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The Best Movies of 2017

No getting around it: 2017 was a slog. But, to get us through the stress of life, at least we could escape for an hour or two into some of the most amazing worlds.

It’s also been an amazing year for the comic book movie and, indeed, all blockbusters. This year the genre really grew up, with complex and challenging fare that deconstructed some of our favorite characters and took them to the next level.

I had a hard time paring it down to just a top 10, so I’m presenting a somewhat more expanded list of things worth seeing and celebrating in 2017. Never before have I had a hair’s breadth separating my top 5, and my top 20 are all worth checking out.

So I’m going to give you the best and then the rest– my top 10 and then the rest of the movies that made my list. Where I reviewed the movie for Graphic Policy, I have also provided a link. To those from before I joined the site or didn’t get a chance to do a full review, oh well. You’ll just have to take my word for it. Oh, and if you care about such things, my bottom 10 list is here.

10. Coco — This is one of Pixar’s best and one of the movies most likely to make me cry. While it has some second act problems, its universal themes of family and remembering are as beautiful as the animation and music here. This is also the first movie in my top 10 with an amazing soundtrack — a common theme among 2017’s best movies.

9. Baby Driver — A musical with car chases. The only problem with this movie is its opening fifteen minutes are so perfect it rarely meets that same level again. This is the movie Edgar Wright did after breaking with Marvel over creative differences about Ant-Man. We are so much the richer for having both of these movies, especially Baby Driver. With career-best performances by some of its cast, it’s a perfect blend of editing, directing, acting, and sound. And it’s just a load of fun.

8. Wonder Woman – Patty Jenkins should be put in charge of the entire DC movie universe. She understands her characters, she understands the gravity and importance they hold for people, and managed to deliver THE iconic moment of 2017 in cinema: the “No Man’s Land” scene.

It’s that moment– when she wears the costume, embraces her powers and her purpose — that we see her origin story in a way rarely ever so fully expressed on screen. Sure, the movie had some problems– a weak villain and a somewhat predictable climax — but it was important in a way few other films in this list were. And it showed that the DCEU could be everything that the Marvel Cinematic Universe could. It’s not only one of the best comic movies of 2017, it’s one of the best of all time.

7. Atomic Blonde — Technically, a comic book movie. And the movie with the best soundtrack of the year, during which we see Charlize Theron kick all sorts of butt. It’s heartfelt, funny, and undeniably cool as they try to out-John-Wick John Wick. Give me more of this, please, perhaps in a shared universe where Charlize and Keanu throw down and then invariably team up.

6. The Shape of Water – What a beautiful film about love among outcasts. The entirety of this film is about noticing the silent people, the forgotten ones, and recognizing the humanity in each of us. Also, sex with fish-people! This is a masterpiece by Guillermo del Toro and worthy of all the nominations and buzz it’s been getting.

5. War for the Planet of the Apes – This is true for basically every other film in my top 5, but this film showed us that effects-driven blockbusters could have intense heart and meaning. It’s unfathomable to me that Gary Oldman will be nominated for acting awards for wearing a fatsuit and portraying Winston Churchill, but Andy Serkis will be snubbed yet again for his creation of an amazingly real character in Caesar. It’s unclear where the Apes franchise goes from here — and writer/director Matt Reeves is setting his sights next on righting The Batman (which makes me all sorts of excited) — but whatever happens, they created an amazing trilogy with a phenomenal third act. Perhaps the only downside is that the social commentary that hits so close for 2017 (humans building a wall as well as other not-so-subtle jabs at Trump) may not age particularly well.

4. Logan – “A man has to be what he is, Joey. Can’t break the mold. I tried it and it didn’t work for me. There’s no living with a killing. There’s no going back from one. Right or wrong, it’s a brand. A brand sticks. There’s no going back. Now you run on home to your mother, and tell her… tell her everything’s all right. And there aren’t any more guns in the valley.” James Mangold gave us a perfect western that just happened to have Wolverine and Professor X in it. And Jackman and Stewart are amazing. Ok, I lied about Coco. THIS is the most likely thing to make me cry in any movie in 2017.

3. (tie) Your Name – Normally I won’t give in to a tie, but since there is some doubt whether or not this is even a 2017 release (I go by date of wide US release, so that puts us in April of 2017), I’ll go for it. Already the #1 animated film of all time in Japan (with good reason), I’m not sure why this hasn’t become more popular in the US. But that’s what year-end lists are for, right? A story of (literal) star-crossed teens in Japan who seem to be switching bodies becomes the most interesting story of identity, love, and wibbly-wobbly-timey-wimey time travel ever. It made me cry at least three times. It’s an amazing film and one which would’ve been in my top 3 for 2016 if I’d known of it then. If that disqualifies it from this list, then my #3 spot goes to. . .


