Tag Archives: boom studios

No Gods, No Masters #1 Gives us a Monster Disaster with Characters to Care About

No Gods, No Masters #1

When afternoon detention is interrupted by the sudden and violent emergence of a kaiju, three New York City teenagers with seemingly nothing in common will band together to survive the apocalypse! Felipe is still getting accustomed to life in New York City, and when a kaiju ravages Manhattan, he’ll need the help of two of his classmates to rescue his mom from a wrecked subway station. No Gods, No Masters #1 is a fantastic debut that gives us something more than another monster disaster story.

Written by Julio Anta, it’d be easy to just see No Gods, No Masters #1 as a kaiju attack story with kids. But, Anta gives us so much more with depth that you can either embrace or overlook and still enjoy the comic. Where No Gods, No Masters #1 succeeds and stands out is its three protagonists. In particular Felipe, a refugee who came to New York City after an attack at his home in Venezuela. In Felipe, we get an immigrant suffering trauma and who has endured hardship to find safety, only for that safety to be stripped away. The comic teases Felipe’s trauma but as the comic progresses it reveals what he has gone through and endured to make it to NYC.

It’s those details that make No Gods, No Masters #1 stand out. It’s the papers welcoming Felipe and his mother to the country and small information like who can work and the focus on school for Felipe. It’s teases about what happened in Venezuela, and it’s material completely in Spanish to immerse yourself further into the story. But, it’s also Felipe and his frustrations and reactions that kick off the story before the attack. It’s also the clear love of his mother that will drive Felipe and his actions. There’s a simplicity in the basic story but the details gives it depth and makes it interesting.

The art by Jacoby Salcedo is solid. With color by Francesco Segala with assists by Agnese Pozza and lettering by Becca Carey, the comic has a look that fools at home with publisher BOOM! Studios. It’s a style we’ve seen in some other comics from the publisher that has endured and praised, continuing a style that feels like it’s become connected with them. Like the basic story itself, the monsters feel familiar, but the kids each have a look that helps tell a story about them. It’s also a disaster comic that doesn’t dwell on the disaster. A teacher’s death is pretty brutal and shocking but the comic doesn’t linger on the gore, instead gives a cold response, like one might have after experiencing trauma.

And that’s part of what makes No Gods, No Masters #1 a success. On the surface level, it’s a monster comic. But, go a bit deeper and you have a comic about refugees and immigration and the horrors that await even when they think they find safety. It’s one where the characters are the real story. Each we’ll get to know as they proceed in their mission to get someone they care about and then to safety. That’s going to be the real journey and interesting aspect about the comic. The monsters, the destruction, the surprises, that’s all the setting and a driver so we can get to know three kids who are the heart of No Gods, No Masters #1.

Story: Julio Anta Art: Jacoby Salcedo
Color: Francesco Segala, Agnese Pozza Letters: Becca Carey
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Publishers to Sparkle Pop… What Consigned Goods are You Storing!? The Diamond Chapter 7 Drama Continues

What's in the Warehouse!? image

While some think the drama concerning Diamond Comic Distributor‘s bankruptcy is wrapping up or over, there’s still a long way to go before this epic story ends. In early August, (old) Diamond Comic Distributors and its trustee Morgan W. Fisher announced a resolution and compromise with 15 publishers regarding consigned goods being held by Diamond and stored in a warehouse by Sparkle Pop.

(Old) Diamond had declared Chapter 11 and eventually Chapter 7 and in its possession was consigned goods from numerous publishers valued in the millions. There has been a fight for over a year where a little over 30 publishers had been fighting to get those consigned goods back. Diamond had been claiming it has a right to them and was going to sell them to pay off their debt. Sparkle Pop had purchased some of the assets of Diamond in the bankruptcy and that included taking over the warehouse where that product was being stored.

As part of the settlement, the 15 publishers can get their goods back and have to pay for the picking and packing of the inventory.

