Category Archives: Crowdfunding

General Marvel

Death Sentence Returns with a Kickstarter

The Kickstarter campaign for Death Sentence Liberty starts today, written by Monty Nero with art by Martin Simmonds . It’s the third story in the series and both were fantastic and entertaining reads.

Death Sentence Liberty tells of three characters afflicted by an STD that kills them in six months but gives them superpowers.

Verity’s the beating heart of the story. Frustrated and unfulfilled she longs for something more than cheap thrills and empty sex – to be a great artist and achieve something timeless. With no fuck’s left to give she’s a dangerous maverick rallying against an increasingly aggressive government.

Weasel is a rockstar drug-addict desperate to reconcile with his family and record a legendary album before he dies. His G-plus powers are as unreliable as he is, spreading chaos or comedy – which is why Verity dumped him.

Roots is half-woman, half-plant, and 100% badass – an ex drug dealer using her burgeoning G-plus powers to protect her hood from police and gang violence.

Additionally, Jeb is an FBI agent infiltrating the UK’s top-secret G-plus research facility to steal their secrets – a family man in far worse trouble than he realises.

Monty Nero is an award winning Comics Masters graduate from Dundee University. He co-created the hit graphic novel Death Sentence with artist Mike Dowling (2014), and its sequel Death Sentence: London (2016) with Martin Simmonds. He’s also written for 2000ad, Vertigo and Marvel, including Hulk, Amazing X-Men, and X-men Gold.

The campaign runs through October 2.

It’s Comics Comics from Starburns Industries Press on Kickstarter

Starburns Industries Press has launched a Kickstarter for their Comics Comics anthology which is completely written by stand-up comedians.

Backer rewards include the comic in print and digital, two Kickstarter exclusive editions, Starburns swag, our other comics, retailer tiers, and even a tour of the studio that produces Rick and Morty, HarmonQuest, and Animals.

Comics Comics is an ongoing collection of original stories with each issue containing at least 48 pages of brand-new stories written by headliners, cult favorites, and newcomers drawn by artists from every corner of the comics world.

Comics Comics features such voices as Patton Oswalt (MST3KHappy!), Paul Scheer (How Did This Get Made?The League), Sam Jay (SNL), Jackie Kashian (The Dork Forest), Quinta Brunson (BrokeUp for Adoption), Megan Koester (Coming to the Stage, Corporate), Sara Benincasa (Real Artists Have Day Jobs), Carolyn Main (Pitch, Please!), Eliot Rahal (New Comic Book Day), Rose Matafeo (Funny Girls), Nick Giovannetti (Bad Guys), with more announced throughout the campaign.

The comedians have the freedom to write whatever they want in any genre resulting in comics featuring slices of life, flights of fancy, and journeys into genre.

Teaming up to make these stories into comics are such comedy fans as Troy Nixey (Vinegar TeethThe Black Sinister), Robert Hack (Chilling Tales of Sabrina), Evan Dorkin (Milk and CheeseBill and Ted’s Excellent Comic Book), Rick Altergott (ViceCracked), Brent Schoonover (Gregory Graves), Sarah Burrini (Nerd Girl), and more, with double threats like comedian/cartoonist Carolyn Main writing and drawing! A set of Kickstarter-exclusive covers are painted by cartoonist and HBO artist Richard P. Clark (The BoysHouse of Gold & Bones).

The Comics Comics Kickstarter runs through September 19. Backers can get copies of the comic in print and digital, an exclusive hardcover version, prints, and more.

You Should Always Punch Nazis and Back this Kickstarter

It’s 2018 and we’re debating whether it’s ok to punch Nazis, the evil scum who were “defeated” in World War II. If Captain America and Indiana Jones have taught us anything, it’s that it’s more than ok to punch them and with a rise in hate and those who are siding with the scum, it might be more important to than ever.

Always Punch Nazis is a 44-page anthology comic book focused on our country’s battle against racism. It’s the next best thing to actually punching Nazis and a Kickstarter campaign is running until August 23 to raise funds to print the comic (it’s well past its goal).

