Category Archives: Mini Reviews

Mini Reviews: Fixation #1, Inglorious X-Force #9, Tank Girl: Blue Helmet #1, Of the Earth #5

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Cover art for 'Tank Girl in Blue Helmet' featuring a female character with short black hair dressed in a green jacket and black shorts, standing confidently in front of a large tank-like vehicle, with a stylized, colorful background.

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Fixation #1 (IDW Publishing) – Amy Chase and Savannah Mayer‘s Fixation is a chilling first chapter of metamodern horror where fandom goes very very wrong. The story centers around two super fans who are invited to the 10th anniversary of Blood Mountain, a book turned film series that seems very similar to the Twilight series with Vail standing in for Forks, Washington. The issue begins with a chilling murder and then introduces the cast of fans, actors, production assistants, and mysterious posters setting the scene for a fiction/reality blurring story. Chase and Mayer don’t just point and laugh at how “cringy” fandom is, but actually give the main characters time to show how Blood Mountain had an impact on their lives. They might take things too far, but they’re a lovable duo and I’m rooting for them. Some of the actors, not so much though. Overall: 7.7 Verdict: Buy

Inglorious X-Force #9 (Marvel) – In the penultimate issue of Inglorious X-Force, Tim Seeley, Michael Santa Maria, and Romulo Fajardo go for maximum action and soapiness with just a dash of humor. Domino has a hunch that Cable will assassinate future President Kamala Khan so she forms her own X-Force team to take it out. Seeley and Santa Maria have a lot of fun with the team dynamic although the main cast is more developed and likable. I do want to go back and read the based, hilarious pooch Pug-Smasher’s early appearances. If you like 90s comics with a smidgen more psychological depth and smoother storytelling techniques, then Inglorious X-Force continues to be a solid pickup especially as it builds to a full circle conclusion. Overall: 8.1 Verdict: Buy

Tank Girl: Blue Helmet #1 (Titan) – Alan Martin and Jamie Hewlett take the piss out of the Beats in the full color, Tank Girl: Blue Helmet. Basically, Tank Girl, Booga, and Barney go (literally) on the road with thinly veiled Jack Kerouac and Allen Ginsberg, who end up being repulsed by all the sex, violence, farts, and other shenanigans. This strip is pure anarchy with Martin churning clever, yet sometimes long-winded zingers to match Hewlett’s wild and crazy pictures. My personal favorite bit is when it turns into a Hanna Barbera parody, which kind of, sort of foreshadows Jamie Hewlett’s co-creation of the Gorillaz. Anyways, the moral of the story is that college boys who read books just to get laid are pretty lame. Overall: 8.9 Verdict: Buy

Of the Earth #5 (Image Comics) – Of the Earth #5 is all blood, guts, and black oil from Andrew Ehrich, Chris Condon, and Charlie Adlard. The wildcatter is at his peak powers, and Tabby must find a way to extricate herself from the situation. Red and black are the colors of the day, and there’s lots of tight corners and suspense. Ehrich, Condon, and Adlard nicely bridge the gap between physical and psychological terror as the issue is really one big third act horror film set piece. This would have made a worthy series finale, but luckily there’s more! Overall: 8.7 Verdict: Buy

Mini Reviews: Tales of Wonder #1, Crowbound #1, Dungeon and Dragons: Total Party Killers #2, Archie #1, Batman/Superman/Weird Al: World’s Weirdest #1, Legion of Superheroes #1

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Batman/Superman/Weird Al World's Weirdest #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Tales of Wonder #1 (Image) – Cartoonist Steve Skroce simultaneously takes the piss out of the superhero industrial complex and (literally) flexes his artistic muscles in drawing those kind of characters in Tales of Wonder #1. The story centers around Stu and Jake who are basically Stan Lee and Jack Kirby if they were still alive. Paraplegic Jake keeps it close to his chest with grumpy humor while Stu won’t shut up. (The scene where he praises his collaborators while Skroce covers up his art with giant word balloons is priceless.) However, Tales of Wonder is far from a grounded story, and it shines brightest when it indulges its genre elements. Ugly American is kind of an amazing name for a 90s edgy jarhead superhero, especially since he’s created by a Canadian. Overall: 8 Verdict: Buy