But… what the hell does Sparkle Pop still have in their possession!?

That seems to be at the heart of multiple motions today asking the court to help figure out what inventory remains in the warehouse.

In the motion, the publishers state that:

  1. Initially, Sparkle Pop reported sales only of inventory received after May 15, 2025.
  2. Even after Sparkle Pop reported sales of inventory received both before and after May 15, 2025, Sparkle Pop has not updated its court reporting with regard to inventory sales after October 2025.
  3. With regard to sales reported to this Court through October 2025, Sparkle Pop apparently applied a flat return rate as to each consignor. See, e.g., Sparkle Pop Report, attached hereto as Exhibit 1, illustrating the application of a flat return rate, and summary from Sparkle Pop, attached hereto as Exhibit 2. Sparkle Pop has never provided any detail as to what products were actually returned. See, Affidavit of Sparkle Pop Agent attached as Exhibit 3. Furthermore, some of the inventory sold was not returnable, and consignors have reported that they did not receive returned product (supporting the consignors’ allegation that Sparkle has reported returns that never, in fact, occurred).
  4. Sparkle Pop also may be continuing to sell inventory from the Warehouse. As recently as early 2026, one of the consignors received a report showing that inventory of another consignor being processed and removed from the Warehouse, despite Sparkle’s consensual agreement that any sales are prohibited by the automatic stay. See E-Mail from Drawn and Quarterly Books, Inc. attached as Exhibit 4.

The publishers have asked for the court to compel an inspection of the warehouse to audit the product that remains located there. They also want to use that inspection to corroborate the reports provided by Sparkle Pop. But, also raised is a “claim for conversion,” basically, is there further action publishers need to take because of actions by Sparkle Pop.

In July, the publishers submitted a subpoena to “Produce Documents, Information, or Objects or to Permit Inspection of Premises in a Bankruptcy Case” and in late July Sparkle Pop objected to that and the inspection. This created an unresolved dispute.

Sparkle Pop has made demands for the inspection to go through, which the publishers object to:

  • Sparkle Pop’s sole right to designate the party permitted to conduct the inspection of the Warehouse and its requirement that any assistants be approved in advance;
  • a requirement that the Trustee and Sparkle Pop enter into an agreement concerning payment of back rent owed at the Warehouse; and
  • a requirement that the Ad Hoc Committee of Consignors solely bear Sparkle Pop’s claimed cost of the inspection, which Sparkle Pop currently quotes at $639.94 per hour – which fee includes an unexplained “thirty percent markup” and exorbitant compensation for what should be a single employee who accompanies the inspector. Originally the fee requested was $1,000 per hour and inexplicably included charges for Sparkle Pop’s tax and insurance payments for the Warehouse.

The publishers thinks those demands are unreasonable and unwilling to pay for the inspection, though they are being flexible in that if there’s a particular party Sparkle Pop doesn’t want in the warehouse, that can be accommodated. They refuse to give Sparkle Pop unilateral control over the process. They also point out that the payment for back rent owed is between Sparkle Pop and (old) Diamond, not the publishers.

The publishers are asking for the court to compel an inspection within 30 days of the service of the motion, that the individual committing the inspection be agreed upon, and Sparkle Pop will bear its own costs in related to the inspection.

The publishers that are part of this motion include 12 of the 15 (so far) that settled/compromised:

Ablaze
Action Lab
American Mythology
Avatar Press

Battle Quest Comics
BOOM! Studios
Fantagraphics
Green Ronin Publishing

Hermes Press
Living the Line

Paizo
Zenescope

You can read the filings below which also includes a look behind the curtain as far as inventory and discussion for this publisher. The overall motion is the same for each publisher while the inventory changes for each.

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More Compact Comics from DC, Marvel, Image, and more arrive in 2027

Crisis on Infinite Earths: DC Compact Comics Edition

Compact comics are a hit with more and more publishers moving towards the format which blends western trade collections with manga formatting.

