Tag Archives: boom studios

SDCC 2026: Tiny Onion reveals a Something is Killing the Children Octo Plush

At San Diego Comic-Con, Tiny Onion has announced a new Something is Killing the Children Octo plush that they’re making in collaboration with BOOM! Studios.

They will be launching a Kickstarter for it in September, but for fans who want to check the plush out and give it a squeeze, there is a sample version on display at the BOOM! booth #2229 during SDCC. James Tynion IV will be doing a SIKTC signing at their booth, too each day of the convention!

Check out the plush below and sign up to be notified when the crowdfunding campaign launches.

SDCC 2026: BOOM! Studios reveals its Signings, Panel Schedule, and Exclusives

BOOM! Studios has revealed its lineup of talent, exclusive (hand sketched?!) variant covers, panels, and more for San Diego Comic-Con 2026.

CREATOR ACTIVATIONS

THURSDAY, July 23

11am-11:45am – Dan Panosian
1pm-1:45pm – Tini Howard
3pm-3:45pm – James Tynion IV & Werther Dell’edera
4pm-4:45pm – Alex Pardee
5:30pm-6:15pm – Jonboy Meyers
6:15pm-7pm – Joey Esposito & Kenny Porter

FRIDAY, July 24

11am-11:45am – Jeff Lemire
1pm-1:45pm – James Tynion IV & Werther Dell’edera
3pm-3:45pm – Andrew K. Currey
5:00-5:45 pm- Will Jack

SATURDAY, July 25

11am-11:45am – Tini Howard
1pm-1:45pm – Alex Pardee
3pm-3:45pm – Jonboy Meyers
5:15pm-6:15pm – James Tynion IV & Werther Dell’edera

SUNDAY, July 26

11am-11:45am – James Tynion IV & Werther Dell’edera
1pm-1:45pm – Andrew K. Currey

PANELS

THURSDAY, July 23

5pm – 6pm | Room 23ABC : Power Rangers: The Next Era Begins

FRIDAY, July 24

1:30pm – 2:30pm | Room 5AB : Comics For You: Behind the Scenes
3:30pm – 4:30pm | Room 5AB : Comics For You: Owning Your Story

SATURDAY, July 25

10am – 11am | Room 7AB : Hello Darkness, My Old Friend
4pm – 5pm | Room 28DE : Slaughter verse: Unmasked

PANEL GIVEAWAYS

MIGHTY MORPHIN POWER RANGERS #1 B!DRE

Artwork by Goñi Montes

SOMETHING IS KILING THE CHILDREN #49 B!DRE

Artwork by  ????

Hello Darkness #23 B!DRE

Artwork by Jenny Frison

LIMITED DAY EXCLUSIVES

AVAILABLE WED, THURS, AND SAT

SIKTC 3 Comic Pardee Pack
Alex Pardee Variant in all packs+ 2 other variants
250 matte full foil chase variant
AVAILABLE SUNDAY ONLY


SIKTC #49
Cover by Ito, matte full foil treatment
Limited to 600 total,100 for sale outside of blind bags
AVAILABLE THURS& SAT ONLY

Martian Heretic Vol One
Cover by Joe Jaro
Limited to 96 copies
AVAILABLE SUN ONLY

Hello Darkness #23
Cover by Sveta Shubina, matte full foil
Limited to 75 copies
AVAILABLE WED, FRI, AND SUN

SIKTC 3 Comic Ito Pack
Ito Variant + 2 other variants
250 matte full foil chase variants
AVAILABLE FRIDAY ONLY

Something is Killing the Children: A Monster Hunter Walks Into a Bar Special
Cover by Werther Dell’edera, holofoil stamp treatment
Limited to 100 copies
AVAILABLE FRIDAY ONLY

Minor Arcana #16
Cover by Andrew K. Currey
Limited to 200 copies
AVAILABLE THURS, AND SAT

