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Review: Stray Dogs: Dog Days #2

Stray Dogs: Dog Days #2

Stray Dogs has been an emotional read since the very first issue. It’s fitting that it ends on equal terms, with an emphasis on moving beyond trauma to find some kind of closure. The individual dog stories in “Dog Days” (the two-issue follow-up to the main series) achieves this while also combining for a sensible conclusion that lays every emotion imaginable out in the open with an invitation to feel each one.

Dog Days #2, which continues in the same short story format of the first entry, centers on several of the main story’s dogs to get at their origin stories and how they related to their human companions, the ones taken by their serial killer master. Creators Tony Fleecs and Trish Forstner change it up with stories about victims that initially get away from the main story’s serial killer thanks to their protective dogs and stories focused on memorial services for those who were unfortunate enough to cross paths with the killer.

This issue plays out like an emotional reckoning that brings in the ugliness of the story to the forefront with the intention of accentuating the ripple effects of evil actions and how they all stem from the egotistical desires of twisted individual. What’s impressive is how each segment in the book wrestles with those ideas.

Fleecs and Forstner allow each dog to represent themes such as confusion, anger, acceptance, and mourning during their stories to make sure the overarching narrative closes with an understanding that violence leads to messy endings and that navigating them is never meant to be an easy or clearly defined process.

Stray Dogs: Dog Days #2
Stray Dogs: Dog Days #2, variant cover by Manu Silva

As has been the case with the entire series, the art style continues to be an exercise in contrasts where the dark subject matter collides with Disney-like cartoon visuals to produce a harder-hitting storytelling experience. The same strategy that’s worked before is still intact and continues to work just as well. Forstner has shown complete mastery of the cartoon style and has done a remarkable job adapting it to a type of story that is not usually associated with it.

Fleecs’ script also stays true to form, unafraid to venture into heart-breaking territory without beating you over the head with it. Dog Days #1 already tugged on the heart strings enough, so it was refreshing to see Fleecs take a step back to explore other possibilities, as was the case of one the dog’s successful attempt at scaring the killer away during a kidnapping attempt. It helps to develop the dogs beyond just being victims of the killer’s design and it puts the animal characters under a different light.

Fleecs and Forstner make a formidable creative team and I hope to see more of their work together. Stray Dogs is so good I wish there was a way to extend our stay in its world. There might be a chance of it if they try for an American Horror Story kind of anthology format in which a different horror scenario plays out with different animals and settings. It might open the door for a Stray Cats series in the future, hopefully. For now, though, we have Stray Dogs, and I’ll be rereading it several times more before I’m done with it. You should too.

Story: Tony Fleecs Art: Trish Forstner Colors: Brad Simpson
Story: 10 Art: 10 Overall: 10
Recommendation: Buy, read, reread, and then adopt a dog. They can scare away serial killers.

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

The Best Comics of 2021

2021 was another strange year for the comic industry which saw a lot of changes in almost too many ways to count.

But, despite all of those changes, there were some amazing comics released.

Here’s 10 that stood out to me from the year.

The full list of everything that stood out from the year!

Graphic Policy’s team’s “best of” lists!

The 10 from the video:

Blue, Barry & Pancakes (First Second)
Story/Art: Daniel Rajai Abdo, Jason Linwood Patterson

Glamorella’s Daughter (Literati Press)
Concept: Jerry Bennett Story: Charles J. Martin
Art: Jerry Bennett Letterer: Charles J. Martin Sensitivity Editor: Brandy Williams

BRZRKR (BOOM! Studios)
Story: Keanu Reeves, Matt Kindt Art: Ron Garney
Color: Bill Crabtree Letterer: Clem Robins

Did You Hear What Eddie Gein Done? (Albatross Funnybooks)
Story: Harold Schechter, Eric Powell Art: Eric Powell

The Other History of the DC Universe (DC Comics)
Story: John Ridley Layouts: Giuseppe Camuncoli
Finishes: Andrea Cucchi Color: José Villarrubia Letterer: Steve Wands

Robin & Batman (DC Comics)
Story: Jeff Lemire Art: Dustin Nguyen
Color: Dustin Nguyen Letterer: Steve Wands

The Recount (Scout Comics)
Story: Jonathan Hedrick Art: Joe Bocardo
Color: Sunil Ghagre Letterer: Christian Docolomansky