We got a chance to talk to some of the team behind this relevant, and needed, comic project.

Graphic Policy: Where did the idea for Always Punch Nazis come from? What’s the story of how it came together and folks joined the anthology?

Ben Ferrari: I’ve known Silas for a long time. He’s helped out inking my Pilot Studios books and contacted me asking if I wanted to make some sort of comic to push back against all the Nazi crap happening in our country, specifically right after the Chartlottesville incident. I said “Sure, so long as we can call it always punch Nazis. He agreed and the call went out to contributors.

GP: There’s a lot of contributors, how did they join the graphic novel?

CW Cooke: I was one of the contributors who jumped in very quickly as I am extremely outspoken about things that bother me or about the way the Alt-Right and the Nazi movements have started to grow again. I’m a loudmouth, to say the least, and it’s well known how I feel about the world right now and America as it stands. A bunch of us came together, post Charlottesville, to tell stories about fighting back in a world gone mad, a world where Nazis seemed to be blossoming again and where racism and anti-LGBT folks were trying to gain a foothold in America. I didn’t like it then and I still don’t like it now, and I’m going to keep fighting against these people any way I can. This time? It was in a comic book.

GP: From their beginning, comics have been political. What do you think it is about the medium that makes it so popular for political discourse?

BF: Pictures. People like awesome pictures and in this case they like the awesome pictures of Nazis getting teeth knocked out.

CW: I think it’s the visual medium aspect of it but it’s also the wish fulfillment aspect. I’d love to be Captain America punching Hitler out or taking action against Nazis and various other super-villains. I think it’s also because comics are sometimes seen as a childish medium, so creators tend to create stories that tell of the bigger world around us, without talking down to children. We love the idea of the superhero in the bright colors or the X-men wearing their costumes, but politics has been a part of comics since the very beginning. Superman is an immigrant living the American Dream. The X-men is a story about the civil rights movement. It all ties together to create a better world and a much deeper story than just hero punches villain.

GP: The Kickstarter has gotten a lot of support but also some detractors including some high profile articles decrying it. Has that surprised you at all? Were you all prepared for it?

BF: I wasn’t expecting that sort of pushback at all. I realize Breitbart News is an alt right website no question there. But did I expect them to come out with an article defending Nazis from getting punched? I can safely say “No I did not.” I think it’s indicative of the negative influence trump has had on this nation. You can now come right out and defend Nazi opinions as worthwhile of consideration of something to be allowed into the town square of debate. That’s insane and what we’re doing here is, instead of turning the other way as they chant, we’re telling people to realize what is happening and to shut them down ASAP. We’re doing it in a comic book because that’s what we do best.

CW: I was very prepared for it. I’ve been arguing with the alt-right since Trump took office, whether it be online or in person, and I’ve been trying to get people to see that the world has gone mad. I’ve also taken crap from these people for standing up against other alt-right creators bringing their brand of insanity into comics publishers that I was going to work for, going so far as to quit a job or three because of it. I’m not going to stand around and do nothing. Carrying Tiki Torches into townsquares because Civil War monuments are being torn down doesn’t make the world seem like a normal place. Chanting Nazi mottos and burning swastikas do not make these people seem like “good people on both sides.” Charlottesville should have been a wakeup call for everyone, but looking at the Breitbart article and some of the other chatter seen on Twitter and elsewhere, I’m not surprised at all. We aren’t calling anyone a Nazi who doesn’t support the Nazi beliefs, but seeing Breitbart out and out defend Nazis and tell us we were the bad guys for being mean to Nazis just is the most absurd thing I’ve seen this year. They’re essentially self-identifying at that point, and it just has to make you laugh.

GP: Part of that crying was attempting to get Kickstarter to pull the project. Did you hear from the platform at all or get crapped on in other ways?

