Category Archives: Reviews

Review: Neil Gaiman’s American Gods: Shadows #1

The comic book adaptation of Neil Gaiman‘s award-winning American Gods is everything you need to hold you over until the STARZ tv version premieres and then some. P. Craig Russell does an amazing job at adapting the story into a readable and enjoyable comic book, he trims the “fat” nicely without compromising the story or the material that we all fell in love with. For those who haven’t read the book yet, the comic book is a nice entry and primer to it and I hope you feel compelled to read the book as well and watch the show.

Scott Hampton gives us low-fi pulp status visuals that bring the story to life in a way that seems more (sur)real than fans of the book could have imagined and he doesn’t skimp on the parts that you thought you’d never see.

There’s always a danger in adaptations of popular material that you’ll screw up the source material, take to many liberties and tick off the fans but, that’s not a problem that this comic book has. In fact having it come out before the TV show might have put some pressure on STARZ to make sure they get it right. There’s a lot of detail in the comic book that holds true to the book but, doesn’t come off as vulgar or exploitive. There’s no shock value or gore just a well-adapted story, with simple yet creative visuals that paint a beautiful picture into the world that our hero Shadow is about to enter.

The first issue of this series focuses on Shadow, his back story, time in prison, motivation to that pivotal moment where he meets and interacts with the “man” who will change his life. As a nice “epilogue” to this issue, we get to meet Bilquis in action in LA which should excite fans of the Gaiman original and, engage newcomers to the story to what kind of story they should expect. This is a solid first issue for a well-loved novel and I’m happy to see it come to fruition. I’m sure the hardcover collected edition will be something that coffee tables will beg for, especially if they get a David Mack cover like Fight Club 2 had. I recommend buying the issue, especially if you can get one of the sweet Mack covers even if you’re tempted to wait for the collected edition because it’s a work of art.

Dark Horse has another hit on its hands with this one, not just because of the story’s original fans but, because it this strong first issue is any indication, they’re going to have whole bunch of new readers falling in love with the story for the first time as well as OG fans finding a new way to love the story in a new and exciting way.

Story: Neil Gaiman Adaptation: P. Craig Russell Art: Scott Hampton
Story: 9.1 Art: 8.9 Overall: 9 Recommendation: Buy

Dark Horse Comics provided Graphic Policy with a free copy for review

Review: Batwoman #1

Marguerite Bennett and James Tynion IV weave an interesting and diverse tale in Batwoman #1 the return of the character to her own ongoing series. This isn’t just a Rebirth, it is an awakening of a compelling and interesting story where a fluff line used to reside. There’s real emotion and a real story being told and I’m more than happy to allow myself to get engaged in it and take this arc up on its offer for what seems to be a very compelling ride. The women in this story are strong, vulnerable, relatable and human. There are layers to everything that peek through the surface and pull you in deeper. The beginning of the “Many Arms of Death” storyline has Kate’s chickens coming home to roost as she finds herself living on her yacht and hunting down the surge of a lethal drug that has hit the streets of Cortana. We not only get to see Batwoman in action, without the brooding caped crusader stealing her thunder but, we get to learn a little bit more about her lost years which it turns out weren’t all parties and passion.

Steve Epting and Jeromy Cox provide some really cool, muted and realistic art for the panels in this issue. The colors only pop when that red hair is in the middle of kicking some ass, keeping the focus on our somber hero. The rest of the time the art stays muted and dark which matches the tone of the story of a killer street drug on an island of criminals. There’s a sense of danger, foreboding and death that lingers in the edges of the panels that makes the story feel real and dark but, also engaging.

There isn’t a useless panel, word, or action in any of the pages of this story. Each conversation, fight, intel gathering computer screen flash is meaningful and important. Everything moves the story forward and engages the reader giving off flashes of insight to air of mystery that surrounds Batwoman. You can’t help but be drawn in and fascinated by everything about the character and the writers put the focus squarely on her, literally and figuratively. There is also not a trace of Batman which means that we are treated to a Batwoman story and arc that is, gasp, all about Batwoman as it should be.