Shadow Doctor (AfterShock)
Story: Peter Calloway Art: George Jeanty
Color: Juancho! Letterer/Backmatter: Charles Pritchett

Solo Leveling (Yen Press)
Original Story: Chugong Translation: Hye Young Im
Rewrite: J. Torres Letterer: Abigail Blackman

Stray Dogs (Image Comics)
Story: Tony Fleecs Art: Trish Forstner
Color: Brad Simpson Layouts: Tone Rodrigeuz, Chris Burnham Flatter: Lauren Perry

Brett’s Favorite Comics of 2021 and a Reflection on the Past Year

The Recount #1

Much like 2021, It feels weird writing a “best of” list for the past year since it’s been so difficult for so many. Comics, and entertainment as a whole, continued to be an escape from the rough reality of the year that was. Things struggled to get back to normal, whether you think it was too soon or not.

Comics have been an escape for me as I myself remained holed up at home, forgoing movie theaters and generally the public as a whole.

To pick one that stood out above all the rest doesn’t quite feel right as there was so much that was fun and entertaining.

The comic industry continued to shift in massive ways as creators figured out new ways to become independent or were lured by the promise of big paydays by venture capital. Publishers got bought out and some struggled to stay open. Stores opened. Stores closed. Distribution continues to shift. The industry continues to be disrupted in many ways. Some ways for the better. Some for the worse.

Things shifted for everyone.

Publishers canceled projects, shifted schedules, and continued to look to go directly to the consumer. Publishers faced distribution issues as ports backedd up and printing issues as paper became scarce. Creators looked for new ways to earn money and also go directly to the consumer. Consumers had more choices than ever before that made it easier to escape the world burning around them and find enjoyment in make-believe worlds where justice prevails in the end.

In the end, though 2021 continued to look bleak, it left the comic industry as a whole stronger than ever before with many challenges ahead and many answers yet to come.

It feels weird doing this “best of” but at the same time I feel like I want to “honor” and spotlight the comics that got me through the year and had me excited to read the next issues. This is what I’ve read so if you don’t see something mentioned it’s not that I didn’t enjoy it, I just might not have read it. Sorry, I can’t read everything (there was a massive glut in webcomics but more manga for me).

All of these are listed in no particular order (hell it’ll probably just be in alphabetical). Enough with the rambling… lets get on with some comics!

The comics that had me excited in 2021 and have me excited for 2022. It turns out maybe I enjoy horror more than I know?

