Tag Archives: heather antos

Crowdfunding Corner: Summit’s Testaments of Terror, Marcus Walker: Kingslayer Protocol, Stephen R. Bissette’s TYRANT Historic Deluxe Editions, Bixby Grant: Fangs & Brimstone #4

Welcome to our revamped “Crowdfunding Corner” rounding up some of the latest crowdfunding news. We’re going beyond just announcement projects, we’ll be tracking to make sure these projects get delivered as well as what we think the “risk” of backing them are.

We’ll be updating the format as we get a better handle of the needs of this sort of coverage, so stay tuned and check out the first round of projects!


Testaments of Terror #1

Testaments of Terror #1

Publisher: Summit Comics
Creative Team: (w) Adam Barnhardt (a) David Hutajulu
Launch Date: July
Risk: Low – Previously launched Summit: Pinnacle #1 seems to be close to delivering on time, though not delivered yet.

Written by Adam Barnhardt and drawn by David Hutajulu, Testaments of Terror #1 will showcase Bloodwake: Breaking the Abyss and will launch just as summer really gets started in early July. Underwater royalty, Bloodwake is a character exiled from his homeland, resulting in a summer camp slasher the sea creature finds himself in the midst of.

Testaments of Terror #2 will then launch late summer and feature a story called Harrow: Feast in the Furrow, written by Barnhardt with art by Michel Abstracto. A scarecrow possessed by the spirit of an early Midwestern settler, Feast in the Furrow evokes the stickiness of humid late summer days through a sweaty murder mystery the eponymous anti-hero finds himself embroiled in. The lead suspect? A murder of crows who’ve seemingly managed to form a human body and force it to do their bidding.


Marcus Walker: Kingslayer Protocol

Marcus Walker: Kingslayer Protocol

Publisher: N/A
Creative Team: (w) Chris Yates (a) Simone Ragazzoni (c) Antonio Antro (l) Taylor Esposito (logo) Ryan Clark (editor/graphic designer) Trevor Richardson
Launch Date: Currently funding – Ends April 2, at 12pm EDT
Risk: Medium – A first project always has risks, most likely delays, but the team are professionals in the industry

As the war wages on between Kaijus and Kingslayer Mechs in New Honolulu City, Marcus Walker is forced into hiding under the watchful eye of his authoritative family, determined to protect him. This unexpected turn of events forces Marcus to confront the relentless dangers of his choices head on as the sinister forces dredge up old secrets from his bloodline’s past and threaten his future.

MARCUS WALKER: KINGSLAYER PROTOCOL is a brand new 48-page comic that is an ideal match for fans of Ultraman: Rising, Big Hero 6, and Power Rangers. Debut writer Chris Yates and rising star artist Simone Ragazzoni (Robotech: Rick Hunter, Power Rangers Universe, Dune: House Corrino) present a brand new tale that explores the themes of family and self-discovery through explosive manga-inspired action with real consequences!

Featuring exclusive covers from NYT Bestseller Sean Murphy (Batman: White Knight [Murphyverse], Tokyo Ghost, Chrononauts), Siya Oum (Neo Wonderland, Lola XOXO, Lady Mechanika), NYT Bestseller Rob Guillory (Chew, Farmhand, Mosely), and Kevin Keane (King Spawn, Gunslinger Spawn, Rat City).

MARCUS WALKER: KINGSLAYER PROTOCOL is 100% Complete. We are asking backers to help us cover printing, fulfillment, and shipping expenses. In addition, we have a clear estimated timeline and path forward for a Summer 2026 delivery.


