Tag Archives: brenden fletcher

Image Comics Announces 20 Comics and More at Image Expo

Today at the Showbox Market Theater in Seattle, Washington, Image Comics kicked-off Emerald City Comicon with Image Expo and a slew of exciting creator-owned announcements.

They also announced a new initiative Creators for Creators as well.

Image Comics revealed the following creator-owned projects set to launch in the coming year and beyond.

AFAR by Leila del Duca & Kit Seaton

Critically-acclaimed, Russ Manning nominated SHUTTER artist Leila Del Duca teams up as co-creator and writer alongside artist, colorist, and letterer Kit Seaton (THE BLACK BULL OF NORROWAY, EVE OF ALL SAINTS) for an original graphic novel, AFAR.

In AFAR, Boetema suddenly develops the ability to astrally project to other worlds, unintentionally possessing the bodies of people light years away. Inotu, her inquisitive brother with a pension for trouble, finds himself on the run after he’s caught eavesdropping on an illegal business deal between small town business tycoons and their cyborg bodyguard. When Boetema accidentally gets someone hurt while in another girl’s body, the siblings are forced to work together to solve the problems they’ve created on their planet and others.

AFAR hits shelves this Fall 2016.

afar

BLACK CLOUD by Jason Latour, Ivan Brandon, Greg Hinkle, Matt Wilson, Aditya Bidikar, Tom Muller, edited by Maria Ludwig
Co-creators Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), Ivan Brandon (DRIFTER, VIKING) and Greg Hinkle (AIRBOY, THE RATTLER), team up with colorist Matt Wilson (THE WICKED + THE DIVINE), letterer Aditya Bidikar, designer Tom Muller, and editor Maria Ludwig for an all-new series called, BLACK CLOUD.

Once upon a time…They built a world where dreams come true… And those dreams went to war. In BLACK CLOUD, we meet Zelda: exiled to Earth, her dreams of revolution are gone, but she still holds the key to the world she left behind. And it’s for sale.

BLACK CLOUD is set to launch in Fall 2016.

black cloud

THE BLACK MONDAY MURDERS by Jonathan Hickman & Tomm Coker 
All hail god money! From Jonathan Hickman (EAST OF WEST, Secret Wars, Avengers) and Tomm Coker (Undying Love) comes a mythical reinterpretation of modern global economics.

THE BLACK MONDAY MURDERS is classic occult indoctrination where the secret schools of magic are actually clandestine banking cartels who control all of society—a hidden world where vampire Russian oligarchs, Black Popes, enchanted American aristocrats, and hitmen from the International Monetary Fund work together to keep ALL OF US in our rightful place.

Each issue contains world-expanding bonus content like maps, corporate organization charts, decoded apocrypha, and stock tips to die for.

THE BLACK MONDAY MURDERS is a brand new, crypto-noir series about dirty, filthy, money… and what kind of people you can buy with it. Set to launch in Fall 2016.

the black monday murders

THE DIVIDED STATES OF HYSTERIA by Howard Chaykin
Howard Chaykin (SATELLITE SAM, BLACK KISS, AMERICAN FLAGG!) with the able assistance of Jesus Aburto on coloring, and Ken Bruzenak on lettering, unleashes THE DIVIDED STATES OF HYSTERIA.

THE DIVIDED STATES OF HYSTERIA is set in the aftermath of a dirty bomb that wipes New York City off the map, as what will come to be known as the Second American Civil War shatters the domestic landscape in isolated pustules of violence…and a team of five private contractors is charged with stemming this tide of rage and bringing the bombers to justice.

THE DIVIDED STATES OF HYSTERIA launches in Winter 2016.

the divided states of hysteria

GLITTERBOMB by Jim Zub & Djibril Morissette-Phan & K. Michael Russell & Marshall Dillon
Fan-favorite writer Jim Zub and newcomer Djibril Morissette-Phan come together with colorist K. Michael Russell and letterer Marshall Dillon for GLITTERBOMB.

“Probably the only thing I love more than comics is cinema,” said Morissette-Phan. “Which makes Glitterbomb a dream project since it’s a perfect blend of both.”

Set in Hollywood, GLITTERBOMB is a horror story about failed fame and blood-soaked revenge.

GLITTERBOMB is set to launch in late Summer 2016.

glitterbomb

HORIZON, by Brandon Thomas, Juan Gedeon & Frank Martin (Skybound)
Writer Brandon Thomas, artist Juan Gedeon, and colorist Frank Martin team up for an all-new series from Image/Skybound titled, HORIZON.