Crowbound #1 (Image) – Crowbound is another beautiful collaboration from Jeff Lemire and Dustin Nguyen. It’s centered around the relationship between a mother and daughter in a stark post-apocalyptic hellscape. Boldly opening with the mother Rose’s death, Lemire and Nguyen take us back in time to show key moments in her and her daughter Ava’s lives. Dustin Nguyen’s use of negative space unpacks the sadness of the comic with pops of color acting as reminiscences of happy times. Crowbound is definitely a downer of a read, but fits our hard times and has some glimmers of hope too. Overall: 8.6 Verdict: Buy

Dungeon and Dragons: Total Party Killers #2 (Dark Horse) – To use a bad pun, I think this issue killed my interest in this series. Christopher Hastings and Denis Medri focus more on expanding DnD Total Party Killers’ cast of characters and locations instead of giving us an interesting story to follow or characters to root for. (I do love the slime and baby eye.) The art is colorful, and there are some cool moments, but no real coherence. Overall: 5.8 Verdict: Pass

Archie #1 (Oni Press) – Ben Winters, Fabio Moon, and Jason Wordie take the World’s Most Popular Teenager back to his slice of life roots in Archie #1. Moon definitely elevates the material with his energetic art, and his flair for the dramatic comes in handy in the second of the three short stories in this comic about a film festival. Winters also knows Archie is supposed to be a funny comic and litters his script with zingers and character-based comedy. Jughead was definitely my favorite in this first issue, and he gets a solo story to wrap up the book where he comes to grips with the ghost of character development. But, yeah, this is classic, supermarket checkout Archie with slicker visuals and a touch of self-awareness. For now, there’s no deconstruction going on. Overall: 8 Verdict: Buy

Batman/Superman/Weird Al: World’s Weirdest #1 (DC) – I think the superhero comics genre may have peaked when Weird Al fought Mr. Nobody with a fifth dimensional accordion. Co-writer Mark Waid’s Yankovic-esque parody of the John Williams Superman theme was brave and bold, but I’m curious what Grant Morrison could have done with the material. But, seriously, Weird Al and fifth dimensional imps are match made in Heaven, and Dan Schoening and Fico Ossio’s art capture the wackiest of vibes. This comic book is life changing, and it’s AI art’s personal kryptonite. Now it’s time to “Eat It”. Overall: 10 Verdict: Buy

Legion of Superheroes #1 (DC) – In Legion of Superheroes #1, Joshua Williamson, Hayden Sherman, and Tamra Bonvillain try to find hope in a dystopian future through its youth. A fragment narrative structure offers glimpses at familiar faces like Brainiac 5, Lightning Lad, Saturn Girl, and the always hilarious and quite badass Matter Eating Lad. However, they’re separated by laws, different planets, and their own demons. Sherman’s visual vision of future superheroics is intriguing: nostalgia meets something new. Their trademark spiral layouts works for this kind of hop along story. I think I’m invested in the fate of the Legion like I am with the college kids I work with. Overall: 8.5 Verdict: Buy

Mini Reviews: Concrete: Stars Over Sand #3, Badrock #2, Witchblade/Vampirella #1, Black Tower: Raven Conspiracy #1

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Concrete: Stars Over Sand #3

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Concrete: Stars Over Sand #3 (Dark Horse) – Concrete: Stars Over Sand starts to ramp up as pieces of memories start to form in its amnesiac protagonist’s head. Paul Chadwick’s visuals depict the pure beauty and savagery of nature, and I love the details he spotlights for the different flora and fauna. This issue explores the monstrousness and humanity at the heart of Concrete and sets up a doozy of a penultimate issue. Overall: 8.5 Verdict: Buy