Stephen R. Bissette’s TYRANT Historic Deluxe Editions

Stephen R. Bissette's TYRANT Historic Deluxe Editions

Publisher: Lighthouse
Creative Team: (w/a) Stephen R. Bissette
Launch Date: Currently funding – Ends April 16, at 11am EDT
Risk: Medium – A first project always has risks, most likely delays, but the publisher and those involved are professionals in the industry

Will Eisner Hall of Fame creator Stephen R. Bissette’s TYRANT, the never-before-collected dinosaur masterpiece, is now live on Kickstarter from new publisher Lighthouse. The campaign offers multiple deluxe editions designed by acclaimed cartoonist Jim Rugg as well as rare & limited premium items. 

The first 500 backers who pledge for any edition of the book will receive a randomly selected signed art print from Stephen R. Bissette’s personal archives! “Been a terribly long time adrift in an ocean of tears,” said Bissette. “But Lighthouse shines the light! Yes, it’s for real, Lighthouse has brought my personal primordial ‘lost Odysseus’ back into harbor. My orphaned ‘S.R. Bissette’s TYRANT’ is at long last out of the egg he’s been stuck half-way-in-&-out-of for decades now. We’re excited to go!”

Lighthouse founder and publisher Chris Stevens previously published the Eisner and Harvey Award-winning LITTLE NEMO: DREAM ANOTHER DREAM (also designed by Rugg) and has savored the relationship with Bissette, which developed since the legendary John Constantine co-creator and SWAMP THING artist’s participation in that project.


Bixby Grant: Fangs & Brimstone #4

Bixby Grant: Fangs & Brimstone #4

Publisher: RNM Press
Creative Team: (w) Patrick Coyle (a) Gonzalo Martinez, Gonzalo Ruggieri (c) Arthur Hesli (editor) Heather Antos
Launch Date: Currently funding – Ends April 16, at 4pm EDT
Risk: Low – Three previous projects all delivered

Even an immortal mummy can run out of time!

RNM Press is thrilled to announce the launch of the Kickstarter campaign for Bixby Grant: Fangs & Brimstone #4, the next chapter series writer and creator Patrick Coyle’s celebrated supernatural noir, blending hardboiled detective fiction, occult horror, and monster politics into a sharp, character-driven mystery. 

With pencils and inks by Chilean artist Gonzalo Martínez (Road Story, The Quique Hache Detective), colorist Arthur Hesli (Thunderbolts, Mighty Morphin Power Rangers), and editor Heather Antos, with cover art by Declan Shalvey (Immortal Hulk, Thundercats) and Elsa Charretier (Harley Quinn, Star Wars). Letters by Coyle.

The clock is ticking in Harbor City: if there is a fifth ritual killing committed by the sinister cult started by Bixby Grant’s brother Max, a hellmouth will open and bring about hell on earth. To find the ancient dagger needed for this killing, Bix has chased a ghost, had his arm ripped off, thrown a cat-burglar off a building, shaken down mystics, been brain-probed by a nine-year-old witch, and is now in the clutches of the mysterious society of monsters known as The Council Macabre. With the help of Diego, the rockabilly vampire, Bix discovers the identity of the killer who has picked up where his long-lost brother left off in a secret lair beneath the streets of Harbor City.

Issue #4 also continues the eight-page backup Zombietown, featuring art by Argentinian artist Gonzalo Ruggieri (Rumble, Convert, Two Moons), which follows Detective Maritza Ramirez deep into the undead-controlled quarantine zone known as Z-Town, where her search for the truth behind her father’s disappearance puts her face-to-face with Il Cosa Muerte, the zombie mafia!

Crowdfunding Corner: Bixby Grant returns to Kickstarter with Fangs and Brimstone

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing.

Now live on Kickstarter, Bixby Grant, Private Eye: Fangs & Brimstone #1 from RNM PRESS! It’s written by Komikwerks co-founder Patrick Coyle with art by Gonzalo Martínez, color by Arthur Hesli, edited by Heather Antos, and covers by Liana Kangas and Gabriel Hardman.

Bixby Grant, an immortal living mummy and Harbor City’s greatest private detective, is doing his best to be left alone and forget his tragic past. But today is his birthday, a day that holds special significance for Bix – on this day in 1925, he discovered that his older brother Max was not only a member of the city’s largest crime family, but also an occultist intent on summoning a demon to Earth!