In HORIZON, Zhia Malen thought she’d fought her very last war, until she learned her planet was targeted for occupation…by a desperate world called Earth. The people of Earth will be told that her arrival on our planet means invasion. These are lies. This is retaliation, and Horizon explores what happens when our planet finally runs out of second chances. And when we meet an alien race just as committed to survival as we are…

HORIZON is set to launch from Image/Skybound in July 13, 2016.

horizon

THE HUNT by Colin Lorimer, Jim Campbell, and Joana Lafuente (Shadowline Comics)
Critically acclaimed writer/artist Colin Lorimer (Harvest) teams up with letterer Jim Campbell and colorist Joana Lafuente for THE HUNT.

At her father’s deathbed, Orlaigh Roche came face to face with the age-old myth of The Slaugh; a group of soul-stealing spirits so evil that not even hell would take them. Years later, and with the belief that her father’s soul is still trapped in some form of the netherworld, she goes looking for answers—beginning a journey that leads her down a path to discover what really happens to us after we die.

THE HUNT begins in 2016 from Image/Shadowline Comics.

the hunt

ISOLA by Brenden Fletcher & Karl Kerschl 
Bestselling creators Brenden Fletcher (Batgirl of Burnside, Gotham Academy) and Karl Kerschl (Gotham Academy, The Abominable Charles Christopher) re-team for ISOLA—an epic fantasy adventure series with the scope of Game of Thrones and the spirit of Princess Mononoke.

ISOLA is set in a mystical land where the queen’s brother enacts a treacherous plot to transform her into a tiger. The captain of the guard, a woman of great skill, brings swift and lethal vengeance, unaware the wicked prince alone has the power to reverse the spell. The two women—one on two legs, one on four—must undertake a perilous journey halfway across the globe to the fabled island of ISOLA, gateway to the underworld, where they hope to find the spirit of the queen’s late brother and return her to human form.

ISOLA is set to launch in Spring 2017.

isola

KILL OR BE KILLED by Ed Brubaker, Sean Phillips, Elizabeth Breitweiser
Bestselling writer Ed Brubaker (THE FADE OUT, FATALE), artist Sean Phillips (THE FADE OUT, FATALE), and colorist Elizabeth Breitweiser (THE FADE OUT, FATALE, OUTCAST BY KIRKMAN & AZACETA) reunite for KILL OR BE KILLED, the ultimate pulp crime comic.

KILL OR BE KILLED is the story of a troubled young man who is compelled to kill bad people, and how he struggles to keep his secret, as it slowly begins to ruin his life and the lives of his friends and loved ones.

Both a thriller and a deconstruction of vigilantism, KILL OR BE KILLED is unlike anything Brubaker and Phillips have done together in their long partnership.

KILL OR BE KILLED is set to launch in Summer 2016.

kill or be killed

LAKE OF FIRE by Nathan Fairbairn & Matt Smith
Co-creators Nathan Fairbairn (Scott Pilgrim, Batman Incorporated) and Matt Smith (Barbarian Lord) come together for an all-new series titled LAKE OF FIRE.

In LAKE OF FIRE it is 1220 AD, and the gears of the Albigensian Crusade grind on. When an alien mining craft infested with legions of bloodthirsty predators crash-lands in the remote wilderness of the French Pyrenees, a small band of crusaders and a Cathar heretic are all that stands between God’s Kingdom and Hell on Earth.

LAKE OF FIRE is set to launch in Summer 2016.

lake of fire

MOONSHINE by Brian Azzarello & Eduardo Risso, edited by Will Dennis
From Brian Azzarello and Eduardo Risso—the Eisner award-winning creative team behind the crime classic, 100 Bullets—comes the brutal new series, MOONSHINE.

MOONSHINE is set during the Prohibition Era, deep in the backwoods of Appalachia and tells the story of Lou Pirlo, a city-slick “torpedo” sent from New York City to negotiate a deal with the best moonshiner in West Virginia, one Hiram Holt. Lou figures it for milk run—how hard could it be to set-up moonshine shipments from a few ass-backward hillbillies? What Lou doesn’t figure on is that Holt is just as cunning as ruthless as any NYC crime boss and Lou is in way over his pin-striped head. Because not only will Holt do anything to protect his illicit booze operation, he’ll stop at nothing to protect a much darker family secret…a bloody, supernatural secret that must never see the light of day… or better still, the light of the full moon.