They’ve been a great way to re-read amazing stories and also discover new ones in affordable and small releases.

2026 is wrapping up with some solid releases and 2027 is already looking great.

Check out below for what we know is coming so far from DC, Marvel, and more for the rest of 2026 and beyond! There’s at least one release reach month between now and April and at times multiple!

DC Comics

2026

  • Batman & Son: DC Compact Comics Edition – August 18 – Purchase: Amazon – Bookshop
  • Fables: No More Happily Ever After: DC Compact Comics Edition – September 1 – Purchase: Amazon – Bookshop
  • Batgirl of Burnside: DC Compact Comics Edition – September 15 – Purchase: Amazon – Bookshop
  • Dark Nights: Metal: DC Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Injustice: Gods Among Us: Year One: DC Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Batman: Harley and Ivy: DC Compact Comics Edition – October 6 – Purchase: Amazon – Bookshop
  • Swamp Thing: The Anatomy Lesson: DC Compact Comics Edition – October 6 – Purchase: Amazon – Bookshop
  • Crisis on Infinite Earths: DC Compact Comics Edition – November 3 – Purchase: Amazon – Bookshop
  • Justice League: Origin: DC Compact Comics Edition – December 1 – Purchase: Amazon – Bookshop
  • Mister Miracle: DC Compact Comics Edition – December 1 – Purchase: Amazon – Bookshop

2027

  • Preacher: Gone to Texas: DC Compact Comics Edition – January 5 – Purchase: Amazon – Bookshop
  • Batgirl: Year One: DC Compact Comics Edition – February 16 – Purchase: Amazon – Bookshop
  • Superman: Man of Steel : DC Compact Comics Edition – March 16 – Purchase: Amazon – Bookshop
  • Batman: The Dark Knight: DC Compact Comics Adventures – March 30 – Purchase: Amazon – Bookshop
  • Superman: Man of Tomorrow: DC Compact Comics Adventures – March 30 – Purchase: Amazon – Bookshop
  • John Constantine, Hellblazer: Dangerous Habits: DC Compact Comics Edition – April 13 – Purchase: Amazon – Bookshop
  • Catwoman: When in Rome: DC Compact Comics Edition – April 27 – Purchase: Amazon – Bookshop

Marvel

2026

  • Avengers: Secret Wars [Marvel Premier Collection] – August 18 – Purchase: Amazon – Bookshop
  • Avengers: Time Runs Out [Marvel Premier Collection] – August 18 – Purchase: Amazon – Bookshop
  • X-Men: Yesterday’s X-Men [Marvel Premier Collection] – October 6 – Purchase: Amazon – Bookshop
  • Captain America: The Death Of Captain America [Marvel Premier Collection] – November 3 – Purchase: Amazon – Bookshop

2027

  • Iron Man: Extremis [Marvel Premier Collection] – January 12 – Purchase: Amazon – Bookshop
  • Spider-Man: Kraven’s Last Hunt [Marvel Premier Collection] – February 9 – Purchase: Amazon – Bookshop
  • Thor: Gorr The God Butcher [Marvel Premier Collection] – March 9 – Purchase: Amazon – Bookshop
  • X-Men: E Is For Extinction [Marvel Premier Collection] – April 13 – Purchase: Amazon – Bookshop

BOOM! Studios

2026

  • Mighty Morphin Power Rangers Compact Comics Edition Vol. 1 – September 22 – Purchase: Amazon – Bookshop

2027

  • Mighty Morphin Power Rangers Compact Comics Edition Vol. 2 – January 26 – Purchase: Amazon – Bookshop
  • Eve Compact Comics – February 23 – Purchase: Amazon – Bookshop

Dynamite

2026

  • Red Sonja: She-Devil With a Sword Compact Edition – November 10 – Purchase: Amazon – Bookshop
  • Pathfinder: Dark Waters Rising Compact Edition – November 17 – Purchase: Amazon – Bookshop

