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Anthony Desiato Takes Us on a Tour and Talks My Comic Shop Country

In 2010 Anthony Desiato began his chronicle of Alternate Realities, a comic shop in southern Westchester, where he had once worked, manning the counter along with a cast of characters that is not easily forgotten. He would follow My Comic Shop Documentary with a series of short features and My Comic Shop History, a podcast that explores one store’s place within the broader framework of the comics industry at large. In his latest feature, My Comic Shop Country, he sets off on an odyssey to discover what makes some of the best local comic shops in America so great.

Anthony was kind enough to answer a few questions about his new project over email.

Graphic Policy: You’ve spoken a lot on your podcast about how you became interested in comics but my impression is that you’re almost as much of a film guy as a comic guy. What was it that got you interested in making films instead of say creating comics?

Anthony Desiato: It’s hard to say why I never really felt that pull to try my hand at writing a comic (at least not yet). As far as film, though, Clerks was a big early influence in my thinking that maybe I could make my own movie one day. Couple that with my journalism background in undergrad, and I think the path to documentary filmmaker gets a little clearer. And since most of my creative output as a documentarian has involved comics, I’ve been able to combine my two greatest interests.

My Comic Shop Country

GP: One thing that struck me about the proprietors of a lot of the stores you visited was that very few seemed to have much, if any, retail experience prior to opening up or being hired at their shops. How much do you think that has helped them to succeed or held them back?

AD: I loved putting that little sequence together where some of our retailers reveal their backgrounds. We have a former teacher, house-builder, and insurance salesman, to name a few. I don’t think the lack of formal business training is necessarily a roadblock, especially since the comics retail model is sort of its own beast. I think the harder task is taking your hobby and turning it into a career and finding the balance between fan and businessperson.

GP: You and I both grew up in Westchester County between the early nineties and the early 2000s, you in Scarsdale and me in New Rochelle. We both remember the vibrant community of shops that existed throughout the county in those days and which has since contracted quite a bit despite its proximity to the heartland of comics publishing in NYC. Did you notice a similar pattern in other areas you visited where a large number of shops had been whittled down to a few?

AD: Not particularly, though I can’t say I was investigating that angle in a significant way for this project. To your point, though, the Westchester comics scene was certainly something to behold, and it’s striking to see how much it’s changed. It’s weird to think that you once had Dragon’s Den and 1 If By Cards 2 If By Comics across the street from each other and Alternate Realities half a mile up the road, and now only one of them (1 If, now American Legends) is still operating and only does a little bit of comics. Westchester is quite the microcosm for the industry as a whole in terms of its contraction.

GP: One thing a lot of comic shop programming like Comic Book Men or You Tube’s Comic Book Palace tend to focus on is talk about actual comic stories but your features have tended to focus on things like personalities or business rather than whether Plastic Man is better than Punisher. What’s the thinking behind this more sociological approach?

AD: It’s definitely a conscious effort on my part to chart a different path, and there are a few factors driving this approach. At my old comic shop, Alternate Realities, we certainly all came together initially over a shared love of comics, but in terms of what fascinated me about that place, the comics were really secondary. It was the personalities, particularly of the owner and some of our more colorful community members. So that was my starting point: the people. For me, comic shops have been a wonderful backdrop and vehicle to tell human interest stories, and I suppose that’s where my ultimate interest lies. Regarding that Plastic Man v. Punisher debate in Country, I’m far more interested in the fact that those guys are having that conversation, and why they feel comfortable to do so, than I am about the specifics of their argument. Also, as much as comics fans are the natural target audience for my projects, I genuinely believe they can speak to a wider audience, and the more sociological approach, as you put it, is sort of aimed at that.

GP: Were there any stores you would have liked to include but couldn’t due to timing, travel issues or lack of a personal connection to the store owner?

AD: I’m genuinely pleased with the mix of shops in the film, and I 100 percent believe I was able to tell the story I needed and wanted to with them. Would someplace like Mile High Comics been cool to visit and include, especially given the sheer size of their operation? Sure. But no regrets on the casting front.