SIKTC #49
Cover by Alex Pardee, silver spot foil & glow
Limited to 600 copies total,100 outside of blind bag packs
AVAILABLE THURSDAYONLY

Alice Forever After #5
Artwork by Flops!
Limited to 200 copies
AVAILABLE SAT ONLY

Power Rangers: Green #1 Blind Bag
Early release, multiple variants
Limited to 600 blind bags
AVAILABLE SUN ONLY

Vampyrates #1
Cover by Will Jack,matte full foil
Limited to 75 copies

ALL DAY EXCLUSIVES

SIKTC #1 Numbered Metal Embossed Cover
Artwork by Werther Dell’edera
Limit of 20 per day / 100 total

SIKTC #48 Glow-in-the-Dark Cover
Artwork by Werther Dell’edera
Limited to 350 copies

BRZRKR: Light Draws Breath Blind Bags
Artwork by Jonboy Meyers
Limited to 650 blind bags

Vampyrates! #1 Spot UV Variant
Artwork by Will Jack
Limited to 400 copies

SIKTC #1 SDCC Yellow Blank Variant
Limited to 350 copies

Hello Darkness #23 San Diego Trade Dress
Artwork by Sveta Shubina
Limited to 350 copies 

My Little Pony:Friendship is Magic #1 Connecting Covers Blind Bags
Artwork by Andy Price
Contains one comic + two Kayou trading cards
Limited to 1500 blind bags

Mighty Morphin Power Rangers #1 SNES Homage Variant
Artwork by Federico Sabbatini
Limited to 325 copies

Mighty Morphin Power Rangers #1 picks things up 10 years later and kicks off a new era

Mighty Morphin Power Rangers #1

It’s been ten years since the original Mighty Morphin Power Rangers turned in their morphers and went their separate ways. But now they’ve been called back to the legendary Command Center to face a new, terrifying form of a familiar foe: Rita Rabiosa. They may not be teenagers with attitudes anymore, but are they still the same heroes they once were? Mighty Morphin Power Rangers #1 is both a new start and a continuation of the original team as they’re a little older and facing new threats.

I’ll start off by making it clear, I was never a Power Rangers fan. I’ve watched a few episodes of the original series, seen some of the movies, and probably have read more comics based on it than the number of episodes watched. Overall, I can see it’s appeal, but it’s never been a series that was interesting to me. Mighty Morphin Power Rangers #1 is an interesting debut with aspects I enjoy but overall, for me, it looks real oomph and doesn’t lean in enough to what makes it interesting.

Written by Marguerite Bennett, Mighty Morphin Power Rangers #1 attempts a difficult balance. It needs to hit the nostalgia buttons while also delivering something new and different. In that aspect, it’s a team and members that are older and different points in their lives. It’s a concept I can get behind and if that was the entire pitch for me, I’d be excited to see what’s to come. But, Mighty Morphin Power Rangers #1 speeds through all of that and leaves some questions. Billy is still working as a Power Ranger while the rest have moved on in different ways. The concept of the team grown up and having to go back to being heroes is interesting. But, the comic feels more like a reunion of people who haven’t spoken in a decade than focusing on their current lives.

There’s some details that feel odd in that reunion. One team member reveals a child that everyone else seems to not know about, which tells readers the team hasn’t kept in touch, but from what I know, that not keeping touch feels a little out of character.

The comic also shifts quickly from the reunion to getting right into battle with a new villain, Rita Rabiosa. The action is ok and feels like what we’ve seen before from previous comics. There’s some leaning into the fact they’re out of practice, but again, it’s not quite as overt as one would expect. So, it dances around the most interesting aspect delivering a debut issue that feels like the more traditional comic we’ve seen.

The art by Andrew Lee Griffith is good. With color by Joshua Jensen and lettering by Ed Dukeshire, the comic’s look is what we’ve seen before. The characters look a little older but nothing of what one might expect after 10 years. There’s some interesting page layouts playing off of some of the visuals from the television series. Overall, the art is good but nothing that really stands out and excites.