Image Comics

2027

  • Radiant Black Compact Edition Book One – February 16 – Purchase: Amazon – Bookshop

Oni Press

2026

  • Rick and Morty Oni Compact Comics Edition: Wubba Lubba Dub-DOOM – August 18 – Purchase: Amazon – Bookshop
  • Archie: New Riverdale Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Sabrina the Teenage Witch: New Riverdale Compact Comics Edition – October 13 – Purchase: Amazon – Bookshop
  • Jughead: New Riverdale Compact Comics Edition – October 27 – Purchase: Amazon – Bookshop
  • Adventure Time Compact Comics Edition: On the Case – November 24 – Purchase: Amazon – Bookshop

Rebellion

  • Judge Dredd: Compact Crimes 1 – January 26 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 2 – February 23 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 3 – March 23 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 4 – April 6 – Purchase: Amazon – Bookshop

Vault Comics

2026

  • Vampire: The Masquerade (Compact Edition) – September 1 – Purchase: Amazon – Bookshop
  • The Plot (Compact Edition) – September 15 – Purchase: Amazon – Bookshop
  • Barbaric (Compact Edition), Book 1 – October 13 – Purchase: Amazon – Bookshop
  • Money Shot (Compact Edition), Book 2 – November 10 – Purchase: Amazon – Bookshop

SDCC 2026: Tiny Onion reveals a Something is Killing the Children Octo Plush

At San Diego Comic-Con, Tiny Onion has announced a new Something is Killing the Children Octo plush that they’re making in collaboration with BOOM! Studios.

They will be launching a Kickstarter for it in September, but for fans who want to check the plush out and give it a squeeze, there is a sample version on display at the BOOM! booth #2229 during SDCC. James Tynion IV will be doing a SIKTC signing at their booth, too each day of the convention!

Check out the plush below and sign up to be notified when the crowdfunding campaign launches.

SDCC 2026: BOOM! Studios reveals its Signings, Panel Schedule, and Exclusives

BOOM! Studios has revealed its lineup of talent, exclusive (hand sketched?!) variant covers, panels, and more for San Diego Comic-Con 2026.

CREATOR ACTIVATIONS

THURSDAY, July 23

11am-11:45am – Dan Panosian
1pm-1:45pm – Tini Howard
3pm-3:45pm – James Tynion IV & Werther Dell’edera
4pm-4:45pm – Alex Pardee
5:30pm-6:15pm – Jonboy Meyers
6:15pm-7pm – Joey Esposito & Kenny Porter

FRIDAY, July 24

11am-11:45am – Jeff Lemire
1pm-1:45pm – James Tynion IV & Werther Dell’edera
3pm-3:45pm – Andrew K. Currey
5:00-5:45 pm- Will Jack

SATURDAY, July 25

11am-11:45am – Tini Howard
1pm-1:45pm – Alex Pardee
3pm-3:45pm – Jonboy Meyers
5:15pm-6:15pm – James Tynion IV & Werther Dell’edera

SUNDAY, July 26

11am-11:45am – James Tynion IV & Werther Dell’edera
1pm-1:45pm – Andrew K. Currey

PANELS

THURSDAY, July 23

5pm – 6pm | Room 23ABC : Power Rangers: The Next Era Begins

FRIDAY, July 24

1:30pm – 2:30pm | Room 5AB : Comics For You: Behind the Scenes
3:30pm – 4:30pm | Room 5AB : Comics For You: Owning Your Story

SATURDAY, July 25

10am – 11am | Room 7AB : Hello Darkness, My Old Friend
4pm – 5pm | Room 28DE : Slaughter verse: Unmasked

PANEL GIVEAWAYS

MIGHTY MORPHIN POWER RANGERS #1 B!DRE

Artwork by Goñi Montes

SOMETHING IS KILING THE CHILDREN #49 B!DRE

Artwork by  ????