GP: This is a time unlike any other in the history of the comics industry. How are the stores you profiled coping with the pandemic and the hopefully temporary implosion of the comics distribution system? What’s the most interesting response you’ve seen to Covid-19 as you’ve followed up with your subjects?

AD: Almost every shop I follow is adapting in some way, whether it’s curbside pickup, mail-order, live video sales, or some mixture. They’re spotlighting older content, making mystery boxes, and engaging more via social media (and video in particular). It’s legitimately inspiring to see what they’re doing to keep product moving. I don’t know that there’s any one thing I can point to as most interesting per se, but I have been very impressed by the speed with which they’ve adapted. Necessity is the mother of invention, of course, but still. I tip my hat to them. And it’s amazing to see customers rally around these efforts.

GP: Now more than ever change is inevitable. What do you think is the biggest change that is needed for the American comic book store as we know it to survive? What does the future of comic book retail look like in 2025?

AD: There’s a lot to unpack there. People always seem very quick to declare the comics retail industry dead. I certainly do worry about shops weathering this, especially smaller, younger stores with maybe a small customer base or lack of reserve funds. But overall, I think shops will endure as they have in the past and as they are right now. We’ve seen shops pivot in so many creative ways during this time when they’ve had to keep their doors closed and didn’t even have new product flowing. I definitely think that many of these innovations–Facebook and Instagram Live sales, online ordering, and so on–will become a regular part of the workflow. I am curious about whether DC will continue to distribute through other channels besides Diamond once this crisis has passed. Big-picture, though, as far as what change I feel is most needed? I’m sure a lot of retailers would point to returnability or something along those lines. But I genuinely think there needs to be a large-scale awareness campaign about comics undertaken not even by publishers, but by their parent companies. Improving efficiencies in the day-to-day of the comics retail industry is certainly needed, but really taking a wide view, there needs to be true growth.

GP: Do you think that there is anything more for you to say about comics after three documentaries and 6 seasons of the podcast? What other topics would you like to explore within comics and without?

AD: Ha, are you saying I should give it a rest? Candidly, I’m currently weighing my options about where to take the podcast in the future as well as where to turn my attention film-wise. On the film side, I don’t necessarily see myself doing something shop-centric again. I feel I said what I needed and wanted to say about shops in Country. Looking ahead, I was developing an idea for another film elsewhere in the comic book world, but the pandemic and its fallout have made me rethink it a bit. As far as the podcast, you know I like to shake up the theme each season. I definitely feel like I told a full-circle story on the podcast from 2015 to 2020. What the next story is hasn’t quite revealed itself to me just yet, but I’m sure it will. The aftermath of the pandemic sure seems like the obvious choice, but I think there may actually be a different path forward.

GP: If Alternate Realities were to somehow return from the dead in true comic book fashion as a permanent store, what would be the perfect location for it to return assuming its old spot were unavailable?

AD: While the spirit of AR could theoretically be reborn anywhere, in my ideal scenario it’d be somewhere on Central Avenue in lower Westchester. While rents tend to be quite high there, it’s such a major artery in the area that you can pull folks in from all parts. And given AR’s long history on Central, its return there would make quite a splash.

Documentary Film My Comic Shop Country is Out Now

Comic book characters are box office gold, but why do comic book stores struggle to survive?

In My Comic Shop Country, filmmaker Anthony Desiato sets out on a quest to explore the culture, business, and fandom of comic shops across America. Venturing behind the scenes in stores from coast to coast, he reveals an industry in transition as shops strive to remain relevant to the growing hordes of fans of movies, online gaming and mega-conventions. The film is a heartfelt exploration of the power of comic shops to build a community that honors the original form of the superhero: the comic book.

Get it now:
Apple TV

My Comic Shop Country Gets a Debut Trailer

Anthony Desiato is back with a new feature-length documentary, My Comic Shop Country. In it, he explores the business, fandom, and community of comic shops across the country.