Badrock #2 (Image) – Badrock continues to punch above its weight as the titular character comes to grips with losing his power. Rob Liefeld’s captions capture the sadness Thomas feels when he’s powerless and then the triumph when he regains them temporarily. Artist Seth Damoose also gets to channel the Extreme Studios 90s with a massive double page pinup. However, the real emotional crux of this story is the relationship between Badrock and his mom. This is what made Badrock #2 sink its hooks into me along with big, explosive turn your brain off action. Overall: 8.3 Verdict: Buy

Witchblade/Vampirella #1 (Image) – Two 90s “Bad Girl” icons collide and wrestle with their cravings for revenge, violence, and of course, blood in Witchblade/Vampirella #1. Marguerite Bennett and Laura Braga focus on friendship and visceral ass kicking in this one-shot with several double page spreads full of kicking, biting, and the power of the Witchblade. I love how Vampirella acts as a kind of devilish guardian angel for Sara Pezzini while female friendship triumphs over the male gaze. Braga’s design for the vampiric Witchblade is very cool though. Overall: 7.9 Verdict: Buy

Black Tower: The Raven Conspiracy #1 (DC/Vertigo) – The occult, spycraft, and supernatural creatures all collide in the multi-layered first issue of Ram V and Mike Perkins’ Black Tower: The Raven Conspiracy #1. An American going to England to find magic is relatable to me, but not the chases and conspiracies. There’s quite a bit of exposition in Black Tower #1, but it’s tempered by the aforementioned chases and one bloody fight scene. V stays out of Perkins’ way and keeps the set pieces quiet before bringing his snarky, yet thoughtful dialogue to bear. I’m definitely lost in a maze after reading this first issue, but definitely want to see where the rabbit hole leads. Overall: 8 Verdict: Buy

Mini Reviews: Talespin #1, Spider-Man/Hulk: Fire and Brimstone #1, American Caper #10, Shellshock #1, Inglorious X-Force #8

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Talespin #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Talespin #1 (Dynamite) – Amanda Deibert and Carlo Lauro revive the 90s classic in suitably high-flying fashion in Talespin #1. Most of the comic’s page count is dedicated to the aptly named Sky Ryder’s acrobatics as she dazzles Baloo and Kit with her derring do in taking down the villainous Karny. Lauro makes the exciting clean and easy to follow while Deibert adds notes of wistfulness, adventure, and economic anxiety in her script. Re-engaging with this world as an adult, Talespin is definitely Baloo from the Jungle Book getting caught up in Casablanca or The Maltese Falcon. This is a solid first chapter with plenty of Disney Afternoon action. Overall: 7.7 Verdict: Buy

Spider-Man/Hulk: Fire and Brimstone #1 (Marvel) – Spirituality and truly groan worthy puns collide in Spider-Man/Hulk: Fire and Brimstone by Kevin Smith, Andrew McElfresh, RB Silva, and Federico Blee. Seriously, the first third of this comic is an overstimulating flurry of puns and hard to follow crowd scene. However, it locates its heart when Hulk finds peace through a happy childhood memory and then wraps up with a big, high concept swing. The idea of a man of science finding faith is quite compelling, and I’ve always enjoyed Smith’s explorations of religions. However, the inconsistent scripting and poorly blocked action make this first issue not quite a home run, but it does finish better than it starts. Overall: 7.0 Verdict: Read

American Caper #10 (Dark Horse) – Dan Houser, Lazlow, David Lapham, and Chris Anderson has gone from a bonkers guilty pleasure satire comic to just bonkers. Houser and Lazlow continue to pile subplot on subplot including a digression featuring a Kanye parody without tying them together until the very end with some quick violence. Lapham and Anderson’s visuals are pure gleeful absurdity, but I think I have to tap out of this story. (Or lack of one.) Overall: 4.5 Verdict: Pass

