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NYCC 2026: Blumhouse announces the Director for Something is Killing the Children

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As announced by Blumhouse during their panel on Friday, October 9 at New York Comic Con, Craig Zobel set to direct the upcoming live-action Something is Killing the Children film. Zobel has directed episodes of The Penguin, American Gods, Outcast, and more, so familiar with not just horror but also adapting comics to live-action.

Something is Killing the Children is the acclaimed horror comic series created by New York Times-bestselling author James Tynion IV and Eisner Award-winning artist Werther Dell’Edera. When children begin to go missing in the town of Archer’s Peak, all hope seems lost until a mysterious woman arrives to reveal the terrifying creatures behind the chaos. She alone will destroy them, no matter the cost.

Published by BOOM! and distributed by Penguin Random House, Something is Killing the Children is available at your local comic shop and bookstore.

Something is Killing the Children #50 cover

NYCC 2026: AC Pop Comics reveals an exclusive Something Is Killing the Children #50 Blind Bag

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New York Comic Con

AC Pop Comics is heading to New York Comic Con 2026 with an exclusive Something Is Killing the Children #50 Blind Bags. Limited to 4,000 bags, each features 3 unique books per bag. Each blind bag retails for $60.

AC Pop Comics’ blind bags feature six covers by Kael Ngu, Federico Mele, Bjorn Barends, John Giang, Ejikure, and Stephen Segovia, each in three variations.

Signings: Mele, Barends, Giang, and Segovia will be attending NYCC, so fans can get their books signed right out of the bag. AC Pop Comics will have artists stopping by our booth, #4541, to sign pulls.

Chase variants include:

Giang glow-in-the-dark, limited to 250
Segovia black, white, and red spot foil, limited to 300
Mele bloody spot foil, limited to 350

KAYOU + Hasbro Unveil New My Little Pony Cards to Collect, Play, and Connect

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 KAYOU came to the U.S. with a promise to be “Here for the Superfans.” One year after making its stateside debut at New York Comic Con, China’s No. 1 trading card company is returning alongside Hasbro, a leading games, IP and toy company, with new My Little Pony cards and fan experiences that bring collecting, art, storytelling and play together.

The celebration extends well beyond the convention floor with three new releases for U.S. fans: My Little Pony Friendship Eternal Cards – Moon Edition 4, arriving early at NYCC before its nationwide retail release Oct. 16; Nightmare Night Trading Card Game Booster Packs, available now and featured at NYCC; and Hearth’s Warming Eve TCG Booster Packs, arriving at retail Oct. 30.

At New York Comic Con (Oct. 8–11), those new releases are just the beginning. Fans can go behind the creative process during a special “Chase the Magic” panel, witness the reveal of an original fan-created Pony transformed into a KAYOU card, score a first-of-its-kind NYCC-exclusive collectible, learn to play and compete in the My Little Pony TCG, and immerse themselves in the world of KAYOU and My Little Pony.

New KAYOU Cards Celebrate Friendship, Magic and Traditions of Equestria

KAYOU’s newest releases give My Little Pony fans more to discover across both collectible cards and TCG play.

My Little Pony Friendship Eternal Cards – Moon Edition 4 gives collectors new ways to reimagine their favorite Ponies across 162 unique cards and 10 rarity tiers, each with its own distinctive visual treatment—from dazzling rainbow forms on ZR cards to shadowed alter egos on SC cards and magical universes filled with colorful planets and shooting stars on LSR cards.

For fans who want to put their cards into play, two seasonal My Little Pony Trading Card Game Booster Packs add new cards to collect, trade and bring to their TCG starter decks:

●Nightmare Night, available now, turns Equestria’s spookiest night into a playful TCG adventure filled with mysterious creatures, Pony costumes and plenty of mischief. The release features 190 cards across 13 rarity tiers.

●Hearth’s Warming Eve, arriving Oct. 30, celebrates one of Equestria’s most cherished traditions with festive fun, cozy winter moments and the magic of friendship across 197 cards and 14 rarity tiers.

The new releases will roll out at Target, Walmart, Best Buy, GameStop, Barnes & Noble, Amazon, TikTok Shop and select local hobby stores across the U.S. NYCC attendees can get an early look inside the KAYOU Walls of Fandom at Booth #1143.

