Category Archives: Technology

eigoMANGA Has Launched A Free Streaming Service Called Comic Climax

eigoMANGA announced today that the company has launched a free comic media streaming service for iOS and Android called Comic Climax.

Comic Climax includes access to digital comics, video animation, and music soundtracks. Users are be able to stream and discover comic media, search and filter by genre, creator and title, save comics to read offline, as well as find out more about their favorite creators.

At launch, the service includes comic titles such as, ‘Give My Regards To Black  Jack’, ‘Vanguard Princess’, ‘Danity Kane’, ‘God Drug’, ‘Soul Ascendance’, original animation videos such as ‘Demian’, ‘Break Ups’, ‘Short Age’, the official soundtrack to the video game ‘Vanguard Princess’, and the award-winning feature-length animated film ‘Padak’ among others.

Comic Climax is free to download worldwide on iOS and Android with no sign up required to access the streaming service.

Comic Climax is eigoMANGA’s latest digital comic distribution platform; in March 2018, the company released a virtual reality (VR) digital comic app for iOS and Android called ‘ComX VR’.

Disney+ Gets a Second Star Wars Live-Action Series Plus a Loki Live Action Series is Being Developed

Disney‘s much talked about digital service finally has a name, Disney+. Along with that announcement, Disney Chairman and CEO Bob Iger has revealed new series that are being developed for it.

The service is getting a second live-action Star Wars series. This series will focus on Rebel spy Cassian Andor during the early years of the Rebellion and before the events of Rogue One: A Star Wars Story. Diego Luna will reprise the role of Cassian Andor.

The service is also getting a live-action series centered around the Marvel character Loki and will star Tom Hiddleston.

This is on top of other new stories set in the worlds of Monster Inc. and High School Musical as well as another Star Wars set live-action series, The Mandalorian which takes place after the fall of the Empire and before the emergence of the First Order.

Disney+ is scheduled to launch in the U.S. in late 2019.

Around the DC Universe: Titans, Doom Patrol, Dark Victory, and Green Lantern

Welcome to “Around the DC Universe,” Graphic Policy’s continuing feature that helps you get the most out of your subscription to DC’s premier comic book and video streaming service.


This week Titans introduced their version of The Doom Patrol. I’m not particularly knowledgeable about any of the comic book versions of the team but I did enjoy watching this episode. Brendan Fraser especially stood out as Robot Man, striking a perfect balance between goofiness and pathos that made me want to watch more.

I hate to say it but the one part of this show I’m not loving is Starfire/Kory Anders. Anna Diopp does a fine job of portraying the character but I don’t think the writers really know what to do with her.  Her costume is also completely ridiculous. I was willing to accept it in the beginning since it made sense in the context in which she’s introduced but four episodes (and a transatlantic flight) later the fact that she’s still wearing it stretches the bounds of credibility by making her stick out like a sore thumb. Hopefully the whole crew will be due for a change of clothes soon.

Special Features

Last Tuesday Batman: Dark Victory was added to the service for a limited time (they’ll be taking it down November 11th). This sequel to The Long Halloween, which features the fallout of the Holiday murders on the Gotham underworld and a version of Robin’s origin, is an improvement on the original but it does rely on it rather heavily for the purposes of continuity. It’s probably not the best choice if you steered clear of The Long Halloween and its not good enough in my opinion to make reading The Long Halloween worth it. If you ignored my advice or if you’re only discovering this column after learning that the original was not your taste, then check it out. It’s by far Jeph Loeb’s most readable epic.


If you were hoping for some Green Lantern comics to go along with the release of the first issue of Grant Morrison and Liam Sharp’s run, then prepare to be disappointed. DC Universe’s current selection is rather spotty and missing some well regarded material including most of the classic runs by Denny O’Neil/Neal Adams and Geoff Johns. The best stuff currently available to binge are the first twenty issues of Hal Jordan’s original series from the 1960s with stories by John Broome and art by Gil Kane. While these comics are plenty goofy (as well as being full of the casual racism and sexism of the silver age) they are still worth reading as historical documents. It was editor Julius Schwartz’s reinvention of Green Lantern (along with The Flash) that set the tone for a new generation of comics. Gil Kane is perhaps the best representative of DC’s silver age style with his dynamic sense of motion and more modern page layouts (though he would not really hit his stride until later in the run when he began to ink himself) and Broome managed to weave entertaining science-fiction yarns that saw Hal adventuring across both time and space, introducing key concepts and characters along the way.