Bix stumbles across a string a of ritualistic murders by an unidentified cult, murders that have an all-too-coincidental parallel to what Bix’s brother was attempting to do one hundred years ago. The murders are targeting members of the Mayor’s reelection campaign, possibly a violent pushback against the Mayor’s proposal to rid Harbor City of its supernatural population.

Running afoul of the police, Bix reluctantly teams up with Diego, a young rockabilly vampire, to face sorcerers, witches, and a cadre of monsters known as the Council Macabre during their investigation. But Bix’s greatest foe is himself – he’s been repressing his true feelings about his brother for over one hundred years, and that is causing him to make careless mistakes. He needs to face those feelings so he can save Harbor City from being overrun by the demon Syd and his horde of hell spawn goblins!

Each issue will be a whopping 30 pages; featuring an additional 8-page underground zombie fight club tale, Zombietown, with art by Gonzalo Ruggieri.  

The campaign for Bixby Grant, Private Eye: Fangs & Brimstone #1 ends November 16. 

Crowdfunding Corner: Let Her Be Evil is a celebration of unapologetically wicked women with cruel intentions

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing.
Disclosure: Graphic Policy’s founder Brett is a member of the Zoop team.

Let Her Be Evil

If you’re looking for sympathetic anti-heroines or villainesses with tragic backstories, you won’t find them here. Let Her Be Evil is a celebration of unapologetically wicked women with cruel intentions—of the nasty, the vile, the rage-fueled monstresses who know exactly what they want and aren’t afraid to get it by any means necessary.

The crowdfunding campaign for this 128-page softcover anthology has launched on Zoop and funded in less than a day. The comic is spearheaded by comics newcomer, Cassandra Jones. Jones comes from the world of traditional publishing as an editor, and has assembled an impressive roster of creators for her debut comics work. Let Her Be Evil features seventeen original stories, including new work by Heather Antos, Brent Fisher, Rio Burton, Kamila Krol, Moe McGonagle, as well as dozens of other writers, artists, colorists, and letterers.

The goal of this anthology is to provide the same narrative space that villainess’ male counterparts enjoy in movies, books, and comics without being explained away by child loss or sexual assault, and to free them of the preconceived notion that they should be morally punished for their deeds while we allow male villains to be evil without comment.

Rewards include the book, art prints, stickers, and much more.

Exclusive Preview: Crashing #3

We have an exclusive first look at Crashing #3, out this week, November 16th, from IDW Publishing. If you haven’t been reading this series, you’ve been missing out. Writer and creator Matthew Klein had this to say about the issue:

We reach the turning point in the series and Rose drives right through a crossroads! Up until now Rose has convinced herself that every risk she’s taken to save lives has been justified…including relapsing after being seven years sober. Now, we take away every pretense she has used, every coping mechanism she thought would shield her, and force her to confront an unspeakable secret. There’s nothing quite like pushing your protagonist to the limit and by the last page of issue three, readers will see just how far Rose can be pushed.

Check out the full details of the issue and get a look below!

Crashing #3

Written by Matthew Klein
Art by Morgan Beem
Colors by Triona Farrell
Letters by Hassan Otsmane-Elhaou
Edited by Heather Antos
Assistant Editor Vanessa Real
Cover A by Morgan Beem
Cover B by Nicoletta Baldari
Cover C by Nick Brokenshire

The past strikes back! Doctor Rose Osler’s darkest secrets are dragged into a harsh light when she and her anti-Powered movement leader husband are threatened by a Powered menace. Will they survive this home invasion? Rose’s downward spiral sinks to a new low as we reach this explosive point of no return.

Crashing #3

Preview: Blood Oath #1

Blood Oath #1

Story: Rob Hart, Alex Segura
Art: Joe Eisma
Color: Hilary Jenkins
Editor: Heather Antos
Purchase

  1. New York.

The peak of Prohibition.