Bennett and Tynion give her character some much-needed urgency and fire. Having established Kate’s sexuality in the previous start-up issue, Bennett doesn’t revisit it outside of a flashback showing that there may have been something going on between Kate and someone from the island. The way Bennett chose to have this play out is brilliant, she isn’t washing over her sexuality nor is she exploiting it. Having established it already it allows the story to continue, like in real life because no one goes about their daily business professing their sexuality.  This choice normalizes something that is normal and allows us to get to know the character better and, doesn’t use her being a lesbian as a gimmick or as a diversity red herring. There’s something to be said about being able to tell a compelling story without the use of cheap tricks AND still having diversity and inclusion in the story.

Overall, I found this issue a fast, compelling, well-written read and I can’t wait until the next installment in, if this opening issue is any indication, what I am sure will be a very interesting arc and a wonderful upgrade to the Batwoman legacy and series.

Story: Marguerite Bennett and James Tynion IV Art: Steve Epting and Jeromy Cox
Story: 9.3 Art: 9.1 Overall: 9.2 Recommendation: Buy

DC Comics provided Graphic Policy with a free copy for review

Mini Reviews For The Week Ending 3/18

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


 

Alex

All-Star Batman #9 (DC) Written with an almost prose style, this comic is easily the better of the two Batman books this week, giving us an interesting look at the Mad Hatter as Snyder continues his out-of-Gotham tour of Batman’s Rogues Gallery. Overall: 8 Recommendation: Read

american gods 1.jpgAmerican Gods #1 (Dark Horse) I have never read the prose version of this story before, although I have a vague idea as to what the basic premise is from conversations with a friend, but I wasn’t prepared for how quickly the story went from hinting at something just beneath the surface to throwing it into your face. I liked it, however. Quite a lot. Overall: 8 Recommendation: Buy

Batman #19 (DC) ….. it took me four minutes to read this, and that was four minutes I could have spent watching paint dry instead. Overall: 3 Recommendation: Pass

Deadpool The Duck #5 (Marvel) Stupid, yet fun. Overall: 7.25 Recommendation: Read

Venom #5 (Marvel) Despite the fast pace it feels like there’s not been too much happening yet in this series, and yet I’ve been enjoying it nonetheless. There’s some great art sequences here that more than make up for the comparative lack  of substance. Overall: 7 Recommendation: Read

Elana

BW_Cv1_dsBatwoman #1 (DC)– The Rucka / J.H. Williams III run of this character is the stuff of legends. I’ve eagerly awaiting the new creative team and this first issue is a promising start that should excite fans of the modern classic. Marguerite Bennett is the first queer woman to write Batwoman (and her cowriter for this, James Tynion IV is bi too). I’m relieved to have their perspectives on DC’s premiere lesbian heroine. The art from Steve Epting and Ben Oliver shares the striking noir glamor of of J.H. Williams’ original figures though their layouts are more traditional. Seeing a comic cover with 3 mysterious women of color on it is just what I needed. Recommendation: Buy

Patrick

I Hate Fairyland #11 (Image)** – Welcome back, muffin fluffers! Now that Skottie Young
has liberated himself from the useless encumbrance of things like “story arcs” and “plot”, he can get on with what this series does best: pure mayhem. In this issue, Gert goes fangirl on Gwag the Barbarian and in return is subjected to the fannish attentions of Gert cosplayer Maddie. The usual fun. Overall: 8.5 Recommendation: buy

Casanova: Acedia #8 (Image)** – And into flashback, with art this time by Gabriel Bà. This is an absolutely paint-by-numbers assassin’s-daughter story, you know the one: assassin tries to shield daughter from The Life but she embraces it anyway. Nary a note of the originality and twist I expect and deserve from a Matt Fraction story. This story is stuck in neutral and needs a swift kick. Overall: 6.5 Recommendation: Skip