Andy Bean and Derek Mears will play Swamp Thing in the new Live Action Series

After some casting announcements have been made in recent weeks, we finally know who will play the title character in DC Universe‘s Swamp Thing series.

Two individuals are stepping in the role to play the two sides of the character. Andy Bean will play Alec Holland, the biologist who transforms into Swamp Thing. Derek Mears will play the creature he turns into after his accident.

The actors join Will Patton as Avery Sunderland and Crystal Reed as Abby Crane.

The show is set to debut in 2019 as part of the DC Universe digital platform.

Marvel Unlimited Expands this November

Marvel Unlimited, Marvel’s digital comics subscription service, offers members unlimited access to over 20,000 issues of Marvel’s classic and newer titles, delivered digitally through your desktop web browser and the Marvel Unlimited mobile app. With classic and newer issues added every week, here are some of the amazing Marvel titles coming to Marvel Unlimited this month:

Week of 11/5



Week of 11/12



Week of 11/19

CABLE #157


Week of 11/26


Not a Marvel Unlimited member? Join today!

Marvel Unlimited members have access to some of the greatest Marvel Comics featuring The Avengers, Spider-Man, Thor, Black Panther, Ant-Man, Captain Marvel and more! With November’s update, Marvel Unlimited will also be expanding its back catalog with the following issues: Thunderbolts (1997) #51-74, Mutant X (1998) #1-17, Taskmaster (2002) #1-4, Warlock and the Infinity Watch (1992) #36-42, Elektra: Glimpse and Echo (2002) #1-4 and much, MUCH more! This amazing service is accessible through Marvel Unlimited on the web and through the Marvel Unlimited app on iPhone, iPad and on select Android devices.

Breaking: Image Comics Will Stop Selling DRM-free Titles Starting November 5

Image Comics has sent an email alert stating they will stop selling DRM-free titles through their website beginning November 5th. DRM-free versions of their books will no longer be available for purchase and all sales of DRM-free versions through will be discontinued.

The company announced in 2013 at Image Expo that they would be offering DRM-free digital comics through their website.

What this means for folks who have already purchased?

  • From November 5th, 2018 through February 3rd, 2019 customers can still access their previous purchases. Image recommends that customers download and save their purchases at their earliest convenience before February 3rd, 2019.
  • Future titles will be available for purchase through other digital vendor partners, and DRM-free versions through other services that offer it, like comiXology.
  • You will still be able to purchase physical copies of Image books and subscribe to series through Image Direct as well as your local comic book store. Image Direct will NOT be affected by this change.

Around the DC Universe: Titans, Swamp Thing, and More!


Stuff is finally starting to come together on Titans. This week saw Starfire and Beast Boy pulled into the main thread alongside Dick and Rachel. I like how they’re using Starfire to add an element of real mystery to Raven’s story line. Just about everyone knows what Rachel’s big reveal is but it will be interesting to see exactly how Kory fits into it. That said, after the Hawk and Dove episode I’m worried they won’t keep her core background as an alien intact. The juxtaposition of sci-fi and fantasy elements is a feature of superhero comics that has been largely neglected on TV and it would be nice for Titans to break the mold.


Between Halloween and recent casting news regarding the upcoming Swamp Thing series, this is the perfect time to read some of the best horror comics ever published by DC or anyone else. Alan Moore‘s run on The Saga of Swamp Thing is one of the high water marks of the medium as groundbreaking as The Dark Knight Returns or Watchmen and maybe even more influential by virtue of the fact that it was an ongoing monthly series. The earliest issues with art by Stephen Bissette and and John Tottlebein are currently on DC Universe and it actually stands apart from the bulk of the run quite well though you do miss out on the early appearances of John Constantine. What’s here is more than worth it, a look into some of the murkier corners of the DC Universe including a guided tour of Hell itself. Be warned that there are many uncomfortable themes including rape, incest and necrophilia. These are not comics for the squeamish either. No evokes the corrupting atmosphere of body horror quite like the team of Bissette and Totlebein. If you’re a big fan of movies like John Carpenter’s The Thing or David Cronenberg’s The Fly, then The Saga of Swamp Thing is a must read. Available on DC Universe in The Saga of The Swamp Thing (1982) #21-34 and Swamp Thing Annual (1985) #2. Read the Swamp Thing Annual between issues 31 & 32.

