Tag Archives: michelle madsen

Preview: Firefly Legacy Edition Book One SC

Firefly Legacy Edition Book One SC

Publisher: BOOM! Studios
Writers: Joss Whedon, Zack Whedon, Patton Oswalt, Brett Matthews, Jim Krueger
Artists: Will Conrad, Chris Samnee, Patric Reynolds, Fabio Moon
Colorists: Laura Martin, Dave Stewart, Michelle Madsen, Julius Ohta, Chris Peter
Letterer: Michael Heisler
Cover Artist: Nimit Malavia
Price: $29.99

BOOM! Studios presents the the first of two Firefly Legacy Editions collecting all the previously released Serenity comics for the first time under one cover in an all-new value priced format that no fan can afford to miss.

From Joss Whedon (the visionary creator of Buffy the Vampire Slayer), buried histories and secret identities are revealed, along with all the heist-takin’, authority-dodgin’, death-defyin’ space-cowboyin’ you’ve been missing from your life, as this ragtag crew of mercenaries, outlaws, and fugitives travel the stars in search of their next adventure in these sequels to the hit Firefly television series and Serenity film.

Collects Serenity: Those Left Behind #1-3, Serenity: Better Days #1-3, and Serenity: The Shepherd’s Tale OGN.

SDCC 2018: Dark Horse Celebrates the 25th Anniversary of Hellboy’s First Appearance at San Diego Comic-Con With 3 New Mignolaverse Titles

In 1993, legendary comic book creator Mike Mignola’s most famous creation, Hellboy, first appeared in a four page, black and white story in San Diego Comic-Con Comics #2, months ahead of his full issue comic book debut in Hellboy: Seed of Destruction. Co-published by Dark Horse Comics, this story introduced one of the most beloved comic book characters in history and launched what would become known as the Mignolaverse — the strange, shared universe of comic books and graphic novels, comprised of acclaimed titles including Hellboy and the B.P.R.D., Abe Sapien, B.P.R.D., Frankenstein Underground, Lobster Johnson, The Visitor: How and Why He Stayed and Witchfinder.

25 years later, Mignola is once again returning as a Special Guest to San Diego Comic-Con International, where the convention will celebrate the 25th anniversary of that first 4-page story by including the historic story in their 2018 Souvenir Book. The story, which previously had been published with colors by acclaimed colorist Matt Hollingsworth, will now be colored by Eisner Award-winning colorist and longtime Mignola collaborator Dave Stewart and will appear alongside an all new interview with Mignola and Jed W. Keith. In addition, Mignola and Stewart have created an all new cover for the San Diego Comic-Con International Events Guide.

Ahead of the convention and the planned celebration of Mignola and his creation, Dark Horse Comics is announcing three new Mignolaverse comic books, which further expand and enrich the epic story that has been entertaining fans around the world for two and a half decades.

The three new titles, which Dark Horse Comics will publish in 2018, span the globe and showcase very different corners of the Mignolaverse — the occult cold war escalates in Hellboy and the B.P.R.D.: 1956; Lobster Johnson’s biggest foe, the Crimson Lotus, is featured in her first ever, eponymous mini-series; and the annual Hellboy Winter Special features festive and supernatural stories from Mike Mignola and Ben Stenbeck, Tonci Zonjic, Fábio Moon and Gabriel Bá.

The three new titles are:

Crimson Lotus five-issue mini series

Mike Mignola (W), John Arcudi (W), Mindy Lee (A), Michelle Madsen (C), Tonci Zonjic (Cover)
Issue 1 on sale date: 11/21/2018
Before she became Lobster Johnson’s biggest foe, the Crimson Lotus was a young girl whose family was caught up in the Russo-Japanese war. Thirty years later, the Lotus exacts her revenge with terrifying international ramifications, and two spies must try to chase her through China before they become flies in her web.

Hellboy and the B.P.R.D.: 1956 five-issue mini series

Mike Mignola (W), Chris Roberson (W), Yishan Li (A), Mike Norton (A), Michael Avon Oeming (A), Dave Stewart (C), Dave Johnson (Cover)
Issue 1 on sale date: 11/28/2018
Pressure is mounting within the bureau to uncover the Soviets’ secret plans, but a suspicious cover-up leads one agent off the radar in search of answers. Meanwhile, demonic Soviet occult leader Varvara pushes her team to follow her own whims, and Hellboy is sent on the mission that would lead to his infamous misadventures in Mexico. But even more clandestine plots are at work—both inside the B.P.R.D. and out. Three different storylines are interwoven in this espionage saga.