Sex Criminals #17 (Image)** – In this issue, Fraction & Zdarsky do their best Brubaker & Island_15-1Phillips… and really made me wish that Brubaker & Phillips had in fact done this issue. In fact, “The Skell” would be a great start to a series where we really dig into the m.o.’s of the various other sex criminals that are being hunted by Myrtle Spurge and her sex cops. In short, this would have been great if Fraction would just have run with it instead of backing off. Overall: 7 Recommendation: Read

Kill of Be Killed #7 (Image)** – And speaking of Brubaker and Phillips and Breitweiser, and issues that deviate from the main plot to focus on a secondary character… Now this is how it’s done. “What Kira Sees” takes us into the world of vigilante Dylan’s ex in a series of
family photos and therapy sessions, which leads her into Dylan’s closet and a very good, totally sensible, and really terrible decision. Overall: 8.5 Recommendation: Buy

Island #15 (Image)** – Sadly, this is the final issue of Brandon Graham and Emma Rios’ anthology series. We open with Grim Wilkins’ wordless “Mirenda”, a very nice fantasy piece with animation-like drawing. Not really my thing, but well done. Farel Dalrymple follows with a new installment of “Pop Gun War,” which is really my thing: freewheeling rock n’ roll urban crime whmsy. Where can I get more of this? Oh, here: http://fareldalrymple.com/ (trade collection in June!) Next up: this issue’s stunning highlight, Dilraj Mann’s “January”, a starkly-drawn meditation on young fame and the lies we tell to be pop. And then the series peaces out with Brandon Graham hisself in a delightfully surreal installment of “Multiple Warheads”. All I can do is quote the closing lines: “Good dream.” “… Hope so…” I have really loved this series and would happily take more of this sort of thing. Thanks, Brandon and Emma, you guys are the best. Overall: 8.5 Recommendation: Buy

 

Ryan C

Dead Inside #4 (Dark Horse)** – In the best crime/mystery story fashion, John Arcudi ramps up the unanswered questions just prior to wrapping things up next month, while continuing the strong characterization that’s been a hallmark of this series from the outset., and Toni Fejzula’s Wrightson-esque art drives home the dark atmospherics in a dead inside 4 coverway that can only be described as “pitch perfect.” Overall: 8.5 Recommendation: Buy

Batman #19 (DC)** – Is this story actually going anywhere? We get it, Batman and Bane are gonna fight, but this is the second straight installment comprised more or less entirely of build-up, and it leaves us off, bizarrely, further back than we were last issue, when at least the fisticuffs had already gotten underway. I wouldn’t mind at all if the characterization and backstory were enlightening or shed something new on the proceedings, but Tom King so far hasn’t managed to do that. Oh, and David Finch’s art is still lousy. Overall: 3 Recommendation: Pass

Batwoman #1 (DC)** – Writers Marguerite Bennett and James Tynion IV deliver a reasonably intriguing spy/noir thriller that suits artist Steve Epting’s considerable talents to a “T,” but it’s also fair to say it’s not exactly earth-shattering stuff and covers ground that’s very well-trod indeed. I liked it fine, but it was certainly predictable in the extreme. Overall: 6.5 Recommendation: Read

Black Panther: World Of Wakanda #5 (Marvel)** – Roxane Gay and Alitha E. Martinez put the wraps on their five-part story arc, which I loved at the beginning, with an issue that continues the sad trend of each installment getting progressively worse than the last. Granted, this is essentially a prequel and, as such, is hamstrung by the same problem all prequels are — namely, you know how it’s going to end — but Gay, who is a very skilled author, never really fleshed out her two intriguing lead characters beyond their very broadly-defined internal struggles, and the art is bog-standard stuff. All in all, a woefully wasted opportunity. Overall: 2.5 Recommendation: Pass

 