Technical Issues

After almost 2 months since release it’s time for an update on technical issues. Overall I’d say DC Universe has gotten a lot better. The community portion of the site has added moderator tags and restricted one of the boards to moderator posts so it’s much easier to get official announcements.The inability to directly interact with other users remains a stumbling block but there has been improved functionality in terms of what you can post and the ability to bookmark threads. Communication  is greatly improved but there are still blind spots. Death of Superman was up for the better part of October missing key issues in the story. This was never addressed despite the fact that this was pointed out by myself and other users in several spots on the community and through direct communication with customer service using the form available through the app itself.

The rotation of special feature comic titles continues to prove frustrating. While DC has mostly been adding worthwhile titles on a regular schedule, the rate at which they rotate out is inconsistent and you have to dig to find out how long a given issue will be available. It would be nice to know in advance how much time there is to read a given special feature without have to trawl through a message board. Similarly three out of four issues of Batman: Year One, which I had thought would be part of the regular library until at least the end of this month, mysteriously vanished while issues of Batman ’66 seemed to appear without warning.

To add a further wrinkle to the matter DC originally stated that their full digital library would be available for purchase in October, presumably at a per issue price similar to ComiXology (though DC has stated that the two services’ libraries will not sync meaning you would need to purchase a book twice to read it on both apps). This note has now been replaced with one that states more comics are coming soon. Whether this means that DC is planning to retool DC Universe to have an unlimited library similar to Marvel’s remains to be seen. It does seem unlikely that DC, a company that relies far much on “evergreen” trades like The Dark Knight Returns or Watchmen, would want to hazard risking those sales by making such titles available digitally for such a low price point (especially given the cost of producing their original shows) but there is also a lot of discontent in the community with the current vault approach. If anyone from DC is reading this I would suggest a hybrid approach: regular monthly titles released in a style similar to Marvel Unlimited with a six month or even a year lead time to preserve comic shop sales and a rotating, themed  selection of the best selling boutique material in trade. This should allow for a better value for money for readers who are primarily interested in new material while DC is able to maintain the value of their older titles.

Around the DC Universe: Titans Debuts

Welcome once again to Graphic Policy’s regular roundup of the best, the worst and the goofiest content on DC Universe, the premier subscription service for all things from DC Entertainment.


A new heading gets added to the feature this week with the much anticipated debut of Titans, the first DC Universe exclusive original series. Early reactions to the series’ teaser material was decidedly mixed with many fans decrying what appeared to be it’s dark and gritty tone and the open use of profanity, especially when associated with a franchise with many younger fans thanks to the animated series Teen Titans (also available on DC Universe) and Teen Titans Go!

I was honestly surprised by how much I enjoyed the premier episode. The show is indeed dark and gritty but the tone works really well to provide a fresh take on thirty year old material that has been adapted several times before.

In this iteration Titans is very much an examination of young people coping with trauma, a theme that is all too relevant in the wake of #metoo and a generation of young veterans suffering from PTSD. Raven (played by Tegan Croft) is the real standout of the show and much of what occurs is seen from her viewpoint, something that makes the tone very apropos. I was a little worried that they were going to draw Dick Grayson too far towards the rendition from All Star Batman and Robin but Brenton Thwaites retains an essential likeability and vulnerability even while brutally wading into criminals with no quarter asked or given. “Fuck Batman” was a shocking and needlessly edgy line in the trailer but in the context in which it used it did work for me. I’d go so far as to say that this portrayal of the “boy” wonder might be the definitive live action one for a generation.

If there’s a flaw in the first episode it’s that Anna Diop’s Starfire is too far divorced from Robin and Raven’s plotline for much of the runtime. I get the feeling they were trying to make her mysterious but she came across as more of a distraction than anything else. Hopefully their paths will dovetail together next week. While I’m mostly over the idea of R (or in this case TV MA) rated superheroes I think it does work here.

One episode is not enough to justify $75 for a year’s subscription but if the rest of the season is as good or better a month or two to binge the entire thing will certainly be worth it.


I’ve been busy catching up on analog comics for the last two weeks so I haven’t spent as much time reading on DC Universe as usual. One title I did get to finish though was Hawk and Dove (2011) by artist Rob Liefeld, scripted for the first five issues by Sterling Gates and done solo by Liefeld for the last three. Hawk and Dove‘s cardinal sin isn’t that it’s bad; it’s that its boring. At no point in this run do we get a sense of the characters as anything other than generic super heroes. There’s nothing compelling here, no reason why we should care what happens to anyone. The story also seems to be a continuation of threads laid down in a previous series, an odd choice given that the New 52 was supposed to be a fresh start for all but the most successful DC titles. It’s not even worth it for Liefeld fans as his work here feels rushed and bland. It’s almost like he lost interest or ran out of time halfway through, producing  a forgettable story and a poor introduction to the characters.