Mighty Morphin Power Rangers #1 has an interesting concept at its core but the overall comic feels like what we’ve seen before in some of the previous starts. It’s not bad but feels more like it’ll be interesting to those who are die-hard fans of the Power Rangers than a new audience who could connect with its new concept.

Story: Marguerite Bennett Art: Andrew Lee Griffith
Color: Joshua Jensen Letterer: Ed Dukeshire
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Michael Kelly to Leave BOOM! Studios in June

Michael Kelly, the VP, Publisher of BOOM! Studios will be leaving the position in June 2026. Adam Schmidt, VP, Editor-in-Chief of BOOM! will take over and report to Keith Clayton, the SVP Publisher of Random House Worlds Group, the division BOOM! is a part of. Kelly is leaving to pursue other opportunities.

Kelly joined Hasbro in 2006 and worked there for 18 years rising to the position of Vice President, Global Publishing. He joined BOOM! as its Publisher in 2024 when it was acquired by Penguin Random House. His career began in 1994 in the stock room of a Barnes & Noble.

BOOM! was purchased by Penguin Random House in 2024 and has since been more integrated into its structure as well as losing some staff. There’s been small changes on the backend that have been noticeable but maybe not obvious to comic readers.

It’s been a weird time for corporate owned and VC funded publishers, with Marvel’s longtime publisher Dan Buckley announced to leave the company in 2027 and Dark Horse founder Mike Richardson leaving the company a few months ago.

Crowdfunding Corner: My Little Pony: Friendship is Magic Rainbow Collection

Welcome to our revamped “Crowdfunding Corner” rounding up some of the latest crowdfunding news. We’re going beyond just announcement projects, we’ll be tracking to make sure these projects get delivered as well as what we think the “risk” of backing them are.

We’ll be updating the format as we get a better handle of the needs of this sort of coverage, so stay tuned and check out the first round of projects!


MY LITTLE PONY: Friendship is Magic Rainbow Collection

Publisher: BOOM! Studios
Creative Team: Various
Launch Date: Currently funding – ends April 30 2026 2:00 PM EDT
Risk: Low/Medium – Any publisher that previous campaigns not yet fulfilled are a little of a risk and raises flags with us. Hellraisers is due in December, Jem in August, Expanse in November, and another recent had shipping issues based on comments. But, BOOM! is owned by a pretty big corporation which keeps the overall risk low. You’ll get the project eventually.

What a wonderful wonder friendship brings! 

Come take another gallop with us through Equestria in MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION. More than a decade since the debut of the Friendship is Magic comic series, Twilight Sparkle, Rainbow Dash, Fluttershy, Apple Jack, Rarity, and Pinkie Pie are back to show us the power, delight, and shenanigans that come with true friendship! Whether you’ve been saddled up from the beginning, or are completely new to the herd, this is a pony show you don’t want to miss! 

Launching on Kickstarter, MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION is published by BOOM! Studios and developed under license by Hasbro, a leading games, IP and toy company. This launch collects the core issues of the Friendship is Magic comics in neigh-worthy hardcover editions! On your cutie mark, get set, go! 

Happy year of the horse—and pony! If you were looking to celebrate with something to blow your horseshoes off, we have just the thing. 

With pastel and swoon-worthy color palettes, and ethereal detailing—the MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION is like nothing you’ve seen before! Each book feels timeless, much like the fairytales we’ve been told since we were foals, and captures the essence of the magical friendships explored within it.  

More than a collection, this is a love letter to all things cute and the unbreakable bonds that make life’s trot so worth it! 

Pinhead Returns in November with the Ultimate Hellraiser Collection!