MOONSHINE #1 will hit stores in Fall 2016 and marks the first time Azzarello and Risso have worked together with Image Comics and reunites the acclaimed creative team that defined modern crime comics with 100 Bullets… and now puts a horror-twist on a classic gangster tale.

moonshine

MOTOR CRUSH by Brenden Fletcher, Cameron Stewart, & Babs Tarr
From the creative team behind the popular, New York Times bestselling Batgirl of Burnside—Brenden Fletcher, Cameron Stewart, and Babs Tarr—comes MOTOR CRUSH—is a stylish, neon-soaked, revved up science-fiction action series.

By day, a Domino Swift competes for fame and fortune in a worldwide motorcycle racing league. By night, she cracks helmets of rival gangs in brutal, illegal bike wars on the city streets to gain possession of a rare and valuable contraband: an engine-boosting “machine narcotic” known as MOTOR CRUSH. But the origins—and ultimate purpose—of this mysterious substance are unknown, and could put her on a collision course with danger…

MOTOR CRUSH rides into town this December 2016.

motor crush

PRIMA by Jen Van Meter, Rick Burchett, Eric Newsom, edited by Jeanine Schaefer
Spies.
Thieves.
Ballerinas.
PRIMA.
You don’t always see who’s standing in the spotlight.

Creators Jen Van Meter and artist Rick Burchett team up to tell an all-new story about a dance company—comprised entirely of former spies—righting the wrongs of the Cold War in a series called, PRIMA.

PRIMA follows Sophia Forais and Pauline French are the soloist and Managing Director of a dance company that once served as a front for a Resistance cell in France. Engaged for a long run in New York, the dancers have turned their attention and unique skills to aiding a veteran of the Romanian underground now being blackmailed by her American husband. The small operation should prove simple, but Sophia, Paulina and their colleagues will quickly learn that the war has not really ended, and the world is no less ruthless than it was when they were smuggling information and refugees during the Occupation.

An espionage/romance adventure set in the arts world just after WWII, PRIMA is a warm-hearted series of intrigues: To Catch a Thief goes to the ballet.

On stands in FALL 2016.

prima

PRINCE OF CATS by Ron Wimberly 
PRINCE OF CATS written and drawn by Ron Wimberly, lettered by Jarred Fisher, and featuring design by Jorden Haley returns to print from Image Comics.

PRINCE OF CATS was first released from Vertigo to critical acclaim in the summer 2012. It was out of print before the following summer. After three years, it will be returning to print through Image Comics.

PRINCE OF CATS is Rosencrantz and Guildenstern are Dead meets The Warriors meets Sword of Doom. PRINCE OF CATS sets Shakespeare’s Romeo and Juliet in an alt-universe, mid-eighties New York where dueling with live blades evolved as a cultural phenomenon alongside New York’s other street cultures; it eschews the story of the titular star-crossed lovers to follow the tragic story of Tybalt, the Prince of Cats.

PRINCE OF CATS, the definitive remastered author’s edition, is set to release in Fall 2016.

prince of cats

ROCKSTARS by Joe Harris & Megan Hutchison
Fan-favorite Joe Harris (THE X-FILES, SNOWFALL) teams up with artist Megan Hutchison for an all-new, ongoing series a la Almost Famous meets Supernatural called, ROCKSTARS.

ROCKSTARS follows a pair of young, rock ‘n roll investigators as they uncover a mystery involving a legendary band, dead groupies, human sacrifice and a supernatural undercurrent connecting so many famous—and even more undiscovered—secrets, myths and conspiracies peppering rock music throughout the ages.

When a pattern of unsolved ‘groupie’ murders dating back to the 1970s resumes in present-day Los Angeles, nobody makes the connection except for Jackie Mayer, a young rock nerd who not only knows everything about music history, trivia and its myriad secrets and factoids, but also harbors a mysterious, almost magical ability to ‘see’ what most people miss, and determine and divine what’s going unreported.

Joined by a music writer and aspiring investigative reporter named Dorothy Buell, and his loyal cat, Skydog, they soon uncover a vast mystery involving a legendary band’s exploits, their mercurial guitarist’s occult associations, demonic possession, and sacrifices to the dark gods of rock.

Each story arc will feature a case sprung from a different rock n’ roll era—British Invasion, Punk, 80s Heavy Metal, etc.—and draw on Jackie’s unique connection, knowledge, and darkly magical associations to crack them.

The series will launch in Fall 2016.

rockstars

ROMULUS by Bryan Hill & Nelson Blake II (Top Cow Productions)
Fan-favorite writer Bryan Hill (POSTAL) and Nelson Blake II come together for an all-new Image/Top Cow series in ROMULUS.