3. (tie) Star Wars: The Last Jedi – It’s amazing. You know this. I love it for all the ways it blows open the Star Wars universe into something even bigger and more important. Plus, porgs. It, Logan, and Apes all showed that blockbuster filmmaking could be thoughtful and not just deliver a rehash of the expectations of the franchise. Star Wars is my favorite thing of all time, and this delivers in ways I didn’t know were possible. I’m greatly anticipating both Episodes IX and the new trilogy Rian Johnson will deliver to us.

2. Get Out – Usually a movie will come out early in the year and become a high water mark for me for the year. Then every film I see after I’ll just ask, “Was this better than [Get Out]?” Few movies made it close, but it stands strong at the end of the year as the most important movie of 2017 and only a hair’s breadth off of my #1. This was such an amazing effort from Jordan Peele. It was an atmospheric, psychological thriller and the most biting social commentary of the decade– and exactly what we need to hear in 2017. Unfortunately, the people who most need to see and understand this film never will.

1. Blade Runner 2049 – I’m still not sure why this failed to resonate with audiences. It was supremely beautiful, important, thoughtful—in essence, the opposite of the Spirit of 2017, so I guess it makes sense. It’s shameful to see this getting forgotten in so many year-end lists and awards considerations. If Roger Deakins doesn’t win a cinematography Oscar for this, we have failed as a society.

So, that’s it. Here’s the rest of my list:

11. A Monster Calls — All the tears for this gorgeous and touching film that somehow never caught on.

12. Detroit — If Blade Runner hadn’t flopped at the box office, this is my vote for most underrated movie of 2017.

13. Spider-Man: Homecoming – This was the Spider-Man movie we needed, with John Hughes meets the MCU. Let’s hope Sony and Marvel’s partnership continue to yield such spectacular results.

14. The Big Sick — The best comedy of the year, Kumail Nanjiani’s true story of clashes of cultures and medically induced comas is amazing and worth everyone’s time.

15. Beatriz at Dinner — This should be renamed “Micro-aggressions the Movie” as massage therapist Beatriz (an impeccable and Oscar-worthy  Salma Hayek) ends up at a dinner party thrown by one of her high end clients facing off against a Donald-Trump type developer (an equally impeccable Jon Lithgow). It’s amazing and the ending will depress the hell out of you.

16. The Greatest Showman — Hugh Jackman took the money he made from Logan and used it to produce this musical ostensibly about PT Barnum but in reality about the strange and wonderful family among society’s outcasts and “freaks” that make up his circus. If I could put the historical revisionism aside, this would end up in my top 10, but Barnum was a monster. But as a story about putting people of all shapes, colors, and abilities up on screen and seeing them as people? This is tops. Keala Settle, who plays the bearded lady, deserves an Oscar nomination. And this will get multiple nominations for best song, from the people who brought you La La Land last year.

17. Brigsby Bear – What if you were kidnapped as a child and the only media your reclusive parents let you watch was a specially-made-for-you childrens’ program? This film from the mind of SNL’s Kyle Mooney then becomes a unique, innocent look at the pure joy of fandom and sharing something you love with new people and the lengths you’d go to do it. Also featuring a supporting role by Mark Hammil, this is another great little film that flew under the radar but is worth your attention.

18. Thor: Ragnarok — This is Thor’s best movie to date and one of the most fun movies ever in the MCU. Some people complained the movie had “too many jokes,” but making a buddy comedy with superheroes is something that was long overdue and sorely needed late in 2017. Whatever writer/director Taika Waititi is doing next, I’m watching it.

19. The Disaster Artist — The movie that launched a thousand terrible reaction gifs finally gets its Ed Wood treatment. The Room is awful, but somehow James and Dave Franco make us fall in love with it and its mysterious director Tommy Wiseau. For that, and their loving shot for shot recreations of some of the film’s most heinous scenes, this was incredibly fun. It’s also the type of movie Hollywood loves– a movie about making movies.

20. Molly’s Game — A superserving of Sorkin will hit all the right notes for his fans.

21. Okja — If The Disaster Artist is to The Room what Ed Wood is to Plan 9 From Outer Space, then this satire from Bong Joon-ho (thanks to Netflix for making it) is the Dr. Strangelove of global agribusiness and capitalism. It took this movie a while to take off, but when it did, it became intensely satisfying. When it wasn’t skewering the corporation that totally wasn’t Monsanto, it was also just a tender story about a girl and her giant genetically modified pet “super pig.”