Shops featured include Acme Comics, Alternate Reality Comics, Las Vegas!, Amalgam Comics & Coffeehouse, Aw Yeah Comics- NY, Cave Comics, CHALLENGERS Comics + Conversation, The Comic Book Shop, Escape Pod Comics, Fat Moose Comics, Hi De Ho Comics, House of Secrets, It’z Vintage, Metropolis Comics & Collectibles, Parts Unknown: The Comic Book Store, The Spider’s Web, Torpedo comics, Undiscovered Realm, West Village Comics, Zapp Comics, & Alternate Realities.

My Comic Shop Country

Help Kickstart My Comic Shop Country and Go Behind the Counter

Back in 2014 we reviewed My Comic Shop DocumentARy and interviewed its director Anthony Desiato. Desiato is back with a new film, My Comic Shop Country which explores “the culture, business, and fandom of comic book stores across America.”

Currently running on Kickstarter through October 20, the documentary goes “behind the scenes and capture the business, culture, and fandom of the local comic book store on a national level. The movie will feature interviews with the stores’ key players—owners, staff, and customers—and show the stores in action on Wednesdays (AKA New Comic Day), during events (e.g., Free Comic Book Day and creator signings), and in those regular, day-to-day moments when a store’s personality shines brightest.”

Desiato is a former comic store clerk himself and knows the industry enough to give a realistic take on what it’s like in today’s comic shops.

Comic shops featured include:

  • Acme Comics (Greensboro, NC)
  • Amalgam Comics and Coffeehouse (Philadelphia, PA)
  • Aw Yeah Comics (Harrison, NY / Muncie, IN / Skokie, IL)
  • Cave Comics (Newtown, CT)
  • Challengers Comics + Conversation (Chicago, IL)
  • Comic Asylum (Palm Desert, CA)
  • The Comic Book Shop (Wilmington, DE)
  • Escape Pod Comics (Long Island, NY)
  • Fat Moose Comics (Whippany, NJ)
  • First Aid Comics (Chicago, IL)
  • Interstellar Comic Books and Collectibles (Palm Springs, CA)
  • It’z Vintage (Mendham, NJ)
  • Midtown Comics (New York, NY)
  • Packrat Comics (Hilliard, OH)
  • The Spider’s Web (Yonkers, NY)
  • Undiscovered Realm (White Plains, NY)
  • Zapp! Comics (Wayne, NJ)

If you’ve ever wondered what it’s like to work in a comic shop and want a real take on the experience, this is a movie you want to back.

Anthony Desiato Discusses By Spoon! The Jay Meisel Story

2014-10-09_1612We previously spoke to filmmaker Anthony Desiato about his previous film My Comic DocumentARy. He has a spin-off coming out soon By Spoon! The Jay Meisel Story following the comic store owner Jay Meisel who we saw in the first film.

We got to speak to Anthony again to get the scoop on another excellent film that peals back the world of comic shops.

Graphic Policy: How did By Spoon! The Jay Meisel Story come about?

Anthony Desiato: I enjoyed telling a shorter version of Jay’s story in My Comic Shop DocumentARy, and his segment played very well at screenings, so I knew I wanted to do more with him.

GP: How long did it take you to film it and edit it to get it to release?

AD: There was an initial round of filming in winter 2013, and then a second round in late summer/early fall. I didn’t really get into the editing until early spring of this year. I finished around May.

GP: During the documentary, it feels like you discovered a story with the closing of the location he was at, and that might not have been what the intent was going in. How did that change the narrative of what you went in to film, and what you ended up making?

AD: That is absolutely what happened, and it’s a perfect example of the beauty of documentary filmmaking: finding a different story than you originally intended during the filmmaking process.

When I began this project, there was no indication that the flea market would close. The documentary was originally intended to be a profile of Jay. I probably would have delved a little bit deeper into his backstory. And it would have ended on the question of, “Is there an end in sight? How much longer will Jay spend his weekends at the Empire State Flea Market?”

