Tag Archives: richard sala

Around the Tubes

Star Wars: Doctor Aphra #1

Things are ramping up and we’ve got some interviews coming at you over the next few days, reviews, and so much more! While you wait for that, here’s some comic news and reviews from around the web in our morning roundup.

The Beat – RIP Martin Pasko – Our thoughts are with his friends and family.

The Comics Journal – Richard Sala 1955-2020 – Our thought are also with his friends and family.

The Beat – A YEAR OF FREE COMICS: Follow the comedic adventures of Basri and Hector in ELF & WARRIOR – Free comics!

Newsarama – KICKSTARTER’s Comics Outreach Lead CAMILLA ZHANG Laid Off – It’ll be interesting to see who, if anyone fills the role, if anyone ever does.

CBR – Did Jack Kirby Ever Draw Wolverine in a Comic Book? – Hadn’t thought about this, but now that it’s brought up…

Variety – The CW Acquires Rights to ‘Swamp Thing,’ ‘Tell Me a Story’ – Interesting.

Book Riot – Hmmm: How to Read The Witcher Books and Comics – For those wondering where to start and where to go from there.

Reviews

The Beat – A Man & His Cat
Newsarama – Bad Karma #1
Newsarama – Star Wars: Doctor Aphra #1

Review: The Bloody Cardinal

As far back as I can remember popular culture has always been obsessed with murder mysteries. This is the exact reason Sherlock Holmes has been such a pivotal figure in law enforcement even though he is completely fictional. This obsession also is why the world has been somewhat fascinated with Jack the Ripper.  AS this murder mystery has been the subject of several books, tv shows, comics and movies.

Even the world-renowned crime author, Patricia Cornwell, did her own research into the subject which she turned into a true crime book. This very fascination explains a lot about humans and our obsessions with people who explore the darker recesses of the mind. Al Capone and John Dillinger are considered legendary and why these subjects continue to be explored. This obsession spills over into comics as Richard Sala explores a similar fictional figure in The Bloody Cardinal.

In the opening pages, we meet a young lady, Clara Clarette, who is looking for a rare book, but something about the book shop and the mysterious details that booksellers give her, leaves her suspicious. This leads to her being killed by knife, which introduces us to Inspector Coronet and Doctor Sun, who is investigating her murder and Bill Beaker, the “Bloody Cardinal” would be his number one suspect, if he wasn’t dead himself. We also meet Trini Toledo, who was the last person Clara spoke to. By book’s end, we find out who was possibly using Beaker’s identity but as all good mysteries do, it ends with a twist that no one saw coming.

Overall, an excellent book which proves Sala is one the premiere crime noir writers of our time. The story by Sala is frightening, unnerving, and suspense filled. The art by Sala is entrancing. Altogether, a spooky thriller which will have readers second guessing their instincts about who the killer is until the end.

Story: Richard Sala Art: Richard Sala
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Fantagraphics says FU with New Imprint

FukitorFantagraphics Books is launching Fantagraphics Underground Press (FU Press), a new micro imprint that will publish books and print projects appealing to a smaller, more rarefied readership. The Fantagraphics mission has always been to publish comics and cartoons that take risks and reflect the uncompromising vision of the artist. It’s also crucial for them to put out books that will survive in an unforgiving mass market, but, what about work that doesn’t quite fit into their standard business model? Work by relatively unknown cartoonists that’s innovative, quirky, idiosyncratic, oddball, experimental, or downright crazy, work by established cartoonists that’s simply off-kilter or too obscure to sustain a mass market release, or archival work by significant cartoonists who have been overlooked and that might otherwise be short-shrifted due to the commercial demands of the traditional marketplace.

The FU Press imprint will inhabit a space between self-publishing and mass-market publishing. They’ll print limited editions (between 100 and 500 copies), market them on their website, help arrange signings and convention appearances, and sell them at comic festivals and to a select few comics shops across North America. New Jersey based independent printer, Jon Barli, will be supervising the printing and production of all the FU Press books. With such an ever-changing landscape, Fantagraphics has the opportunity to produce exciting and hand-crafted editions in short runs here in the United States utilizing a wide gamut of printing methods and formats: everything from a traditional digital-offset paperback to a hand sewn jacketed softcover to an epic accordion book; as projects demand, we can utilize silkscreen or letterpress, or any combination, and create truly artisanal books.

