rich themes, the beloved sci-fi horror M3GAN is the saga of an advanced A.I. doll which takes its good-intentioned programming to extreme and bloody measures.

Stylized text logo spelling 'MEGAN' in uppercase letters with a minimalist design.

Last Minute Hail Mary to stop the Paramount/Warner Bros. Discovery Merger is Denied by Justice Kagan

Logos of various media companies including Paramount, HBO Max, Skydance, Warner Bros, DC, CNN, Nickelodeon, CBS, and Paramount+ against a starry background.

Yesterday, a last minute Hail Mary was thrown in an attempt to stop the acquisition of Warner Bros. Discovery by Paramount Skydance. An emergency application was filed by consumers Monday to the Supreme Court in hopes of halting the deal. Five consumers who said they were Paramount subscribers, viewers, and cable customers, argued that the merger was anticompetitive.

The filing used the deal between a dozen state Attorneys General and Paramount to highlight the magnitude of the deal and that the settlement’s “safeguards” were not enough. The argument continued that the deal allowed singular control and ownership of competing studios, streaming products, and news organizations, eliminating their independence from each other. The settlement has widely been seen as a negative and falling short by the public but hailed by the politicians behind it and oligarchs who benefit from it.

Supreme Court Justice Elena Kagan shot down the request.

The deal was finalized this morning and with it comes $80 billion+ in debt the new company has to figure out how to pay down. The likely solution will be massive cuts in jobs, heavy reliance on technology and AI, and the selling of underperforming assets.

United Wizards of the Coast expands as Dungeons & Dragons and Studio X staff announce their Intent to Unionize

United Wizards of the Coast

In June 2026, United Wizards of the Coast voted to unionize. The movement debuted in April of this year and was started by the developers behind Magic: The Gathering – Arena. They overwhelmingly voted to unionize with 79 votes for and just 16 against. Wizards of the Coast and Hasbro were asked to voluntarily recognize the union by May 1, International Workers Day, and when they didn’t happen, the staff voted instead.

Now, those union efforts have expanded. The designers, artists, writers, producers, and workers behind Dungeons & Dragons, Magic: The Gathering, Duel Masters, D&D Beyond, and more have informed Wizards of the Coast leadership of their intent to unionize. They again have asked the company to voluntarily recognize the union with a date of October 13.

This overall union effort is focused on:

  • Wages that reflect their work and defined career progression,
  • Job security against mounting industry instability,
  • Reliable and easily accessible healthcare for staff and their families,
  • Sustainable workloads and practices, including remote and hybrid working,
  • Protection against the encroachment of AI,
  • Full ownership of the work they create outside of the office.

In two separate announcements, each group went into further details of their goals and concerns.

The Dungeons & Dragons effort has highlighted:

  • Layoff Protections: Employees live in fear of suddenly losing their jobs, with no warning and through no fault of their own. We need strong layoff protections so we feel secure building long-term careers here at WOTC.
  • Generative AI Protections: As pressure has ramped up from Hasbro to adopt LLMs and Gen AI tools in various aspects of our work, WOTC has resisted these efforts and kept AI out of our games. That’s good! We want to preserve this commendable stance through a union contract that ensures our games will always be made by people for people.
  • Remote Work Protections: Wizards of the Coast’s RTO policy has left workers unsure of whether their current living situation is tenable for their role. The company currently prioritizes in-office work, which has forced several employees to make long commutes without compensation for time or gas prices. Amidst rising costs of living and a decrease in childcare support, we want a clear, sustainable remote work policy that supports remote and in-office workers alike.
  • Fiscal Transparency: Once our union is recognized, our elected bargaining committee will have the ability to request financial information and more transparency into the company’s finances.
  • Sustainable Workload: Employees’ experiences with “crunch” (intense and mandatory unpaid overtime) to meet deadlines vary widely by team and project, with some teams crunching on a regular basis just to get planned work out the door. Increasing workload without matching headcount has led to many workers having unacceptable experiences with crunch. We need to take better care of our employees by enacting strong protections around workload expectations.
  • Defined Career Progression: Many workers at WOTC feel like they are prevented from advancing in their role, either because opportunities for advancement are sparse or because requirements and opportunities are poorly defined. Employees’ roles should be clearly defined, and they should be able to grow their careers through meaningful raises, role changes, and promotions.
  • Wages That Keep Up with the Cost of Living: Many of us are bringing home less money every month, adjusted for inflation, than we did when we were hired years ago. That needs to change.
  • Better Support for Working Parents: We need to reduce bureaucratic hurdles in WOTC’s day care policies and make those plans more flexible, so parents can take their children where they want and get the level of care they need.
  • Make Health Care Easier to Use and Reliable: We need to reduce the bureaucratic red tape around our health care claims, and our coverage needs reasonable deductibles and co-pays. No WOTC employee should have to turn to GoFundMe in a medical emergency.
  • Our Free Time is Our Own: Currently, if an employee makes anything creative in their free time, with their own resources, Hasbro can claim ownership. What we do in our free time should not be dictated by the company, and what we make in our free time should belong to us.
  • We are Stewards of D&D: Our employees and players care about doing the right thing with, and for, the games we make. Short term, profit-driven decisions may be lucrative, but we want to focus on products that grow our games sustainably, that inspire us as employees, that excite players, and continue to foster WOTC’s positive reputation.

Studio X’s concerns are:

  • Compensation that reflects their work,
  • Job security against mounting instability,
  • Clearly defined career paths and raises,
  • Healthcare that covers staff and their family’s needs,
  • Stable remote and hybrid practices that allow them to do their best work,
  • Sustainable workloads which enable appropriate work/life balance,
  • Protection against the encroachment of AI,
  • Full ownership of the work they create outside of the office,
  • and additional needs beyond the scope of this letter.