Then, months after I thought I was done filming, Jay got word that the market would close. As his friend, it was tremendously sad. As a documentarian, I knew I had to chronicle the end.

Had this film remained a profile, I’m sure it would have been a solid piece. But the closing of the market gave the film weight and an arc. I’m very proud of the finished product.

GP: In the film, you seem to capture the crossroads the comic industry is in. There are the changing entertainment tastes, demographics, and new technology. What is it about the industry that makes them so reluctant to embrace new technology?

AD: It’s funny, because as with my first documentary, I wasn’t necessarily trying to make any sort of statement about the industry. My only intention was to tell one man’s story. That being said, it’s gratifying that the film can have that larger meaning.

As for what makes the industry reluctant to embrace new technology, I suspect it’s a combination of tradition and the collector mentality. Certainly, on the retail side, I think the fear of becoming obsolete is very much a factor.

GP: There was an interesting discussion online about whether the digital experience could ever copy the in person experience from shops. What are your thoughts on that?

AD: Having worked in a shop for many years, and having made two documentaries about comic shops, I’m definitely biased. Still, I think there’s something to be said for those personal, face-to-face interactions.

On the other hand (see, there’s the lawyer in me!), online communication can bring together people who would never otherwise connect, whether due to geography or other factors.

GP: In the years I’ve been going to shops, there’s also this massive divide of shops that are clean, with nice displays, very professional, and others that have the stereotypical set up of being a dingy dungeon. And you’ve shown that in your two documentaries now. What’s your impression on that?

AD: That’s a great observation, and I’d have to agree. I don’t know that I’ve been to many middle-of-the-road shops. Most do seem to fall into either the clean or dingy categories. I’m not exactly sure what would account for that. The only thing I could offer is that maybe it comes down to the reason for opening the store. If the motivation is more of a business-oriented one, perhaps that leads to a more professional appearance, whereas owners who are fans first and businesspeople second may be somewhat less organized.

GP: Jay is quite a personality. What is it about comic shops and attracting larger than life personalities and the types of “characters” that go to them to shop and hang out?

AD: Jay is absolutely larger than life. It’s hard to ask for much more in a documentary subject (except maybe for someone who doesn’t address me so much while filming, but at least I got some good bloopers out of it!).

I don’t know what exactly it is that attracts such characters to comic shops, but I’m honored to be part of that club!

GP: How is Jay doing now with his new set up?

AD: As shown in the film, Jay moved his merchandise to his garage when the market closed. He’s done some garage sales since, and set up a table at a couple of local flea markets, but that’s about it. As shown in the film, it’s not exactly like business was booming to begin with in Port Chester. I think what’s hit Jay harder than anything is not having those interactions with his customers anymore.

GP: What’s next for My Comic Shop DocumentARy and By Spoon! The Jay Meisel Story?

AD: My Comic Shop DocumentARy continues to be discovered on YouTube, and the responses have been tremendously positive. I’m always looking for new ways to spread the word about it.

By Spoon! has its first film festival screening on October 19th at YoFi Fest. I hope to continue to show it at festivals, but more importantly, it is very much my goal to find a true home for it this time around

Movie Review: My Comic Shop DocumentARy

my comic shop documentaryMy Comic Shop DocumentARy is a movie, released today, that looks at the comic shop Alternate Realities, its owner Steve Oto, and the various personalities that hang out at the shop. During my mid to late teenage years, and a bit into my 20s, I was a counter jockey at a few comic and game shops. It was a great time, leaving me with numerous memories and some friendships that last to this day over a dozen years later. There’s a comradery that is often at shops, filled with social misfits, awkward individuals, and at the same time personalities larger than life. It was a half dozen years or so for me working in a shop, and I miss it.