Hellboy Winter Special 2018

Mike Mignola (W/Cover), Fábio Moon (W/A/variant cover), Gabriel Bá (W/A/Variant cover), Tonci Zonjic (W/A/C), Ben Stenbeck (A), Dave Stewart (C)
On sale date: 12/12/2018
Three wintery tales featuring a Mike Mignola and Ben Stenbeck team-up about a New Year’s Eve séance gone wrong when Hellboy visits a family’s English home, Fábio Moon and Gabriel Bá revisit B.P.R.D.: Vampire with a new tie-in story, and Tonci Zonjic returns to write and draw Lobster Johnson.

Fans will be able to ask Mignola about the new titles —and anything else the audience wants to talk about regarding his career —  at the San Diego Comic-Con international Spotlight panel on Mike Mignola on Friday, July 20th at 2:30 PM PT in Room: 24ABC. Mignola will also be signing at the Dark Horse Comics booth (#2615) on Friday July 20th at 4:30 PM and exhibiting at Booth #4901, alongside artists Geof Darrow, Frank Cho and Steve Purcell from Wednesday through Saturday.

The new titles join an exciting Mignolaverse publishing lineup for the year, including the Hellboy Omnibus Collection, which creates the definitive reading experience for Hellboy fans and an ideal entry point for new readers by publishing Mignola’s award-winning Hellboy stories in chronological order for the first time ever.

Starburn Industries Launches SBI Press on Free Comic Book Day and Announces New Staff

Starburns Industries, the production studio that brought you Rick and Morty, Anomalisa, and Harmonquest, is expanding beyond film and television development with Starburns Industries Press (SBI Press), a publisher of books, comics and specialty cassette tapes.

SBI Press’ talent includes Dan Harmon (Community, Rick and Morty), Dino Stamatopoulos (Moral Orel, Community, Mr. Show), and the vast network of comedians, writers, and podcasters affiliated with Starburns Audio.

The new imprint has signed a distribution agreement with Diamond Comic Distributors the world’s largest distributor of English-language comic books, graphic novels, and pop culture products, and its book trade division, Diamond Book Distributors.

The new division is founded and headed by Starburns production executive Simon Oré, who will serve as President of SBI Press. Joining Oré to build the division are new hires Brendan Wright, formerly of Dark Horse Comics and New Arab Media, who comes on board as SBI Press VP and Executive Editor, and Trevor Richardson, formerly of Diamond Comics Distributors, who fills the role of SBI Press VP of Acquisitions. The staff is rounded out by Editorial & Production Assistants Ross Clark and Paige Dowling, and PR and Marketing Manager Cassandra Church, with Starburns Producer Casey Rup (VICELAND’s Party Legends, Ricking Morty) serving as producer and consulting editor.

SBI Press becomes the first publisher to debut through the comics industry’s annual Free Comic Book Day event with the showcase Starburns Presents on the first Saturday of May. The anthology title will preview the SBI Press’s 2018 slate, headlined by a short story from comedian and writer Patton Oswalt, artist Troy Nixey, and colorist Michelle Madsen.

Coinciding with Free Comic Book Day, the May edition of Diamond’s Previews catalog will include the company’s first launches: Dan Harmon’s biting take on supervillainy, Gregory Graves, cowritten with Eric M. Esquivel, and illustrated by Brent Schoonover, Ted Naifeh, and Rebecca Nalty; Dino Stamatopolous and Leah Triscione’s graphic novel Trent, “a lighthearted tragedy with music”; and the company’s first series, Hellicious, a family comedy set in Hell, written by Alan C. Medina and Mina Elwell and illustrated by Kit Wallis and Jio Butler.

From there, the first wave of titles in 2018 continues with Comics Comics, teaming fan-favorite stand-up comedians with leading comic industry talent in an anthology series, Oddwell: The Frog of War, a fantasy-adventure comic series from writers David A. Clarke and Walter A. Bryant III and artist Acacia T. Rodarte; and The Crawling King, an illustrated dark fantasy novel by award-winning filmmaker and animator Einar Baldvin.