Hazel Crenshaw just wants to be left alone, to tend to her farm, to care for her younger sister, and to run her business. But her business is inescapably tangled up with the New York gangs that will eventually coalesce into the mafia, and a new, unknown partner.

When the Crenshaw farm is attacked, Hazel must not only defend her home, she must cope with the realization that her flirtation with the other side of the law might also put her in the crosshairs of something else — something much more sinister…

Blood Oath #1

Review: Image! 30th Anniversary Anthology #1

Image! 30th Anniversary Anthology #1

It’s been 30 years since Image Comics launched. I remember fondly the buzz and excitement of these amazing creators breaking off on their own and creating whole new worlds no longer shackled by corporate bosses. I also remember reading a lot of those early comics and scratching my head. The art was definitely better than the stories with each series varying wildly in the overall quality. A lot has changed in that time with many ups and downs for the company. Image! 30th Anniversary Anthology #1 doesn’t celebrate what was, it instead what is. The anthology focuses on the current crop of creators releasing their creations under the publisher. It’s not a reflection of those titans who started it all.

Image has come a long way and this anthology is evidence of that. With a who’s who of creators, Image! 30th Anniversary Anthology #1 features a little something for almost everyone. There’s a lack of all-ages content, but, with so much adult content, it’d feel a little out of place. And boy is there adult content. Serial killers, murder, violence, the stories within are fare from the general “spandex superheroes” the publisher launched with. Sure, Image pushed the envelope in many ways when it launched, but the first story involves a child killer being killed on the footsteps of a courthouse. If there’s ever a flag planted that says this isn’t the Image of old, that’s a pretty big one.

And there’s a lot of variety here. The stories are pretty entertaining with few that are outright clunkers. But, with every anthology there’s some stories you’ll enjoy and some you probably won’t. It’s the nature of anthologies.

The art is generally top-notch. There’s a wide variety of styles and designs. Image! 30th Anniversary Anthology #1 features black and white gritty stories to bright colored neon explosions. The stories themselves are a mixture of cartoony manga inspired designs to grittier noir-ish tales that whose looks feel like they’re inspired by Frank Miller. Like the stories themselves, there’s a lot to take in and surely there’ll be some that readers will enjoy and some they don’t.

Image! 30th Anniversary Anthology #1 is an interesting comic. With it, the publisher seems focused on what is and what’s to come. This isn’t so much a celebration of the past 30 years of Image, it’s looking ahead at the next 30.

Story: Geoff Johns, Declan Shalvey, Wyatt Kennedy, Wes Craig, Skottie Young, Mirka Andolfo, Erica Henderson, Brenden Fletcher, Kyle Higgins, Patrick Kindlon
Art: Andrea Mutti, Declan Shalvey, Luana Vecchio, Wes Craig, Skottie Young, Mirka Andolfo, Daniele Di Nicuolo, Maurizio Rosenzweig
Color: Jason Wordie, Chiara Di Francia, Walter Baiamonte, Katia Ranalli
Letterer: Rob Leigh, Clayton Cowles, Fabio Amelia, Becca Carey
Editor: Brian Cunningham, Heather Antos

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXology/KindleZeus ComicsTFAW

Exclusive: Heather Antos Takes Us Into the Shadowy World of Shadowman

Shadowman #1

Shadowman #1 debuts on April 28th! The debut issue from master of horror Cullen Bunn and acclaimed artist Jon Davis-Hunt, with color by Jordie Bellaire and lettering by Clayton Cowles will soon be unleashed on the world.

Jack Boniface is SHADOWMAN, a powerful protector who keeps humanity safe from the demons that claw at the fabric of our reality.

The forces of darkness are awakening and they are hungry for life. Will Shadowman be able to save us all, or will the darkness devour the world as we know it?