Set in the near future, ROMULUS follows the last in a line of near-mystical martial artists wages a revolutionary war against The Order of Romulus, the ancient secret society that trained her—a global organization, hidden in plain sight, that’s controlled the world since the days of Ancient Rome.

Their plan? Cull the population with genocide and rule a New World Order. Her plan? Kill them all or die angry.

Romulus launches from Top Cow/Image in Fall 2016.

romulus

SEVEN TO ETERNITY by Rick Remender & Jerome Opeña
Writer Rick Remender reteams with collaborators Jerome Opeña (Uncanny X-Force, Fear Agent) and Matt Hollingsworth (TOKYO GHOST, WYTCHES) to bring readers a modern fantasy series following Adam Osidis, a dying knight from a disgraced house, on a mission to rid his world of an insidious God who ensnared him in a Faustian deal.

Gharils Sulm, The God of Whispers is a Machiavellian warlord who holds sway everywhere in the world of Zhal. He’s spread an omnipresent paranoia to every corner of the kingdoms; one of his spies hides in every house, every family, every hall, spreading mistrust and fear.

Adam must choose between joining a hopeless band of magic users in their desperate bid to free their world of the evil God’s burden or give in to the The God of Whispers’ promises of salvation and safety.

The series is set to launch in the Fall of 2016.

seven to eternity

SURGEON X by Sara Kenney & John Watkiss, James Devlin, & Jared K. Fletcher, edited by Karen Berger 
Writer Sara Kenney and artist John Watkiss come together for an all new series, SURGEON X, and join forces with the award-winning Karen Berger, founding editor of DC’s Vertigo imprint.

Set against the backdrop of an antibiotic apocalypse in near future London. Rosa Scott, a brilliant and obsessive surgeon becomes Surgeon X, a vigilante doctor who uses experimental surgery and black market drugs to treat patients. But as Surgeon X, Rosa soon develops a godlike-complex, deciding who will live and who will die. Ultimately, she believes that to survive in this compromised world her own warped moral code is the one she must follow—even if it endangers those closest to her.

The comic is informed by hundreds of conversations with scientists, physicians, historians, economists, ethicists & philosophers to create this deeply disturbing, yet authentic future world.

SURGEON X was funded by a Society Award from Wellcome Trust, an independent global charitable foundation dedicated to improving health. They support bright minds in science, the humanities and the social sciences, as well as education, public engagement and the application of research to medicine.

SURGEON X will launch in Fall 2016.

surgeon x

VS by Ivan Brandon, Esad Ribić, Ive Svorcina, Aditya Bidikar, Tom Muller, edited by Sebastian Girner 
Writer Ivan Brandon (DRIFTER) and Esad Ribić (Secret Wars) team up with colorist Ive Svorcina, letterer Aditya Bidikar, designer Tom Muller, and editor Sebastian Girner for a futurist drama in, VS.

VS follows the rise and fall of Satta Flynn, a wildly popular soldier in a time when War has been privatized and is a form of entertainment.

Armies financed and equipped by super-corporations. War medics that double as Pit Mechanics. Satta’s every move is LIVE on TV. And for the first time, Satta finds out what it’s like to lose.

VS is set to launch in Fall 2016.

vs

WINNEBAGO GRAVEYARD by Steve Niles & Alison Sampson
Writer Steve Niles teams up with artist Alison Sampson, colorist Stéphane Paitreau, and letterer Clem Robins in WINNEBAGO GRAVEYARD.

Sampson used 1970s horror films for inspiration on the artwork and described the book’s overall look as: “about 70% Americana, slightly heightened, like True Blood, and about 30% ripping off of heads.”

A horror-adventure story, WINNEBAGO GRAVEYARD follows a family with a teenage son and what happens when their road-trip goes wrong and they find themselves stuck in a town full of satanists.

WINNEBAGO GRAVEYARD is set to launch in Fall 2017.

winnebago graveyard

Black Canary Releases a 3 Track EP

coverDC Comics has done something really great and fun and released a 3-track EP to help promote the praised comic book series Black Canary. The songs were released to time with the first collection of the series.

The release called EP 1 is the combined awesome of Black Canary writer Brenden Fletcher, Caveboy lead vocalist/guitarist Michelle Bensimon and producer Joseph Donovan, who co-wrote two of the three tracks, and performed all three. The third track of the EP is a cover of a 1981 Bauhaus song.

But, DC is having fun with it launching a microsite with info on Black Canary’s band as well as future tour dates.

The first Black Canary collection, Black Canary Vol. 1: Kicking and Screaming, is available in comic book stores and digitally March 8.

Listen to the album below and pick up your own copy.