BF: Breitbart was able to get the SPLC to drop their support. Had SPLC done their support in the correct way, it may not have mattered. But because they had messed up their policy, they pulled support. In the end though, it helped. Breitbart attacking the comic allowed more people to take up arms in the form of buying our book. We’ll do something really cool with this money, we have no hard feelings toward the SPLC.

CW: Beyond the SPLC situation, we’ve heard nothing from Kickstarter and have just kept rolling along. The Breitbart article and the continued focus on our message helped push the Kickstarter into the stratosphere, going well above and beyond what most of us ever expected. There have also been alt-right supporter comic creators and fans who have railed against us on social media and attempted to start fights or arguments with us, but again, it just makes me laugh because then it feels like they’re self-identifying as Nazis and that’s a bigger problem for them.

GP: While the right-wing creators have seemed to have banded together in support and putting out material in hopes of triggering and owning others, this feels like the first we’ve seen that’s about punching Nazis and stopping the rise of right-wing ideology. We’ve seen a lot of anthologies in recent years on other issues, why do you think it’s taken so long for something like this to come about?

BF: I think a bit of complacency can be blamed. The right feels the America they have always known is disappearing, meaning the white dominated America. They feel threatened when they see minorities, women, LGBT, all gaining influence and a place of acceptance in America. So they suddenly feel “underserved” (I quote that from the Trump Space Force kickstarter) and organize in big ways around books that see the world the same way. On the left, we cheer when we see minorities better represented or when gay men and women gain the right to marry the people they love. We are on the right side of history here and we are the majority. So these types of projects are few and far between for us. For example, when Nazis rear their ugly heads, that’s a time when the left puts out an anthology like this and is on the offensive.

CW: There have been other liberal leaning comics anthologies that have come out, focusing on the world we live in now, but like Ben said, we don’t feel underserved as white men. I’m never afraid to see a woman or minority or LGBT person in a comic shop or working in comics, I champion it as much as I can and want comics to have a place and a space for everyone willing to share that space with others. If you’re a good person and you look out for others, people will join you. That’s a personal motto I have, the essential Do Good Things from My Name is Earl motto. Nazis deserve to be punched. Any man who wants to silence women creators and LGBT creators and minority creators because they think that doesn’t belong in comics…it just boggles the mind. They missed how much of an SJW Captain America and Superman have always been. They missed the social commentary of the X-men. They missed the entire point of comics and focused solely on the muscles and the punching. When this whole thing started and they attacked women editors for their tribute to Flo Steinberg, I knew that something had to be done. And I’m never going to shut up and sit back and let others take the heat for this.

GP:  Can you tell us a bit about some of the stories and comics that’ll be in the anthology?

CW: I have a story about a Luchador fighting Neo-Nazis at a wrestling match. There are superhero stories, there are how to guides on punching Nazis, there are stories that run the entire gamut of genres. A little bit of everything by some names you might not know yet but you will know soon. And there’s an incredible Hilary Barta pinup/back cover that we just added that makes me incredibly happy.

GP: The comic is completed and ready to go. How long have you all been working on this?

BF: Over a year. I sat on it for a while after it was completed and finally Jay Huwer told me he’d run the Kickstarter if I wanted. I’ve been burnt out for a while after a decade of regular comic book making, so doing a second Kickstarter (our first was last year’s Saturn & Orion Book One) sounded like hell. I’m glad Jay stepped in and made this thing happen.

CW: I wrote my story awhile back and moved on to continue fighting the fight and writing other stories, so probably about a year ago I wrote my story. Once the Kickstarter hit, we all jumped into the deep end to promote and push and get the book out there for people to see, which they have definitely seen in huge numbers.

GP: What made you all decide to go to Kickstarter as opposed to just selling it directly, selling digitally, or some other service?

CW: Kickstarter is a great way to crowdfund and get the book seen initially by a large audience. Which is has and which has helped us see the value in this moving forward.

GP: You’ve kept this Kickstarter pretty simple without add-ons and no real stretch goals (though you’ve including a sticker and print for printed copies). Was this always the plan? Did you ever consider doing add-ons?