We got a chance to talk to editor Heather Antos about the series and its place in the Valiant universe.

Graphic Policy: Hey Heather, hope you’re well! Being completely honest, this book was better than I ever expected – y’all must be excited to finally have it seeing the light of day?

Heather Antos: I’ll take “better than expected” any day — and I expected it to be great! So, huzzah! I am beyond thrilled that Shadowman #1 has finally hit the stands. I first approached Cullen about this project…gosh…a little over TWO years ago now? After pandemic delays it’s hard to believe we’re finally out there!

GP: If you had to describe Shadowman to a new reader, how would you do it?

HA:  A quick TL:DR on Shadowman: Jack Boniface is a musician by day, and a demon hunter by night, essentially (Okay, it’s a liiiiiiiiiittle more complicated than that). He was born into a legacy of protecting the realm of the living from the darkness of the Deadside partnered with the Shadow Loa Bosou, but it’s not the lifestyle he would’ve chosen for himself. Torn between the life of the living and the world of the dead, Jack has to put his responsibility to protect humanity above all else. He’s a little bit Voodoo…a little bit rock ‘n roll, ha! 

Shadowman #1

GP: How did the collaboration with Cullen Bunn and Jon Davis-Hunt come about?

HA: Cullen Bunn and I are longtime collaborators, but I’m even a longer time fan of his horror work. For years we talked about trying to do a horror project together but it just never quite worked out…until Valiant. When I started at the company Shadowman was top on my list of characters I wanted to take a stab at — he was the first Valiant character I ever read, after all — and I knew exactly the writer for the job. As for Jon, we had never worked together previously, but I was an instant fan of his work when I saw him in Vertigo’s THE CLEAN ROOM. His open line inking style is great for horror as it misleads the reader into thinking everything is “safe”…and then you turn the page and see the grotesque horror unleash! He’s truly genius in his storytelling and is absolutely bringing his A-game in every panel. 

GP: Shadowman and horror feel like chocolate and peanut butter (though maybe fire and brimstone is a more appropriate analogy…). Where did the direction for the comic come from? Was it something you had in mind before Cullen came on board?

HA: Sort of? I mean, yes, I knew I wanted to take Shadowman in a more distinct horror direction going in, but I also knew that Cullen Bunn was the writer I wanted to approach off the bat. Luckily, he said yes and turned in the most perfect pitch. The rest is history! 

Shadowman #1

GP: The first issue is (almost) a complete story in and of itself; was that a happy accident or part of a larger plan?

HA: Making sure each issue was a complete story was absolutely a discussion Cullen and I had during the development of this series. One of the biggest things I wanted to make sure we explored in this series is how the Deadside looks and affects other parts of the world outside of New Orleans. The veil between worlds is wearing thin, so in each issue we see Jack travel the world in order to hunt down whatever it is that is causing these “cracks” to break between dimensions. 

GP: There’s a fine balance between horror and crossing that line into gore. Is that something you’re thinking about with the series?

HA: One of the cool things about the Horror genre is that the word “horror” paints a different picture in every person’s mind. For some, it’s 90s slasher films…for others, jump scares…monsters in the night…supernatural beings…tension building thrillers…and we want to explore them all! Like every issue is a complete “episode” that adds to a larger story, we wanted to explore the different ‘tastes’ of horror throughout every issue as well. 

GP: Shadowman stands out as the “horror” series of the Valiant Universe which right now is very superhero and sci-fi based. What type of work, if any, goes into making sure this series still “fits in” with the rest?

Shadowman #1

HA: What I love about the Valiant universe is the central themes of the characters have less to do with “genre” and more so to do with the characters and the roles in which they find themselves. Exploring themes like “what is the responsibility of power” is a stronger component to tying the universe together — something we see in spades with Shadowman. 

GP: This might be the first time I’ve ever felt sorry for a demon. Not to spoil, but there’s a touching moment in all of the horror from an unexpected place. When developing the first issue, what was your reaction to that part? It feels unusual (in a good way) for this genre of story.