Wizards of the Coast and Hasbro have pushed back against the efforts to unionize and during the initial effort hired legal counsel from Fisher & Phillips LLP, a law firm known for its work in labor relations and, specifically, for helping companies remain union-free workplaces.

Skydance reveals its Top Executive Structure as the Paramount/Warner Bros. Discovery Merger Begins to Close

Image showcasing various entertainment company logos including Paramount, Warner Bros, DC, HBO Max, Skydance, CNN, Nickelodeon, CBS, and Paramount+ against a starry background.

The newly named Skydance, newly formed from the merged Skydance, Paramount, and Warner Bros. Discovery, has revealed the executive structure that will be leading the company.

The announced changes are below:

Enterprise Leadership

David Ellison, Chairman and Chief Executive Officer
Ynon Kreiz, Co-Chief Executive Officer

CEO Corporate Leadership Team

  • Andy Gordon, President
  • Dennis Cinelli, Chief Financial Officer
  • Makan Delrahim, Chief Legal Officer and President, Global Corporate Affairs
  • Dane Glasgow, Chief Product Officer
  • Rebecca Mall, Chief Marketing Officer
  • Melissa Zukerman, Chief Communications Officer

CEO Business Leadership Team

  • Casey Bloys, Co-Chair and Chief Content Officer, Skydance DTC
  • George Cheeks, Co-Chair and Chief Content Officer, Skydance TV
  • Dana Goldberg, Co-Chair, Skydance Motion Picture Group
  • Josh Greenstein, Co-Chair, Skydance Motion Picture Group
  • James Gunn, Co-Chairman of DC Studios
  • JB Perrette, Co-Chair & Chief Business Officer, Skydance TV and Co-Chair & Chief Business Officer, Skydance DTC
  • Peter Safran, Co-Chairman of DC Studios

CEO News Executive Leadership Team

  • Mark Thompson, Chairman and Editor-in-Chief of CNN Worldwide
  • Bari Weiss, Editor-in-Chief of CBS News

The deal is expected to close and be official on Tuesday with a complete list of the executive leadership soon after it closes.

The new company will face massive debt and a shifting entertainment landscape that will force it to make deep cuts in both structural operations and staffing with the job loss to be in the 10s of thousands as well as unrealized jobs due to the consolidated media landscape. There’s also little chance that AI isn’t forced upon the mega media company as a large number of investors are heavily invested in the space and need “proof” it can succeed in entertainment.

Verity takes the weekend box office while Digger isn’t dug. Avengers: Endgame passes Avatar.

Movie poster for 'Verity' featuring three main characters' faces layered together with a dark, dramatic design. The title 'Verity' is prominently displayed at the bottom, along with the release date and taglines.

Verity took the weekend box office with an estimated debut of $32.6 million domestically and $30 million internationally for a worldwide debut of $62.6 million. With a budget of just $40 million, it’s a good opening which makes it highly likely the film will turn a profit for Amazon MGM Studios.

Resident Evil slipped one spot to second place with $12.5 million. It’s just a 45.7% drop, not bad for a horror movie or “blockbuster” which tend to open strong then quickly drop. The movie has grossed $124.9 million domestically. Internationally, the movie added $27.5 million over the week and now has grossed $120.5 million. That brings the film to $245.4 million worldwide. It’s the top grossing film domestically in the franchise and currently third for worldwide gross, behind 2010’s Resident Evil: Afterlife and 2016’s Resident Evil: The Final Chapter.

Heart of the Beast held on to third place with $11 million bringing its gross to $38.4 million. Over the week, it over doubled its international gross adding $30.2 million to that total to bring it to $60.3 million. Worldwide, the movie has grossed $98.7 million.

Primetime remained in fourth place with a little over $8 million to bring it to $34.1 million domestically. Internationally, the movie has grossed $53,653. Worldwide, the movie has grossed $34.1 million worldwide.

Digger rounded out the top five with a disappointing $8 million domestically and $12 million internationally for a worldwide total of $20 million. Originally greenlit with a budget of $125 million, the budget climbed to $160 to $180 million. With a reported $100 million marketing budget, the movie would need over $300 million worldwide to be profitable. That’s highly unlikely at this point and a flop for Warner Bros. before its acquisition by Paramount Skydance.

In comic related movies…

Avengers Endgame: Encore dropped to seventh place after last week’s first place debut. The movie added $4.4 million to its domestic gross which is now $36.2 million. Internationally, it added around $29.8 million to bring that to $89.8 million. Worldwide, the movie has grossed $126 million. Including its original release, the movie has grossed $2.925 billion worldwide. It has now passed Avatar to be the top grossing movie worldwide ever. Avatar grossed $2.924 billion which includes its original release and multiple re-releases including one in 2025.

Spider-Man: Brand New Day slipped to tenth place, with $2.5 million to bring its domestic gross to $954.5 million. Internationally, it added $6 million over the week and has grossed $1.551 billion for a worldwide gross of $2.505 billion.

Coyote vs. Acme grossed an estimated $475,153 to bring its domestic total to $59.6 million. Over the week, it grossed $6.5 million internationally to bring that to $36.2 million. Worldwide, the movie has grossed $96.1 million. The movie would need to gross around $120 million for Ketchup to make a profit and it’d have had to have grossed $140 million if Warner Bros. released it.

Numbers have 70 movies grossing $99,411,984 from 37,993 theaters for an average of $2,616.59. That is compared to last week’s 71 movies grossing $124,578,204 from 36,035 theaters for an average of $3,457.15.

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