Director Anthony Desiato attempts to capture all of that in a documentary released today on Youtube and you can view below. Desiato nails it, and some may say I’m writing this with too much nostalgia, the wacky world that is the comic book shop world is depicted accurately and quite well. It’s a movie I’d hand to someone if they ever inquired what working in a shop was like, and what it entailed. This is pretty damn close to my experience, crazy characters ana ll.

Desiato also deftly knows that there’s more to the “story” than just the individuals that go in and out of Alternate Realities. While the movie might focus on Oto, his staff, and the customers, there’s also a light shown on some of what goes into running a shop as well. Driving to the local UPS depot early in the morning to get your shipment, moving vast amounts of stock around, going through a thick monthly catalog figuring out what might sell three months down the road, it’s all here and more. That love of detail is due to the insight Desiato has from working in the shop he decided to film. And though he worked there, the film covers the shop fairly, warts and all, showing off the competition, and allowing pretty frank depictions and discussions.

While I could say there’s a script and plot, the flow of the movie is natural, broken up in segments covering certain topics. During each, we’re shown the world and individuals that inhabits the store, both inside and at outside activities and all of it is fascinating. Many of the “characters” you might recognize from your local store, showing the comic experience is universal.

For those who work at a shop, have wondered what it might be like, or want a glimpse into the rather unique world of comic book retail, this is a great film that you can walk away from with a good sense of what its like.

You can read an interview we did with Desiato here, catch a trailer of his next film a spin-off of this one, and also watch the full movie below!

Direction: 8 Acting: N/A Plot: 8 Overall: 8


Interview: Anthony Desiato discusses the movie My Comic Shop DocumentARy

my comic shop documentaryMy Comic Shop DocumentARy is a movie, released today, that looks at the comic shop Alternate Realities, its owner Steve Oto, and the various personalities that hang out at the shop. I worked at a couple of shops over a decade ago, and seeing the film brought back memories. A review will be up later today!

But, before the review, I got a chance to talk to the director Anthony Desiato about the movie as well as its spin-off follow up, By Spoon! The Jay Meisel Story. You can catch a trailer of that below, but before you get there, the interview!

Graphic Policy: You used to manage the comic shop Alternate Realities, but have since moved on to get a law degree. What got you interested in returning to the world of comic shops to make this film?

Anthony Desiato: I’ve always been interested in writing and filmmaking, but it wasn’t until law school that I found the motivation to actually pursue it. A few weeks into my first semester, I realized that I needed a creative outlet to stay sane amidst all the cases I was reading. The documentary idea emerged, and it became a goal—a light at the end of the tunnel.

I will forever maintain that my dual focus of law and film, however unorthodox it may be, has provided an invaluable balance. I think it’s fair to say that I wouldn’t have been as productive in either area without the other.

GP: How’d you come to work in the shop?

AD: I started shopping at the store during elementary school. One day during high school, the owner (Steve, the protagonist of the film) asked me how my alphabet was. He was looking to reorganize the back issue bins and needed some help. I started working at Alternate Realities that summer.

Over the years, I went from a boy whose mother drove him to the store and waited in the car while he got his comics to the guy who opened and closed each day.

Without a doubt, it was the best after-school and summer job a high school or college student could possibly ask for. I learned how to run a small business and deal with people; I came to appreciate the value of working for and saving my own money; I met some of my best friends there; and it provided an endless source of inspiration—as evidenced by the documentary and the fact that we’re talking now.

GP: What was your general experience working at a shop? Any great memories or stories you’d like to share?

AD: I loved it. As a fan, it really was the best, even if the novelty of being surrounded by comic books all the time eventually wore off.

Message boards and social media weren’t what they are now, and none of my friends read comics, so being able to talk to coworkers and customers about what I was reading was just incredible.

I also couldn’t have asked for a better boss than Steve. As the film shows, he’s certainly not without his quirks, but as an employer he was always nothing but generous, patient, and accommodating. It was a big moment when he entrusted me with a key to the store.