Hello Darkness #23 B!DRE

Artwork by Jenny Frison

LIMITED DAY EXCLUSIVES

AVAILABLE WED, THURS, AND SAT

SIKTC 3 Comic Pardee Pack
Alex Pardee Variant in all packs+ 2 other variants
250 matte full foil chase variant
AVAILABLE SUNDAY ONLY


SIKTC #49
Cover by Ito, matte full foil treatment
Limited to 600 total,100 for sale outside of blind bags
AVAILABLE THURS& SAT ONLY

Martian Heretic Vol One
Cover by Joe Jaro
Limited to 96 copies
AVAILABLE SUN ONLY

Hello Darkness #23
Cover by Sveta Shubina, matte full foil
Limited to 75 copies
AVAILABLE WED, FRI, AND SUN

SIKTC 3 Comic Ito Pack
Ito Variant + 2 other variants
250 matte full foil chase variants
AVAILABLE FRIDAY ONLY

Something is Killing the Children: A Monster Hunter Walks Into a Bar Special
Cover by Werther Dell’edera, holofoil stamp treatment
Limited to 100 copies
AVAILABLE FRIDAY ONLY

Minor Arcana #16
Cover by Andrew K. Currey
Limited to 200 copies
AVAILABLE THURS, AND SAT

SIKTC #49
Cover by Alex Pardee, silver spot foil & glow
Limited to 600 copies total,100 outside of blind bag packs
AVAILABLE THURSDAYONLY

Alice Forever After #5
Artwork by Flops!
Limited to 200 copies
AVAILABLE SAT ONLY

Power Rangers: Green #1 Blind Bag
Early release, multiple variants
Limited to 600 blind bags
AVAILABLE SUN ONLY

Vampyrates #1
Cover by Will Jack,matte full foil
Limited to 75 copies

ALL DAY EXCLUSIVES

SIKTC #1 Numbered Metal Embossed Cover
Artwork by Werther Dell’edera
Limit of 20 per day / 100 total

SIKTC #48 Glow-in-the-Dark Cover
Artwork by Werther Dell’edera
Limited to 350 copies

BRZRKR: Light Draws Breath Blind Bags
Artwork by Jonboy Meyers
Limited to 650 blind bags

Vampyrates! #1 Spot UV Variant
Artwork by Will Jack
Limited to 400 copies

SIKTC #1 SDCC Yellow Blank Variant
Limited to 350 copies

Hello Darkness #23 San Diego Trade Dress
Artwork by Sveta Shubina
Limited to 350 copies 

My Little Pony:Friendship is Magic #1 Connecting Covers Blind Bags
Artwork by Andy Price
Contains one comic + two Kayou trading cards
Limited to 1500 blind bags

Mighty Morphin Power Rangers #1 SNES Homage Variant
Artwork by Federico Sabbatini
Limited to 325 copies

Mighty Morphin Power Rangers #1 picks things up 10 years later and kicks off a new era

Mighty Morphin Power Rangers #1

It’s been ten years since the original Mighty Morphin Power Rangers turned in their morphers and went their separate ways. But now they’ve been called back to the legendary Command Center to face a new, terrifying form of a familiar foe: Rita Rabiosa. They may not be teenagers with attitudes anymore, but are they still the same heroes they once were? Mighty Morphin Power Rangers #1 is both a new start and a continuation of the original team as they’re a little older and facing new threats.

I’ll start off by making it clear, I was never a Power Rangers fan. I’ve watched a few episodes of the original series, seen some of the movies, and probably have read more comics based on it than the number of episodes watched. Overall, I can see it’s appeal, but it’s never been a series that was interesting to me. Mighty Morphin Power Rangers #1 is an interesting debut with aspects I enjoy but overall, for me, it looks real oomph and doesn’t lean in enough to what makes it interesting.