HA: Even in horror, there are two sides to every story. And without spoiling TOO much from this first issue (GO READ IT, PLEASE!!!!), it’s important to remember that not all is as it seems on page 1. Shadowman has a mystery on his hands. Why is this demon in the living Earth? And how can he stop it from happening again? What brought it here…now?

GP: If you had to design a soundtrack/playlist to read Shadowman to, what would you include? 

HA: I hear the big fans over at A SOUND OF THUNDER have created just the song for this — “The Veil (Theme from Shadowman)”! Also, from my own collection, I’d HAVE to add Coheed & Cambria’s “The Dark Sentencer”. 

GP: Thanks so much for chatting. Now that I’ve read the first issue, I can’t wait to read more!

Dennis Hopeless and Heather Antos Talk Upgrades, International Threats, and Milk and Pie in Valiant’s X-O Manowar

X-O Manowar #4 cover by Christian Ward
X-O Manowar #4 cover by Christian Ward

Does Manowar make the armor? A new threat towers over X-O. Will he have the strength to bring the titan down? Out this week X-O Manowar #4 saw Aric taking on multiple threats as he attempts to figure out what it exactly means to be a superhero. All of this while the media and world is watching him. With threats both domestic and abroad what does this mean for Aric, X-O Manowar going forward? And what’s up with the armor upgrade?

We discuss this and more with X-O Manowar writer Dennis Hopeless and editor Heather Antos. Plus check out the fantastic art from Emilio Laiso!

Warning, some minor spoilers below!

GP: Hey folks! How’re you both doing on this sunny (for me, anyway) day?

Heather Antos: Well, it’s been below freezing the past several days here so…cold? I’m cold.

Dennis Hopeless: Yeah, it snowed here last night so my day started with shoveling. But at the moment I’m working across the room from the couch fort my kids just built… So I’m very amused.

GP: Last issue we saw Shanhara get an upgrade – can you walk us through how that came to happen from a creative perspective?

HA: If I recall correctly, this was the culmination of a bunch of different conversations between Dennis and I in regards to where we wanted to see Aric and Shanhara’s story go. But I can’t really get into the details just yet…the upgrade of Shanhara is only just the tip of the story iceberg to come…

DH: Yes indeed. One of our major goals for this series was to explore and expand the bond between Aric and Shanhara. The partnership, the friendship and crucial trust between them is our cornerstone. Everything happening right now, including the suit upgrade, is a step down that road.

X-O Manowar #4

GP: How much of a hand did you have in designing the new look for Shanhara? What was that process like for the team?

DH: >CRACKS KNUCKLES< I typed a vague panel description and got all the way out of Emilio’s way.

HA: I was fairly hands off, myself. Emilio is a phenomenal artist so I trusted his instincts so long as the design fit the call of the story Dennis has been building. It needed to look sleek and modern — almost how Troy would design the suit if he could — while still honoring the classic suit that we all know and love. I think Emilio nailed it. 

GP: When designing a new look, how much of that is driven by the narrative and how much of it drives the narrative?

HA: It all depends on what story you’re telling, but I find it can be a bit of both, you know? The story that comes before is going to inspire the build up of the new look the artist comes up with….but then the new design can very often inspire new stories that will come after. It’s cyclical and such a cool part of comics!

DH: Every bit of it is collaborative, in that it’s a conversation. I try to explain what I see in my head and why we’re doing the things we’re doing, but artists like Emilio almost always bring better ideas and designs than I could dream up to the table. Oftentimes, I’ll get new (better) ideas for future story beats based on the art choices. Greater than the sum of our parts.

GP: Can you tell us whether the new look is a permanent change?

HA: Nice try, but you’re getting no spoilers out of me! 

DH: Nothing is permanent. Ever.