BF: Not really. People suggested it, but simplicity was the key here, in my opinion.

CW: I pushed hard for add-ons and stretch goals, but I was wrong, and I’m willing to admit that. It’s more fun to just have the book, the art rewards, and then offer prints and stickers to everyone who supported us and helped us go higher and higher. Stretch goals could have meant added stories and pages, but there’s always the potential for another volume after this.

GP: Another thing that’s stuck out to me is that this is really focused on punching Nazis. You’re not using this to pitch your other projects in pledge levels. It feels like this project is a bit more personal in that way.

BF: It’s true, we rarely mention all the other books we’ve got going on. It doesn’t seem appropriate. I also think we’d open ourselves to accusations of not really being in this for a greater cause, which we are. More on this idea after the Kickstarter.

CW: I agree. I’m a shill most times, but my point while this was running was to stay as focused on this as I can without announcing other projects or saying “Hey go buy this book if you like this.” It’s not the nature of the Always Punch Nazis anthology.

GP: It feels weird asking this concerning the last question, but I always like to end interviews this way, beyond this, what else are you all working on?

BF:Well if you insist and since you asked, I have many Carriers books in progress along with a Pilot Studios Annual, a book called Doc Odyssey with Kurt Belcher and Stuart Berryhill. I’m drawing a new Son Chasers #1, based on a finished Son Chasers: Hitler’s America OGN we did a few years ago. A big story called Zion Wars from Jay Huwer, and a trade paperback of other Pilot Studios books that lead into ZW.

CW: I have so many cool things coming up it’s insane. I think we announced a volume 2 of Always Punch Nazis that we are in the early stages of working on. I have volume 2 of Solitary from Devil’s Due that is going through some finishing touches before we decide what method to take on it, I have a new series coming soon from Action Lab, I have a couple brand new things I just picked up writing wise over the last week or two that are in very early stages and can’t be announced, as well as various other pitches that are ongoing and getting closer to fruition. You will be seeing a lot of me soon.

GP: Thanks so much and can’t wait to get my copy of the comic (of course we’re backers)!

Clint McElroy Talks the Adventure Zone and Mind MGMT

Matt Kindt‘s Mind MGMT was a trippy comic series that begins as a journalist attempting to discover the truth and turns into a globe-trotting mystery series about espionage, super spies, and psychic abilities. Originally published by Dark Horse, Kindt has released a special limited edition one-shot and has returned via Kickstarter for an unusual spin.

Mind MGMT is returning as a stand-alone comic and a read-along 7″ vinyl record by Kindt and Clint McElroy.

Not only can you get a brand new comic but also a record to go along with it. There’s also new offerings like a Jack Chick-style tract formant mini-comic, a miniature painting, and even a set of four prints by Jeff Lemire, David Rubin, Jim Rugg, and amother surprise artist that will be revealed at the end of the Kickstarter.

In Mind MGMT, a former secret agent, the mysterious Henry Lyme, has gone rogue and is working to dismantle the organization he once worked for. There’s a mysterious airline flight and a secret government agency of super spies. This story spans from the 1920’s to the present day—and things get weird.

The new Mind MGMT comic book is a full color, 24 page comic with a gatefold in the back that will hold the record in place. The Mind MGMT 7″ 33 1/3 RPM record will be pressed by United Record Pressing, the company which printed the Beatles’ first 7″.

Joining Kindt is Clint McElroy, a voice actor and the writer of comic books including King of the USAand co-writer of The Adventure Zone: Here There Be Gerblins, who does all the voice acting for the audio track. Kindt and McElroy will be donating 10% of the profits to the Hispanic Federation, the nation’s premier Latino nonprofit membership organization which is aiding Puerto Rico recover from Hurricane Irma. Founded in 1990, Hispanic Federation seeks to support Hispanic families and strengthen Latino institutions through work in the areas of education, health, immigration, civic engagement, economic empowerment, and the environment.