Written by Marguerite Bennett, Mighty Morphin Power Rangers #1 attempts a difficult balance. It needs to hit the nostalgia buttons while also delivering something new and different. In that aspect, it’s a team and members that are older and different points in their lives. It’s a concept I can get behind and if that was the entire pitch for me, I’d be excited to see what’s to come. But, Mighty Morphin Power Rangers #1 speeds through all of that and leaves some questions. Billy is still working as a Power Ranger while the rest have moved on in different ways. The concept of the team grown up and having to go back to being heroes is interesting. But, the comic feels more like a reunion of people who haven’t spoken in a decade than focusing on their current lives.

There’s some details that feel odd in that reunion. One team member reveals a child that everyone else seems to not know about, which tells readers the team hasn’t kept in touch, but from what I know, that not keeping touch feels a little out of character.

The comic also shifts quickly from the reunion to getting right into battle with a new villain, Rita Rabiosa. The action is ok and feels like what we’ve seen before from previous comics. There’s some leaning into the fact they’re out of practice, but again, it’s not quite as overt as one would expect. So, it dances around the most interesting aspect delivering a debut issue that feels like the more traditional comic we’ve seen.

The art by Andrew Lee Griffith is good. With color by Joshua Jensen and lettering by Ed Dukeshire, the comic’s look is what we’ve seen before. The characters look a little older but nothing of what one might expect after 10 years. There’s some interesting page layouts playing off of some of the visuals from the television series. Overall, the art is good but nothing that really stands out and excites.

Mighty Morphin Power Rangers #1 has an interesting concept at its core but the overall comic feels like what we’ve seen before in some of the previous starts. It’s not bad but feels more like it’ll be interesting to those who are die-hard fans of the Power Rangers than a new audience who could connect with its new concept.

Story: Marguerite Bennett Art: Andrew Lee Griffith
Color: Joshua Jensen Letterer: Ed Dukeshire
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Michael Kelly to Leave BOOM! Studios in June

Michael Kelly, the VP, Publisher of BOOM! Studios will be leaving the position in June 2026. Adam Schmidt, VP, Editor-in-Chief of BOOM! will take over and report to Keith Clayton, the SVP Publisher of Random House Worlds Group, the division BOOM! is a part of. Kelly is leaving to pursue other opportunities.

Kelly joined Hasbro in 2006 and worked there for 18 years rising to the position of Vice President, Global Publishing. He joined BOOM! as its Publisher in 2024 when it was acquired by Penguin Random House. His career began in 1994 in the stock room of a Barnes & Noble.

BOOM! was purchased by Penguin Random House in 2024 and has since been more integrated into its structure as well as losing some staff. There’s been small changes on the backend that have been noticeable but maybe not obvious to comic readers.

It’s been a weird time for corporate owned and VC funded publishers, with Marvel’s longtime publisher Dan Buckley announced to leave the company in 2027 and Dark Horse founder Mike Richardson leaving the company a few months ago.

Crowdfunding Corner: My Little Pony: Friendship is Magic Rainbow Collection

Welcome to our revamped “Crowdfunding Corner” rounding up some of the latest crowdfunding news. We’re going beyond just announcement projects, we’ll be tracking to make sure these projects get delivered as well as what we think the “risk” of backing them are.

We’ll be updating the format as we get a better handle of the needs of this sort of coverage, so stay tuned and check out the first round of projects!


MY LITTLE PONY: Friendship is Magic Rainbow Collection

Publisher: BOOM! Studios
Creative Team: Various
Launch Date: Currently funding – ends April 30 2026 2:00 PM EDT
Risk: Low/Medium – Any publisher that previous campaigns not yet fulfilled are a little of a risk and raises flags with us. Hellraisers is due in December, Jem in August, Expanse in November, and another recent had shipping issues based on comments. But, BOOM! is owned by a pretty big corporation which keeps the overall risk low. You’ll get the project eventually.

What a wonderful wonder friendship brings! 

