Tag Archives: boom studios

Hellraiser Resurrections: The Onanistic Ritual proves the Chatterer needs his own series

Cover of Clive Barker's Hellraiser: Resurrections comic featuring a central figure with grotesque features and two computer screens displaying disturbing imagery, portraying a surreal and horror-themed scene.

Fans of Hellraiser know that the Chatterer could easily carry a movie on his own. Clive Barker’s iconic Cenobite is possessed by a kind of visceral elegance that invites curiosity. His fleshy, disfigured face is mostly kept bare to highlight his most unsettling feature: his teeth. They’re on permanent display thanks to a few small hooks that peel his lips back. It looks like a piece of art framed in gore, an ode to pain. Naturally, this Cenobite clicks his teeth to communicate.

Writer Zac Thompson and artist Gavin Mitchell certainly believe in the Chatterer’s ability to step into the leading role, and they show just how much in their one-shot comic Hellraiser: Resurrections: The Onanistic Ritual #1, published by BOOM! Studios. It’s part of a batch of one-shots that focus on a singular Cenobite each, building towards a new on-going series.

The Onanistic Ritual centers on Jim Kaufman, an angry and pathetic little man that’s fallen into the misogynistic rabbit hole of the digital world only to come across a Cenobite in need of a victim, the Chatterer. Jim, who can be argued is an updated version of Frank from Barker’s original book and movie (The Hellbound Heart and Hellraiser respectively), turns out to be the perfect candidate for this.

A comic panel depicting a distressed man with headphones, experiencing horror as he interacts with a mysterious box. Panels show his transformation and existential struggle, featuring an eerie green eye and close-up shots of bloodied hands and grotesque teeth.

Thompson’s script goes for a direct takedown of incel culture, ridiculing multiple aspects of it. For instance, Jim tries and fails at looksmaxxing. He’s obsessed with porn and is a chronic masturbator. He views women as entitled creatures that are actively out to shun him and his manhood. Essentially, he sees himself as a victim in some kind of sex war, and the dark web’s there to back him up on all of it.

It’s the perfect setup for a story about demons that deal in pleasure as a form of torture, whose definitions of punishment hinge on the amount of suffering they inflict at any given time. Thompson draws upon this to craft a story about obsessive pursuits.

On the one hand, Jim nurtures his hatred of women to find the justification he needs to take things a step further. He wants to cross moral lines to get back at the harsh realities he thinks women have imposed upon him. The Chatterer, on the other hand, seeks transformation. He wants to become a superior expression of desire and torment that’s worthy of the Order of the Gash (a group of demonic theologians led by the legendary Pinhead).

Gavin Mitchell’s art captures this dual perspective structure perfectly. By illustrating two distinct realities that reflect each of the characters’ journeys, he gets to play with different interpretations of violence.

A dark, tense comic book scene featuring a robot-like figure and a woman in a black outfit. The robot appears distressed, while the woman holds an object and looks at him. The background is filled with shadows and debris, contributing to a suspenseful atmosphere.

Jim’s reality is dirty, opaque, and repulsive, elements that combine for a very pathetic state of affairs. The Chatterer’s looks like a destination tailor-made for unholy pilgrimages. It harbors a grotesque sense of place that has to be endured rather than merely traversed. Mitchell makes sure to populate environments with enough ugliness to differentiate each character’s living environment, and it’s a real treat pouring over them to see how horrifying they can be.

The Chatterer really shines here. His part of the story gives Thompson and Mitchell a chance to really dive into the process of becoming a Cenobite in all its plasma-filled glory. Chains and body parts abound, giving the visuals that signature Hellraiser look. Flesh gets ripped, faces get torn apart, and blood gets splattered. Longtime fans of the franchise will even spot a few cult-favorite Cenobites along the way, especially those who hold Hellraiser III: Hell on Earth dear to their hearts.

Thompson and Mitchell showcase a profound understanding of Hellraiser and the elements that differentiate it from other horror licenses. To channel Clive Barker’s dark energy you have to be willing to go beyond gratuitous violence to get at something different. Thompson and Mitchell not only achieve this, they turn out a macabre love letter to the scariest Cenobite in the Order of the Gash. It’s a shame The Chatterer doesn’t have eyes. I believe he’d enjoy reading The Onanistic Ritual.