Preview: Aquaman #34

Aquaman #34

Story: Dan Abnett Art: Kelley Jones
Color: Michelle Madsen Letterer: Steve Wands
Cover: Andy Kubert, Alex Sinclair
Variant Cover: Joshua Middleton
Group Editor: Brian Cunningham Editor: Alex Antone Assistant Editor: Andrea Shea
In Shops: Mar 21, 2018
SRP: $3.99

“King Rath: Secret Origin”! Even after a decisive victory is won by Aquaman and the resistance, King Rath tightens his grip on Atlantis by unleashing an ancient magic that has not been seen for thousands of years. But little is known about the true origin of the man who calls himself king…until now! Witness the shocking origin of the nefarious King Rath in this special issue!

Review: Angel Season 11 #1

stl029890In the final season of the Angel TV show, beloved supporting character Fred Burkle (played by Amy Acker) was animated by the Elder God Illyria after her death. In a similar manner, Angel Season 11 #1 has some familiar faces, like Angel, Fred, and even flashbacks to Angel’s earliest days as a vampire in Ireland, but the comic reads like popular licensed characters going through the motions of a run of the mill horror\mystery\time travel story. Piling up genres and setting the comic in Ireland doesn’t add much to a snooze of a read.

The best Buffy and Angel comics have nailed the ways characters have spoken as well as their relationships and motivations and making changes in line with this. For example, Christos in Angel and Faith had Faith helping Angel find redemption by raising Giles from the dead, and there just happened to be other dimensions along the way. Unfortunately, writer Corinna Bechko just throws Angel and Fred into a haunted hotel in Dublin, has middling artist Gerardo Borges throw up some creepy imagery when he can’t even get Angel’s expressions straight, and adds some gimmicks like time travel to give the plot forward momentum. It seems like there will be a conflict between Fred and Illyria, but Bechko and Borges just use the latter to get them out of any plot snafus. She is like Superman of the Silver Age and gains abilities to fit the plot’s needs with no consequences to speak of so far.

With the exit of Faith as a co-headliner, Angel Season 11 #1 has the task of building a supporting cast, which is a problem that its sister title doesn’t have. Except this whole issue is just Angel and Fred running around a hotel pel-mell, looking in a coffins, and following random spiders. There is no relationship building or real tension between our two leads, and it seems like they are just there to fill the quota of two leads in a supernatural themed procedural. (Mulder and Scully, they are not.) Even when Giles’ immortal aunts Lavinia and Sophie show up, the writing for them lacks its comic relief.

The one positive in Angel Season 11 #1 is Michelle Madsen’s color palette. She uses a grey screen print tone to give the demon that Angel and Fred (Later Illyria.) battle a kind of Wicker Man vibe and uses a similar effect in the opening page with some black to introduce a still brooding Angel. Borges’ character poses and action/magical movements are all over the place, but Madsen’s sparkles of energy are a reminder that the Buffyverse is a place of wonder even if the stories set in it sometimes aren’t the greatest.

Angel Season 11 #1 ends with Angel traveling back in time so maybe figures from his past will pop up and playing supporting roles and help this comic transform from Irish Supernatural-lite to the Buffyverse’s “Days of Future Past.” But, for now, it’s just a mediocre exorcism story with a time travel twist, two stiff lead characters, and uninspiring art. It’s definitely not the best way to launch a new season.

Story: Corinna Bechko Art: Geraldo Borges Colors: Michelle Madsen
Story: 4 Art: 5.5 Overall: 4.7 Recommendation: Pass

Dark Horse provided Graphic Policy with a FREE copy for review

Exclusive Preview: Witchfinder: City of the Dead #5

Witchfinder: City of the Dead #5

Mike Mignola (W), Chris Roberson (W), Ben Stenbeck (A), Michelle Madsen (C), Julian Totino Tedesco (Cover)

On Sale Date: 12/28/16

The Witchfinder returns to the secret chambers of London’s underground to stop the powerful vampire Vladimir Giurescu before he creates an empire of the risen dead.

wfcofd-5-cvr

 

Mignola and Christopher Golden Conclude the Baltimore Saga in 2017

In 2017, Mike Mignola, the legendary creator of Hellboy and New York Times bestselling novelist Christopher Golden will reunite for the epic conclusion to Baltimore with Baltimore: The Red Kingdom, a five part comic book series from Dark Horse Comics co-written by Mignola and Golden, with art by award-winning children’s book illustrator Peter Bergting, colors by Michelle Madsen and stunning covers by Ben Stenbeck.