(via The Hollywood Reporter)

Review: Black Canary #7

322797-_sx640_ql80_ttd_Black Canary’s most recent arc ends on a high note. Literally.* Brenden Fletcher’s story takes Dinah in a new direction, and instead of beating up bad guys as Black Canary, she’s been recruited as the lead singer of a band and beats up bad guys as the mysterious D.D. Black Canary #7 ties up most loose ends and answers questions that have been hanging over the reader’s (and Dinah’s) head.

Black Canary isn’t the deepest or most involved story, but Fletcher’s story and Annie Wu’s art result in an incredibly fun comic about friendship and family. Dinah originally says she’s touring with Black Canary mostly for the paycheck, with the end goal of rebuilding her personal life: her family, friends, and dojo. However, recent events seem to hint that this may no longer be the case. Black Canary #7 brings closure to Ditto’s story without revealing too much about where Dinah is heading in her personal life. It also sets up the focus for the next arc, which appears to be the white ninja that has been following Dinah since the band’s gig in Byron and Paloma’s hometown, Wainfleet.

The end of this storyline is satisfying. It doesn’t leave readers hanging or string them along. It reveals only enough about the next arc to tease the story, and to keep readers guessing. Fans won’t have to wait too long, though–Black Canary won’t skip a beat in its publishing schedule, and #8 is slated for release on February 10, and Black Canary: Kicking and Screaming, collecting issues 1-7, will be released in March.

Both Brenden Fletcher and Annie Wu will return for #8. They work well as a team, and Wu’s art lends distinctly human and modern qualities to the characters. Their facial expressions are incredibly realistic (especially when fighting) instead of passive. Dinah and Bo Maeve both wear fashionable, popular clothing, a detail which is lacking in so many other popular comics (save for, perhaps, Babs Tarr’s Batgirl art.)

Black Canary is a fun comic to read, and will hopefully continue in this punk but enjoyable direction in the future.

*I’m only kind of sorry for the terrible pun.

Story: Brenden Fletcher Art: Annie Wu
Story: 7.7 Art: 9.5 Overall: 8.6 Recommendation: Read

Review: Batgirl #45

batgirl45babsThis is the big queer wedding of the year! This issue is also an enormous moment for one of comics most obsessed over couples: Dick and Barbara (and Dick wasn’t on the guest list). These pages are practically glowing with life and light. The dialogue is completely natural and charming. It’s drawn by Babs Tarr so of course the clothes are lovely. Best wedding clothes since Big Barda and Mister Miracle’s wedding in 1974. This issue is a must-read for fans of the new series and fans of Batgirl’s past incarnations as well. Go get it.

The rest of my review presumes you’ve read this issue. Here goes:

Comic book weddings adhere to Shakespeare’s line: “The course of true love never did run smooth.” In comics weddings are always full of dramatic complications like teammates getting possessed by a demon/their father, murdering the minister and impregnating the bride with a “demon seed”. Or there is interference from Doctor Doom using a High Frequency Emotion Charger to compel Super Skrull & every other baddie to lay siege.

This wedding isn’t those weddings. This is the most mature and realistic wedding in a comic and yes, it was still fun. It was even darn romantic. There was New Wave.

Because of the serialized nature of comics editorial teams tend to throw wrenches into permanent relationships (cough, Spider-Man: One More Day cough). Relationships are kept up in the air to provide the melodrama we love. The world’s best podcast, Rachel and Miles X-Plain the X-Men explains how and why Cyclops’ marriage to Madelyn Pryor was killed by editorial demand, which is a prime example of this. Check out episodes “22- Through Death and Through Love” (aka The Jean and Scott wedding episode) and “54- Who You Gonna Call” aka “The death throes of Scott and Madelyne’s marriage”.

But that’s the dangerous fate of protagonists. Alysia, Bab’s former roommate and close friend isn’t the series protagonist, she’s a major supporting character so she can have the “spouses for life” relationship, as the characters word it in their vows.

The theme of Batgirl #45 is pretty unusual for a super hero comic: it’s acting like a damn grown up.

Dick comes in through the window (of course) right before the wedding and forces Babs to suit-up and chase him to the museum where they first met (in 1967, because timelines are for pedants). It is incredibly manipulative and juvenile of him. Dick is that ex who shows up out of nowhere expecting you to drop everything and presumes the world revolves around them. In an earlier era or in other writers’ hands this scenario would result in meltdowns for all of the couples. In other hands Barbara’s date Luke Fox would’ve punched Dick in the face. But instead Babs and Luke act like grownups. And I love it.