Story: Zac Thompson Art: Gavin Mitchell
Color: Francesco Segala, Gloria Martinelli Letters: Ed Dukeshire

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Kindle

Pulitzer Prize and National Magazine Award–winning reporter Spencer Ackerman’s No One Escapes the Dialectic Debuts in November

From Pulitzer Prize and National Magazine Award-winning reporter Spencer Ackerman comes the next generation of political radicalism in vigilante comics. Unafraid to strike back at the deportation machine that threatens the foundations of American freedom, No One Escapes the Dialectic launches this November.

When agents of the fearsome Special Naturalization Operations (SNO) become themselves hunted by a masked vigilante, a power struggle breaks out inside SNO between the Deep-State old guard and its death-squad vanguard, Gladio Unit! 

Who is the masked vigilante calling themselves The Dialectic, posturing as a Marxist force of history? What is their relationship to their community’s liberation—and its violent suppression by SNO? 

With powerful art by Italian superstar Antonio Fuso, No One Escapes the Dialectic is an unapologetic, provocative, and boundary-shattering new ongoing comic series for the age of permanent crisis.

The world outside our window now shows us armed agents of the state kidnapping our neighbors, the installation of networked cameras nationwide, and the seizure of our resources to build and then militarize powerful AI systems. This series is for everyone who wants their comics to address that world with the same urgency and intensity it’s forcing upon us.

-Spencer Ackerman

The series will launch November 4, 2026, with No One Escapes the Dialectic #1.

Comic book cover for 'No One Escapes The Dialectic #1' featuring a city skyline in the background, a helicopter above, a suited man looking on grimly, and armed figures surrounding a fallen police officer.

John Kennedy Toole’s A Confederacy of Dunces gets a Graphic Novel Adaptation this September

One of the most beloved and enduring works of American literature finds vibrant new expression in A Confederacy of Dunces: The Graphic Novel. Published by BOOM! Studios‘ Archaia imprint, adapted and illustrated by acclaimed cartoonist Albert Monteys, it arrives on shelves September 29, 2206. Long considered “unadaptable,” Monteys delivers a faithful yet exhilarating reinterpretation of this modern classic, bringing John Kennedy Toole’s Pulitzer Prize–winning novel into the visual medium for the first time.

Set in the richly textured streets of New Orleans, A Confederacy of Dunces follows the unforgettable Ignatius J. Reilly. Medievalist, misanthrope, and self-appointed defender of decency, he wages a one-man war against modern society. Monteys’s adaptation captures the novel’s biting satire, sharp dialogue, and larger-than-life characters while amplifying its humor and emotional resonance through expressive artwork and dynamic pacing. From hot dog carts to Bourbon Street, readers can now experience the French Quarter of 1960s New Orleans in stunning visual form through the lens of one of literature’s most unforgettable characters.

A master of both comedy and storytelling, Monteys balances reverence for Toole’s original prose with a visual sensibility uniquely his own. The result is a graphic novel that welcomes new readers while offering longtime fans a fresh way to experience Ignatius’s misadventures, from the French Quarter to the Levy Pants factory and beyond. More than an adaptation, A Confederacy of Dunces: The Graphic Novel is a celebration of literary satire and the enduring relevance of Toole’s vision. With its meticulous attention to character, setting, and tone, the book stands as both an homage and a bold reimagining, and proof that Ignatius J. Reilly remains as sharp, hilarious, and necessary as ever.

With over 1.5 million copies sold, this cult classic remains in continuous print since its release and its first-ever graphic novel adaptation unlocks a new format of the American classic for classrooms, libraries, and collectors. A Confederacy of Dunces: The Graphic Novel is distributed worldwide by Penguin Random House and will be available everywhere September 29, 2026.

Cover art for a graphic novel adaptation of 'A Confederacy of Dunces' by John Kennedy Toole and Albert Monteys, featuring a central character in a plaid shirt holding a bag, surrounded by various figures in a bustling urban setting.

No Gods, No Masters #1 Gives us a Monster Disaster with Characters to Care About

No Gods, No Masters #1

When afternoon detention is interrupted by the sudden and violent emergence of a kaiju, three New York City teenagers with seemingly nothing in common will band together to survive the apocalypse! Felipe is still getting accustomed to life in New York City, and when a kaiju ravages Manhattan, he’ll need the help of two of his classmates to rescue his mom from a wrecked subway station. No Gods, No Masters #1 is a fantastic debut that gives us something more than another monster disaster story.

