Tag Archives: laurence fishburne

Fantastic Flops: Fantastic Four: Rise of the Silver Surfer is an undercooked mockery of some epic source material

Fantastic Four: Rise of the Silver Surfer

Even though the Fantastic Four comics kickstarted the creation of the Marvel Universe, their film adaptations have been critically maligned. In the “Fantastic Flops” series, I’m going back and re-evaluating the four previous Fantastic Four films and seeing if they’re a “Flop”, “Bop”, or “In-Between”.

Fantastic Four (2005) did okay at the box office so 20th Century Fox decided to run it back with director Tim Story, co-writer Mark Frost, and the whole cast from the first film, including Julian McMahon as Dr. Doom and Kerry Washington as Alicia Masters. Frost is joined by Simpsons and My Super Ex-Girlfriend writer Don Payne and John Turman, who worked on Ang Lee’s Hulk. In the second and final film in this franchise, they attempt to adapt the iconic Stan Lee and Jack Kirby stories “The Wedding of Sue and Reed” and “The Galactus Trilogy” while also being influenced by the more recently published Ultimate Galactus Trilogy by Warren Ellis and various artists. This latter comic is why Galactus is a mute, amorphous cloud and not the godlike being he’s depicted as in the 616 Marvel Universe. Throw in a subplot where Johnny Storm (Chris Evans) becomes the Super-Skrull plus an appearance of future Herald of Galactus/Nova Frankie Raye (An unamused Beau Garrett), and it seems like Fantastic Four: Rise of the Silver Surfer took some big swings across the board, especially for a movie with a 90 minute run time. However, it’s all strikeouts except for a few funny moments, a cool design for the Silver Surfer (Motion capture by Doug Jones ; voice by Laurence Fishburne), and Ioan Gruffudd finding his backbone in a badass monologue directed at General Hager (Andre Braugher in a thankless role) and taken almost word for word from Ellis’ Ultimate Extinction where Mr. Fantastic uses it to call out Nick Fury.

The initial setup of Fantastic Four: Rise of the Silver Surfer does have some merit. Reed Richards and Sue Storm (Jessica Alba) want to get married, but the world is about to end so they don’t live happily ever after. However, their relationship is built on “Men are from Mars, women are from Venus” stereotypes as all the “will they, won’t they” tension from the first film is gone, and they’re the default couple in this one. In addition to the weakness of this key romance, the characters’ individual motivations are wonky, and their arcs are non-existent. Of course, Johnny Storm wants to be a rich, famous celebrity, and Reed Richards wants to do science, which consists of him fiddling with things that look like Game Boys and Xbox controllers and staring at screens. (We’re one year away from Iron Man, and science looking cool again.) However, Sue Storm just wants to be a trad wife even though she was a genetics researcher in the previous film and shows skills as a mediator and leader in being the first person on Earth to actually have a conversation with the Silver Surfer. There’s also Ben Grimm (Michael Chiklis) who is in a stable relationship with Alicia, and his monstrous nature is played for laughs. He also doesn’t get a lot to do in the action sequences with Human Torch (Thanks to special molecular shifting abilities given to him by the Silver Surfer.) and Invisible Woman running point in that department, and Silver Surfer handling the final fight by himself. It’s an unfortunate waste of a solid performer.

Fantastic Four: Rise of the Silver Surfer

Another character whose appearance in Fantastic Four: Rise of the Silver Surfer is even more unnecessary is Victor Von Doom. There are a couple, hastily edited sequences of him in the shadows tracking the Silver Surfer and then getting his face healed after being zapped by the Herald of Galactus. And, then, Frost, Payne, and Turman take a page out of fellow Fox superhero sequel X2‘s playbook by having the Fantastic Four team up with their worst enemy against an even bigger threat. However, X2 succeeds because Magneto is a sympathetic figure with a genuine friendship with Professor X. The Fantastic Four films hinted at a friendship/rivalry between Reed Richards and Victor Von Doom, but these are just two guys who hate each other and stare at computer screens while Doom gets in the U.S. military’s good graces enough to test the power cosmic and fly around on a surfboard pointlessly extending the run time of the movie. Unlike both the original and Ultimate Universe Galactus trilogies, there’s no plan for taking on the Destroyer of Worlds other than having the Silver Surfer fly at him and sacrifice himself. (Of course, he gets better because studios have been trying to get a Silver Surfer film greenlit since Terminator 2 figured out the cool silver CGI effects.) They’re bullshitting so much that there’s no time for Richards and/or Von Doom to demonstrate their genius beyond a too little, too late appearance of the Fantasticar. Dr. Doom is mainly a boring distraction in the film, and we know even less about Latveria and his connection to them.