Shellshock #1 (Oni Press) – The one-shot Shellshock is a modernization of EC Comics’ Shocking SuspenStories focusing on the horrors of war with emotion and a pinch of dark humor. The first story in Shellshock is from John Arcudi and Shawn Martinbrough and is a harrowing look at the effects of airborne toxins on US veterans during the war in Afghanistan. Martinbrough’s art is hellish, and Arcudi scripts his protagonist Rita with empathy and compassion. The next story “Christmas” from Michael Conrad and Albert Monteys tries to find the shared humanity during World War I as the Germans and English celebrate a Christmas truce. Monteys contrasts the starving Germans and well-fed Englishmen to show how bad the war has gone for them and make the story’s twist hurt that much more while Conrad’s captions are pure anti-war brilliance. Julio Anta and David Lapham’s “Blowback” goes for dark humor over sobering reality as a CIA covert assassination expert tries to weather the family BBQ. The jingoism is turned up to 10, and the absurdity up to 11 in this wild and crazy parable about the perils of trying to outdrink beat cops. Shellshock new stories wrap up with the verbose sci-fi story “World of Wars” by Benito Cereno and Tom Fowler. I’m impressed with the sheer amount of alien races Cereno and Fowler were able to create to illustrate how war and conflict will sadly be never ending even going into the future. Shellshock concludes with its best story yet, “Yellow” from the EC all star team of Bill Gaines, Al Feldstein, and Jack Davis. Their portrayal of a strained father/son relationship is heartbreaking, but there’s still room for that pitch black EC humor. Colonel Henderson remorselessly smoking a cigarette will stick with me for quite some time. As the US fights a senseless conflict in Iran, Shellshock hits home with how war has more of an effect on ordinary folks than the people who declare it, but hey, a crockpot CIA wonk having his head explode can be funny sometimes. Overall: 9.1 Verdict: Buy

Inglorious X-Force #8 (Marvel) – With the exception of a confusing timey wimey final scene, Inglorious X-Force #8 is a solid clash of old school and new school storytelling. Tim Seeley and Luca Maresca have a ripped from the headlines bad guy who uses online video platforms and AI algorithms to make mutant youth hopeless and poison humans against them, but we’ve also got Cable, Boom Boom, and X-Force blowing shit up. This series is more interesting as a black ops team trying to stop mutant threats in extralegal ways and brushing up against even more extreme groups, but the Cable/time travel of it all kind of screws it up. However, the series has enough goodwill and flashy visuals that I’ll give this rabbit hole a shot and maybe re-read Cable’s Wikipedia entry this weekend. Overall: 7.8 Verdict: Buy

Mini Reviews: Hello Kitty: Hello World #1, Die Loaded #8

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Hello Kitty and Friends: Hello World #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Hello Kitty and Friends: Hello World #1 (IDW Publishing) – Hello Kitty has its cake (Or in this story, cinnamon roll) and can eat it too with adorable characters and engaging narrative with a genre shifting cliffhanger. Mariko Tamaki has a grasp on what makes every Sanrio character uniquely adorable and uses Hello Kitty’s podcast to introduce us to this world. (This job works for her protagonist vibe.) Cody Lemieux’s layouts have a snapshot vibe like the camera Hello Kitty uses to get pics of her friends, and I especially enjoyed his lush double page spread of the cast’s various homes. The cuteness still works even as the genre shifts from slice of life to true crime, but Tamaki and Lemieux keep things all ages instead of going for deconstruction and cynicism. If you own at least one Sanrio item, do yourself a favor and pick up this book. Overall: 8.0 Verdict: Buy