With a little over two days to go for the Kickstarter, I got a chance to ask Clint McElroy some questions about Mind MGMT as well as The Adventure Zone!

Graphic Policy: I wanted to start by congratulating you on the release of The Adventure Zone: Here There Be Gerblins graphic novel, which is based off of the D&D and Fantasy podcast of the same name from yourself, and your sons, Griffin McElroy, Justin McElroy, and Travis McElroy.

With how successful My Brother, My Brother, and Me, and The Adventure Zone podcasts have been, it’s only natural that you advance the brands in other mediums. What about comic books and graphic novels attracted you guys?

Clint McElroy: I have been a comic book reader for more than half a century (as my two over-flowing storage buildings will prove). I think it is an extremely evocative form of story-telling that can involve a reader in a powerful way. I also like capes.

GP: Your character on the show and in the book is Merle Highchurch, a Dwarf Cleric. What were the inspirations behind coming up with this character?

CM: I played a lot of World of Warcraft and could always find groups needed healers, so I was drawn to the cleric. I chose Dwarf because I am 5’11 & 3/4” tall. I never quite made it to six feet, so I have height issues.

GP: What was it like working with artist Carey Piestch on the book?

CM: Carey is remarkable. She loves these characters even more than we do…(and some of them, she may love more).

GP: Did you play D&D before The Adventure Zone?

CM: It seems impossible to some people, but until I recorded that first episode with Justin, Travis, and Griffin, I had never picked up a 20-sided dice.

GP: Didn’t you meet Gary Gygax, the famed co-creator of D&D?

CM: I have a vague recollection, but to be fair I’m 62. I don’t remember what I had for breakfast this morning.

GP: What are some of your favorite comics, or heroes?

CM: I was crazy about the T.H.U.N.D.E.R. Agents from Tower Comics. Super-powered secret agents in costumes?! Drawn by Wally Wood, Gil Kane and Steve Ditko?! GET OUTTA TOWN!! It was the best. (So whoever has the rights: Let’s take a meeting!)

GP: Do you plan on doing more volumes of The Adventure Zone graphic novel based on the other campaigns you’ve done on the podcast?

CM: The Guys and I are working on the second graphic novel based on our second Balance Arc, Murder on the Rockport Limited.

GP: I’m a father of two young children. I would love to know, how does it feel to be able to spend so much time with your sons making comedy?

CM: With my hand up, it’s the best aspect of this whole thing. Not only do I get to hang out with them, and talk to them, but I get to CREATE things with them. I’m the luckiest bastiche on the planet.

GP: You’re also working on a Kickstarter version of the MIND MGMT comic by Matt Kindt which is accompanied by a read along 7” vinyl record where you will be providing the narration. What was it like working on the project?

CM: The Mind MGMT project was MIND-blowing (see what I did there?) I am a fairly rabid Matt Kindt fan, and couldn’t wait to record this. Then I started doing it and got so caught up in Matt’s story, I actually would get thrown off the rails. I would have to back up and right myself, trying not to be so engaged in the story as a reader that I stopped being a performer. It’s that good. I must have done okay because he didn’t fire me.

GP: Thank you for your time, Clint! I look forward to many more of your adventures.

YouNeek Studios’ Malika Gets Animated with a Teaser and Kickstarter

Malika is here! STOP EVERYTHING you’re doing and watch this amazing, 2-minute animated teaser trailer! YouNeek Studios is bringing their hit comic book series to animation and needs your help on Kickstarter. They’re hoping to make this into a full animated series.

The animated was 100% done in Nigeria and part of the goal is to raise awareness of the growing animation and comic book idustries in Africa and the talent that call the continent home.

Review: Six Figure Crowdfunding: The No Bullsh*t Guide to Running a Life-Changing Campaign

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got a book from BOOM! Studios to help guide you through the world of crowdfunding.

Six Figure Crowdfunding: The No Bullsh*t Guide to Running a Life-Changing Campaign is by Derek Miller with Noelle Pugh and illustrations by Joy Ho.