Babs might tussle with Dick for a moment but the issue resolves with her explaining to him, incredibly effectively, how unacceptable his actions are. He had unilaterally forced her to move on but she’s “in a good place right now” and he needs to respect that.

Batgirl 45 Luke is perfectBabs practically expects Luke to drop her because she ran off to deal with Dick and left him alone for a few hours. But instead Luke refuses to blow things out of proportion (and when was the last time someone in a comic didn’t blow something like this out of proportion?!). He explains that “our past doesn’t just disappear when we want it to. Sometimes you have to deal with it” because being a grown-up means not flipping out every time your partner’s ex shows up. Luke is seriously perfect in this book.

Some critics have been unhappy with the recent New 52 treatment of Dick and Babs. They say that while Dick has been allowed to grow-up and change Babs is still written as a young woman– in fact, at present, a younger woman then she was at the time of the relaunch. But here we see that she’s a young woman who has her shit together. Meanwhile Dick is acting like an inconsiderate man-child. This isn’t his book. That’s totally fine by me.

Someone out there is going to complain that Dick’s characterization here is too different from how he’s written in Grayson (or visaversa). It’s actually not. In both cases his actions are the same. It’s just that in Grayson we see his view of why he made the decision to play dead and join the Spyral spy agency and here we see it through Babs perspective. Everyone is the hero of their own story. This feels right and it works. Batgirl threads a fine needle: it is self-contained enough to be highly accessible to new readers, even those who don’t read other comics. Yet it clearly exists in the broader DC universe.

The increase in same-gender weddings has led many people of all genders and orientations to reconsider their assumptions about wedding ceremonies. The queer wedding ceremony here is conventional in some ways— for example, Jo and Alysia are walked down the aisle by their dads. They wear white and are married by a church officiant (I’m guessing she’s an Unitarian minister but could be Episcopalian). The officiant by the way, is butch and butch women are pretty invisible in comics so this detail is appreciated.

The wedding venue is the spitting image of many of my peers here in NYC. The couple wrote their own vows, “I pledge to be your everlasting partner in times of joy and in times of trouble. I make this commitment to be by your side.” The officiant then says “I now pronounce you spouses for life.” It’s such a lovely little ceremony and it’s not overly gendered. In my own wedding I was never comfortable with the terminology of “bride” and “groom” so we completely avoided them in our wedding ceremony. After exchanging the vows that we wrote together all of our friends and family pronounced us married. It’s so nice to see a ceremony like this presented in popular culture. It’s nice to see a wedding even a little bit like mine. A lot of queer weddings get squeezed into conventional heterosexual forms in popular culture.

A point that a friend who is trans brought up is that if a reader isn’t familiar with the current cast of Batgirl then they might not know that Alysia is trans. I think this is the first trans wedding in a DC or Marvel comic. Alysia herself was huge news when she was created. Wedding issues do attract a lot of new readers so there might have been a opportunity to note the significance of this being a transwoman getting married within the issue. It is incredibly significant to have this representation as well.

The book ends with Babs’ perfect cinnamon roll Luke texting her to make sure she got home safe and texting that he’s “looking forward to the next wedding ;)” Implication being the next wedding they go to might be theirs?!?

Batgirl, one red-headed grown-up to another, Luke is great but you my dear are far too young to get married. Regardless, the writing on this book is so good that I’m on board for whatever they have planned. I have trust. These are grownups. But grownups that still know how to have fun. Grownups that wear yellow Doc Martins to weddings. It’s a good look.

(Post script: ok actually this issue ends with a menacing shadow in a door way repeating a secret code but that’s not related. Or is it?)

Also, is this the song that Black Canary is playing at the wedding? There are no perfect matches for those lyrics and knowing the creative team’s tastes and Dinah’s promise of 80s music it could well be Siouxie and the Banshees. UPDATE: the song is confirmed!

Story: Cameron Stewart, Brenden Fletcher Art: Babs Tarr
Story: 9 Art: 9 Overall: 9 Recommendation: Buy (also makes a great wedding gift)

Review: Black Canary #3

Black Canary #3 CoverBlack Canary’s worst nightmare has come true: child prodigy Ditto has been kidnapped! But the perp isn’t your average criminal mastermind…

If this issue had a soundtrack, it’d be a rock version of Carl Douglas’ Kung Fu Fighting. Written by Brenden Fletcher, the issue has Black Canary doing what she can to fight off the group’s attackers and protect Ditto at the same time.

The issue is almost all action and fighting with that dying down in the last quarter or so as things are explained and we learn a hell of a lot of what’s going on. I think that explanation might be my only issue. While you absolutely need to no nothing as to what’s come before as far as Black Canary’s life, I still felt like I was missing something, which was a little frustrating. But, it’s still impressive that you really can be absolutely fresh as far as characters and be totally good.