Go Behind the Cards: “Chase the Magic” Comes Full Circle at NYCC

How does a beloved My Little Pony character or story make the leap from Equestria to a collectible card? And what happens when a lucky fan gets to create a Pony of their own?

On Thursday, Oct. 8, from 3:15–4 p.m. ET in Room 406.2, KAYOU and Hasbro will take fans behind the cards during “Chase the Magic: Celebrating One Year of KAYOU & My Little Pony,” a special panel celebrating the stories, artistry and fandom behind KAYOU’s first year of My Little Pony trading cards in the U.S.—and offering a glimpse at what comes next.

Hosted by Rubin Ervin, announcer and audience warm-up host for Family Feud, the panel will bring together David Abdelmaseih, winner of KAYOU’s inaugural Chase the Magic campaign; Cheng Chang, Head of Collectible Card Studio at KAYOU; Claire O’Sullivan, Senior Manager, Global Consumer Marketing at Hasbro; and Andy Price, comic illustrator for My Little Pony: Friendship is Magic.

Together, they’ll pull back the curtain on the journey from story to sketch to finished card, exploring how beloved My Little Pony characters and stories inspire KAYOU’s creative process – and how KAYOU transforms that inspiration into collectibles that give fans new ways to connect with the world of Equestria.

The panel will also bring KAYOU’s inaugural Chase the Magic campaign full circle as David Abdelmaseih and Andy Price unveil the oversized KAYOU collectible card featuring the original Pony they created together—a one-of-a-kind keepsake for Abdelmaseih as the campaign winner. Attendees will also get an exclusive sneak peek at what’s next for KAYOU and My Little Pony—and a first tease of what’s ahead when Chase the Magic returns in 2027.

Fans can also get to know Equestria’s newest Pony at KAYOU (Booth #1143). Meet Bannanie Bloom and follow her journey from fan-inspired idea to one-of-a-kind Pony through a special “From Sketch to Card” exhibit, featuring David Abdelmasieh’s original inspiration, Andy Price’s early sketches and the final artwork.

The Mane Six Come Together for a First-of-Its-Kind KAYOU NYCC Collectible

The Mane Six are heading back to Equestria in BOOM! Studios’ new comic series, My Little Pony: Friendship is Magic, written by Seanan McGuire and illustrated by Amy Mebberson – and KAYOU is marking the occasion with a collectible first.

BOOM! Studios and KAYOU have teamed up to create the KAYOU × BOOM! × My Little Pony NYCC Exclusive Cover Card, the first oversized KAYOU card ever offered for purchase.

Measuring 6” x 8”—more than twice the size of a standard KAYOU card—the collectible features the Mane Six intertwined among blooming purple roses in shimmering, storybook-style artwork with celestial and ornate golden details.

Bundled with an early release copy of the new comic, which launches Nov. 11, the NYCC-exclusive collectible will be available for $25 at KAYOU (Booth #1143) and BOOM! Studios (Booth #3235) during New York Comic Con, while supplies last.

Pony Day Brings My Little Pony TCG Play to NYCC

Fans can take their fandom from collecting to gameplay at Pony Day @ PPG, a hands-on My Little Pony TCG experience presented by KAYOU and Pro-Play Games (PPG) at Booth #1271 in Side Quest Hall 1E.

Learn-to-Play Demos introduce newcomers to the game—no cards or supplies required. Each participant will receive a My Little Pony TCG blind pack promo card featuring one of the Mane Six, while supplies last. Sessions take place 5–6 p.m. Thursday through Saturday and 2–3 p.m. Sunday.

Immediately following, the Inspo Pack Battle Tournament invites up to 16 players per tournament to open packs and compete in a single-elimination format. Participants keep every pack they open and receive a My Little Pony TCG Halloween Treat Token promo card, with a Pony Day Sleeve Pack awaiting the winner. Tournaments take place 6–7 p.m. Thursday through Saturday and 3–4 p.m. Sunday; entry is $15 per player.

Fans can pre-register online, with onsite signups also available as space permits.