  • Barbaric (Vault Comics) – The series caught me off guard with a classic fantasy barbarian story with a twist. I don’t want to go into it too much but if you haven’t read this one, definitely check it out. I can’t wait for more to come.
  • Black Panther (Marvel) – John Ridley taking over Black Panther, nuff said. The series has grounded the character in political paranoia and assassination attempts on undercover agents.
  • Blue, Barry & Pancakes (First Second) – I’ve been loving the releases focused on kids and this series about a trio of friends is one I enjoy reading each release over and over with my daughter. They’re goofy fun.
  • BRZRKR (BOOM! Studios) – I’ll admit I went into this series rolling my eyes as it felt like a pitch for a movie/television series for Keanu Reeves. But, while the series has a lot of action its focus on its main character of B and what makes him tick has been a welcome surprise. It’s surprisingly deep and more about the character than the action.
  • Dark Ages (Marvel) – In a year with so many “alternate takes” on classic characters this one of a world where technology is nerfed and the heroes and villains must bring it together is an interesting one. Here’s hoping we get more of these stand-alone miniseries from Marvel as this works so well.
  • DC vs. Vampires (DC Comics) – The premise of vampires rising up and attacking the DC Universe sounds simple enough. But, the series so far has eschewed simple fights instead going for paranoia where you don’t know who is a vampire and who will get killed.
  • Did You Hear What Eddie Gein Done? (Albatross Funnybooks) – The true story about Eddie Gein is haunting with art that walks the line of crossing over to gross out levels.
  • Fear State (DC Comics) – I wasn’t the biggest fan of the start of James Tynion IV’s run on Batman but when “Fear State” got rolling things quickly shifted. The story was intense and did an amazing job of folding in “Future State” as well. Speaking of which…
  • Fist of the North Star (VIZ Media) – The classic manga is back and being reprinted in beautiful hardback versions as part of VIZ Signature. Yeah, it’s martial arts Mad Max but it’s so good.
  • Future State (DC Comics) – A two-month event that took us to a possible future DC, the comics were mostly great with the glimpses of the future being used when the series returned. It was a great use of an event to breathe new life into a line and drive the narrative for months to come.
  • Glamorella’s Daughter (Literati Press) – A fun series about the daughter of the world’s superhero that has such a great sense of itself with great humor and fun characters.
  • Impossible Jones (Scout Comics) – A blast in every way introducing us to a new world of superheroes and villains and leaves us wanting more.
  • Karate Survivor in Another World (Seven Seas) – In a year that felt like every other manga was about someone getting killed and reincarnated in another world with some hook, this one stood out. With a grounded premise, the story is about Nozaki Hitoshi who is sent to another world where his only skill is karate. But, there’s a twist that’s teased out and works so well.
  • Kraken Me Up (Holiday House Publishing) – In a year where I read lots of comics geared towards kids I loved the art in this one and it had such a cute story about a pet Kraken and the girl who loved it.
  • Maniac of New York (AfterShock) – I’m not a fan of horror films but this take on the slasher genre had me hooked as it felt like an homage to the genre and something all its own.
  • The Other History of the DC Universe (DC Comics) – John Ridley delivers a blunt history lesson about DC from the perspective of characters who rarely get the spotlight. Amazing art added to the enjoyment in what felt like a college course in comics.
  • Robin & Batman (DC Comics) – Dick Grayson’s early years as Robin is explored with beautiful artwork.
  • The Recount (Scout Comics) – Talk about a series that was too close to home. The series focused on a nation split due to a corrupt government and an uprising after the assassination of the President. Coming out around January 6 made the first issue hit even more.
  • Serial (Abstract Studio) – The series has gotten better and better with every issue with a serial killer at the center of it all. It’s really done an amazing job of serialized storytelling and has my on the edge of my seat more and more to see what happens next.
  • Shadow Doctor (AfterShock) – The true story about a African American Doctor who can’t get money to open a practice and has to turn to Al Capone for funding. The story is just a great mob story but the fact it’s true makes it all the more amazing.
  • Solo Leveling (Yen Press) – 2021 saw me getting more into manga and manhwa and this series saw three volumes released. It’s about a world where dungeon crawling is an actual profession and the world’s worst, who actually has something a bit special about him. It’s just a great mix of comics and video game nostalgia with solid art.
  • Stray Dogs (Image Comics) – The miniseries was a murder mystery from the perspective of dogs. Did their master kill their former owners? Will the dogs make it to safety? Mix in amazing art and this was a miniseries that had everyone talking.
  • Task Force Z (DC Comics) – Red Hood has to lead zombie versions of Batman villains in a Suicide Squad like team. The concept is silly but works so well with a focus on the ethical aspect of it all and an amazing team dynamic. Mr. Bloom? Really!?
  • Timeless #1 (Marvel) – When it comes to end of year one-shots, Timeless is the best Marvel has put out. Its focus on a character and a real focus on him as a person. There’s some solid teases of what’s to come but it’s the story of Kang front and center that’s the real draw. It might be a tease of what’s to come but beside that, it’s a good one-shot anyway.
  • Warhammer 40,000: Marneus Calgar (Marvel) – The series shook up the character’s history in major ways and as a fan of Warhammer 40K I was all into it. It definitely pissed off “fans”, so bonus?
  • We Live (AfterShock) – The series has been an amazing apocalyptic adventure as kids attempt to make it to get to a ship to get off the planet. The series was a gut punch over and over and had me in tears.
  • Wonder Woman Historia: The Amazons #1 (DC Comics) – We just got one issue from Kelly Sue Deconnick and Phil Jimenez but this look at the history of the Amazons is amazing. The art was jaw dropping with the only flaw being the pages having a middle seam.
  • Yasmeen (Scout Comics) – The comic series about horrible events in Iraq and a young girl’s experience was an emotional punch with every issue. It shows the power of comics.

Review: Stray Dogs: Dog Days #1

Stray Dogs: Dog Days

Tony Fleecs and Trish Forstner’s Stray Dogs not only stands as one of the best horror comics of the year, but also one of its most emotional. Forstner’s Disney-inspired illustrations and Fleecs’ clever scripting choices helped craft a story about a pack of dogs living with a serial killer who brings back the pets of those he kills with a very delicate sensibility that values character development over gratuitous suffering.