Get your copy in comic shops today and book stores July 24th. To find a comic shop near you, visit or call 1-888-comicbook or digitally and online with the links below.



BOOM! Studios provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Matt Kindt’s Mind MGMT Returns as an Original Read-Along Comic Book

Matt Kindt‘s Mind MGMT was a trippy comic series that begins as a journalist attempting to discover the truth and turns into a globe-trotting mystery series about espionage, super spies, and psychic abilities. Originally published by Dark Horse, Kindt has released a special limited edition one-shot and is now heading to Kickstarter for an unusual spin.

Mind MGMT is returning as a stand-alone comic and a read-along 7″ vinyl record by Kindt and Clint McElroy.

In Mind MGMT, a former secret agent, the mysterious Henry Lyme, has gone rogue and is working to dismantle the organization he once worked for. There’s a mysterious airline flight and a secret government agency of super spies. This story spans from the 1920’s to the present day—and things get weird.

The new Mind MGMT comic book is a full color, 24 page comic with a gatefold in the back that will hold the record in place. The Mind MGMT 7″ 33 1/3 RPM record will be pressed by United Record Pressing, the company which printed the Beatles’ first 7″.

Joining Kindt is Clint McElroy, a voice actor and the writer of comic books including King of the USA and co-writer of The Adventure Zone: Here There Be Gerblins, who does all the voice acting for the audio track. Kindt and McElroy will be donating 10% of the profits to the Hispanic Federation, the nation’s premier Latino nonprofit membership organization which is aiding Puerto Rico recover from Hurricane Irma. Founded in 1990, Hispanic Federation seeks to support Hispanic families and strengthen Latino institutions through work in the areas of education, health, immigration, civic engagement, economic empowerment, and the environment.

The project is live as of July 10th and runs for 30 days.

It’s Alive! Will Publish Doug Moench’s Aztec Ace: The Complete Collection. Back it on Kickstarter

IDW Publishing’s It’s Alive! imprint has announced plans to publish the first-ever collection of the time-traveling Indy cult comic book hit from the 1980s, Aztec Ace! In support of the project, It’s Alive has launched a Kickstarter crowdfunding campaign, which can be found at:

Aztec Ace: The Complete Collection will be a 500+ page, action-packed, intellectual, time-travel adventure starring a citizen of the original Aztec Empire named Caza (AKA Ace). Traveling between the ancient world and the 23rd century, Ace – along with his pupil Bridget Chronopolis and his navigator, the floating disembodied head of Sigmund Freud – struggles to save his own dimension from time paradoxes created by his enemy, the mysterious Nine-Crocodile.

Aztec Ace was originally created and written by legendary Batman scribe and Moon Knight creator Doug Moench, edited by Cat Yronwode, and illustrated by a host of talented artists including Dan Day, Michael Hernandez, Ron Harris, and Thomas Yeates.

This collection will mark the first time the original issues of Aztec Ace have seen print in any form since their original publication in 1984 by Eclipse Comics. This project also marks It’s Alive! publisher Drew Ford’s return to large-format, all-encompassing collections, such as The Puma Blues by Stephen Murphy and Michael Zulli, and U.S.S. Stevens: The Collected Stories by Sam Glanzman, both Eisner Award nominees. Ford has launched a Kickstarter campaign to cover the costs of development, which include a new foreword, intro, and cover, plus the digital scans and restoration of all 15 original issues.

To help meet the funding goals (and stretch goals), the Kickstarter will be offering exclusive, one-of-a-kind Aztec Ace sketches from some of the top talents in comics today! Superstar artists including Bill Sienkiewicz, Paul Pope, Jeff Lemire, Michael Avon Oeming, Kelley Jones, Joe Staton, and more have already created Aztec Acesketches, which will become available for purchase at different times during the campaign!