Even More My Little Pony at KAYOU Booth #1143

Throughout NYCC, fans can experience even more My Little Pony at the KAYOU booth, including all-day guided TCG Learn-to-Play sessions and an appearance by comic illustrator Andy Price, who will create original pencil head sketches for 20 fans on Thursday, Oct. 8 from 12–2 p.m. ET, first come, first served. Learn-to-Play participants will receive a My Little Pony TCG blind pack promo card featuring one of the Mane Six, while supplies last.

  • Image of various My Little Pony trading card game products, including a box for Friendship Eternal Cards - Moon Edition 4, Hearth's Warming Eve, and Nightmare Night, featuring colorful designs and characters from the series.
  • A collectible box set of My Little Pony featuring Friendship Eternal Cards, with a prominent Rarity design on the front. The set includes a pack of cards, showcasing various characters like Twilight Sparkle, Pinkie Pie, Rainbow Dash, and others on colorful backgrounds.
  • My Little Pony card game packaging featuring colorful characters and holiday-themed decorations.
  • My Little Pony card game 'Nightmare Night' box featuring various characters and a Twilight Sparkle trading card, alongside a sealed booster pack.
  • A promotional graphic for New York Comic Con 2026 featuring four individuals: David Abdelmaseih, Cheng Chang, Claire O'Sullivan, and Andy Price, celebrating the first anniversary of KAYOU and My Little Pony. Includes the event title 'Chase the Magic'.

Something is Killing the Children #50 Arrives with Surprise, Exclusive Card teasing a New Trading Card Game

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Fans of Something is Killing the Children are about to get a surprise collectible alongside the series’ landmark 50th issue. The Something is Killing the Children #50 Cover C Blind Bag Variant will include an exclusive Erica Slaughter trading card tied to an upcoming, soon-to-be-announced trading card game for the series.

Details about the trading card game remain under wraps. The card marks the first officially revealed collectible from the forthcoming game, and collectors can get an early glimpse at what’s to come with the Something is Killing the Children #50 Cover C Blind Bag Variant.

Earlier this year, Tiny Onion made a big splash with Exquisite Corpses: The Game, and we’re incredibly excited to continue our pursuits in the tabletop gaming space in partnership with our friends at BOOM!. In Something is Killing the Children, James and Werther have created an immensely rich universe with iconic characters, monsters, and more; it’s been a longtime goal of ours to bring this world to tabletop gaming, and we’re thrilled to share more about our plans very soon!

-Eric Harburn, Director of Narrative & Editor-in-Chief at Tiny Onion

The Something is Killing the Children #50 Cover C Blind Bag Variant celebrates the series’ 50th issue while giving fans something entirely new to discover. This momentous milestone issue for the bestselling horror phenomenon marks the return of beloved protagonist Erica Slaughter to the present day.

After the horrifying events of the Tribulation saga, Erica, completely distraught from her encounter with Cutter and the death of Gabi, is on the run from the Order. In her escape, she turns to a formative place for her: the Valmont Mountain Lodge.

But beyond memories of her past, what and who will Erica find there now awaiting her?

Something is Killing the Children is the acclaimed horror comic series created by James Tynion IV and Werther Dell’Edera, published by BOOM! and distributed by Penguin Random House. Something is Killing the Children #50 Cover C Blind Bag Variant will be available at your local comic shop on October 7, 2026.