Hellraiser Omnibus Volume 1

The legendary horror visionary returns to the dark, twisted world of Hellraiser with the release of Hellraiser Omnibus Volume 1, an expansive new edition published by BOOM! Studios. This essential collection spans over 500 pages, offering fans and collectors a definitive continuation of Clive Barker’s Hellraiser saga and bringing fresh life to the iconic Cenobites and the enigmatic Pinhead.

Celebrating the 40th Anniversary of Barker introducing the world to The Hellbound Heart, the original novella that spawned the Hellraiser film franchise, this omnibus assembles the complete 2011 Hellraiser #1-20 comic series and the Hellraiser Annual #1, all created under Barker’s close guidance and creative oversight. The series serves as a canonical continuation of the original story, forever redefining the legacy of the Hellraiser mythos in a richly imagined, meticulously crafted horror narrative.

The franchise has a broad and devoted fanbase, spanning Hellraiser novels, comics, films, merchandise, and more. The series serves as a canonical continuation of the original story, forever redefining the legacy of the Hellraiser mythos in a richly imagined, meticulously crafted horror narrative.

Celebrating the 40th Anniversary of Barker introducing the world to The Hellbound Heart, the original novella that spawned the Hellraiser film franchise, this omnibus assembles the complete 2011 Hellraiser #1-20 comic series and the Hellraiser Annual #1, all created under Barker’s close guidance and creative oversight. The series was written by Barker, Mark Miller and features art by Janusz Ordon.

Clive Barker is an internationally acclaimed English writer, filmmaker, and visual artist who rose to prominence in the 1980s with his groundbreaking short story collection Books of Blood, which established him as a leading figure in horror literature. His work has been adapted into numerous films, most notably the Hellraiser series as well as the Candyman series.  

The franchise has a broad and devoted fanbase, spanning Hellraiser novels, comics, films, merchandise, and more. Hellraiser Omnibus Volume 1 is distributed by Penguin Random House and available for preorder anywhere books are sold ahead of its release on November 24, 2026.

Boom Entertainment Renews their Request for their Consignment Stock with some New Revelations

In February, the motion to extend time to “assume or reject executory contracts related to consigned goods” was denied by the court in regards to Diamond‘s chapter 11/chapter 7 process. This concerned the ongoing question regarding contracts between (old) Diamond and publishers handling consigned goods. Who “owns” those goods is a contentious issue with publishers wanting their product back while Diamond, and now their Trustee, want to be able to sell the consigned goods to pay back creditors.

The denial of the motion by the Trustee has caused a chain of rejections. Because the contracts were not assumed or rejected by the deadline, publishers have pounced citing law that saws the contracts default to rejected. You can read about that here and here. Because the contracts are rejected, there’s laid out steps in the contracts as to what happens to consigned goods, primarily the publishers can get them back for the cost of shipping.

Boom Entertainment has filed a motion today to renew their call that they get their consigned goods back.

Like the other filings, Boom Entertainment’s goes over the agreement as far as Diamond and their role when it comes to consigned goods. But, there’s some previously raised issues as well as new ones.

Here’s the highlights:

1) Diamond has not adequately secure the stock as evidenced by the fact that Sparkle Pop, LLC (“Sparkle Pop”) sold it after the Debtor sold its other assets to Sparkle Pop (which expressly excluded the Stock) and then did not remit the proceeds,
2) …the Debtor’s failure to comply with virtually any of its obligations under the Distribution Agreements while nevertheless holding the Stock hostage in the Mississippi warehouse controlled by a third party is causing significant loss and waste, because much of the stock loses value over time.
3) Notably, the Debtor filed the Consignment Litigation only with regard to stock provided by Boom, the Consignors, and another group of consignors constituting approximately thirteen (13) other publishers. For the vast majority of other publishers that own stock sitting at the Debtor’s warehouse, the Debtor failed to commence adversary proceedings and apparently does not seek any finding that Secured Lender’s lien attached to that stock. It is unknown what the Trustee proposes to do with the stock that is not subject to the Consignment Litigation.