Stretch Goals include a cover gallery of all original 15 covers from the series, a sketch gallery of all the one-of-a-kind Aztec Ace sketches, an Aztec Ace short story written by Doug Moench and illustrated by Tim Sale, and the publication of a never-before-seen 52-page Aztec Acescript by Doug Moench.

The campaign also offers Early Bird Specials on PDFs, books, t-shirts, and even original pages of Aztec Ace art by Dan Day! These Specials will only be available until June 6th!

The Fourth Volume of Silver Comes to Kickstarter

Stephan Franck has worked on some of the most beloved animated films of all time, including The Iron Giant, How to Train Your Dragon, and Despicable Me —and his passion for storytelling extends from the silver screen to comic books and graphic novels. Over the course of the last four years, Franck has been writing, illustrating and self publishing Silver, a globe-trotting graphic novel series that mashes up the world of Bram Stoker’s classic novel Dracula with action, adventure, humor, pulp storytelling and modern sensibilities. Told over the course of 4 volumes (and a stand alone novella), Franck has created an unforgettable cast and a compelling caper that picks up 30 years after Professor Abraham Van Helsing visited Dracula’s castle. Now Van Helsing’s descendent, the mysterious vampire hunter Rosalyn, is teaming up with a ragtag group of con men for a high stakes heist to rob Europe’s richest vampires. Will they succeed, and live off their take from this one last job? All will be revealed in the fourth and final volume of Silver, which Franck and his company Dark Planet Comics are funding via a Kickstarter campaign.

In Silver, a group of criminals discover the late Jonathan Harker’s secret ledger, which discloses the existence of an exotic treasure of silver hidden in Dracula’s castle. Finnigan, the group’s leader, knows a retirement plan when he sees it, so he’s willing to do whatever it takes to pull off the biggest heist of the last ten centuries—even if that means allying himself with the mysterious, sword-wielding vampire hunter Sledge, aka Rosalind Van Helsing.

Fans who back the new Kickstarter can get digital editions, all four trade paperbacks individually, a signed slipcase featuring forall four trade paperbacks, the acclaimed novella Rosalynd, an audiobook of Rosalynd and limited edition prints by or done in collaboration with three incredible artists: Marvel comics and Kickstarter sensation Takeshi Miyazawa, animator and bandes dessinées artist Rodolphe Guenoden, and superstar illustrator Mel Milton.

The Kickstarter runs until June 28th and the volume is slated for release October 2018.

Take a Trip to Elk Mountain with a New Kickstarter Exploring Superheroes and the Communities they Defend

Elk Mountain explores the relationship between heroes and the communities they defend. What are the realistic expectations of these heroes? Can we expect them to be everywhere and save everyone? Is it smart to put so much faith in one individual, no matter how powerful they are?

And what are the responsibilities of a community to it’s hero? How much is it on them to be accountable for what goes on where they live?

Elk Mountain also looks at how the current climate of fear can break apart a community in an instant. Fear of the other can turn long time neighbors against each other, and it’s happening right now with immigrants and non-immigrants. People who have lived and worked here peacefully for years are being forcibly removed from their homes and jobs.

A Kickstarter campaign is running now with a goal of $9,000. Money from the Kickstarter is going to paying the creative team as well as printing the books, rewards, and shipping. Rewards include not just the comic but also tutorials from the team, enamel pins, and your chance to be drawn in the comic.

The comic series is written by Jordan Clark whose work has appeared in Bitch Planet Triple Feature #2 as well as his own published work Duality and Kane Maverick. Art is provided by Vince Underwood who is the writer/artist for the self published Page Turn and has provided covers for Clark’s Hive Mind and Kane Maverick. Brittany Peer is the colorist who has worked on such series as Misfit City, Slam, Dodge City, TMNTU, Jem & The Holograms. Hassan Otsmane-Elhaou has lettered for books like Short Order Cooks and Stain the Seas Scarlet. He’s also doing letters for the upcoming Image book Shanghai Red.

You can get a digital copy for just $3 and the campaign runs until June 11th.

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