Come take another gallop with us through Equestria in MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION. More than a decade since the debut of the Friendship is Magic comic series, Twilight Sparkle, Rainbow Dash, Fluttershy, Apple Jack, Rarity, and Pinkie Pie are back to show us the power, delight, and shenanigans that come with true friendship! Whether you’ve been saddled up from the beginning, or are completely new to the herd, this is a pony show you don’t want to miss! 

Launching on Kickstarter, MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION is published by BOOM! Studios and developed under license by Hasbro, a leading games, IP and toy company. This launch collects the core issues of the Friendship is Magic comics in neigh-worthy hardcover editions! On your cutie mark, get set, go! 

Happy year of the horse—and pony! If you were looking to celebrate with something to blow your horseshoes off, we have just the thing. 

With pastel and swoon-worthy color palettes, and ethereal detailing—the MY LITTLE PONY: FRIENDSHIP IS MAGIC RAINBOW COLLECTION is like nothing you’ve seen before! Each book feels timeless, much like the fairytales we’ve been told since we were foals, and captures the essence of the magical friendships explored within it.  

More than a collection, this is a love letter to all things cute and the unbreakable bonds that make life’s trot so worth it! 

Pinhead Returns in November with the Ultimate Hellraiser Collection!

Hellraiser Omnibus Volume 1

The legendary horror visionary returns to the dark, twisted world of Hellraiser with the release of Hellraiser Omnibus Volume 1, an expansive new edition published by BOOM! Studios. This essential collection spans over 500 pages, offering fans and collectors a definitive continuation of Clive Barker’s Hellraiser saga and bringing fresh life to the iconic Cenobites and the enigmatic Pinhead.

Celebrating the 40th Anniversary of Barker introducing the world to The Hellbound Heart, the original novella that spawned the Hellraiser film franchise, this omnibus assembles the complete 2011 Hellraiser #1-20 comic series and the Hellraiser Annual #1, all created under Barker’s close guidance and creative oversight. The series serves as a canonical continuation of the original story, forever redefining the legacy of the Hellraiser mythos in a richly imagined, meticulously crafted horror narrative.

The franchise has a broad and devoted fanbase, spanning Hellraiser novels, comics, films, merchandise, and more. The series serves as a canonical continuation of the original story, forever redefining the legacy of the Hellraiser mythos in a richly imagined, meticulously crafted horror narrative.

Celebrating the 40th Anniversary of Barker introducing the world to The Hellbound Heart, the original novella that spawned the Hellraiser film franchise, this omnibus assembles the complete 2011 Hellraiser #1-20 comic series and the Hellraiser Annual #1, all created under Barker’s close guidance and creative oversight. The series was written by Barker, Mark Miller and features art by Janusz Ordon.

Clive Barker is an internationally acclaimed English writer, filmmaker, and visual artist who rose to prominence in the 1980s with his groundbreaking short story collection Books of Blood, which established him as a leading figure in horror literature. His work has been adapted into numerous films, most notably the Hellraiser series as well as the Candyman series.  

The franchise has a broad and devoted fanbase, spanning Hellraiser novels, comics, films, merchandise, and more. Hellraiser Omnibus Volume 1 is distributed by Penguin Random House and available for preorder anywhere books are sold ahead of its release on November 24, 2026.

Boom Entertainment Renews their Request for their Consignment Stock with some New Revelations

In February, the motion to extend time to “assume or reject executory contracts related to consigned goods” was denied by the court in regards to Diamond‘s chapter 11/chapter 7 process. This concerned the ongoing question regarding contracts between (old) Diamond and publishers handling consigned goods. Who “owns” those goods is a contentious issue with publishers wanting their product back while Diamond, and now their Trustee, want to be able to sell the consigned goods to pay back creditors.

The denial of the motion by the Trustee has caused a chain of rejections. Because the contracts were not assumed or rejected by the deadline, publishers have pounced citing law that saws the contracts default to rejected. You can read about that here and here. Because the contracts are rejected, there’s laid out steps in the contracts as to what happens to consigned goods, primarily the publishers can get them back for the cost of shipping.