The trend continues with the newest chapter of the series titled Stray Dogs: Dog Days, which looks at each individual dog’s story to explore their connection with their owners and what was lost when the serial killer took them away. There’s not a single page that won’t make you want to burst in tears, but there’s also not a page that isn’t treated with the care it deserves to get the most out of it.

Dog Days is presented in a kind of anthology format, which each segment getting a few pages of story before moving on to the next one. The chapter breaks are particularly clever. They show the “Missing Dog” poster with a picture of the dog accompanied by a few bits of info on their temperament and how best to approach them if you see them.

The concept isn’t just clever, though. It’s a part of the storytelling and speaks volumes about the dogs’ current status, especially when you remember they’re actually living with the man that killed their human companions.

Stray Dogs: Dog Days

While the stories all share a deep sadness between them, there also some truly frightening details that magnify the serial killer’s presence. One in particular finds its horror in a dog trying to barter with another dog for a ball he wants to play with. What he offers in return is chilling and downright unsettling. And yet, the dogs don’t fully grasp the gravity of what’s being exchanged, playing into their unique perspective on life and how naturally innocent they are in their view of it.

The Disney-inspired style retains its power here and is still effective in subverting genre conventions. The contrast between it and the subject matter itself is a thing to behold and may even help the story hit harder. Where the visuals to change entirely, Stray Dogs would become a completely different book and reading experience.

Dog Days #1 signals a return to darkness for the pups of the main story. The segments included in this story aren’t there to be crowd pleasers or alleviate the sadness. That said, the bond the dogs create within the pack is still given its time to shine and points to the light these animals bring to life even when it’s at its most terrifying. I can’t wait for issue #2, even though I dread knowing what each dog went through once the killer steps into their lives. Despite that, Stray Dogs is still a world I want to spend more time in.

Story: Tony Fleecs Art: Trish Forstner Colors: Brad Simpson
Art: 10 Story: 10 Overall: 10
Recommendation: Buy, read, and hug your dog…and also maybe invest in home security (just in case).

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

Early Review: Stray Dogs: Dog Days #1

Stray Dogs: Dog Days

Tony Fleecs and Trish Forstner’s Stray Dogs not only stands as one of the best horror comics of the year, but also one of its most emotional. Forstner’s Disney-inspired illustrations and Fleecs’ clever scripting choices helped craft a story about a pack of dogs living with a serial killer who brings back the pets of those he kills with a very delicate sensibility that values character development over gratuitous suffering.

The trend continues with the newest chapter of the series titled Stray Dogs: Dog Days, which looks at each individual dog’s story to explore their connection with their owners and what was lost when the serial killer took them away. There’s not a single page that won’t make you want to burst in tears, but there’s also not a page that isn’t treated with the care it deserves to get the most out of it.

Dog Days is presented in a kind of anthology format, which each segment getting a few pages of story before moving on to the next one. The chapter breaks are particularly clever. They show the “Missing Dog” poster with a picture of the dog accompanied by a few bits of info on their temperament and how best to approach them if you see them.

The concept isn’t just clever, though. It’s a part of the storytelling and speaks volumes about the dogs’ current status, especially when you remember they’re actually living with the man that killed their human companions.

Stray Dogs: Dog Days

While the stories all share a deep sadness between them, there also some truly frightening details that magnify the serial killer’s presence. One in particular finds its horror in a dog trying to barter with another dog for a ball he wants to play with. What he offers in return is chilling and downright unsettling. And yet, the dogs don’t fully grasp the gravity of what’s being exchanged, playing into their unique perspective on life and how naturally innocent they are in their view of it.

The Disney-inspired style retains its power here and is still effective in subverting genre conventions. The contrast between it and the subject matter itself is a thing to behold and may even help the story hit harder. Where the visuals to change entirely, Stray Dogs would become a completely different book and reading experience.

Dog Days #1 signals a return to darkness for the pups of the main story. The segments included in this story aren’t there to be crowd pleasers or alleviate the sadness. That said, the bond the dogs create within the pack is still given its time to shine and points to the light these animals bring to life even when it’s at its most terrifying. I can’t wait for issue #2, even though I dread knowing what each dog went through once the killer steps into their lives. Despite that, Stray Dogs is still a world I want to spend more time in.