  • A black background featuring a stylized yellow graphic design resembling a series of sharp, elongated shapes arranged symmetrically, with the number '50' in the top right corner.
  • A comic panel depicting a person in their bedroom, frustrated, sitting on the edge of a bed. An alarm clock reads 10:20. They are reaching to silence the alarm while expressing annoyance.
  • A comic panel sequence featuring a character wearing a yellow sweater and shorts, interacting with technology in a cozy wooden room. Sounds like 'beep' and 'click' are depicted, suggesting a focus on a computer or device. The character's expressions change as they engage with the computer and respond to various sounds.
  • A comic strip from 'Something is Killing the Children #50', featuring a character in a yellow shirt engaging with a computer and examining various images on the screen.
  • A character with brown hair and blue eyes holds a weapon while standing in a wooden room, looking toward an open door. A white dog with black ears sits nearby, observing the scene. In the foreground, there is an illustration of three children on a piece of paper.
  • A character in a green jacket walks through a dilapidated interior space, navigating past debris and broken furniture, suggesting a sense of mystery and tension.
  • A comic panel illustration featuring a character in a green coat with a backpack walking through an old abandoned building.
  • A vibrant comic book cover featuring a menacing figure with sharp teeth and blood-like colors, juxtaposed with dark, stylized artwork, titled 'Something is Killing the Children #50.'
  • Title card for the comic series 'Something is Killing the Children' featuring a bold, stylized title against a speckled white background, with a graphic element resembling a creature's spine.
  • An illustrated card featuring a character named Erica Slaughter, depicted with a fierce expression and short hair, surrounded by a dynamic background. The card includes game mechanics text stating movement abilities related to a game context.
  • Cover of the comic book 'Something is Killing the Children' issue number 50, featuring an action scene with a character depicted in vibrant colors, symbolizing tension and intrigue.

NYCC 2026: Gallop Into Equestria: The Debut issue of BOOM! Studios’ My Little Pony: Friendship is Magic launches November 11, 2026

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Come along for the ride as award-winning author Seanan McGuire and beloved My Little Pony artist Amy Mebberson lead fans to new stories from the heart of Equestria. 

When a Pinkie Pie prank turns into a birthday cake disaster, one of Twilight Sparkle’s beloved books is ruined in the chaos. The Mane Six must set out on a quest to find a new copy of the book that Twilight Sparkle believes might hold the key to learning how to fix broken friendships.

To celebrate the new series, BOOM! will bring the magic to New York Comic-Con with Kayou × BOOM! × My Little Pony NYCC Exclusive Cover Cards. Featuring unique art, these collectible cover cards will be available at the BOOM! And Kayou booth between October 8-11 in anticipation for the new series launch this November. 

This debut issue of the all-new My Little Pony: Friendship is Magic series from BOOM! has been created with fans old and young alike in mind! So giddy-up, reader, as we return to the land of Equestria with a whole series of never-before-seen comic adventures for Twilight Sparkle, Pinkie Pie, Fluttershy, Rainbow Dash, Applejack, and Rarity.

The series will launch November 11, 2026 with My Little Pony: Friendship is Magic #1. Releasing monthly, this five-issue run is available for preorder at your local comic shop. Digital copies can be purchased from content providers, including iBooks, Google Play, and Kindle.

Cover art for 'My Little Pony: Friendship is Magic' comic featuring several colorful ponies, including Twilight Sparkle, Rainbow Dash, Fluttershy, Rarity, Pinkie Pie, and Applejack on a purple background.

Mini Reviews: Hellraiser Resurrections: The Deep Gospel #1, Die Loaded #9, Absolute Green Arrow #5, Talespin #2

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Absolute Green Arrow #5

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Hellraiser Resurrections: The Deep Gospel #1 (BOOM! Studios) – I’ll preface this review, but I’m saying I’m not super knowledgeable about the Hellraiser franchise except for the original film and the 2022 remake. However, Tini Howard and Jenna Cha offer an exquisite maternal heroine’s journey for the female Cenobite who is cast down by the Engineer and claws her way up to the top through her own gumption and knowledge of the rules of this complex society. I relished in her tough love interactions with the neophyte cenobites, and Cha and Brad Simpson offer twisted visions of underworlds, blood, and twisted flesh. I was definitely lost in some places, but I have a new badass character to follow and enjoy and want to check out some of the other one-shots in the series. Overall: 7.9 Verdict: Buy

Die Loaded #9 (Image Comics) – Kieron Gillen and Stephanie Hans basically do Treasure Island, but make it horror in Die Loaded #9. It’s cool watching Sophie come into her own maneuvering through the complex world of Die with three Fallen in tow plus a crew of easily suggestible embryonic adventurers. Isabelle plays a key role in this issue and makes the first volume of the series seem even creepier with Hans getting (literally) Lovecraftian with her art style. With debts, compromises, and unruly children, Die Loaded is far from a fantasy, but Gillen and Stephanie Hans offer a glimpse of one towards this issue’s conclusion. This is definitely the drowning in the deep ocean/trapped in the dark woods stage of the story. Overall: 8.3 Verdict: Buy