Die Loaded #8 (Image Comics) – Die Loaded goes swashbuckling adventure of a sort in issue 8. Kieron Gillen keeps a firm handle on Sophie mothering and improvising her way through undead children, gods, and various bullshit before latching onto a story that she knows the inner workings of. This is while in the background, the political and epic worldbuilding bit of Die starts to take off again. Stephanie Hans’ art continues to be glorious, especially her and letterer Clayton Cowles’ work with the different gods. The characters of Die still sound ordinary, but she gives them an ethereal sheen. Die Loaded #8 is a pivotal book in the series with a memorable double page spread, but continues its strong characterization. Overall: 8.8 Verdict: Buy

Mini Reviews: Chachu #1, Mary Jane, Face It Tiger #1, Tank Girl Summer Love Sensation

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Chachu #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Chachu #1 (Image) – Chachu #1 is a hell of a creator-owned comic debut from writer Iman Vellani. She, Marianna Ignazzi, and Jordie Bellaire turn into a gorgeous Hollywood neo noir starring a Pakistani-Canadian college student whose trip to find her missing, mysterious uncle opens a big ol’ can of worms. Vellani’s captions demonstrate her protagonist’s yearning for connection and a life bigger than the one she’s currently have while Ignazzi and Bellaire’s visuals reveal a world full of glory and double dealing. Chachu’s missing wife might be the most interesting character of all as the creative team easily subverts damsel in distress/dead wife cliches to give her the beginnings of an arc and one hell of personality. This is a comic that will fit nicely on the shelf with such Image noirs as The Good Asian and the Brubaker/Phillips collaborations. Overall: 8.2 Verdict: Buy

Mary Jane, Face It Tiger #1 (Marvel) – Mary Jane, Face It Tiger #1 is an eras spanning celebration of one of the most badass female characters in comic books and her evolution from love interest to superhero on her own right. The comic leads off with a story set in the aftermath of Chameleon impersonating Peter Parker and then getting his ass beat by Mary Jane. JM DeMatteis and Andrea Broccardo use the superhero metaphor to explore living in the aftermath of trauma and also remind us how great Peter and MJ were together. Also, yay, therapy! In the second story, Ann Nocenti and Alina Yerofieieva offer a glimpse at Mary Jane’s superhero future while she fights off the villainous Haze on a movie set. Nocenti’s MJ is whip smart and easily bests an evil mist and a sleazy director with ease. Yerofieieva’s nigh-90s artwork, but with better storytelling chops fits the tone of the story too. Up next, JMS and Luigi Zacaria go for full bittersweet as an aged Mary Jane reflects on her life with Peter and Spider-Man. It’s a reminder that JMS was a damn good Spidey writer when he wasn’t focusing on the totems or One More Daying. MJ Face It Tiger #1 wraps up with a present day story showing MJ standing up for herself and her fellow actor with the help of the Venom symbiote. Sadly, this story is a bit of a rerun of the Nocenti/Yerofieieva one, but Phil Noto’s art is always solid and I need MJ’s Venom bag. Overall: 7.8 Verdict: Buy

Tank Girl Summer Love Sensation (Titan) – Tank Girl Summer Love Sensation is a reprint of a 1990 full color Tank Girl serial by Alan Martin and Jamie Hewlett in the mighty Deadline Magazine. Nominally, the comic follows Tank Girl and Booga visiting her grandparents in rural England, but it transforms into a mayhem, nudity, dirty joke, and obscure UK pop culture reference-filled quest for the Fountain of Youth. This comic is dense is a good way ; there’s always some new reference or background gag to laugh at. Also, Hewlett’s different visual approaches keeps the book interesting, especially his use of mixed media and collage. This is a book that can go from glorious Romantic art homages to jokes about rival cartoonist’s pubic hair. It’s the perfect beach read for the cheeky ones out there. Overall: 9.9 Verdict: Buy

Mini Reviews: The Dirt Beneath the Devil #1 and Concrete: Stars over Sand #2

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Concrete: Stars over Sand #2