In Baltimore: The Red Kingdom, Lord Baltimore is missing. The Red King—evil incarnate—is taking over the world. Baltimore’s team has been driven apart, with some of them dying on the frontlines, while others are in hiding. Since the day he set out for revenge on the vampire who killed his family, Baltimore’s fight has gotten bigger than he’d ever imagined, but what role will he take as evil finally threatens to consume the world?

The first issue of Baltimore: The Red Kingdom goes on sale from Dark Horse Comics on February 1, 2017.

baltimore-the-red-kingdom

Angel Gets a Season 11 with a New Creative Team

Buffy’s first love will receive a solo series and a “re-vamped” creative team in Angel Season 11. Corinna Bechko writes Season 11 while Geraldo Borges illustrates the series, and Michelle Madsen colors the issues. Scott Fischer and Jeff Dekal both created covers.

Angel Season 11 finds Angel being tormented by memories of his past. His visions link his dark past to a Big Bad coming in the future. The goddess Illyria intervenes and assists Angel as he discovers that it might be possible to change the future by traveling back in time to change the past.

Angel Season 11 writer Corinna Bechko shared her excitement for joining the Whedonverse: “I’m thrilled that I’ll be helping to add to a little corner of the Whedonverse, a rich and exciting place that contains infinite possibilities for exploration. Of course, the fact that I’ll be doing so with Angel, one of the most complex and interesting characters, means I have big shoes to fill. But I can’t wait to spend some quality time with him during this journey, and to have a bit of fun along the way!”

The first issue of Angel Season 11 goes on sale January 18, 2017, the day before Buffy’s birthday! Angel Season 11 will have twelve issues total.

angel-season-11-1

Preview: Witchfinder: City of the Dead #1

Witchfinder: City of the Dead #1

Mike Mignola (W), Chris Roberson (W), Ben Stenbeck (A), Michelle Madsen (C), Michelle Madsen (Cover)

Sir Edward Grey, occult adviser to the queen, confronts flesh-eating corpses and discovers a temple beneath London. The mystery that compels him the most is what the sinister Heliopic Brotherhood of Ra wants with it—and from him.

Witchfinder City of the Dead #1 1

Review: Lady Killer 2 #1

Lady Killer 2Josie Schuller has it all: A doting husband, two adorable children, a volunteering resume that would make saints jealous. And there’s the side job as a contract killer. Joëlle Jones’s Lady Killer is back with a vengeance, and it’s not one to miss.

The story for this new arc picks up a few months after the last ends, and the first issue of volume two heavily parallels the first issue of volume one. While the story ended satisfactorily with Josie killing Peck and walking away from the agency that later tried to kill her, there was plenty of opportunity to build on the story.

Josie now has to deal with the continuing fallout of that arc and rebuild the relationship with her tempestuous mother-in-law, Mother Schuller. The Schullers have left Seattle for Florida (where swamplands provide new and exciting places for body disposal!) but other than that, life carries on as normal. Jones does an excellent job of capturing the surface-level perfection and entrepreneurial spirit of the mid-twentieth century while criticizing its rigid social structures and gender roles.

While the concept of assassin-for-hire masquerading as a regular person isn’t a new concept, it’s rare for a woman to be the main character, and to have a female main character with a family and children is even more rare. This is only one of a few interesting spins the team behind the first arc put on the trope, something that appears to carry through to the new storyline. Lady Killer hinted that Josie has been an assassin from a very young age, and Lady Killer 2 is likely going to explore that. #1 sets up a lot of what was missing from the first volume, hinting at Josie’s past and the nature of her relationships with her family. Readers already know how Josie does what she does, but it’s the why that really brings the intrigue to the story. Lady Killer already suggested that there were constraints on the contracts Josie took, and hopefully Lady Killer 2 explores why she kills who she does.

Joëlle Jones’s art is the star of the story. The characters are expressive and messy, beautiful and occasionally sleazy. Lady Killer featured ink splattered pages, and while Lady Killer 2 #1 featured the same ink-splotched pages, the overall art and style suggests that Josie is fully in control and more organized than she’s ever been. Jones’s use of heavy inks and Michelle Madsen’s poppy colors create an amazing contrast between tone and action: The art is brightest when Josie’s narrative is dark, just as the inverse is true and the tone of the story upbeat when Josie is brutally stabbing victims. The overall effect is a story that’s as delightful to look at as it is to read.

Story: Joelle Jones Art: Joelle Jones and Michelle Madsen
Story: 8.0 Art: 10.0 Overall: 9.0 Recommendation: Read

Dark Horse provided Graphic Policy with a FREE copy for review

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