Fantastic Four: The Rise of the Silver Surfer is a moronic reflection of both the family dramedy and cosmic sides of the Fantastic Four comics. Tim Story and the screenwriters go for broad punchlines instead of fun character-driven humor even though there are some fun moments like Mr. Fantastic and the Thing cutting it up on the dance floor, or Raye roasting the Human Torch. On the cosmic side, Silver Surfer and Galactus feel like plot elements in a Roland Emmerich film not Biblical, Kirby Krackle larger than life figures although there’s a fluidity to Jones’ mo-cap performance and a majesty to Fishburne’s voice acting. Also, this might be a side effect of 17 years of the Marvel Cinematic Universe, but its world feels hollow and lacks a sense of wonder. Evans and Chiklis definitely had potential in the roles of Human Torch and the Thing, but were ruined by obvious punchlines and plot developments as well as one dimensional villains. Both Fantastic Four films suffer from Story, the screenwriters, and editors William Hoy and Peter S. Elliott not letting scenes breathe and letting us have a chance to know and love these characters. It really needed more scenes like Johnny Storm and Ben Grimm throwing darts (and accidentally burning the dart board) while talking about how they feel about the end of the world.

However, for all the movie’s failings, that John Ottman theme for the Fantastic Four films is pretty epic though!

Verdict: Flop

Transformers One gets its first official trailer

Transformers One gets its first official trailer is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever. In the first-ever fully CG-animated Transformers movie, Transformers One gets its first official trailer features a star-studded voice cast, including Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, with Laurence Fishburne, and Jon Hamm.

Director: Josh Cooley
Producers: Lorenzo di Bonaventura, Tom DeSanto & Don Murphy, Michael Bay, Mark Vahradian, Aaron Dem
Executive Producers: Steven Spielberg, Zev Foreman, Olivier Dumont, Brian Oliver, B.J. Farmer, Matt Quigg
Cast: Chris Hemsworth (Orion Pax), Brian Tyree Henry (D-16), Scarlett Johansson (Elita-1) and Keegan-Michael Key (B-127), Steve Buscemi, with Laurence Fishburne and Jon Hamm.

John Wick: Chapter 4 arrives May 23 on Digital and 4K Ultra HD Combo Pack, DVD and On Demand June 13

John Wick: Chapter 4

Old friends and new foes come together when John Wick: Chapter 4 arrives Digtal May 23 and 4K Ultra HD Combo Pack (plus Blu-ray and Digital), Blu-ray Combo Pack (plus DVD and Digital), DVD & On Demand June 13 from Lionsgate. The high action-thriller, which has grossed a franchise-best $400 million+ at the global box office, directed by Chad Stahelski and written by Shay Hatten and Michael Finch, stars Keanu Reeves (The Matrix franchise) as he returns in the titular role, joined by franchise regulars Laurence Fishburne (The Matrix franchise), Lance Reddick (TV’s “Lost”), and lan McShane (“Deadwood”) while welcoming Donnie Yen (Rogue One: A Star Wars Story), Bill Skarsgård (It franchise), Hiroyuki Sanada (Avengers: Endgame), Shamier Anderson (Race), Rina Sawayama (TV’s “Turn Up Charlie”), and Scott Adkins (Accident Man: Hitman’s Holiday).

John Wick (Keanu Reeves) uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe, and forces that turn old friends into foes.

John Wick: Chapter 4 4K Ultra HD Combo Pack, Blu-ray Combo Pack, and DVD will be available for the suggested retail price of $42.99, $39.99, and $29.96, respectively. 
 