22. The Post — Steven Spielberg’s latest is perhaps the most important movie for the turn of 2017 to 2018 about the decision to print the Pentagon Papers by The Washington Post. Buried in the Oscarbait is an important story about the freedom of the press and a rogue White House intent on crushing it. I just wish it was told slightly better and that 80% of the time I wasn’t wishing I were watching All the President’s Men or The Fog of War. 

23. The Lego Batman Movie — A movie about family, a movie about feminism, and just the greatest mishmash of toy mayhem ever seen on screen. This was the best Batman we saw on screen all year.

24. Dunkirk — I won’t lie, I had some problems with Dunkirk. Mostly I thought Nolan was spending too much time showing us how clever he was instead of just giving us a good movie. But I can’t deny the artistry and pure filmmaking prowess that went into this. I still think the best way to illuminate my problems is to compare it to Detroit, which I did in my review here. 

25. Guardians of the Galaxy Vol. 2 — “I’m Mary Poppins, y’all!” may be one of my favorite moments on screen all year. And then, that ending was just too perfect. This movie had a lot going for it, but the fact that it ended up at #25 is a testament to just how good so many movies were this year.

26. IT — This was everything we needed in the fall of 2017. Funny, smart, and incredibly scary, it also gave us one of the best comedy moments of the year, too, with an SNL skit of Kellyanne Conway as Kellywise the Clown trying to lure Anderson Cooper into the Trump Sewer.

27. John Wick Chapter 2 — Sometimes sequels really deliver, and this was one instance of that. Once again, we get the beautiful ultra-violence of this universe and without all of that boring exposition or deeper meaning. Sometimes you just want to watch the world burn, and for that, there’s always John Wick.

28. Power Rangers — This might surprise people, but I liked the Power Rangers movie far more than it deserved. Never a fan of the original, this still brought me in with it intense heart and third act action sequence that dared you not to smile from ear to ear. Oh, and also Elizabeth Banks as Rita Repulsa was a thing of beauty. Say it with me: “Krispy Kreme.”

29. Wind River — Taylor Sheridan knocks it out of the park again with an amazing script about a murder mystery and the intersection of the oil industry and reservation life. How does one get justice in the face of corporate coverups and mixed jurisdiction? The scene with Jon Berenthal is one of the most gripping and brutal things I saw all year.

30. [tie] It Comes at Night — Speaking of inhumanity and suspense, we get a case study in minimalism of just how much a director can do with basic sets and a basic premise: a plague wipes out most of humanity and one family must make decisions about whether or not to trust strangers to guarantee their survival. The title is misleading and don’t get snookered into thinking anything more supernatural is happening. There’s no monsters. Just death. Just people. And that’s the true horror.

[tie] Ingrid Goes West — Again, I hate ties, but I feel like this provides a great counterpoint to It Comes at Night. Except in this case, the monster that haunts us is social media, stalking, and depression. Aubrey Plaza is perfect as Ingrid, who moves to LA and ends up stalking an “Instagram celebrity” played by Elizabeth Olson to try to find her way into her life. O’Shea Jackson (Jr.) shows up as a Batman-obsessed would-be screenwriter. The final reveal of the film almost feels like the end of a slasher movie when we see the killer supernaturally rises from where we thought we had killed it. Fun and thoughtful.

So, yeah, that’s a lot of movies. To be fair, there were a few I missed, so apologies. But what about you? What did I miss? What did I overrate? What did I underrate?

Let us know, and here’s hoping we have as amazing a 2018 as we did a 2017– at least in movies. And from Black Panther in February to Mary Poppins in December with Avengers: Infinity War, Solo, and Incredibles 2 in between, my expectations are set abnormally and unreasonably high.

Let’s see what 2018 gives us.

Beauty and the Beast Has a Record-Setting Opening

Beauty and the Beast, the live-action version of the classic animated film, was a beast at the box office with an estimated $170 million weekend. That beats the previous March opening record holder of $166 million which was set by Batman v Superman: Dawn of Justice lst year. It’s the seventh largest opening weekend ever.

The film set an IMAX record with the largest opening in that format with an estimated $21 million.

Internationally, the film earned $180 million from 44 markets for $350 million globally. It was the number one film in every market except three.

The film should do well over the next few weeks as it scored an “A” Cinemascore. It was also dominated by women who made up 60% of the audience (72% opening night) and 52% were under the age of 25.

In second place was Kong: Skull Island which added an estimated $28.85 million. That’s a 53% drop from last weekend and brings it to $110 million domestically and $259.3 million worldwide.

Logan dropped to third place with an estimated $17.5 million. Domestically it’s about $185 million and the film also earned $31.5 million internationally. Worldwide it’s at $524.1 million and the #1 domestic and worldwide release of 2017. That probably won’t last long with a beast of a movie debuting this week.

