“Twaining Day” has two hilarious plot lines, two big time celebrity guest stars (Shania Twain as herself, and RuPaul as a Manhattan sushi “restauranteur” Marcel), and Abbi and Ilana going solo for most of the episode. Four seasons in, Broad City has never met a running gag it didn’t like, and writer/director Lucia Aniello and co-writer Paul W. Downs craft an entire an actual A-plot around Abbi training country pop star Shania Twain, who is a comedic gem. Abbi’s unexpected return to Soulstice also brings closure to her romantic (Well, mostly sexual.) relationship with Trey, still played with fantastic earnestness by Downs.
But before Ru Paul starts slinging one-liners, and Twain is more interested in “dishing” about Abbi and Trey’s relationship, Aniello and Downs get a little political in “Twaining Day’s” cold open where Abbi and Ilana are working as women’s clinic escorts fighting off anti-abortion protesters with the power of pink jerseys and puffs of a hash pipe. As a resident of a state with only remaining abortion clinic and personally witnessing graphic imagery in flashbulb billboards and harsh shouting of “pro-life” protesters on my route to work for a whole week, it’s very cool that Broad City aligns itself with progressive causes. Abbi is right that “everyone should chill out”, and maybe men should just chill out and eat giant cookies while under the effects of a contact high instead of telling women what they can or can’t do with their bodies.
Following this fantastic cold open and some gorgeous shots of a graphic design/artsy office space where Abbi is some sort of an executive assistant from Aniello, “Twaining Day” turns its attention to Ilana v. Marcel: Dawn of Sass-ness. Aniello and Downs play with the forced subservience of tip earning service professionals plus the (fading) gourmet reputation of Manhattan restaurants as well as Ru Paul’s (and his imitators) own persona to whip up one tasty Ilana plot. As a character who is often pure id, Ilana takes no shit from Marcel, when he says that she basically isn’t high class enough to work at Sushi Mambo. She goes full asshole and ends up earning his begrudging respect especially when she trips the oldest waiter on staff and gets the nickname “Other Tonya Harding”.
Glazer has real range as a comedian, and it’s a treat to see her shed her daffy, stoner persona and bite down on icy one-liners with a score and swoopy transitions that wouldn’t be out of place on Drag Race. But we know that’s not Ilana and couple literal tin foil monologues, and she’s back to her high energy, fun having self and earning boatloads of tips from all age groups with her quick compliments and knowledge of the best type of sushi to have after a heavy weed smoking session. Throughout the series, Ilana has been established as an outgoing, if non-filter having people person and working this kind of fast paced job fits her personality and is a big step in her growing up process. Plus Glazer and Ru Paul have an excellent repartee that shouldn’t just be wasted on one episode.
While Ilana advances in her career in “Twaining Day”, Abbi regresses a little bit making a terrible, lying excuse about her parent’s divorce to ditch work and pick up a random package at Soulstice. Lying isn’t one of her strong suits, and she utterly fails at subterfuge in trying to get the package and ends up having really hot, genital fracturing makeup sex with Trey and also training Shania Twain along the way. With the help of some improvised vocals from Twain (As confirmed by a behind the scenes featurette.), Abbi realizes that she only has a physical bond with Trey and may not be “relationship material”. And that’s okay as long she is honest with herself about her needs and feelings.
The last third of the episode is one big love letter from Lucia Aniello and Paul W. Downs (Who both writes and plays Trey) to Abbi and Trey shippers shooting sex scenes from really hot angles (That steam room equals yum.) that are comedically tempered by the fact that Abbi is little annoyed by the new Soulstice cleaner’s sense in interior decor. This combo of sexiness and awkwardness encapsulates Trey and Abbi’s relationship as they have real chemistry, but not much to talk about. However, it’s nice to have “Twaining Day” tie a bow on what was a big part of Abbi’s solo plots over the past three seasons and end her time as a “pube situation” cleaner with a glitzy celebrity cameo that reminded me a lot of Kelly Ripa’s in Broad City Season 2 where a notorious diva-ish celebrity ends up being funny, down to Earth, and a great fit for the show.
With a couple stellar guest performances from Shania Twain and Ru Paul plus some growth for Ilana and a complicated mixture of growth, regression, and closure for Abbi, “Twaining Day” shows that solo Ilana and Abbi plotlines can be just as fun as them together. Plus it nails the super awkwardness of returning to your old work where you’re pretty sure most of the people there resent you.
Overall Verdict: 8.5