4K ULTRA HD / BLU-RAY / DVD / DIGITAL SPECIAL FEATURES 

  • Chad and Keanu: Through Wick and Thin: Chad Stahelski and Keanu Reeves have a partnership that stretches all the way back to the first Matrix film. In this retrospective piece, we trace their remarkable friendship and decades-long collaboration.
  • Train Like a Killer: Weapons Master Robert “Rock” Galotti and Keanu Reeves reveal the rigorous training that Keanu had to endure to make John Wick: Chapter 4 a reality – from gunplay, to jiu jitsu, to some hard-hitting stunt work.
  • Making A Killing: In John Wick, sets are not merely the backdrop for each scene – they are integral parts of the action, with Wick often using whatever is on hand to take the fight to his enemies. Here we explore the craft at play in designing the sets of John Wick: Chapter 4 and the ways set design and action choreography go hand in hand in this legendary series.
  • The Psychology of a Killer: Chad Stahelski explores the psychology of John Wick, a character who, despite four films, is still a mystery in many ways. We unpack the complicated code of ethics that Wick lives by, and the ironic bonds he shares with the men trying to kill him.
  • The Blind Leading the Fight: John Wick: Chapter 4 witnesses the arrival of Caine, a blind killer played by legendary actor and martial artist Donnie Yen. With a style not seen since The Blind Swordsman: Zatoichi, Caine shows that a killer’s greatest instincts come not from his eyes, but from his mind. Here we uncover Yen’s journey on this film, exploring his prep for the role, his insight into the character, and his intense training regimen to portray this unlikely killer.
  • Suit Up / Shoot Up: Costume Designer Paco Delgado uncovers the cooler-than-cool suits worn by the assassins of John Wick that feature bulletproof lining – just what every killer needs for a night out on the town. We also explore the more refined looks of the Marquis and the Old West-inspired garb of the Tracker.
  • Packing a Punch: Pulling off a kill takes a village. Get a behind-the-scenes look at the way Team Wick incorporates special effects into the practical stunts and locations of the film.
  • One Killer Shot: John Wick: Chapter 4 features one of the boldest single-take shots ever attempted in action filmmaking. Fight Choreographers Jeremy Marinas and Laurent Demianoff team up with Stunt Coordinator Scott Rogers to dive into the creative challenges that went into planning this one-shot sequence that sees John Wick take on Paris’s deadliest killers.
  • Killing at the Speed of Traffic: Take a look at a nonstop action sequence featuring John Wick’s car-fu at the Arc de Triomphe! The driving force of this piece will be a look at the effects achieved at the iconic location, and sets the stakes of every assassin in Paris descending on Wick.
  • A Shot in the Dark: The John Wick series takes audiences into a world that is both thematically and visually dark. For film crews, that meant enduring hundreds of night shoots, with crews switching to a virtually nocturnal mode of life for long stretches of production. Here we explore the tenacious work of cast and crew members who tough it out night after night in pursuit of Wick’s dark, iconic aesthetic. Along the way, we explore some of the most iconic night scenes in the film, culminating with Wick’s brutal staircase fight.
  • In Honor of the Dead: In creating John Wick: Chapter 4, Chad Stahelski drew on references from some of the greatest films ever made. Uncover the cinematic homages depicted in the film, from David Lean to John Woo, to the samurai epics of post-war Japan.
  • Theatrical Trailer 1
  • Theatrical Trailer 2  

Get a sneak peek at Marvel’s Moon Girl and Devil Dinosaur

Marvel’s Moon Girl and Devil Dinosaur debuts on the Disney Channel on February 10th and you can get an early look at it. It’ll come to Disney+ soon after.

Based on the Marvel comics, the series stars Lunella and her pal Devil Dinosaur.

The series stars Siamond White as Lunella Lafayette (aka Moon Girl), Fred Tatasciore as Devil Dinosaur, Libe Barer as Casey, Alfre Woodard as Mimi, Sasheer Zamata as Adria, Jermaine Fowler as James Jr., Gary Anthony Williams as Pops, and executive producer Laurence Fishburne as The Beyonder.

Raphael Saadiq serves as the series executive music producer and the series is executive-produced by Laurence Fishburne and Helen Sugland’s Cinema Gypsy Productions and Emmy Award-winner Steve Loter.

Marvel’s Moon Girl and Devil Dinosaur is Coming to the Disney Channel

Disney Channel has ordered a new animated series based on the Marvel comic series Moon Girl and Devil Dinosaur from Disney Television Animation. The series will be executive produced by Laurence Fishburne and Helen Sugland‘s Cinema Gypsy Productions (ABC’s black-ish), Marvel Animation & Family Entertainment, and Emmy Award-winner Steve Loter (Disney’s Kim Possible).

The series follows 13-year old super-genius Lunella Lafayette and her red T-Rex Devil Dinosaur after he’s accidentally brought to New York City via a time vortex.

Moon Girl and Devil Dinosaur debuted in Moon Girl and Devil Dinosaur #1 in January 2016 and was created by Amy Reeder, Brandon Montclaire, and Natacha Bustos.

Marvel's Moon Girl and Devil Dinosaur
MARVEL’S MOON GIRL AND DEVIL DINOSAUR – Logo. (Marvel)

The Ant-Man and The Wasp Trailer is Here

Real heroes. Not actual size. Watch the brand-new trailer for Ant-Man and the Wasp.