The customers were interesting. You know that scene in Clerks where Dante and Randal recall all the stupidity they encounter on a daily basis? I’d be lying if I said I didn’t have encounters like that, but overall it was a diverse, polite, friendly group of people coming in for their comics every week.

As for a story: In the documentary, one of the interviewees says that he plans to invite Steve to his wedding. Not only did he make good on that promise, but he also invited me and two of my coworkers from the shop. He even spoke about the friendships he made at the store in his wedding toast. This was someone who just came in every week to pick up his books, but who truly became a friend.

GP: What is it about comic shops that takes folks who generally are considered not all that social/socially awkward in other situations or with other groups, and opens them up?

AD: That’s really interesting. There’s a scene-stealing moment in the documentary where one of the customers—a good friend of mine—describes himself as an introvert, then goes on what can fairly be described as a rant about Captain America’s movie costume. He felt comfortable enough to express himself that passionately at the store.

As for why, I suppose that being surrounded by the things you’re passionate about brings out that passion. And, at Alternate Realities at least, there’s usually some pop culture discourse going on behind the counter, so I think that sort of opens the doors for the customers.

GP: So where did the urge to make a film come from?

AD: The store has always been a tremendous source of inspiration for me. I was a journalism major in college, and I wrote a number of papers about the store and the people there. One of them was an in-depth profile of Steve (Hesitation Kills: The Secret Origin of SKO, available in full at www.flatsquirrelproductions.com). That one was the genesis of what would become the documentary. It really showed me that there was a story to be told.

GP: On the flip side, I’ve found in my time working in shops and going to them, that the owners and managers tend to be very “interesting” personalities. What do you think attracts that type of person to run comic shops?

AD: Great question. I don’t know exactly what it is. Comic books are about colorful, larger-than-life characters, so I guess it makes sense that it takes colorful, larger-than-life people to sell them. Maybe it’s as simple as that.

GP: What was the initial reaction when you said you wanted to make a documentary about Steve Oto and his store?

AD: Everyone was supportive initially, but I suspect it was more of a, “sure, that’d be cool”-type thing. I don’t think anyone took it too seriously, and understandably so: I didn’t go to film school. I had never made a film before. I had no background in this, no experience.

I think things shifted somewhat when I started showing up to film the interviews and to shoot at the store and they saw that I had actually invested in the equipment.

Thankfully, there really wasn’t any resistance. As you saw in the blooper reel, there were some questions that people didn’t wish to answer on camera, but those responses became part of the story in their own way.

I can’t thank the cast enough. They gave me terrific material to work with. They showed up on time for their interviews. They let me into their homes to film their collections. With Steve in particular, nothing was off-limits. I had unlimited, unrestricted access and freedom to tell my story, and I’m very grateful for that.

GP: I find it interesting that Oto went from law into comics, while you went the opposite way, comics into law. Was your choice of profession inspired by him?

AD: This one makes me laugh, because that’s always been the joke: that I got my law degree so I could follow in his footsteps and buy the store. I can’t say that my decision to go to law school was inspired by him—if anything, he tried to talk me out of it!—but he certainly has inspired me in other ways. He inspired me creatively, obviously. But I also feel that I’ve learned a lot from him. He’s really been a mentor.

GP: How long did it take for you to put the film together from beginning concept to the finished product?

AD: About three and a half months. I had my last law school final on a Friday in mid-May, relaxed that weekend, and then started outlining the movie and researching the equipment that Monday. Shooting began in late June and lasted about five weeks. The rest of the summer was spent editing.

It was all-consuming, especially because I was teaching myself as I went—and there was no crew—but I loved every second of it. It was incredibly fulfilling.

GP: Did you go into the filming with a “story” you wanted to tell, or did that all organically come together?

AD: I had a script, though certainly things evolved during shooting, and even more so during the editing process. Still, when I compare the initial vision to the finished product, they are substantially similar.