A much better use of your time is the first six issues of All Star Western (2011) written by Jimmy Palmiotti and Justin Gray with artwork by Moritat. Bringing Jonah Hex to Gotham City in the late nineteenth century was a stroke of brilliance and making his sidekick Amadeus Arkham makes for some great odd couple dynamics as the two try to solve a series of murders similar to the Jack the Ripper killings. The art (reminiscent of the french master Moebius) is in turns sexy, and disturbing and never less than brilliant. The only bad thing I can say about these comics is that there are not enough of them. All Star Western ran longer than any of the other New 52 launch titles without traditional superhero leads and only the first trade’s worth of material is available to read online with a DC Universe subscription. Hopefully more will be uploaded soon as these are some of the best comics produced by a major company in recent years and the series only gets better from here.

Around the DC Universe: What to Check Out this Week in Movies, TV, and Comics!

Welcome back to Around the DC Universe Graphic Policy’s regular examination of the best and worst content on DC Entertainment’s premier streaming service.

Special Features

For the next few weeks DC Universe will be expanding their selection of issues from the original run of The New Teen Titans (1980) by Marv Wolfman and George Perez in the lead up to the premier of the Titans TV series (the first episode drops October 12th). DC is being cagey about how long issues will remain on the service so my recommendation is to read them as soon as possible because they are really good. Wolfman’s writing, while somewhat dated, holds up better than any of his contemporaries (with the possible exception of Chris Claremont) and Perez’s art improves with every issue reaching towards the pinnacle of his artistic achievement. It’s one of the best books of its era and a masterclass in the form that today’s creators can still draw upon for inspiration. Of particular note is issue #8 (“A Day in the Life”) a nice character piece that fleshes out the series three original creations (Starfire, Cyborg and Raven) and brings them closer to the characters we’ve come to know and love.

Movies and TV

Last week I warned you away from Superman: Doomsday and now I am happy to report that this year’s The Death of Superman is a much more successful adaptation of the original source material (which is still available to read). I love how the creators tied the escalation of the Lois and Clark romance into the fight between Superman and Doomsday. When Lois tells Clark that she loves him for the first time right before he sacrifices himself to save her and Metropolis I was moved to tears. The buildup to the climactic battle is great and the fight itself is even more epic than the one captured in the comics due to better staging and the fact that they used a much more iconic Justice League to really drive home how much of a threat Doomsday really was. The funeral sequence feels a little protracted but it is a nice coda and serves to really whet the appetite for Reign of the Supermen set to be released next year.

I know I’m a bit late to the party here but with the long awaited third season promised to drop soon I decided that it was past time to catch up on Young Justice. I really enjoy how they handle the broader DC Universe, pulling in odd little deep cuts here and there. They are fun easter eggs if you’re familiar with what’s being referenced but not completely confusing if you don’t.  If I have one criticism it’s that in the early episodes they tend to focus on obscure D-list villains in favor of more potent antagonists but this problem seems to be resolving about half way through the series with appearances by Lex Luthor, Ras Al Ghul and the Joker.  


Green Arrow is a really difficult character to get right. Thus far the best presentation I’ve seen is The CW’s Arrow  but Kevin Smith’s 2000 comic book run is a close second. In Quiver, Oliver Queen returns from the dead with amnesia. He believes that he’s just back from some hard travel with his friend Green Lantern Hal Jordan but years have passed and the world has changed. Regardless of what you may think of his movies Smith knows how to write comics well: his sense of action is flawless and his dialog pithy and on point. Phil Hester’s art is hit or miss for me but his simple sense of style works well here and is a nice complement to Smith’s wordplay. I can’t unequivocally recommend this book since there is some non-explicit sexual situations involving a young girl that some might find triggering (especially given recent events) and a supporting character who is pretending to be a fairly cringeworthy trope but if these are not deal breakers for you the storytelling is of a quality that it is worth reading. Available on DC Universe in Green Arrow (2000-) #1-10.