The film has Paul Rudd returning as Scott Lang/Ant-Man, Evangeline Lilly as Hope van Dyne/The Wasp, Michael Douglas as Dr. Hank Pym, Judy Greer as Maggie Lang, Abby Ryder Fortson as Cassie Lang, and Micheal Peña as Luis. New characters and actors include Hannah John-Kamen as Ghost, Walton Goggins as Sonny Burch, Randall Park as Jimmy Woo, and Laurence Fishburne as Dr. Bill Foster/Goliath. Peyton Reed returns to direct.

In theaters July 6th.

Man of Steel Sequel has a title, Batman V Superman: Dawn of Justice

We’ve been referring to it as Batman vs. Superman for almost a year now, but the sequel to Man of Steel, officially has a title, Batman V Superman: Dawn of Justice. The film will not only feature Batman and Superman, but also Wonder Woman, and many more rumored individuals.

Filming is underway on the film which is being directed by Zack Snyder and stars Henry Cavill in the role of Clark Kent/Superman, and Ben Affleck as BruceWayne/Batman. Also appearing are Gal Gadot as Diana Prince/Wonder Woman, with Amy Adams, Laurence Fishburne and Diane Lane returning from Man of Steel, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred, and Holly Hunter in a role newly created for the film.

The movie will open worldwide on May 6, 2016.

batman v s uperman dawn of justice

Batman vs. Superman Casts Its Wonder Woman

DC Comics has announced their Wonder Woman has been cast! After months of rumors, it has been confirmed (including casting) that Wonder Woman/Diana Prince will make her big screen debut in Zack Snyder’s upcoming and as yet untitled Superman and Batman film.  She had been mentioned on some short lists, but Israeli actress Gal Gadot has been confirmed for the role. You might know her from the Fast & Furious movies. She’ll be joining Henry Cavill as Superman/Clark Kent and Ben Affleck as Batman/Bruce Wayne.

Zack Snyder said in a release:

Wonder Woman is arguably one of the most powerful female characters of all time and a fan favorite in the DC Universe. Not only is Gal an amazing actress, but she also has that magical quality that makes her perfect for the role. We look forward to audiences discovering Gal in the first feature film incarnation of this beloved character.

The film also reunites Man of Steel’s Amy Adams as Lois Lane, Laurence Fishburne as Perry White, and Diane Lane as Martha Kent.

The film begins principal photography early next year and opens in theaters on July 17, 2015.

image001_529f69be0885a4.71359838

Movie Review: Man of Steel

man.of.steel.posterSuperman is about duality. The fact he’s from another planet but raised on Earth. His roles as Superman and Clark Kent. His two sets of parents. And most importantly, having the power of gods, but his attempts to be normal. Directed by Zack Snyder with the story by David S. Goyer and Christopher Nolan, Man of Steel focuses on that duality. This is an attempt to create a thinking person’s Superman, but really just for about 1/4 of the film, as the majority is made up of punching, lots of punching, and destruction along the line of a Michael Bay/Roland Emmerich disaster movie.

The story is pretty simple. Superman is sent to Earth to escape a dying Krypton. He’s raised by the Kents to live as a regular person, but struggles to come to grips with his powers. Along comes some other survivors who have  a grudge with Supes and a want to recreate Krypton.

What I felt really interesting was how the movie barrels towards it’s destructive drag out finale of a fight. The plot just flows towards the big fight we know is coming, filled with flashbacks about Clark Kent learning about his powers and the advice he’s given. There’s very little Clark Kent like we saw in the classic Donner films. It’s an origin film and an introduction of Superman to the world that’s delivered with a punch instead of staying hidden behind glasses before the big reveal. But, unlike those previous films, this is the origin of Clark Kent as Superman attempts to figure out his alter-ego’s role in his like and the world.

There really is very little Clark Kent in the film, Superman is front and center. This is a film about Superman trying to find his place in the world. And without Kent to play off of, it’s a bit more dour. Superman here shows off every way to portray doubt/frustration/loneliness/contemplation and a few other emotions with his face and few words. I doubt actor Henry Cavill as Superman was given more than 50 words to say in the entire film.