Shean

Black Panther: World Of Wakanda #5 (Marvel) The cliffhanger on the last issue, had hankering for what will happen next, and the creative team somewhat . We find Wakanda dead inside 4 coverin the throes of an awakening amongst the country’s women, as everyone has heard by this point what Aneka has done , and want retribution as well. What the Dora Milaje doesn’t see coming is one of their own seeking revenge. By issue’s end, you do realize it’s a prequel, one much like a recent show, leaves you an unsatisfactory ending. Overall: 7 Recommendation: Read

Odyssey Of The Amazons #3 (DC)– We catch-up with the Amazons as they meet the Valkyries. Their resolve tested and possibly new allies by their side, they are still searching for their lost sisters. Trolls and Jojins continue to battle them at every front , Tgemyra’s leadership continues to wane and the ship’s crew unity begins to dissipate.By issue’s end, it seems the Amazons have been dealt a fatal blow. Overall: 8 Recommendation: Buy

Batwoman#1 (DC)– Definitely one of the better reboots from The Big Two, as this spy thriller felt a little Iron Man/ James Bond -Ish as this has all the workings that one would expect of either character but as this gender switch deftly proves, it is even more interesting with a woman in this position. One should buy if you are enjoying Brubaker and Phillips “Velvet”, as Kate Kane is one smooth operator to be watched.
Overall: 9 Recommendation: Buy

 

 


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: U.S.Avengers #4

471323._SX1280_QL80_TTD_Do you HATE tie-ins with a fiery passion, True Believer? Well, this isn’t one! It’s a compete epic event – in 20 pulse-pounding pages! In the wake of Monsters Unleashed – even more monsters!! Because you probably will have demanded it! RED HULK! AMERICAN KAIJU! VANDOOM, the man who made a creature! And wouldja believe – DEDD-PUUL, THE MERCENARY THAT WALKS LIKE A MAN?!?

That was a lot of build up for a so-so issue. Al Ewing and Paco Medina bring us a stand-alone issue featuring Red Hulk (the new one, General Robert L. Maverick; not General Ross.. there seems to be so many Hulks these days..) being sent in to handle a situation quietly for the American government. He runs into Deadpool, and things don’t exactly go as planned. Deadpool does give us some funny moments through this story, but it doesn’t do much to save this issue from just being ‘ok’. I was rather bored and found the villain to be a little cheesy. Maybe that was what they wanted from this issue, and with Deadpool in it you know it isn’t going to be gravely serious. But it just didn’t do anything for me.  Also, having the book break into what looks like different covers for a tie in didn’t really add anything to the story, I just found it distracting.

I do really like Medina’s art on this book. His pages have a great flow and the action moves well with the story. I may not have been caught up with the story, but I really did take a moment on each page to take in the art, which really is the winner in this issue.

Overall, not a very exciting issue. It does have some humorous moments and as I said, the art is very good. But it isn’t just this issue, I’m just not really enjoying this book as a whole. When it was New Avengers and Roberto had taken A.I.M and turned it into something good, that was an interesting concept. Yes, that title had it’s problems too, but it was a new idea that could have been taken a lot further. Instead, the organization got rolled in with SHIELD and is now just a cog in that machine. And I’m sure with Secret Empire coming up this title is going to get a shake up with the direction Steve Rogers wants to go in, and I’m looking forward to seeing how this team reacts. I’m hoping Roberto doesn’t jump into formation with his new fuhrer, and maybe this team can go back to being something new and exciting rather than following its current course.

Story: Al Ewing Art: Paco Medina
Story: 4.0 Art: 8.5 Overall: 6.25 Recommendation: Pass

Marvel Comics provided Graphic Policy with a FREE issue for review

TV Review: Iron Fist S1E13 Dragon Plays with Fire

In a desperate search to clear his name, Danny learns a terrible truth that places him on a new path.

We find out the truth about who killed Danny’s parents and caused the plane crash as Danny attempts to get the tablet that has the information that’ll clear his name.