Written by Julio Anta, it’d be easy to just see No Gods, No Masters #1 as a kaiju attack story with kids. But, Anta gives us so much more with depth that you can either embrace or overlook and still enjoy the comic. Where No Gods, No Masters #1 succeeds and stands out is its three protagonists. In particular Felipe, a refugee who came to New York City after an attack at his home in Venezuela. In Felipe, we get an immigrant suffering trauma and who has endured hardship to find safety, only for that safety to be stripped away. The comic teases Felipe’s trauma but as the comic progresses it reveals what he has gone through and endured to make it to NYC.

It’s those details that make No Gods, No Masters #1 stand out. It’s the papers welcoming Felipe and his mother to the country and small information like who can work and the focus on school for Felipe. It’s teases about what happened in Venezuela, and it’s material completely in Spanish to immerse yourself further into the story. But, it’s also Felipe and his frustrations and reactions that kick off the story before the attack. It’s also the clear love of his mother that will drive Felipe and his actions. There’s a simplicity in the basic story but the details gives it depth and makes it interesting.

The art by Jacoby Salcedo is solid. With color by Francesco Segala with assists by Agnese Pozza and lettering by Becca Carey, the comic has a look that fools at home with publisher BOOM! Studios. It’s a style we’ve seen in some other comics from the publisher that has endured and praised, continuing a style that feels like it’s become connected with them. Like the basic story itself, the monsters feel familiar, but the kids each have a look that helps tell a story about them. It’s also a disaster comic that doesn’t dwell on the disaster. A teacher’s death is pretty brutal and shocking but the comic doesn’t linger on the gore, instead gives a cold response, like one might have after experiencing trauma.

And that’s part of what makes No Gods, No Masters #1 a success. On the surface level, it’s a monster comic. But, go a bit deeper and you have a comic about refugees and immigration and the horrors that await even when they think they find safety. It’s one where the characters are the real story. Each we’ll get to know as they proceed in their mission to get someone they care about and then to safety. That’s going to be the real journey and interesting aspect about the comic. The monsters, the destruction, the surprises, that’s all the setting and a driver so we can get to know three kids who are the heart of No Gods, No Masters #1.

Story: Julio Anta Art: Jacoby Salcedo
Color: Francesco Segala, Agnese Pozza Letters: Becca Carey
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Publishers to Sparkle Pop… What Consigned Goods are You Storing!? The Diamond Chapter 7 Drama Continues

What's in the Warehouse!? image

While some think the drama concerning Diamond Comic Distributor‘s bankruptcy is wrapping up or over, there’s still a long way to go before this epic story ends. In early August, (old) Diamond Comic Distributors and its trustee Morgan W. Fisher announced a resolution and compromise with 15 publishers regarding consigned goods being held by Diamond and stored in a warehouse by Sparkle Pop.

(Old) Diamond had declared Chapter 11 and eventually Chapter 7 and in its possession was consigned goods from numerous publishers valued in the millions. There has been a fight for over a year where a little over 30 publishers had been fighting to get those consigned goods back. Diamond had been claiming it has a right to them and was going to sell them to pay off their debt. Sparkle Pop had purchased some of the assets of Diamond in the bankruptcy and that included taking over the warehouse where that product was being stored.

As part of the settlement, the 15 publishers can get their goods back and have to pay for the picking and packing of the inventory.

But… what the hell does Sparkle Pop still have in their possession!?

That seems to be at the heart of multiple motions today asking the court to help figure out what inventory remains in the warehouse.

In the motion, the publishers state that:

  1. Initially, Sparkle Pop reported sales only of inventory received after May 15, 2025.
  2. Even after Sparkle Pop reported sales of inventory received both before and after May 15, 2025, Sparkle Pop has not updated its court reporting with regard to inventory sales after October 2025.
  3. With regard to sales reported to this Court through October 2025, Sparkle Pop apparently applied a flat return rate as to each consignor. See, e.g., Sparkle Pop Report, attached hereto as Exhibit 1, illustrating the application of a flat return rate, and summary from Sparkle Pop, attached hereto as Exhibit 2. Sparkle Pop has never provided any detail as to what products were actually returned. See, Affidavit of Sparkle Pop Agent attached as Exhibit 3. Furthermore, some of the inventory sold was not returnable, and consignors have reported that they did not receive returned product (supporting the consignors’ allegation that Sparkle has reported returns that never, in fact, occurred).
  4. Sparkle Pop also may be continuing to sell inventory from the Warehouse. As recently as early 2026, one of the consignors received a report showing that inventory of another consignor being processed and removed from the Warehouse, despite Sparkle’s consensual agreement that any sales are prohibited by the automatic stay. See E-Mail from Drawn and Quarterly Books, Inc. attached as Exhibit 4.