If you are looking for something a bit more modern there are several arcs available from Geoff Johns’ 2007 Action Comics run with Superman director Richard Donner. In Escape From Bizarro World (with artist Eric Powell) Superman must save Pa Kent from his imperfect clone and a planet full of his offspring (including a Bizarro Justice League). Braniac (with artist Gary Frank) tells the story of the first true confrontation between Superman and one of his arch foes, the evil alien mastermind from the planet Colu. While Johns’ brand of decompressed storytelling isn’t for everyone, this is a case where it works fairly well. It’s an interesting run as the writers seem to be intent on adding elements of both the pre-Crisis comics continuity and the Christopher Reeve Superman films into the stripped-down framework previously established by John Byrne in his 1987 reboot. These stories actually read better taken outside the context of the character’s broader continuity adrift  as they are adrift between major periods of the Superman canon. The tone of Braniac may also feel familiar to those who are following Mark Andreyko and Kevin Maguire’s current run on Supergirl making for interesting comparisons between the two. Available on DC Universe in Action Comics (1938-) #855-857 and #866-870.

Around the DC Universe: So How is It?

It’s an understatement to say that I was excited for the release of DC Universe. Since the service was first announced over a year ago I’ve been regularly scouring the internet for news, checking my email for updates and pestering the company’s customer service department for information through a variety of social media outlets. After a short beta test DC Universe finally launched and I’ve spent almost every single free minute since trying to experience everything it has to offer. 

I’ve gotten more into the specifics of what I’ve been reading and watching but I want to focus on the nuts and bolts of the service itself and discuss who I think will get the most out of it.

A quick note on devices before we begin: I have been accessing DC Universe using the app on my Android phone, streaming to my TV via Chromecast. I’ve tried several time to use the browser on my Chromebook but I’ve had little success.  

Movies and TV

For a lot of fans the movie and TV portion of DC Universe is what will make or break it. Fortunately I think it’s also the strongest category at the moment. I watched a variety of programming this weekend and found that the interface worked well and was user friendly. There were quite a few problems with videos pausing in the middle of the day Saturday but less than I expected given the heavy volume that they were almost certainly experiencing.  There is a good selection of movies and shows for fans of all ages. Choices tend to skew towards older material though so you won’t find any of the current CW shows, Gotham or the DC Extended Universe films.  You can watch the Christopher Reeve Superman movies, the 90s Flash show and most of the DC Animated Universe (with the exception of The New Batman Adventures and The Zeta Project). DC’s original animated features are also very well represented including some of the most recent (Gotham by Gaslight, Death of Superman and Ninja Batman). It’s nice that most of the shows are presented with all of their seasons intact for convenient binging but there are some odd omissions (notably The Dark Knight Rises, the only Nolan Batfilm that wasn’t added for Batman Day). There are also some surprising choices like The Spirit TV pilot and The Human Target series both of which I had forgot even existed until I opened up the app.


While Marvel has had their Unlimited service available for over a decade, DC has been conspicuously absent from the field of comics streaming, the only major hold out. What most excited me about DC Universe was the ability to read their titles electronically without having to pay a la carte through ComiXology or another eStore. Early on it was announced that the selection available would be curated. What this meant was left vague causing concern for many and prompting some not to pre-order.

Now that the service is available I can honestly say it’s a bit of a mixed bag. The selection of comics is extensive but it doesn’t seem anywhere close to the thousands of titles that were mentioned in early promotional materials. Many series (including stand alone mini series like New Frontier and All Star Superman as well as the recent Rebirth series) have only have a single issue available. Others (like many from the New 52 launch) present incomplete story arcs but a few of the less successful books are available in their entirety. Older titles have more representation but there are few if any complete creative runs (though there are plenty of story arcs including Geoff Johns and Gary Frank’s Braniac and Frank Miller and David Mazzuchelli’s Batman Year One) which work well outside of the larger continuity. All in all it feels a bit like walking into a public library and browsing their selection of trades but that’s not necessarily a bad thing, especially for more casual readers who may not have much experience with the characters in their native medium.

The biggest issue with the comics part of DC Universe is that its very hard to keep track of what’s available at any given moment. Unlike Marvel Unlimited you can expect comics to come and go (in the four days since launch I’ve seen several issues and even an entire series vanish) but there is no schedule to it or to the addition of new issues/series (again unlike Marvel Unlimited which has had a regular new release schedule since its inception). There is no indication of what you have or haven’t read unless you create your own list of read titles. The app notes that the entire DC Digital Collection will be available to purchase beginning in October. This makes it seem like DC Universe is following the path of ComiXology Unlimited by offering a few teaser issues to subscribers to entice them into buying more. If that is the case I hope that the app makes it clear what books are available for an additional fee and which are included as part of the subscription. I also hope that they will also do us the favor of offering at least one complete trade worth of material on which to base our choices, at least in the case of ongoing series.