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

The Dirt Beneath the Devil #1 (Mad Cave) – In The Dirt Beneath the Devil #1, the family and business associates of a dead outlaw must hear his will, but first they must do a long ride from Kansas City to Wichita. Writer Dan Panosian tells the story from the POV of the outlaw’s Cornell-educated daughter June, which introduces fish out of water elements to go with the dark Western vibes. The other “heirs” are either the worst people period or quiet and mysterious making for good tension. On the art side, David Ferraci and Lee Loughridge provide gorgeous Western vistas with a side of jump scares featuring a horse, who may have a key role in this series. Overall: 8 Verdict: Buy

Concrete: Stars over Sand #2 (Dark Horse) – Concrete continues to wander aimlessly and amnesiacally as Maureen rounds up a search party to look for him so he can be there for his kid. Paul Chadwick continues to beautifully alchemize art and writing in Stars Over Sand #2, and his captions are especially poetic when Concrete sees the stars and the moon for the first time. The recurring element of the plot is “missed connections”, and we’re a wrong turn or a bit of stone in the corner of a dune surfer’s eye from finding the protagonist. But maybe he doesn’t want to be found. Stars Over Sand #2 has a true sense of total loneliness in a barren landscape. I hope everything ends up being okay. Overall: 8.7 Verdict: Buy

Mini Reviews: Swamp Thing 1989 #4, Giant Robot Hellboy Returns #1, Sicko #1, Gambit Wanted #1

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Swamp Thing 1989 #4

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Swamp Thing 1989 #4 (DC) – Rick Veitch wraps up his Swamp Thing run the way he originally intended with art from Tom Mandrake and Trish Mulvihill in Swamp Thing 1989 #4. There’s one last battle between Swamp Thing and Anton Arcane, the birth of his and Abby’s child (A son in this version), and a literal, but well set-up Deus ex machine to give the Hollands a happy ending. There’s a zen quality to Veitch and Mandrake’s work as Swamp Thing has seen and done everything and just wants to be with his wife and kid. He portrays calm compared to the chaos of Arcane and his ever shifting body. Superhero comics rarely have endings, but now Alan Moore and Rick Veitch’s Swamp Thing has a near-perfect one that actually fits in current DC continuity too. (PS It’s such a treat to have Mandrake draw Spectre in all his godlike and actually useful glory.) Overall: 9.6 Verdict: Buy

Giant Robot Hellboy Returns #1 (Dark Horse) – Giant Robot Hellboy Returns has diminishing returns from its predecessor despite high energy, craggy linework from Duncan Fegredo and some trippy violets from colorist extraordinaire Dave Stewart. But Mike Mignola’s script is filled with technobabble. The comic feels like the boring part of an old school Toho movie when the badly dubbed scientists yammer, and you wish giant monster and robot would duke it out. The worst part of GRH Returns #1 is that it just tapers off at the end instead of having a good cliffhanger. Overall: 6.1 Verdict: Pass

Sicko #1 (Ignition) – Tini Howard and Amilcar Pinna’s Sicko is a cathartic read for anyone who has been treated like shit or not believed by the health care system. Protagonist Valentine is dying, and she and her doctors don’t know why, but they wear hazmat suits around her. There’s also some shifty healthcare conglomerate/alternative medicine going on and creating conflict in the background. Howard’s nonlinear narrative creates context for Valentine’s plight while still being a propulsive biohazard thriller. Pinna and colorist Amanda Grazini go full trippy when Valentine uses her “abilities” on the run contrasting with the sterile hospital rooms. This issue has Breaking Bad pilot energy, but swap the blue meth for prescription pills. I’m definitely along for the ride. Overall: 8.9 Verdict: Buy

Gambit Wanted #1 (Marvel) – Once I got over the shock of Storm being a child for some reason, I ended enjoying this flashback Gambit comic from Chris Claremont, Robert Gill, and Bryan Valenza. Claremont’s writing is wordy as ever, but his captions provide insight into Gambit’s psyche while still leaving room for action. The highlight of the issue is an extended Gambit/Bullseye fight with breathtaking choreography from Gill and deep purples from Valenza. I don’t know the reasons behind the hit on Gambit, but Gambit Wanted #1 portrays the thief turned hero at a turning point in his career. I also look forward to more cool fight scenes. Overall: 7.7 Verdict: Buy