The publishers have asked for the court to compel an inspection of the warehouse to audit the product that remains located there. They also want to use that inspection to corroborate the reports provided by Sparkle Pop. But, also raised is a “claim for conversion,” basically, is there further action publishers need to take because of actions by Sparkle Pop.

In July, the publishers submitted a subpoena to “Produce Documents, Information, or Objects or to Permit Inspection of Premises in a Bankruptcy Case” and in late July Sparkle Pop objected to that and the inspection. This created an unresolved dispute.

Sparkle Pop has made demands for the inspection to go through, which the publishers object to:

  • Sparkle Pop’s sole right to designate the party permitted to conduct the inspection of the Warehouse and its requirement that any assistants be approved in advance;
  • a requirement that the Trustee and Sparkle Pop enter into an agreement concerning payment of back rent owed at the Warehouse; and
  • a requirement that the Ad Hoc Committee of Consignors solely bear Sparkle Pop’s claimed cost of the inspection, which Sparkle Pop currently quotes at $639.94 per hour – which fee includes an unexplained “thirty percent markup” and exorbitant compensation for what should be a single employee who accompanies the inspector. Originally the fee requested was $1,000 per hour and inexplicably included charges for Sparkle Pop’s tax and insurance payments for the Warehouse.

The publishers thinks those demands are unreasonable and unwilling to pay for the inspection, though they are being flexible in that if there’s a particular party Sparkle Pop doesn’t want in the warehouse, that can be accommodated. They refuse to give Sparkle Pop unilateral control over the process. They also point out that the payment for back rent owed is between Sparkle Pop and (old) Diamond, not the publishers.

The publishers are asking for the court to compel an inspection within 30 days of the service of the motion, that the individual committing the inspection be agreed upon, and Sparkle Pop will bear its own costs in related to the inspection.

The publishers that are part of this motion include 12 of the 15 (so far) that settled/compromised:

Ablaze
Action Lab
American Mythology
Avatar Press

Battle Quest Comics
BOOM! Studios
Fantagraphics
Green Ronin Publishing

Hermes Press
Living the Line

Paizo
Zenescope

You can read the filings below which also includes a look behind the curtain as far as inventory and discussion for this publisher. The overall motion is the same for each publisher while the inventory changes for each.

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More Compact Comics from DC, Marvel, Image, and more arrive in 2027

Crisis on Infinite Earths: DC Compact Comics Edition

Compact comics are a hit with more and more publishers moving towards the format which blends western trade collections with manga formatting.

They’ve been a great way to re-read amazing stories and also discover new ones in affordable and small releases.

2026 is wrapping up with some solid releases and 2027 is already looking great.

Check out below for what we know is coming so far from DC, Marvel, and more for the rest of 2026 and beyond! There’s at least one release reach month between now and April and at times multiple!

DC Comics

2026

  • Batman & Son: DC Compact Comics Edition – August 18 – Purchase: Amazon – Bookshop
  • Fables: No More Happily Ever After: DC Compact Comics Edition – September 1 – Purchase: Amazon – Bookshop
  • Batgirl of Burnside: DC Compact Comics Edition – September 15 – Purchase: Amazon – Bookshop
  • Dark Nights: Metal: DC Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Injustice: Gods Among Us: Year One: DC Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Batman: Harley and Ivy: DC Compact Comics Edition – October 6 – Purchase: Amazon – Bookshop
  • Swamp Thing: The Anatomy Lesson: DC Compact Comics Edition – October 6 – Purchase: Amazon – Bookshop
  • Crisis on Infinite Earths: DC Compact Comics Edition – November 3 – Purchase: Amazon – Bookshop
  • Justice League: Origin: DC Compact Comics Edition – December 1 – Purchase: Amazon – Bookshop
  • Mister Miracle: DC Compact Comics Edition – December 1 – Purchase: Amazon – Bookshop