In fourth place was Get Out which added $13.2 million to its domestic total to bring that to $133.1 million. With a budget of just $4.5 million, the film is already the big winner of 2017.

Rounding out the top five was The Shack which added $6.1 million to bring its domestic total to $42.6 million.

The Belko Experiment was the other big new film this week and it debuted at #7 with $4.1 million. With a $5 million budget, that’s not too bad and the film should be profitable down the road.

Doctor Strange looks to have dropped out of the top 48 films, but we’ll give it a few more weeks until we definitely say the film’s run is over.

This coming weekend sees the release of the new Mighty Morphin Power Rangers film, Life, as well as the movie adaptation of Daniel Clowes’ graphic novel Wilson.

Come back in an hour where we’ll have a better look at the 2016 comic film releases.

Kong: Skull Island Delivers a King’s Opening While Logan Slips to Second

Kong: Skull Island was the king of the weekend box office bringing in an estimated $61 million to take first place. The $185 million budget film also earned $81.6 million in 65 territories. The film outperformed expectations and is set to do well in the coming weeks. The film received a “B+” CinemaScore and its audience was 56% male vs. 44% female, of which 18% were under the age of 18 and 52% were under the age of 35. Audience members under the age of 25 gave the film an “A” CinemaScore.

In second place was Logan which earned an estimated $37.9 million in its second week. The film has earned $152.7 million in two weeks. The film is the top earning film worldwide so far in 2017 passing Fifty Shades Darker this week. It also sits behind The LEGO Batman Movie, short by $7 million to become the top domestic earning film.

In third place was Get Out which added $21.1 million to its domestic total. The film might be one of the biggest earners of the year. The film has earned $111.1 million so far with a budget of just $4.5 million.

The Shack dropped to fourth place adding $10.1 million to its domestic total. In its two weeks it has earned $32.3 million.

Rounding out the top five is The LEGO Batman Movie which added $7.8 million to its domestic total. The film is the top domestic grossing film with $159 million and $275.5 million worldwide.

In more comic related movie news, Doctor Strange continues to bring in some dollars adding $17,000 to its total this weekend. Domestically the film has earned $232.6 million and $677.4 million worldwide.

We’ll be back in an hour to further dissect the 2016 comic film earnings.

Logan Dominates the Weekend with Get Out Having a Modest Drop

loganAs it’s no surprise, Logan came in first place this past weekend with an estimated $88.4 million. The “R” rated film had the widest release of a film of its type with 4,071 screens. The film saw $10.1 million of its dollars coming from 381 IMAX screens. The film earned a similar amount in foreign IMAX screens with $10.6 million. The film earned $159 million in 81 foreign markets for $247.4 million so far.

That film bumped Get Out down to second place. The movie had a moderate drop compared to its debut week which is not surprising due to its positive word of mouth. Get Out added $26.1 million to its domestic haul. The $4.5 million budget film has earned $75.95 million in just two weeks.

The Shack debuted in third place with an estimated $16.1 million. That’s the 7th biggest opening of a film in the Christian genre.

The LEGO Batman Movie came in fourth after being in second last weekend. It added $11.7 million to its domestic total to bring it to $148.6 million. Internationally the film has earned $108.2 million for a grand total of $256.8 million. The LEGO Movie earned $469.1 million before its run was over.

In fifth place was Before I Fall. That film earned an estimated $4.9 million in its debut weekend.

In more comic related movie news, Doctor Strange added $44,000 to its domestic total to bring it to $232.6 million. The film currently sits at $676.9 million.

We’ll be back in an hour for a deeper dive into 2016’s comic movie adaptations.

Get Out Wins the Weekend, LEGO Batman Drops to Second

get-outGet Out got people out to the theaters. The film earned an estimated $30.5 million in its debut weekend. The film has earned a 100% Fresh rating on Rotten Tomatoes, an 8.1 on IMDB, and A- Cinemascore. The film’s positive word of mouth should see it do well next weekend even against tough competition wit Logan‘s debut.

The film bumped The LEGO Batman Movie which moved to second place earning an estimated $19 million. The $80 million film has earned $133 million domestically so far.

John Wick: Chapter Two moved up a slot and was third for the weekend. It earned an estimated $9 million. It bumped down The Great Wall which slipped to fourth with $8.7 million.

Rounding out the top five was Fifty Shades Darker which earned $7.7 million.

In other debuts, Rock Dog was #11 with $3.7 million and Collide was #13 with $1.5 million.

Doctor Strange continued to bring in the dollars adding $81,000 to its domestic total bringing its worldwide total to $675.9 million. We’ll have more analysis of comic films later this afternoon.

Almost American