The Emperor's New Clothes The Tower of Babel in the Art WorldFantagraphics wants the cartoonist to be as involved in all of these areas as he or she wants to, but they’re willing to do the heavy lifting, allowing the cartoonists to focus on their creative work without worrying about every step of the commercial process – the logistics and financial hassles of printing, distribution, and promotion.

The first two FU books will debut at Small Press Expo (SPX) in Bethesda, MD and be available for purchase by mail in October of 2014. They are both violent responses to different aspects of pop culture, high and low. Jonah Kinigstein‘s The Emperor’s New Clothes: The Tower of Babel in the “Art” World is an 80-page oversized landscape-format softcover collecting Kinigstein’s political cartoons inveighing against the trends of abstract and modern art through the 20th century. Meticulously rendered in pen and ink in the tradition of George Townshend and James Gilray, the elaborate compositions skewer artists, curators, and critics. Jason KarnsFukitor is an attack of a different kind: reprinted from the artist’s self-published zine, the book is a 144 page compilation of full color comics that reside uneasily between a straight and satirical response to the violence, xenophobia, and sexual and racial stereotypes found in pop culture.

Future projects include portfolios of drawings by Richard Sala and Guy Colwell, and a reprint of seminal underground/alternative cartoonist George Metzger’s Beyond Time and Again.

It’s fitting that the name of the imprint is Fantagraphics Underground (FU Press) – since underground comics were a source of inspiration when Fantagraphics started publishing The Comics Journal in 1976; in 1981 Jack Jackson’s Los Tejanos was the first “graphic novel” we ever published. The underground comics movement was a guerilla model we looked up to: uncensored expression, author ownership, and work that could only be published outside of mainstream channels. FU Press is a return to our roots.

Fantagraphics Partners With ComiXology to Debut Violenzia by Richard Sala

Fantagraphics Books has partnered with comiXology to debut Fantagraphics’ first original, digital exclusive comic book, Violenzia. Written and illustrated by acclaimed creator Richard Sala, Violenzia is an all-new, full-color, $5.99, 50-page one-shot exclusively available today across comiXology’s entire platform including iPhone, iPad, Android, Kindle Fire, Windows 8 and comiXology.com.

A fast moving, self-contained story, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala’s trademark humor and sense of the absurd, Violenzia is serious fun, a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes.

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Preview – Delphine

Delphine

by Richard Sala

128-page two-color (with some full color) 7.25″ x 10″ hardcover • $24.99
ISBN: 978-1-60699-590-7
In-store date: January 18, 2013 (subject to change)

A mysterious traveler gets off the train in a small village surrounded by a thick sinister forest. He is searching for Delphine, who vanished with only a scrawled-out address on a scrap of paper as a trace.

Richard Sala takes the tale of Snow White and stands it on its head, retelling it from Prince Charming’s perspective (the unnamed traveler) in a contemporary setting. This twisted tale includes all the elements of terror from the original fairy tale, with none of the insipid saccharine coating of the Disney animated adaptation: Yes, there will be blood.

Originally serialized as a multiple Ignatz Award-nominated deluxe comic book series, Delphine is executed in a rich and ominous duotone that shows off Sala’s virtuosity — punctuated with stunning full-color chapter breaks.

“Richard Sala is an artist, a superb craftsman and a very funny man.” – Gahan Wilson

“I adore Richard Sala’s Delphine.” – Junot Diaz

“Richard Sala’s take on Snow White is as beautiful as it is macabre.” – Comic Book Resources

ABOUT THE CARTOONIST: Richard Sala lives in Berkeley, California. His artwork been exhibited internationally and his animated serial “Invisible Hands” appeared on MTV’s Liquid Television. He has done illustrations for many magazines and newspapers, including Esquire, Newsweek, Playboy, The Washington Post and The New York Times, and for work by writers including Lemony Snicket and Jack Kerouac. Delphine is his eighth book for Fantagraphics.

delphine