2027

  • Preacher: Gone to Texas: DC Compact Comics Edition – January 5 – Purchase: Amazon – Bookshop
  • Batgirl: Year One: DC Compact Comics Edition – February 16 – Purchase: Amazon – Bookshop
  • Superman: Man of Steel : DC Compact Comics Edition – March 16 – Purchase: Amazon – Bookshop
  • Batman: The Dark Knight: DC Compact Comics Adventures – March 30 – Purchase: Amazon – Bookshop
  • Superman: Man of Tomorrow: DC Compact Comics Adventures – March 30 – Purchase: Amazon – Bookshop
  • John Constantine, Hellblazer: Dangerous Habits: DC Compact Comics Edition – April 13 – Purchase: Amazon – Bookshop
  • Catwoman: When in Rome: DC Compact Comics Edition – April 27 – Purchase: Amazon – Bookshop

Marvel

2026

  • Avengers: Secret Wars [Marvel Premier Collection] – August 18 – Purchase: Amazon – Bookshop
  • Avengers: Time Runs Out [Marvel Premier Collection] – August 18 – Purchase: Amazon – Bookshop
  • X-Men: Yesterday’s X-Men [Marvel Premier Collection] – October 6 – Purchase: Amazon – Bookshop
  • Captain America: The Death Of Captain America [Marvel Premier Collection] – November 3 – Purchase: Amazon – Bookshop

2027

  • Iron Man: Extremis [Marvel Premier Collection] – January 12 – Purchase: Amazon – Bookshop
  • Spider-Man: Kraven’s Last Hunt [Marvel Premier Collection] – February 9 – Purchase: Amazon – Bookshop
  • Thor: Gorr The God Butcher [Marvel Premier Collection] – March 9 – Purchase: Amazon – Bookshop
  • X-Men: E Is For Extinction [Marvel Premier Collection] – April 13 – Purchase: Amazon – Bookshop

BOOM! Studios

2026

  • Mighty Morphin Power Rangers Compact Comics Edition Vol. 1 – September 22 – Purchase: Amazon – Bookshop

2027

  • Mighty Morphin Power Rangers Compact Comics Edition Vol. 2 – January 26 – Purchase: Amazon – Bookshop
  • Eve Compact Comics – February 23 – Purchase: Amazon – Bookshop

Dynamite

2026

  • Red Sonja: She-Devil With a Sword Compact Edition – November 10 – Purchase: Amazon – Bookshop
  • Pathfinder: Dark Waters Rising Compact Edition – November 17 – Purchase: Amazon – Bookshop

Image Comics

2027

  • Radiant Black Compact Edition Book One – February 16 – Purchase: Amazon – Bookshop

Oni Press

2026

  • Rick and Morty Oni Compact Comics Edition: Wubba Lubba Dub-DOOM – August 18 – Purchase: Amazon – Bookshop
  • Archie: New Riverdale Compact Comics Edition – September 29 – Purchase: Amazon – Bookshop
  • Sabrina the Teenage Witch: New Riverdale Compact Comics Edition – October 13 – Purchase: Amazon – Bookshop
  • Jughead: New Riverdale Compact Comics Edition – October 27 – Purchase: Amazon – Bookshop
  • Adventure Time Compact Comics Edition: On the Case – November 24 – Purchase: Amazon – Bookshop

Rebellion

  • Judge Dredd: Compact Crimes 1 – January 26 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 2 – February 23 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 3 – March 23 – Purchase: Amazon – Bookshop
  • Judge Dredd: Compact Crimes 4 – April 6 – Purchase: Amazon – Bookshop

Vault Comics

2026

  • Vampire: The Masquerade (Compact Edition) – September 1 – Purchase: Amazon – Bookshop
  • The Plot (Compact Edition) – September 15 – Purchase: Amazon – Bookshop
  • Barbaric (Compact Edition), Book 1 – October 13 – Purchase: Amazon – Bookshop
  • Money Shot (Compact Edition), Book 2 – November 10 – Purchase: Amazon – Bookshop

SDCC 2026: Tiny Onion reveals a Something is Killing the Children Octo Plush

At San Diego Comic-Con, Tiny Onion has announced a new Something is Killing the Children Octo plush that they’re making in collaboration with BOOM! Studios.

They will be launching a Kickstarter for it in September, but for fans who want to check the plush out and give it a squeeze, there is a sample version on display at the BOOM! booth #2229 during SDCC. James Tynion IV will be doing a SIKTC signing at their booth, too each day of the convention!

Check out the plush below and sign up to be notified when the crowdfunding campaign launches.