One of the things I’m most proud of about this film is that it’s from an insider’s perspective (while still remaining accessible to outsiders). I’ve spent so much time at the store as a customer and employee that I had a very clear sense of what I wanted to do with the film. For better or worse, I told exactly the story I wanted to tell, the way I wanted to tell it, to the best of my ability.

GP: Being your first film, did you find yourself learning as you went along, and did that impact the ability to use some of the earlier footage you shot?

AD: I definitely learned as I went along. I shot a little bit of test footage, but once I began filming in earnest, there just wasn’t time to go back and re-shoot anything I wasn’t thrilled with.

Looking back on the film now, are there things that I wished I had done better or differently? Of course. But the way I look at it, this documentary was my film school. It was more important to me that I applied what I learned here to future projects.

GP: The film has screened at a few festivals and conventions, what has the reaction been so far?

AD: The reactions have been terrific. At San Diego Comic Con, it was obviously an audience pre-disposed to this sort of thing, but the responses at the non-comic venues have been even more gratifying. I was very conscious about making the film accessible to the initiated and non-initiated, and it seems to work for both audiences.

Injecting humor into the movie was also important to me—it’s something you don’t see a ton of in documentaries—so the fact that it gets laughs has been very rewarding.

GP: What’s the reaction been from the folks featured in the film?

AD: The response was overwhelmingly positive (at least as far as what they’ve told me—I don’t know what they say when I’m not there!). Steve, in particular, was a tremendously good sport. So much of the movie consists of people offering their take on him and the store, and I imagine it must be somewhat of a bizarre thing for him to watch, but he seemed to take it all in stride.

I spoke earlier about the friend of mine who rants about Captain America’s costume in the movie. Admittedly, I wasn’t sure how he would react—the last thing I would want is for him to think I was making fun of him—so I was very relieved to hear him laughing with the rest of the audience.

In the end, actions speak louder than words, so I think one of the best endorsements has been that many of the cast members have attended multiple screenings, including out-of-town ones, which has really meant a lot to me.

GP: Like any good comic, you’ve got a spin-off coming out of the documentary, By Spoon! The Jay Meisel Story. Where is that in the process and when might we see it?

AD: I’m very excited about the spinoff. Jay had a segment in the first film, but I felt he was a big enough character to stand on his own. I actually began filming his movie a little over a year ago, and it was originally just going to be a profile, more or less, but then it became something much more.

Late last summer, he found out that the flea market—where he has operated his comic book booth for 35 years—was closing, and I resumed filming to document the final days. Much of the humor that was present in the first film is here too, but the tone is also much more somber at certain points. I’m very proud of how this project has taken shape.

I expect to be finished editing in late spring/early summer and hope to bring it to some NY festivals in late 2014/early 2015.

GP: What’s next for the film and you?

AD: Since making the film, I passed the NY Bar exam and currently work in Admissions at my law school.

On the film side: I’m finishing the spinoff, I started a trilogy of short film mockumentaries about a mismatched legal duo (the first two films are at www.flatsquirrelproductions.com), and I’m trying to get my next documentary project—about an aspiring puppeteer—off the ground.

Right now, I hope folks watch and enjoy My Comic Shop DocumentARy and that it gets in front of the right eyes.

Check out the trailer for Athony’s next film, and come back this afternoon to read a review of the movie!

My Comic Shop DocumentARy Trailer

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One of the fond memories I have is working in a comic book shop during high school and college. The stories from my time being a counter jockey are numerous and most are entertaining, and if I could of made of living out of it, I probably would have continued. Filmmaker Anthony Desiato found it fascinating too and decided to make a documentary My Comic Shop DocumentARy which explores Alternate Realities Comics in Scarsdale, NY and its owner, Steve Oto.

In 1992, one man embarked upon a journey from lawyer to comic book retailer. It has been a journey filled with accomplishment and disappointment, friendship and heartbreak…and a dream that would become a nightmare. “My Comic Shop DocumentARy” is an independent, feature-length film shining a light on the colorful community that calls one New York comic shop home.

I can’t wait to see it.