Here’s where Boom’s motion gets interesting and stands out from others:

1) Boom’s distribution agreement was terminated prior to the Petition Date
2) Boom has growing concerns that its Stock is being stored unsecurely. Section 3 (c) of the Distribution Agreements require that, “Buyer will warehouse Products on consignment in a clean, dry, secure, and fire protected facility.” Section 8(c) further provides, “[Diamond] shall maintain all insurance with respect thereto in amounts sufficient to fully cover all of [Consignor’s] Products stored there.” (this is a concern raised by others – Brett)
3) However, according to statements made by the Trustee at the hearing held before this Court on February 26, 2026, the Debtors’ insurance coverage on the Stock has lapsed, in breach of the requirements under the Distribution Agreements.
4) The Debtor’s estate is also not current on stock fees and warehouse storage fees owed to Sparkle Pop. The Consignors believe that Sparkle Pop has not been paid since approximately November 2025, and thus Boom is stuck in limbo with their Stock held hostage at a warehouse that the estate no longer owns, rents, or is current with respect to ongoing rent obligations.
5) Given that the Transition Services Agreement between Sparkle Pop and the Debtor is also now rejected, it is apparent that the estate is not storing the Stock and has no means to store it any longer.

The filing brings up again that Drawn & Quarterly purchased graphic novels by Fantagraphics which was fulfilled by Sparkle Pop in violation of a court order. They also state that Living the Line has at least 800 copies of a single title are not accounted for in any inventory report provided by Sparkle Pop.

This is concerning as the consignors in this case have been given no access to, or oversight of, their Stock for several month. The continued fulfillment of orders, without the ability to verify proper control, safeguarding, and accounting of stock is extremely prejudicial to Boom’s interests and the preservation of its value.

What’s really new is that Boom states they terminated their Distribution Agreement with Diamond in December 2024, prior to their chapter 11 filing (petition date). Boom was purchased by Penguin Random House in July 2024 and PRH is a distributor themselves.

Boom has also been exposed to potential claims related to their Stock still held in the Olive Branch Warehouse. Boom ran a Kickstarter3 campaign that in addition to the new content it was developing, the purchase tiers included add-ons that purchasers could buy in order to further support the Kickstarter efforts. These add-ons consisted of a number of pieces of Boom’s existing content held by Diamond.

Now, with Boom’s Stock still being held hostage in 2026, they have not been able to ship these add-ons purchased by Kickstarter supporters, leading to a number of disgruntled customers and exposing Boom to legal claims for failing to deliver the products sold through Kickstarter.

It’s yet another recent filing making a pretty strong case to have the consignment stock returned and question Diamond and Sparkle Pop’s inventory management practices.

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Preview: Teenage Mutant Ninja Turtles #16

Teenage Mutant Ninja Turtles #16

(W) Gene Luen Yang (A) Freddie E. Williams II, Fero Peniche

It’s Ujigami vs. Casey Jones, with Raphael caught in the middle! The Ujigami has vowed to protect the Turtles from their greatest enemies, so why is he attacking Casey? Meanwhile, Shinigami goes behind Karai’s back to make a power play of her own, involving a dangerous new ally. The first step in their plan requires blood from a very specific target… and in very large amounts!

Teenage Mutant Ninja Turtles #16

Diamond vs. Publishers Heads into 2027

We brought the news in early March that there was some movement in the court case between Diamond and numerous publishers. The various parties and Diamond met on February 26 and March 3-4 in an attempt to find a resolution, the nature of the claims and defenses, to arrange disclosures, and propose a discovery plan. On March 4, there was a filing hashing out the plan for discovery, the process where documents pertaining to the case are handed over.