There’s tons of action here, and it’s presented in an almost cinematic fashion in that the various fighting would look awesome on the big screen being acted out.

That cinematic feel is partially due to artist Annie Wu. Her art is presented in a style and with angles that enhance the action and makes it feel more like a director setting up exciting shots. It’s very cool and feels like something I’d want to see in a movie or television.

The issue is a solid mix of action, some humor, and revelations. The end was something that was a bit obvious, but it’s still something I want to see where it goes. Fletcher and Wu are giving us a rocking series that’s full of fun action, and a great mix of humor too.

Story: Brenden Fletcher Art: Annie Wu
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Listen to Graphic Policy Radio with Guest Brenden Fletcher on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher

Graphic Policy Radio interviewed writer Brenden Fletcher for our podcast and if you like his work (Batgirl, Black Canary, Gotham Academy) and/or care about creating inclusive comics in which young people, people of color, women and girls and LGBTQ people are represented then you should give it a listen.

We got to break some news last night! Brenden just received new pages drawn by the great Ming Doyle (who we interviewed the week before). The two share a gothic aesthetic so it’s a great collaboration. Not sure which project it will be for…perhaps the Batgirl Annual?

Helen Chen, the artist who drew the painterly, charming and lightly Miyazaki-ish Gotham Academy #7, will be an artist for the Batgirl Annual.

I invented the concept of Schrodinger’s Oracle. Dare we look into the box (issue 41) to see if there’s a new Oracle? Brenden’s response to my question was rather specific.

If future issues of Brenden’s books are late it’s because I told him about Gravity Falls, a TV cartoon I describe as Twin Peaks for kids. Oops.

We learned the inspiration behind rock and roll Black Canary, Brenden’s musical past, some hidden Batman characters in Gotham Academy and the secret behind why Montreal is a comics hub (it has something to do with public policy…)

And that’s just the beginning!

Graphic Policy Radio with guest Brenden Fletcher LIVE this Monday

GP Radio pic MondayThis Monday night Graphic Policy Radio hits the airwaves with a brand new guest. Joining us for the first time is comic creator Brenden Fletcher. The show airs live Monday, June 22 at 10pm ET.

Brenden Fletcher has been a professional storysmith for more than a decade. Hailing from the worlds of theatre and film, Brenden made an impact on comics with DC Comics’ award-winning Wednesday Comics anthology, penning the critically acclaimed Flash story with Karl Kerschl. Since then he’s been developing new media and video game properties, most recently partnering with Ubisoft to extend its line of Assassin’s Creed graphic novels. He’s currently writing the Black Canary series for DC Comics while continuing to co-write Batgirl with Cameron Stewart and Gotham Academy with Becky Cloonan.

We’ll be discussing Brenden’s entire career but especially his work on Gotham Academy, Batgirl, and the brand new Black Canary which debuts in comic shops this week.

You can Tweet us your thoughts to @graphicpolicy. And listen in live this Monday!

Review: Black Canary #1

black-canary-1-promo-121636Dinah Lance hits the road! After years as a soldier and vigilante, the LAST place Dinah saw herself is on stage…but she’s quickly learning she’d die to protect the gang of misfits she’s fallen into. And she just might have to – for some reason, the newly rechristened band Black Canary seems to be a magnet for trouble…and Dinah’s not gonna believe it when she finds out the reason why!

Martial arts, super-spies, and rock ‘n’ roll combine in Black Canary #1 courtesy of writer Brenden Fletcher and artist Annie Wu. Going into this first issue, I didn’t know what to expect. We know Dinah joined a band from her time in Batgirl (of which Fletcher is a writer), but can you make a series just from that? Fletcher proves you can, but it’s also fun to add in all kinds of fighting, aliens, a mystery, and a lot of humor.

The great is folks can pick up the first issue and need to know absolutely nothing. Dinah’s past is a mystery in this series, and whether you know it or not, it doesn’t matter, and both old an new readers will be able to go into it and enjoy it in different ways because of that. But, it’s that humor and action that will get people hooked. Black Canary #1 to me feels a little like Scott Pilgrim, but with a much more kick-ass lead singer.

Part of that Pilgrim vibe is the art which might be the one that most breaks from what I’d consider DC’s house-style that was prevalent during the New 52. Annie Wu’s art is very cool to check out matching a rock and roll vibe. It’s something I’d expect on a flyer advertising an underground rock concert. It’s very unique, and just cool to check out.