Story: Tony Fleecs Art: Trish Forstner Colors: Brad Simpson
Art: 10 Story: 10 Overall: 10
Recommendation: Buy, read, and hug your dog…and also maybe invest in home security (just in case).

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

It’s Dog Days for Stray Dogs in December

Breakout hit series Stray Dogs by Tony Fleecs and Trish Forstner is back with a new spinoff, Dog Days. This upcoming two issue miniseries will launch in December from Image Comics

A series of vicious short stories howling straight out of the pages of Stray Dogs, 2021’s surprise cartoon/horror smash hit! In Dog Days, each stray will get their moment to shine—questions will be answered, mysteries will be solved, and old wounds will be torn open. Starting this December… every dog has its day.

Stray Dogs: Dog Days #1 Cover A (Diamond Code OCT210051) and Stray Dogs: Dog Days #1 Cover B Horror movie homage variant (Diamond Code OCT210052) will be available at comic book shops on Wednesday, December 29.

Graphic Policy’s Top Comic Picks this Week!

Primordial #1

Wednesdays (and now Tuesdays) are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this week.

Batman ’89 #2 (DC Comics) – It’s been fun going back to the “film universe” of Batman and we want to see where it goes, especially with what has been hinted at.

Batman: The World (DC Comics) – Batman stories from creative teams from around the world in a new anthology.

Black Widow #11 (Marvel) – This series has delivered with every issue. It mixes great action, with real emotion, and the sexiness this sort of “spy” story can deliver. It’s just perfect entertainment.

Campisi #2 (AfterShock) – The mob vs. dragon. That’s all you really need to know about this one.

Eternals: Thanos Rises #1 (Marvel) – The Eternals have been shaken up in their own series delivering a story that makes them “A” level in the Marvel Universe. What this spin-off brings to the table has us intrigued.

Hellboy & the BPRD 1957 Family Ties (Dark Horse) – Hellboy is always fun. This one-shot focuses on an unwanted house guest that Hellboy and BPRD agent Susan Xiang need to take care of.

I Am Batman #1 (DC Comics) – John Ridley has been delivering an interesting take on the next Batman with a story that features a lot of emotion and depth.

Kang the Conqueror #2 (Marvel) – The first issue did a solid job of streamlining the character’s convoluted history. We’re excited to see where this second issue goes as a young Kang begins to confront his different versions in a twisted version of “this is your life”.

MAW #1 (BOOM! Studios) – What happens when one woman becomes the real monster society has always made her out to be? That alone has us intrigued to read this one.

Nobody’s Child #1 (Behemoth Comics) – Albino rhinos have a genetic code that holds the properties to regenerate man. This leads to their near extinction. This is the story of a boy who decides to dedicate his life to protecting this rhino.

Primordial #1 (Image Comics) – Jeff Lemire and Andrea Sorrentino launch this new series about some of the animal test subjects during the early years of the space program. The animals never came back… they were taken and all of these years later, they’re coming home.

Stray Dogs (Image Comics) – If you missed this series as individual issues, you need to get the trade. It’s a murder mystery from the perspective of the dogs that might have witnessed it. Amazing art and full of tension.

Unearthed: A Jessica Cruz Story (DC Comics) – A new take on Jessica Cruz’s origin story. We’re fans of the character and interested in seeing what new ideas can be done with her.

Warhammer 40,000: Sisters of Battle #2 (Marvel) – The first issue was a good introduction to this faction and the world delivering solid art and action. Individuals who enjoy a straightforward “space marine kills alien” type story should check this out.

X-Men: Trial of Magneto #2 (Marvel) – The debut was full of emotion as the attempt to figure out who killed the Scarlet Witch began. But, we’re expecting a lot of twists and turns before this one is over.

Tony Fleecs and Trish Forstner Brings Stray Dogs to Dynamite Variants

We’ve seen crossovers from publishers when it comes to comics but have we seen one that’s just variant covers Dynamite has revealed that artists Tony Fleecs and Trish Forstner will create a trio of exciting covers matching Dynamite’s biggest characters with dogs! The covers will be found on Red Sonja #2Army of Darkness: 1979 #2, and Vampirella #25. The dogs are a riff on the duo’s popular series Stray Dogs published through Image Comics.