SDCC 2026: BOOM! Studios reveals its Signings, Panel Schedule, and Exclusives

BOOM! Studios has revealed its lineup of talent, exclusive (hand sketched?!) variant covers, panels, and more for San Diego Comic-Con 2026.

CREATOR ACTIVATIONS

THURSDAY, July 23

11am-11:45am – Dan Panosian
1pm-1:45pm – Tini Howard
3pm-3:45pm – James Tynion IV & Werther Dell’edera
4pm-4:45pm – Alex Pardee
5:30pm-6:15pm – Jonboy Meyers
6:15pm-7pm – Joey Esposito & Kenny Porter

FRIDAY, July 24

11am-11:45am – Jeff Lemire
1pm-1:45pm – James Tynion IV & Werther Dell’edera
3pm-3:45pm – Andrew K. Currey
5:00-5:45 pm- Will Jack

SATURDAY, July 25

11am-11:45am – Tini Howard
1pm-1:45pm – Alex Pardee
3pm-3:45pm – Jonboy Meyers
5:15pm-6:15pm – James Tynion IV & Werther Dell’edera

SUNDAY, July 26

11am-11:45am – James Tynion IV & Werther Dell’edera
1pm-1:45pm – Andrew K. Currey

PANELS

THURSDAY, July 23

5pm – 6pm | Room 23ABC : Power Rangers: The Next Era Begins

FRIDAY, July 24

1:30pm – 2:30pm | Room 5AB : Comics For You: Behind the Scenes
3:30pm – 4:30pm | Room 5AB : Comics For You: Owning Your Story

SATURDAY, July 25

10am – 11am | Room 7AB : Hello Darkness, My Old Friend
4pm – 5pm | Room 28DE : Slaughter verse: Unmasked

PANEL GIVEAWAYS

MIGHTY MORPHIN POWER RANGERS #1 B!DRE

Artwork by Goñi Montes

SOMETHING IS KILING THE CHILDREN #49 B!DRE

Artwork by  ????

Hello Darkness #23 B!DRE

Artwork by Jenny Frison

LIMITED DAY EXCLUSIVES

AVAILABLE WED, THURS, AND SAT

SIKTC 3 Comic Pardee Pack
Alex Pardee Variant in all packs+ 2 other variants
250 matte full foil chase variant
AVAILABLE SUNDAY ONLY


SIKTC #49
Cover by Ito, matte full foil treatment
Limited to 600 total,100 for sale outside of blind bags
AVAILABLE THURS& SAT ONLY

Martian Heretic Vol One
Cover by Joe Jaro
Limited to 96 copies
AVAILABLE SUN ONLY

Hello Darkness #23
Cover by Sveta Shubina, matte full foil
Limited to 75 copies
AVAILABLE WED, FRI, AND SUN

SIKTC 3 Comic Ito Pack
Ito Variant + 2 other variants
250 matte full foil chase variants
AVAILABLE FRIDAY ONLY

Something is Killing the Children: A Monster Hunter Walks Into a Bar Special
Cover by Werther Dell’edera, holofoil stamp treatment
Limited to 100 copies
AVAILABLE FRIDAY ONLY

Minor Arcana #16
Cover by Andrew K. Currey
Limited to 200 copies
AVAILABLE THURS, AND SAT

SIKTC #49
Cover by Alex Pardee, silver spot foil & glow
Limited to 600 copies total,100 outside of blind bag packs
AVAILABLE THURSDAYONLY

Alice Forever After #5
Artwork by Flops!
Limited to 200 copies
AVAILABLE SAT ONLY

Power Rangers: Green #1 Blind Bag
Early release, multiple variants
Limited to 600 blind bags
AVAILABLE SUN ONLY

Vampyrates #1
Cover by Will Jack,matte full foil
Limited to 75 copies

ALL DAY EXCLUSIVES

SIKTC #1 Numbered Metal Embossed Cover
Artwork by Werther Dell’edera
Limit of 20 per day / 100 total

SIKTC #48 Glow-in-the-Dark Cover
Artwork by Werther Dell’edera
Limited to 350 copies

BRZRKR: Light Draws Breath Blind Bags
Artwork by Jonboy Meyers
Limited to 650 blind bags