Content aside I think that they have done a very good job with its presentation. The reader works smoothly especially in the panel by panel mode. Guided view has always been Marvel Unlimited’s Achilles heel but DC Universe’s panel by panel mode works very well on my phone. I only had a few problems with some panels displaying out of order on a couple of modern comics. There is an option to set up automatic panel transitions but I abandoned it pretty quickly as it really doesn’t account well for the fact that not every panel will take you the same amount of time to read. The biggest problem with the interface is that it requires you to download comics to read them on the mobile app. This isn’t a huge inconvenience if you’re reading a limited series or a short story arc but it can be aggravating if you’re trying to binge a longer series. It also takes way more effort than it should to get from a finished comic to the list of available series or to the home screen. You also have to go out of your way to read a story that occurs in more than one title, switching back and forth between the books in question. This would be a huge hassle for family wide epics like The Death and Return of Superman or No Man’s Land should such be made available in their entirety. 

The Community

One of the things that DC promoted most vigorously about DC Universe was the way in which it would allow users to communicate with one another, selling the DC Universe Community as a cross between Facebook and a Message Board. While this is an admirable goal it falls short in several respects.

The nice thing about the DC Universe Community is that it seems to be very well moderated especially given the fact that DC fans have developed something of a reputation for toxicity. I’ve seen none of that in the Community posts and that is all to the good because the last thing DC fandom and the world in general needs right now is another outlet for hatred, ignorance and bile. It’s also easy to mark threads as spoilers for those who care about such things. What’s unfortunate is that a lot of features that made social media platforms like Facebook so successful are missing here. There is no way, as far as I can tell, to reply to a specific user and no means of being notified when someone responds to your posts. This ultimately leads to a bunch of detached comments loosely related by a broader topic floating around  next to each other rather than being a real discussion. It also makes it very easy to ignore as you have to spend time trying to find your old posts to see if anyone has commented on them. It’s a nice idea but not particularly engaging as currently configured.

The Encyclopedia

Pitched by DC as a more reliable version of a wiki, this is probably the biggest disappointment of the service.  Part of the problem is that it is woefully incomplete. This wouldn’t be so bad if the choices they made seemed to have a reason behind them but as of Sunday morning major names like Braniac, the Justice League and Lex Luthor are nowhere to be found. Instead there are articles for Sam Lane and “The Watchmen” (a name that is never once used in the Alan Moore/Dave Gibbons comic to refer to any group of characters).  If that weren’t bad enough there are only a few links between the entries that do exist and the content on the service. It would be great if you could use the encyclopedia to catch up on a character’s backstory, diving directly into comics, movies or TV shows as they become available but that’s not an option at the moment. It’s clear that this is a work in progress but it’s also obvious that not enough work or thought was done on this part of the experience prior to launch.

The Shop

Last but not least comes The Shop, which offers a variety of member exclusive products. I wanted to buy something before writing this review but I couldn’t find anything I wanted badly enough to pay the price that DC is asking. The stuff is nicely designed but I don’t really feel like paying twenty five dollars for a t-shirt and I have more than enough mugs. It would be nice to see DC expand this section a bit with more stuff and a wider variety of price points. It’s particularly telling that after writing the first draft of this review I went to a convention and spent almost eighty dollars on DC trades and single issues. 


I like DC Universe a lot warts and all. There are plenty of problems but I think that between the comics, the movies and the shows I will still get my money’s worth over the next fifteen months of my subscription. That said I’m still up in the air about whether or not I’ll renew. I’m hooked for now but I need to see significant improvement as well as additional content to keep me where I am.  

Recommending the service to someone else is a thorny prospect at present.  For people who are new to DC, TV or movie fans who want to give the comics a try or Marvel fans who might be DC curious, it’s a decent way to sample what they have to offer without breaking the bank especially if you are living in an area without a newbie friendly comic shop.   If you are one of the DC faithful your response to DC Universe will likely depend on what you already own and what you want to read. If you happen to harbor the impossible dream of reading every DC book ever published from the first issue of New Fun Comics to the latest issue of Aquaman  than DC Universe is probably a good match for you but if you are drawn to a particular period of DC history or to a character other than Batman its likely a hard pass. In all cases I would only recommend subscribing on a month by month basis at this point as much of the long term value of DC Universe will only become apparent as it grows and changes. 

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