Absolute Green Arrow #5 (DC) – Flashbacks grapple with Oliver Queen’s moral code and legacy while in the current day, the Green Arrow Killer and Dinah Lance must escape Hector Hammond’s clutches in Absolute Green Arrow #5. Pornsak Pichetshote and Rafael Albuquerque continue to make the billionaire class their punching bag in this gritty superhero book, which has added a body horror aspect thanks to the appearance of Solomon Grundy. Musk, Thiel, Epstein, and wannabe/failed immortal Bryan Johnson are all in Absolute Green Arrow’s crosshairs while it’s still a solid mystery story about Dinah trying to make her way in a corrupt world. The action is literally explosive in this installment with harsh flat colors from Marcelo Maiolo capturing the pain Green Arrow and Dinah feel as they fight for their lives. Finally, this issue is full of perfectly timed reveals that shift the series’ focus. Overall: 8.8 Verdict: Buy

Disney Talespin #2 (Dynamite) – Talespin #2 is a little cheesier than the first installment with a plethora of jam puns, but Amanda Deibert and Carlo Lauro continue to put Baloo and Kit for the wringer as they lose a delivery job to a “flashier” replacement. The comic pits style vs substance, and sadly substance doesn’t pay the bills as Baloo’s wife again has a discussion about him selling the Sea Duck. This story sets up the Khan Corporation as an important player in the series as well as more opportunities for Lauro to showcase his skill at drawing fancy flying. But it’s less charming than issue one and more like one of those cartoon episodes you’d skip or throw on in the background. Overall: 6.8 Verdict: Pass

Swamp Thing is Killing the Children this December!

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In a world where the fears of children manifest into living, breathing monsters, this crossover brings one of horror’s most iconic characters straight into the Slaughterverse!

James Tynion IV and Werther Dell’Edera, the superstar team behind the smash hit Something is Killing the Children, push the boundaries for the very first crossover story ever told in the fan-favorite Slaughterverse.

Two siblings who are life-long comics fans find their way to horror comics, in spite of the fears they inspire.

As the terrifying visions from the pages of the comics start to come to life, Erica Slaughter will have to hunt down one of horror’s most recognizable figures—Swamp Thing himself!

Swamp Thing is Killing the Children #1 arrives December 2, 2026.

  • Comic book cover featuring the title 'Swamp Thing is Killing the Children' with a character holding a knife and surrounded by dark, leafy foliage.
  • A digital illustration of a woman with purple skin, surrounded by green vines and leaves, holding a large knife. She has a serene yet powerful expression, with striking orange eyes and is partially submerged in water.
  • A stylized comic book cover featuring a character with blonde hair and a mask, wielding a knife, while a monstrous creature resembling Swamp Thing lurks in the background. The title reads 'Swamp Thing is Killing the Children.'
  • Illustration of a young woman standing in a dense, green environment holding a sword, with large, ominous eyes and the title 'SWAMP THING is KILLING the CHILDREN' in bold text above.
  • Cover of the comic book 'Swamp Thing is Killing the Children', featuring a character with a knife and a dark, green background, emphasizing a horror theme.
  • A stylized female figure with purple skin, adorned with intertwining green vines and leaves. She holds a large sword in one hand, standing in shallow water with a dark green gradient background.
  • A stylized illustration of a woman surrounded by vines and leaves, holding a sword. Her expression is fierce, and she appears partially submerged in dark water.
  • An aerial view of a person with light hair, wearing a black mask and tank top, standing in a green, intricately mowed lawn with circular patterns. They are holding a red lawnmower and a coiled extension cord amidst colorful flower patches.
  • A character wades through murky water in a dark forest, wearing a mask with sharp teeth, while a large, ominous creature looms in the background.
  • A woman with a knife stands on a branch above a large, creature covered in green moss in a swampy setting. The woman is poised in an action stance, while the creature looks up at her, surrounded by dark water and eerie vegetation.
  • A dramatic black and white illustration featuring a menacing figure looming over a cowering character holding a knife, surrounded by chaotic lines and textures that convey a sense of danger.