Vampyrates! #1 Spot UV Variant
Artwork by Will Jack
Limited to 400 copies

SIKTC #1 SDCC Yellow Blank Variant
Limited to 350 copies

Hello Darkness #23 San Diego Trade Dress
Artwork by Sveta Shubina
Limited to 350 copies 

My Little Pony:Friendship is Magic #1 Connecting Covers Blind Bags
Artwork by Andy Price
Contains one comic + two Kayou trading cards
Limited to 1500 blind bags

Mighty Morphin Power Rangers #1 SNES Homage Variant
Artwork by Federico Sabbatini
Limited to 325 copies

Mighty Morphin Power Rangers #1 picks things up 10 years later and kicks off a new era

Mighty Morphin Power Rangers #1

It’s been ten years since the original Mighty Morphin Power Rangers turned in their morphers and went their separate ways. But now they’ve been called back to the legendary Command Center to face a new, terrifying form of a familiar foe: Rita Rabiosa. They may not be teenagers with attitudes anymore, but are they still the same heroes they once were? Mighty Morphin Power Rangers #1 is both a new start and a continuation of the original team as they’re a little older and facing new threats.

I’ll start off by making it clear, I was never a Power Rangers fan. I’ve watched a few episodes of the original series, seen some of the movies, and probably have read more comics based on it than the number of episodes watched. Overall, I can see it’s appeal, but it’s never been a series that was interesting to me. Mighty Morphin Power Rangers #1 is an interesting debut with aspects I enjoy but overall, for me, it looks real oomph and doesn’t lean in enough to what makes it interesting.

Written by Marguerite Bennett, Mighty Morphin Power Rangers #1 attempts a difficult balance. It needs to hit the nostalgia buttons while also delivering something new and different. In that aspect, it’s a team and members that are older and different points in their lives. It’s a concept I can get behind and if that was the entire pitch for me, I’d be excited to see what’s to come. But, Mighty Morphin Power Rangers #1 speeds through all of that and leaves some questions. Billy is still working as a Power Ranger while the rest have moved on in different ways. The concept of the team grown up and having to go back to being heroes is interesting. But, the comic feels more like a reunion of people who haven’t spoken in a decade than focusing on their current lives.

There’s some details that feel odd in that reunion. One team member reveals a child that everyone else seems to not know about, which tells readers the team hasn’t kept in touch, but from what I know, that not keeping touch feels a little out of character.

The comic also shifts quickly from the reunion to getting right into battle with a new villain, Rita Rabiosa. The action is ok and feels like what we’ve seen before from previous comics. There’s some leaning into the fact they’re out of practice, but again, it’s not quite as overt as one would expect. So, it dances around the most interesting aspect delivering a debut issue that feels like the more traditional comic we’ve seen.

The art by Andrew Lee Griffith is good. With color by Joshua Jensen and lettering by Ed Dukeshire, the comic’s look is what we’ve seen before. The characters look a little older but nothing of what one might expect after 10 years. There’s some interesting page layouts playing off of some of the visuals from the television series. Overall, the art is good but nothing that really stands out and excites.

Mighty Morphin Power Rangers #1 has an interesting concept at its core but the overall comic feels like what we’ve seen before in some of the previous starts. It’s not bad but feels more like it’ll be interesting to those who are die-hard fans of the Power Rangers than a new audience who could connect with its new concept.

Story: Marguerite Bennett Art: Andrew Lee Griffith
Color: Joshua Jensen Letterer: Ed Dukeshire
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Michael Kelly to Leave BOOM! Studios in June

Michael Kelly, the VP, Publisher of BOOM! Studios will be leaving the position in June 2026. Adam Schmidt, VP, Editor-in-Chief of BOOM! will take over and report to Keith Clayton, the SVP Publisher of Random House Worlds Group, the division BOOM! is a part of. Kelly is leaving to pursue other opportunities.

Kelly joined Hasbro in 2006 and worked there for 18 years rising to the position of Vice President, Global Publishing. He joined BOOM! as its Publisher in 2024 when it was acquired by Penguin Random House. His career began in 1994 in the stock room of a Barnes & Noble.

BOOM! was purchased by Penguin Random House in 2024 and has since been more integrated into its structure as well as losing some staff. There’s been small changes on the backend that have been noticeable but maybe not obvious to comic readers.

It’s been a weird time for corporate owned and VC funded publishers, with Marvel’s longtime publisher Dan Buckley announced to leave the company in 2027 and Dark Horse founder Mike Richardson leaving the company a few months ago.

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