X-O Manowar #4

GP: You’ve been taking Aric toward a more traditional style of superhero, but in this issue we actually see him apologise for not doing enough; how will that level of expectation play into the series as it progresses?

DH: I mean, yeah, it’s an impossible job… Even for Aric. But also, Aric is starting to learn how to properly communicate with the public. Troy is teaching him that it’s easier to help people who already trust and respect you… And in the age of mass media, you have to gain that trust in a few different ways at once. “I’m sorry I didn’t do better,” carries a lot of weight.

HA: I can’t even begin to imagine what the pressures of being a superhero are — and here we’re really exploring just the tip of the burden Aric has put on himself.   

GP: Heather, you edit this series as well as other Valiant ones, how much coordination is there between the various series? Are you all thinking through the impact of these changes on the rest of the Valiant universe

HA: Always. It’s super important for editorial to always be aware of what is going on in the other parts of the universe at all times and how that will impact not only their own books, but also the other editor’s books as well. There’s a ton of behind-the-scenes communication between offices about how to best integrate together. 

DH: And it’s important to me to position X-O as a much stronger and more important figure in the Valiant Universe than say… Shadowman. Because Cullen Bunn is a monster and must be defeated.

GP: We’ve seen Aric take on international threats over the course of the series; will you also have him confront domestic terror threats?

HA: I mean, in a way that’s sort of what we’ve seen with Yakiov already, isn’t it? X-O Manowar may be this great superhero that can protect us all from a galactic level, but at heart he’s a man of the people — and those he considers his family will always come first. 

DH: If it were up to Aric, he’d help/save everyone everywhere all the time. Shanhara spends a lot of time tamping down those expectations. But absolutely, yes, we have BIG BAD local threats coming up soon.

X-O Manowar #4

GP: Dennis, the last panel is quietly terrifying; how much direction did you give Emilio Laiso on that?

DENNIS: I just looked at the script and I typed 11 words for that panel. Emilio is very very good.

GP: I have to ask – what made you write Vlad Yakiov as having milk and pie as he’s waiting for his plan to unfold?

DH: A friend of mine once threatened to create a blog called DENNIS HOPELESS IS HUNGRY because I write a lot of eating scenes into my books. It’s not something I started doing on purpose, but I do think little mundane bits of humanity can add a lot of nuance to dialogue-heavy scenes. In this case, Yakiov is terrorizing this family after destroying their neighborhood… And now he’s eating their food. It’s equal parts creepy and disrespectful and shows us just how confident he is that he’s going to win.

HA: This was all Dennis! But I loved it — it’s almost comical, in a way, but also scary, too. This big scary monster of a man walking into your home and just casually starting to eat your food as he threatens your life and the lives of your loved ones? Terrifying. This big scary monster of a man doing a spittake once he realizes he’s been so easily duped? Hilarious!

GP: Thanks for answering our questions and can’t wait to see what’s next!


Purchase X-O Manowar #4: comiXologyKindleZeus ComicsTFAW

Exclusive: Get Savage with “Creature Feature” Variants from Valiant. Get a First Look at the Covers for Issues 3 and 4!

Savage #1 debuts on February 17 from writer Max Bemis, artist Nathan Stockman, colorist Triona Farrell, and letterer Hassan Otsmane-Elhaou. Published by Valiant, it’s one of the anticipated debuts for 2021. The first issue features covers by Marcus To, Christian Ward, and Stacey Lee.

Teenage heartthrob. Feral social icon. Dinosaur hunter? Born and raised on an uncharted island full of prehistoric dangers, Kevin Sauvage has a taste of home when a mutant dino threat invades England!

What’s that about mutant dinos!? To celebrate the carnage, Valiant is releasing “Creature Feature” variants.