Hellraiser Resurrections: The Onanistic Ritual proves the Chatterer needs his own series

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Cover of Clive Barker's Hellraiser: Resurrections comic featuring a central figure with grotesque features and two computer screens displaying disturbing imagery, portraying a surreal and horror-themed scene.

Fans of Hellraiser know that the Chatterer could easily carry a movie on his own. Clive Barker’s iconic Cenobite is possessed by a kind of visceral elegance that invites curiosity. His fleshy, disfigured face is mostly kept bare to highlight his most unsettling feature: his teeth. They’re on permanent display thanks to a few small hooks that peel his lips back. It looks like a piece of art framed in gore, an ode to pain. Naturally, this Cenobite clicks his teeth to communicate.

Writer Zac Thompson and artist Gavin Mitchell certainly believe in the Chatterer’s ability to step into the leading role, and they show just how much in their one-shot comic Hellraiser: Resurrections: The Onanistic Ritual #1, published by BOOM! Studios. It’s part of a batch of one-shots that focus on a singular Cenobite each, building towards a new on-going series.

The Onanistic Ritual centers on Jim Kaufman, an angry and pathetic little man that’s fallen into the misogynistic rabbit hole of the digital world only to come across a Cenobite in need of a victim, the Chatterer. Jim, who can be argued is an updated version of Frank from Barker’s original book and movie (The Hellbound Heart and Hellraiser respectively), turns out to be the perfect candidate for this.

A comic panel depicting a distressed man with headphones, experiencing horror as he interacts with a mysterious box. Panels show his transformation and existential struggle, featuring an eerie green eye and close-up shots of bloodied hands and grotesque teeth.

Thompson’s script goes for a direct takedown of incel culture, ridiculing multiple aspects of it. For instance, Jim tries and fails at looksmaxxing. He’s obsessed with porn and is a chronic masturbator. He views women as entitled creatures that are actively out to shun him and his manhood. Essentially, he sees himself as a victim in some kind of sex war, and the dark web’s there to back him up on all of it.

It’s the perfect setup for a story about demons that deal in pleasure as a form of torture, whose definitions of punishment hinge on the amount of suffering they inflict at any given time. Thompson draws upon this to craft a story about obsessive pursuits.

On the one hand, Jim nurtures his hatred of women to find the justification he needs to take things a step further. He wants to cross moral lines to get back at the harsh realities he thinks women have imposed upon him. The Chatterer, on the other hand, seeks transformation. He wants to become a superior expression of desire and torment that’s worthy of the Order of the Gash (a group of demonic theologians led by the legendary Pinhead).

Gavin Mitchell’s art captures this dual perspective structure perfectly. By illustrating two distinct realities that reflect each of the characters’ journeys, he gets to play with different interpretations of violence.

A dark, tense comic book scene featuring a robot-like figure and a woman in a black outfit. The robot appears distressed, while the woman holds an object and looks at him. The background is filled with shadows and debris, contributing to a suspenseful atmosphere.

Jim’s reality is dirty, opaque, and repulsive, elements that combine for a very pathetic state of affairs. The Chatterer’s looks like a destination tailor-made for unholy pilgrimages. It harbors a grotesque sense of place that has to be endured rather than merely traversed. Mitchell makes sure to populate environments with enough ugliness to differentiate each character’s living environment, and it’s a real treat pouring over them to see how horrifying they can be.

The Chatterer really shines here. His part of the story gives Thompson and Mitchell a chance to really dive into the process of becoming a Cenobite in all its plasma-filled glory. Chains and body parts abound, giving the visuals that signature Hellraiser look. Flesh gets ripped, faces get torn apart, and blood gets splattered. Longtime fans of the franchise will even spot a few cult-favorite Cenobites along the way, especially those who hold Hellraiser III: Hell on Earth dear to their hearts.

Thompson and Mitchell showcase a profound understanding of Hellraiser and the elements that differentiate it from other horror licenses. To channel Clive Barker’s dark energy you have to be willing to go beyond gratuitous violence to get at something different. Thompson and Mitchell not only achieve this, they turn out a macabre love letter to the scariest Cenobite in the Order of the Gash. It’s a shame The Chatterer doesn’t have eyes. I believe he’d enjoy reading The Onanistic Ritual.