Black Canary seems to be another break from the DC mold, helping the publisher diversify their line and most importantly do that with fun, entertaining comics. When I was done reading the first issue I not only wanted to read the second, I also wanted to hear the album that’d been produced by the band within.

Story: Brenden Fletcher Art: Annie Wu
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Batgirl #37

Batgirl 037For anyone that might think that after looking at this garish cover that the series has gone a bit overboard is kind of missing the point, because that is exactly what this issue is about.  While the story loosely follows a pretty generic story line here, it is exactly this over-the-top approach which is what makes this issue excel, not in the actual application of the material, but rather in the social commentary.  It is pretty rare for DC (or Marvel) to put out an issue like this one, but this ends up being a near perfect synthesis of fun and serious in one issue.  The story focuses on Barbara trying to find the person that has been impersonating her and ruining her reputation.  This involves both a standoff after her doppelganger is involved in a heist and then a seemingly out-of-place art show focused on her.  This involves a beautiful moment focused on the character’s past, before moving on to the final showdown with the faux-Batgirl.

Where this series has succeeded under the new creative team is with the personal focus on the character.  The villains are somewhat interchangeable thus far, both in terms of their motivation and their inspiration.  In essence, one might expect something similar from the villains out of the 1960s Batman television series.  It is not the villains where the heart of this series lays though, rather with the complexities of the main character and her supporting cast.  When they get dressed up for the art exhibit, it feels like the reader is going along with them, not as a vicarious journey, but rather sharing their genuine experiences, and while some fans might read this and think that it is not a typical superhero comic, it deserves praise for not being so.  It is character driven with a strong enough social message to make it all the more pertinent.

The end result is one of the best single issues that I have read in a long time in comics.  The first impression of this issue does lead to the concept of superficiality as the cover suggested, but once the reader realizes that this is meant as a criticism and not as homage, then it becomes clear that something a lot deeper is transpiring here.  Although Barbara is a fictional character she lives through challenges that seem real enough, as instead of worrying about stopping an invasion from Apokolips she is dealing with problems that would seem real enough to people in the real world.  This is a series with a heart and a soul, and it wears it proudly for all to see, and is really one of the standout series from DC at the moment.

Story: Cameron Stewart and Brenden Fletcher  Art: Babs Tarr
Story:  9.5 Art: 9.5  Overall: 9.5  Recommendation: Buy

Review: Batgirl #36

bg036covIn the past few months DC has been doing a lot of good things with the female heroes in the Gotham/Batman related titles.  Gotham Academy was launched which was focused on Young Adult age characters, and Batgirl was relaunched, focusing on New Adult age characters.  In both cases, the series forego a lot of the normal that comes with comic book heroines, at least at the big two, and focuses instead on their characters.  What is even more interesting, is that while these two series could ostensibly be aimed at a specific demographic based on the characters that they represent, they really aren’t.  It has been a while that I have seen two series that should have an all-ages fan base, especially two based on female heroes better known for using their brains than their fists.

This most recent issue of Batgirl focuses both the ongoing torments of Barbara’s normal life, as well as the introduction of some new villains to give her problems as Batgirl.  Although the sub-plot with the heroes is interesting it is really in the personal moments where this series succeeds.  Just as with Gotham Academy, there is a separate story being told here, one that is very different from those in Gotham, but one with its feet still very much placed in that universe.  Barbara has to deal with Dinah (Black Canary) sleeping on her couch, but equally she has to deal with crushing on a young professor, being pestered by the dating profile that she set up in the last issue, and going shopping for clothes that she can’t afford.  What makes this an even more engaging read is that these problems are shown as more organic than most heroes.  Bruce Wayne sleeps through board meetings to keep his secret identity real, but when Batman is on the hunt for the Joker, he won’t sleep for days on end until he is found.  Here there is a different dynamic as Barbara has to deal with a problem as Batgirl then switch back to Barbara to worry about problems which are more mundane but equally important to the character.

Without the proper balance this would fall apart, but the creative team has their story as compact and as fluid as possible.  In all honesty, the two villains that were introduced here were pretty weak, but the two of them seem to be more like throwaway villains, ones that likely won’t be seen again.  It is in the other areas where this issue succeeds, in the characterization of its heroine and even adding depth to the secondary characters.  DC now has two exceptional Gotham based titles on its hands, neither of which have to do directly with Batman.

Story: Cameron Stewart and Brenden Fletcher Art: Babs Tarr
Story: 8.7  Art: 9.0 Overall: 8.7 Recommendation: Buy

« Older Entries Recent Entries »