The issue is who owns the consigned goods that are still being held by Diamond. Ablaze, Battle Quest Comics, American Mythology Productions, Action Lab Entertainment, BOOM! Entertainment, and Fantagraphics are all fighting to get their inventory back. Diamond wants to keep the inventory to be able to sell it off to pay creditors. JPMorgan Chase Bank wants Diamond to sell off the inventory so it can get paid back by Diamond. Sparkle Pop is involved because it has sold off some of the inventory when it wasn’t supposed to and currently is holding the physical product in a warehouse it controls.

We said in our recent reporting that the earliest the trial would happen is November but likely December due to holidays. Well, we were off, because there is now a “hearing on dispositive motions” is set for January 27, 2027. That’s a hearing that asks the court for a ruling before a trial begins. The trial is expected to last 3 to 4 days.

How recent moves to have Diamond’s claims over the consigned inventory dismissed by other publishers, as well as the Trustee’s proposed deal with Sparkle Pop to sell the consigned goods impacts this is unknown… but get settled, because this could go for quite a while.

Fellow is an example of one of the orders released today.

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Discovery Hashed Out in Court Cases Between Diamond and some Publishers

Diamond Comic Distributors

One of the major outstanding issues with Diamond‘s bankruptcy is the status of consignment inventory. Diamond currently has stock that was provided to it by publishers on a consignment basis. That stock is currently physically held by Sparkle Pop which purchased some of Diamond’s assets, including taking over the warehouse where these are stored, though they don’t have a right to sell it (which they did and there was drama around that). Earlier today, we reported that a group of publishers filed a motion to dismiss their cases and thus take control of their goods. But, there’s still a few more publishers that are outstanding and since that motion hasn’t been decided, things are still in motion.

Today, a report was filed concerning the cases of Goodman Games, BOOM! Entertainment, Fantagraphics, and Avatar Press, laying out the plans for “discovery.”

The various parties and Diamond met on February 26 and March 3-4 to attempt to find a resolution, the nature of the claims and defenses, to arrange disclosures, and propose a discovery plan.

Discovery is a process where documents are handed over to the lawyers for them to go through. This could be contracts, emails, text messages, and more and is a gathering of evidence to be used during the trial. It can be a costly process and involve millions of documents that need to be sorted through. With that, rules and dates are laid out for the case concerning the discover process including on the production protocol.

There are key dates now as per the initial agreement.

(a) Discovery Requests. The Parties shall serve all initial document requests, interrogatories, and requests for admissions on or before May 11, 2026.
(b) Agree on ESI Search Terms. The Parties will make reasonable efforts to agree on ESI Search Terms on or before May 25, 2026.
(c) Substantial Document Production Completion Date. The Parties expect to have document production substantially completed by July 6, 2026.
(d) Fact Discovery Cut Off. The Parties have agreed that, except for Rule 26(a)(1) disclosures, all fact discovery in this case shall be initiated so that it will be completed on or before August 31, 2026. The Parties have agreed that they may take fact depositions at any time prior to the expiration of the fact discovery deadline.
(e) Privilege Logs. Privilege logs shall be produced in accordance with the Federal Rules of Civil Procedure so as to be completed within five (5) business days of the related document production. Privileged communications occurring after April 29, 2025, need not be included on a privilege log.
(f) Expert Initial Disclosures. The identify of expert witness and subject matter of expected testimony, per Rule 26(a)(2)(A) and 26(a)(2)(C)(i), shall be disclosed on September 8, 2026. Any rebuttal experts, and subject matter of expected testimony, shall be disclosed on September 18, 2026.
(g) Expert Reports and Expert Discovery Cut Off. Expert reports and all other information required by Rule 26(a)(2)(B), along with any documents or information considered by the expert, shall be exchanged on October 8, 2026. Rebuttal expert reports and all other information required by Rule 26(a)(2)(B), along with any documents or information considered by the expert, shall be exchanged on October 29, 2026. All expert discovery shall be completed by November 20, 2026.

With that final date, that would mean the earliest a trial would happen would be late November but with Thanksgiving, early December is more likely and this agreement estimates it’d last 3 to 4 days.

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