  • Savage #1: Giuseppe Camuncoli
  • Savage #2: David Lopez
  • Savage #3: Paco Diaz
  • Savage #4: Peach Momoko

Series Editor Heather Antos had this to say:

“Man vs. Beast” is a tale as old as humanity itself – and it’s time to celebrate the beasts of the Faraway in the “Creature Feature” pre-order variant bundle for SAVAGE. Debuting four exclusive and brand-new creature designs by series artist Nate Stockman, artists Giuseppe Camuncoli, Paco Diaz, Peach Momoko, and David Lopez each face-off their skills to tackle these ferocious beasts. As for an added bonus: each of these covers will feature bonus insert bestiary guides that will only be available here!

You can see all for “Creature Feature” variants below with the exclusive debut of issues #3 and #4 by Paco Diaz and Peach Momoko!

Valiant Virtual Portfolio Review Program Returns for Artists

Valiant Virtual Portfolio Reviews

Round Three of the Virtual Portfolio Review program is on the way from Valiant Entertainment!

The publisher will host another edition of the program to assist aspiring comic book artists and find new creators for future projects. For the upcoming round of the program, the award-winning publisher’s Senior Editors (Lysa Hawkins, Heather Antos, David Wohl) will be offering virtual one-on-one portfolio reviews for aspiring interior artistscover artistscolorists, and letterers. 30 people in total will be selected to have their work reviewed. 

Please read the below information very carefully for submission details and deadlines.

Dates of Digital Portfolio Reviews
  • Tuesday, November 10th from 12pm-2pm EST
  • Wednesday, November 11th from 12pm-2pm EST
  • Thursday, November 12th from 12pm-2pm EST
How to Submit
  • Email your submission to PortfolioReview@valiantentertainment.com
  • Subject line: Name, Discipline, Available Date
  • Subject line example: Ray Garrison, Cover Artist, November 10th, 11th, & 12th
  • Please note: Submissions should be a digital PDF attachment, a single document with an information page in the back with your name, a link to your online portfolio, and contact info. The document should be no more than 20 pages.
Submission Deadline
  • Submissions open October 28th and are due by November 4th at 5pm EST
  • Those selected for the first day of sessions will be notified by Monday, November 9th no later than 10pm EST
  • Those selected for the second day of sessions will be notified by Tuesday, November 10th no later than 10pm EST
  • Those selected for the third day of sessions will be notified by Wednesday, November 11th no later than 10pm EST

Frequently Asked Questions

1. I don’t have a prepared portfolio. Can I share a link to my Website/Twitter/Instagram instead?

No, we are only accepting PDF attachments (max 25mb). PDF2GO is a free service if you donʼt own Acrobat.

2. I have more than 20 pages I want to share. Can I sneak in an extra couple?
No, this will disqualify your portfolio.

3. Can I just embed/attach single images instead of making a PDF?
No, we are only accepting PDF attachments (max 25mb, 20 pages of art). Again, you can use PDF2GO if you don’t own Acrobat. 

4. My PDF is too large to send as an attachment. Can I just send a link to my PDF portfolio?
No, we are only accepting PDF attachments (max 25mb). PDF2GO can shrink your PDF if you do not have Acrobat.

5. I’ve never been hired for professional work before, can I still submit my work?
Of course! If you’re an artist, submit any interior, cover, colors, lettering samples you’ve done on your own or for self-published books. If you’re a writer, submit any completed self-published comic you’ve worked on (no scripts will be accepted, period).

6. I missed the deadline to submit my work. Is it okay to still send it in if it’s before the selections have been made?
No, late submissions will not qualify due to the large number of submissions that need to be reviewed. Please meet the deadline, and if you cannot, keep an eye out for a future edition of the program.

7. I don’t think my work is good enough. What’s the point?

Portfolio Reviews arenʼt a competition to see whoʼs the best, but rather an opportunity to learn how to improve. Weʼre actively looking for creators who we think could benefit from one-on-one time with an Editor to take their work to the next level.


Please remember to review all of the guidelines carefully before sending your submission.Good luck and Valiant’s Senior Editors look forward to checking out your portfolios!

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