His supporting cast isn’t given much else either other than to chew scenery or act scared or in awe. Michael Shannon as Zod grits his teeth and spews lines with nothing but rage. Russell Crowe attempts to impart wisdom as Jor-El but acts like an irritating hologram with an accent that doesn’t make sense. Kevin Costner imparts wisdom as Pa Kent in flashbacks and Diane Lane mostly looks sad, comforts and hugs her adopted son as Ma Kent. There’s a an equally long list of solid actors given little to do including Laurence Fishburne, Richard Schiff, Harry Lennix and Christopher Meloni.

Then there’s Amy Adams as Lois Lane, a version that’s somewhere between Margot Kidder’s and Kate Bosworth’s versions. There’s a lot for her to do and she does more than just play the damsel, but something to me was a bit off and it’s mostly her infatuation with the Last Son of Krypton. As a journalist she pursues the story about a man who travels the world saving people with amazing powers and when confronted with the truth she struggles with the story. That’s great and fresh. But, as the movie progresseses she’s thrown into ridiculous situations and then a kiss with Superman that belittles both. Of course there’s an attraction but in truth she knows so little about this person, it would make you think she could only like him for his powers and/or looks, both shallow reasons. Luckily the “relationship” storyline is given little screen time, showing how it’s needed even less and a stronger film would have played off the flirtation and explore more in future movies.

But, much like how the movie goes out of its way to mention Superman isn’t hard to look at, Snyder and his collaborators go for style over substance. This is a slick new Superman, more angsty than past on-screen versions and less of the humor and innocence of past live action versions. Snyder over uses shaky cams to attempt to hide fx flaws which is fine, but uses it when it’s not needed at all. What was up with it a the beginning of the film on Krypton? We have a debate and the camera needs to shake? When will this lazy film making end? There is some great use of angles during battles and flights and great visuals in general, but there’s a lot of choices that are clearly made to cover up issues with the fx. The continuation of quick cuts persists. Another film making trick that has overstayed its welcome.

Overall, Man of Steel is a fine disaster movie, I’m still debating if its a fine super-hero movie. There’s a lot I like including the change of what we’d expect as far as plot structure and use of dual identities that we’ve seen in previous films. Instead of a normal person taking on a super identity, finding it and then saving the world, we have someone who is super trying to find his normal identity and place in the world. It’s a fresh take on the big screen Superman mythos.

But, with so much destruction and visuals that are very engaging on the big screen, and I’m not sure would be as awe inspiring on a small screen, it’s difficult for me to say to pass up this big popcorn movie in the theaters. Not a super start, but a welcome return and a decent celebration of Superman’s 75 years on planet Earth.

Direction: 6 Acting: 6.75 Plot: 7 Overall: 6.25

Around the Tubes – It’s Time to Get My Geek On!

Bookmark and Share

Today is the first day of Gen Con!  Expect lots of coverage of the next four days with photos and reviews of games I demo.  So much going on, and so much fun as I do the usual and meet up with my Buffalo buddies to cause absolute mayhem.  While I cause trouble and do my best to not get my press pass revoked, here’s the news you might have missed.

Around the Blogs:

The Times of India – Comic books curb obesity in kidsAnother positive about comic books.

Geekweek – Laurence Fishburne Is MAN OF STEEL’S Perry WhiteAnd the haters came out again.

ICv2 – Marvel Says New Ultimate Comics Spider-Man Is Not GayInteresting how all of the news sources that says he’s gay are conservative that parrot each other.  Nope, information doesn’t flow from one to the other at all.

Courier Journal – U of L library plans comic-book exhibitThe university is displaying a 2,000 issue collection.

The Beat – Spurlock’s Comic-Con documentary to premiere at Toronto Film FestivalI really want to see this.

Bleeding Cool – IDW To Continue UK Transformers Continuity By Simon Furman And Andrew Wildman – Now, this is interesting.

ICv2 – Superhero Body Count Is Growing – Sigh….

Con Coverage:

MTV Geek – Gen Con: Fantasy Flight Games Snags Star Wars License, Announces Two Titles

Around the Tubes Reviews:

ICv2 – Fighting American

CBR – The Infinite #1

Blog Critics Books – The Lives of Sacco and Vanzetti

Benzinga – We Shall Never Forget 9/11 “The Kids’ Book of Freedom

Bleeding Cool – Wednesday Comics Review: Punisher #1 and Severed #1

MTV Geek – Image Reviews: The Infinite #1, Severed #1, and Pigs #1

Bleeding Cool – Wednesday Comics Review: Ultimate Fallout #4 And Batman Knight Of Vengeance #3

Complex – Review: Does Marvel’s Relaunch Of “The Punisher” Give The Character New Life?