Who would have thought a movie about grift and strip clubs could be so boring? And yet here we are with Hustlers. Despite some hard work in the performances by Constance Wu and Jennifer Lopez, despite a feminist sensibility brought to the film’s cinematography and feel thanks to writer and director Lorene Scafaria, the end result is just boring.
The film is “based on a true story,” specifically, an article published by New York Magazine entitled “The Hustlers at Scores” written by Jessica Pressler. As the story goes, prior to the financial crisis of 2008, everything was hunky-dory in New York strip clubs. Idiot bankers were loose with their cash and made it rain.
But as with all things in the financial crisis, when Bear Stearns and Countrywide went down, it was the little people who got hurt– like the strippers. Suggesting that they are now like modern-day Robin Hoods taking advantage of the people who got bailouts, a group of former strippers begin a scam to start running up massive bills for bankers and brokers.
There’s a strong element of sisterhood and feminism as these girls stick together. Indeed, the film opens with Janet Jackson’s “Control,” providing a sort of thematic layout for the film. Lopez and Wu are always, in fact, in control of the situation, not the horny bankers who want to get rubbed on in a champagne room. So, good on you, girls!
While this isn’t saying much given her cinematic history, Hustlers might be the best performance by Lopez in a film ever. She’s the center of the story and is extremely compelling. Wu is also extremely good– at least on par with her star-making performance in last year’s Crazy Rich Asians or on Fresh Off the Boat, and certainly gives her more opportunities to stretch her dramatic acting chops. It just isn’t enough to save this film.
For those who might be interested in this film because of advertised cameos by Lizzo and Cardi B, those are literally little more than cameos. Blink and you’ll miss them. You will be disappointed. You will see more of them by watching one of their music videos on YouTube. However, Julia Stiles does show up as the journalist writing this story, which always sort of puts the brakes on the story– one of the many flaws in this film’s storytelling.
And for those coming to this film hoping for a little bit of sin and nudity, you are also going to be mostly out of luck. Please remember that there is free pornography on the internet, and you shouldn’t come to this film looking for cheap thrills. You won’t find it.
Indeed, one of the most fascinating things about this film is the feminist filmography. While there are some shots of nudity, most of it is actually not very sexual and presented almost in a businesslike fashion. The longest portion of nudity that you get is actually a naked man seen from the waist down as he is being taken to a hospital. Yup, there’s equal-opportunity nudity in this film. But that really isn’t what this movie is about. Again, if that’s what you’re looking for, there is porn on the internet.
But mostly this film is just plain boring. It feels much longer than its two hour run time and despite good character work by Wu and J-Lo, there really isn’t much more to see here. However, this film was definitely not made for me. Others may find a sense of enjoyment out of it even though I did not.
2 stars out of 5