Stray Dogs has been a huge hit, with the first issue going up to a whopping five printings to meet demand from retailers and a rabid fanbase. Now they’re bringing that energy to Dynamite’s hits.

Part of the fun of Stray Dogs has been many of the variants paying homage to classic horror films, as it bills itself as a unique take on Lady and the Tramp meets Silence of the Lambs. Or the alternate comparison of The Secret Life of Pets meets Seven, as coined by Brian Michael Bendis. That inventive crossover style and Fleecs’ and Forstner’s beloved artistic portrayal of man’s best friend lead to a left field, but brilliant idea.

Stray Dogs meets the Dynamite Universe in an exciting totally unofficial crossover!

Every Issue of Stray Dogs is Getting a New Printing

Image Comics has announced that every issue of the wildly popular Stray Dogs by Tony Fleecs and Trish Forstner will be rushed back to print—for the final time—to alleviate the untamed reorder activity on the series.

In this suspenseful miniseries, readers meet Sophie, a dog who can’t remember what happened. She doesn’t know how she ended up in this house. She doesn’t recognize any of these other dogs. She knows something terrible happened, but she just…can’t…recall…Wait! Where’s her lady? Now Sophie has to figure out where she is, what’s happening, and how she’s going to survive this. They say there’s no such thing as a bad dog—just bad owners. 

Stray Dogs is a five-issue, Don Bluth-style mystery/horror miniseries best described as Lady and the Tramp meets Silence of the Lambs.

The Stray Dogs #1-5 final reprints will be available at comic book shops on Wednesday, August 4:

  • Stray Dogs #1 fifth printing, Cover A – MAY219398
  • Stray Dogs #1 fifth printing, Cover B blank – MAY219399
  • Stray Dogs #2 fourth printing – MAY219400
  • Stray Dogs #3 fourth printing – MAY219401
  • Stray Dogs #4 fourth printing – MAY219402
  • Stray Dogs #5 second printing, Cover A – MAY219403
  • Stray Dogs #5 second printing, Cover B 1:10 copy incentive – MAY219404
Stray Dogs #2 fourth printing

Review: Stray Dogs #5

Stray Dogs #5

I love how Stray Dogs #5 wraps up the comic series but at the same time, I’m not sure I love the issue as a whole. It’s an issue that’s full of action, tense moments, and sadness. But, it also feels a bit “short” and too much of a quick read. The contents of Stray Dogs #5 feels like it’d have been fine in an extended fourth issue than merits an issue on its own. But, it also means the series will likely be a fantastic read once it’s collected.

With a story by Tony Fleecs, the dogs know the truth and the Master is clearly a murderer. They need to escape or they’ll likely meet a deadly fate as well. This means they have two options to fight and to flee. What Fleecs does with this issue is fantastic. It’d be so easy to turn this final issue into a “Home Alone” like battle with the dogs tripping master or setting up obstacles so they can get away. Instead, Fleecs keeps it all grounded. They run and they fight. No tricks, only panicked attempts to escape. It also delivers a sadness to it all in the fact that they’re dogs. They’re boxed in by fast moving cars they don’t know what to do with and have to face a world they don’t know at all.

A lot of that emotion is delivered in the art by Trish Forstner with colors by Brad Simpson. Featuring layouts by Tone Rodriguez and Chris Burnham and work by flatter Lauren Perry, the art continues its amazing Don Bluth-like style. The look and colors creates a sweetness about the dogs it’s hard to not feel bad for them. Their fear and panic ooze off the page. There’s also an interesting bit of reserved quality about the finale. It’d be easy to have gone over the top in the blood and gore. Instead, what’s shown is minimal emphasizing the aspect just enough to make it clear where things stand.

Stray Dogs #5 is a solid ending to the series. It wraps things up nicely with an emotional rollercoaster that at times tugs at heartstrings. But, the issue doesn’t quite stand on its own. It feels like returning to a film “after the break” and in ways is a little unsatisfying as a stand alone issue. Yes, it’s part of a single story but it’s a single story broken up in issues and in this case the issue itself feels a little thin. But, it works so well as part of the whole. If you haven’t read the single issues, it’s a story that sticks the landing and will be a collection that’s well worth picking up when released.

Story: Tony Fleecs Art: Trish Forstner
Color: Brad Simpson Layouts: Tone Rodrigeuz, Chris Burnham Flatter: Lauren Perry
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

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