Boom Entertainment has filed a motion today to renew their call that they get their consigned goods back.

Like the other filings, Boom Entertainment’s goes over the agreement as far as Diamond and their role when it comes to consigned goods. But, there’s some previously raised issues as well as new ones.

Here’s the highlights:

1) Diamond has not adequately secure the stock as evidenced by the fact that Sparkle Pop, LLC (“Sparkle Pop”) sold it after the Debtor sold its other assets to Sparkle Pop (which expressly excluded the Stock) and then did not remit the proceeds,
2) …the Debtor’s failure to comply with virtually any of its obligations under the Distribution Agreements while nevertheless holding the Stock hostage in the Mississippi warehouse controlled by a third party is causing significant loss and waste, because much of the stock loses value over time.
3) Notably, the Debtor filed the Consignment Litigation only with regard to stock provided by Boom, the Consignors, and another group of consignors constituting approximately thirteen (13) other publishers. For the vast majority of other publishers that own stock sitting at the Debtor’s warehouse, the Debtor failed to commence adversary proceedings and apparently does not seek any finding that Secured Lender’s lien attached to that stock. It is unknown what the Trustee proposes to do with the stock that is not subject to the Consignment Litigation.

Here’s where Boom’s motion gets interesting and stands out from others:

1) Boom’s distribution agreement was terminated prior to the Petition Date
2) Boom has growing concerns that its Stock is being stored unsecurely. Section 3 (c) of the Distribution Agreements require that, “Buyer will warehouse Products on consignment in a clean, dry, secure, and fire protected facility.” Section 8(c) further provides, “[Diamond] shall maintain all insurance with respect thereto in amounts sufficient to fully cover all of [Consignor’s] Products stored there.” (this is a concern raised by others – Brett)
3) However, according to statements made by the Trustee at the hearing held before this Court on February 26, 2026, the Debtors’ insurance coverage on the Stock has lapsed, in breach of the requirements under the Distribution Agreements.
4) The Debtor’s estate is also not current on stock fees and warehouse storage fees owed to Sparkle Pop. The Consignors believe that Sparkle Pop has not been paid since approximately November 2025, and thus Boom is stuck in limbo with their Stock held hostage at a warehouse that the estate no longer owns, rents, or is current with respect to ongoing rent obligations.
5) Given that the Transition Services Agreement between Sparkle Pop and the Debtor is also now rejected, it is apparent that the estate is not storing the Stock and has no means to store it any longer.

The filing brings up again that Drawn & Quarterly purchased graphic novels by Fantagraphics which was fulfilled by Sparkle Pop in violation of a court order. They also state that Living the Line has at least 800 copies of a single title are not accounted for in any inventory report provided by Sparkle Pop.

This is concerning as the consignors in this case have been given no access to, or oversight of, their Stock for several month. The continued fulfillment of orders, without the ability to verify proper control, safeguarding, and accounting of stock is extremely prejudicial to Boom’s interests and the preservation of its value.

What’s really new is that Boom states they terminated their Distribution Agreement with Diamond in December 2024, prior to their chapter 11 filing (petition date). Boom was purchased by Penguin Random House in July 2024 and PRH is a distributor themselves.

Boom has also been exposed to potential claims related to their Stock still held in the Olive Branch Warehouse. Boom ran a Kickstarter3 campaign that in addition to the new content it was developing, the purchase tiers included add-ons that purchasers could buy in order to further support the Kickstarter efforts. These add-ons consisted of a number of pieces of Boom’s existing content held by Diamond.

Now, with Boom’s Stock still being held hostage in 2026, they have not been able to ship these add-ons purchased by Kickstarter supporters, leading to a number of disgruntled customers and exposing Boom to legal claims for failing to deliver the products sold through Kickstarter.

It’s yet another recent filing making a pretty strong case to have the consignment stock returned and question Diamond and Sparkle Pop’s inventory management practices.

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