Story: Zac Thompson Art: Gavin Mitchell
Color: Francesco Segala, Gloria Martinelli Letters: Ed Dukeshire

BOOM! Studios provided Graphic Policy with a FREE copy for review

Purchase: Kindle

Pulitzer Prize and National Magazine Award–winning reporter Spencer Ackerman’s No One Escapes the Dialectic Debuts in November

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From Pulitzer Prize and National Magazine Award-winning reporter Spencer Ackerman comes the next generation of political radicalism in vigilante comics. Unafraid to strike back at the deportation machine that threatens the foundations of American freedom, No One Escapes the Dialectic launches this November.

When agents of the fearsome Special Naturalization Operations (SNO) become themselves hunted by a masked vigilante, a power struggle breaks out inside SNO between the Deep-State old guard and its death-squad vanguard, Gladio Unit! 

Who is the masked vigilante calling themselves The Dialectic, posturing as a Marxist force of history? What is their relationship to their community’s liberation—and its violent suppression by SNO? 

With powerful art by Italian superstar Antonio Fuso, No One Escapes the Dialectic is an unapologetic, provocative, and boundary-shattering new ongoing comic series for the age of permanent crisis.

The world outside our window now shows us armed agents of the state kidnapping our neighbors, the installation of networked cameras nationwide, and the seizure of our resources to build and then militarize powerful AI systems. This series is for everyone who wants their comics to address that world with the same urgency and intensity it’s forcing upon us.

-Spencer Ackerman

The series will launch November 4, 2026, with No One Escapes the Dialectic #1.

Comic book cover for 'No One Escapes The Dialectic #1' featuring a city skyline in the background, a helicopter above, a suited man looking on grimly, and armed figures surrounding a fallen police officer.

John Kennedy Toole’s A Confederacy of Dunces gets a Graphic Novel Adaptation this September

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One of the most beloved and enduring works of American literature finds vibrant new expression in A Confederacy of Dunces: The Graphic Novel. Published by BOOM! Studios‘ Archaia imprint, adapted and illustrated by acclaimed cartoonist Albert Monteys, it arrives on shelves September 29, 2206. Long considered “unadaptable,” Monteys delivers a faithful yet exhilarating reinterpretation of this modern classic, bringing John Kennedy Toole’s Pulitzer Prize–winning novel into the visual medium for the first time.

Set in the richly textured streets of New Orleans, A Confederacy of Dunces follows the unforgettable Ignatius J. Reilly. Medievalist, misanthrope, and self-appointed defender of decency, he wages a one-man war against modern society. Monteys’s adaptation captures the novel’s biting satire, sharp dialogue, and larger-than-life characters while amplifying its humor and emotional resonance through expressive artwork and dynamic pacing. From hot dog carts to Bourbon Street, readers can now experience the French Quarter of 1960s New Orleans in stunning visual form through the lens of one of literature’s most unforgettable characters.

A master of both comedy and storytelling, Monteys balances reverence for Toole’s original prose with a visual sensibility uniquely his own. The result is a graphic novel that welcomes new readers while offering longtime fans a fresh way to experience Ignatius’s misadventures, from the French Quarter to the Levy Pants factory and beyond. More than an adaptation, A Confederacy of Dunces: The Graphic Novel is a celebration of literary satire and the enduring relevance of Toole’s vision. With its meticulous attention to character, setting, and tone, the book stands as both an homage and a bold reimagining, and proof that Ignatius J. Reilly remains as sharp, hilarious, and necessary as ever.

With over 1.5 million copies sold, this cult classic remains in continuous print since its release and its first-ever graphic novel adaptation unlocks a new format of the American classic for classrooms, libraries, and collectors. A Confederacy of Dunces: The Graphic Novel is distributed worldwide by Penguin Random House and will be available everywhere September 29, 2026.

Cover art for a graphic novel adaptation of 'A Confederacy of Dunces' by John Kennedy Toole and Albert Monteys, featuring a central character in a plaid shirt holding a bag, surrounded by various figures in a bustling urban setting.
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