Mini Reviews: Badrock #1, Of the Earth #3, Sonic x Godzilla #1, 3W/3M Foundations

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Badrock #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Badrock #1 (Image) -“Hello fellow kids” and wearing the comic’s writer’s podcast t-shirt aside, Badrock #1 is inoffensive action-packed fun. He’s basically if the Thing were a teenager, and his bond with his mom is wholesome. After a flash forward, Rob Liefeld and Seth Damoose build the book around their relationship. Badrock #1 has real heart and is the complete opposite of 90s edgelord. This extends to Damoose’s art, which has a powerful, primitive quality to it like Jack Kirby by the way of Liefeld, but he’s seen a few episodes of Venture Bros. Overall: 8 Verdict: Buy

Of the Earth #3 (Image) – Of the Earth has really started to hit its stride in the past couple issues. Letterer Hassan Otsmane-Elhaou makes the dialogue or lack of dialogue from protagonist Tabby’s grandma and a Fossil Oil employee that much creepier to go with Charlie Adlard and Pip Martin’s shadowy visuals and Chris Condon and Andrew Ehrich’s suspenseful script. Also, the back matter plays a key role in the comic kind of contradicting what we’ve just seen. Condon and Ehrich’s give Tabby and salt of the Earth oilman Thomas an easy rapport and trauma bond that grounds the comic as we start to get a real glimpse of the Wildcatter. Overall: 8.2 Verdict: Buy

Sonic x Godzilla #1 (IDW Publishing) – The Thunder of a battle between Team Sonic and Eggman is stolen by Mothra and Mechagodzilla in Sonic x Godzilla (Who’s not in the comic) #1. Nick Marino, Jack Lawrence, and Reggie Graham put the focus on fisticuffs in this first issue while still carving out some space for character connections. I love Amy Rose’s intuitions about Mothra even as the Queen of Monster causes chaos in the Sonic universe. This is a shoot first, ask questions later type of comic, but fun in the last few minutes of a Saturday cartoon episode way. Overall: 7.6 Verdict: Read

3W/3M Foundations (Dark Horse) – Although Mike Del Mundo, Mike Huddleston, and Jerome Opena provide mind opening artwork, reading 3W/3M Foundations without subscribing to the companion Substack is like diving into the Silmarillion without reading Lord of the Rings. Foundations showcases a trippy sci-fi world centered around complex systems of science, magic, and religion. However, Jonathan Hickman and Nick Spencer wisely use the relationship between a father and his kids as a frame story. I’ll admit I’m semi-invested in that aspect, but the rest of the world is nigh-impenetrable. I dig some of the character designs, especially for the Three Mages and Syg the White Stag, but if you’re looking to get into a new fictional universe, this isn’t a good place to start. Overall: 6.4 Verdict: Pass

Mini Reviews: Die Loaded #7

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Die Loaded #7

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Die Loaded #7 (Image) – Kieron Gillen and Stephanie Hans use TTRPG, fantasy, and even fandom tropes to explore to deep human feelings about things like motherhood after IVF and living with dementia in Die Loaded #7. After the chaos of the previous arc, Sophie and Tommy have started taking over the role of team “parents” and more importantly voices of reason. Throughout the issue, they navigate ethical struggles and hard choices connected to their past lives in the “real world”.

Hans brings a grave line and dark palette to these glimpses in contrast with the more stylized horror fantasy vibes of most of the series. However, Die Loaded #7 isn’t all doom and gloom ; I got a chuckle from Die’s denizens cosplaying as human IT workers/Linux evangelists.

Overall: 8.7 Verdict: Buy

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