This episode features every issue I have of the series. The dialogue is cheesy and spells things out (For example a gun shot goes off and someone exclaims “they’re on the roof”). There’s glaring plot issues (Said tablet is in a vault which is left open when a gun is retrieved. And why are you keeping the evidence of your evil plan!?). The action is silly. A martial arts master runs after knocking the gun from a hand and the villain walks away after he knocks down Danny. We’re continuously reminded that Danny isn’t bullet proof (he’s not Luke Cage after all!). The episode is littered with bad dialogue and too many moments where I found myself yelling at the television.

The episode wraps things up as far as the story for this season, but the ending leaves things wide open as to where it all goes from here. But even that ending! Really, no head gear while walking around on a snowy mountain?

The finale is a flawed mess that’s good in a turn your brain off and try not to think sort of way. It says nothing, is completely forgettable, and screams mediocrity in a series of shows that have all excelled in some way. The one thing the series has going for it is that it improves as it goes along and does suffer from the late season slump that other Marvel Netflix endeavors have, but then again, it starts from a much lower quality point. Then again, all of the Marvel series have had a letdown of a final episode.

The end sets a lot up, but with such a poor first outing, does it deserve a second? Will fans want one?

Overall Rating: 5.05

TV Review: Iron Fist S1E12 Bar the Big Boss

Ward receives an offer with strings attached. Davos advocates for an extreme solution and a deadly duel gets personal.

In the penultimate episode, Bakuto makes a move and takes the Meachums hostage in hope of bringing Danny out into the open. Weirdly the Meachums plan is to screw with Bakuto by taking away his money and lure him out. It’s all rather goofy in some ways and doesn’t quite work. If the Meachum/Rand plan was smart, Danny would have intercepted Bakuto and his team beforehand. But, it seems like not too many people here are smart. It’s like a lot of the season where the small details don’t quite work and add up into issues, like the backpack in the first episode.

The episode feels like it telegraphs every major thing. Bakuto carries a sword which sets up his fighting Colleen. Davos’ actions were obvious as to what he’d do to the Hand compared to Danny and Colleen, which he of course does. And that sets up conflict between him and Danny. It’s like nothing can be subtle in this series and everything beats the viewer over the head.

And speaking of plot points…. whatever happened to the whole poisoning neighborhoods plot? That seems to be forgotten.

What’s interesting and stands out in this episode is that music is used to shock the viewer again. The music for the series is very underused and in the first episode and here we get hip-hop used to wake up the viewer in same ways. It’s an interesting tidbit especially when Luke Cage used music some prominently.

there’s a twist at the end of the episode which is…. interesting, and in the bigger scheme of things again makes little sense. Like a lot of the season it’s a bit blunt and feels forced in, especially since the series made sure to say multiple times that the drugs being moved around weren’t illegal.

With one episode to go, this is a wrinkle that feels like a plot point added in WAY too late.

Overall Rating: 5.20

TV Review: Iron Fist S1E11 Lead Horse Back to Stable

Claire uses her improvisational skills, and Colleen gets conflicting information. Danny yearns to be more than just a destroyer.

Danny is beaten, broken, and betrayed as he heads to the only person he feels he can trust, Claire. The episode really lays things out about Danny’s training giving us the best idea yet about K’un L’un.

The episode is interesting in that it lays out what it means to be Iron Fist and we get a sense from Davos that he’s not all too happy with Danny’s choices. But, what’s solid is that a lot of it is laid out in subtle ways. Certain breathing techniques show that emotion is repressed as an example.

There’s also clear tension between Danny and Davos obviously setting up things to come. It’s interesting to see how that plays out in the future.

Then there’s Colleen who really has no idea what the hell is going on it feels like. Things between her and Danny feels like a paint by numbers plot point. Hell, the two reconnecting takes place in a rain scene. The only good is we see her kick a little more ass.

The episode…. is. Again, like much of the season it’s not bad, but it’s also not good. There’s some interesting moments and it moves a lot of the plot along, but it falls very short of the quality we’ve seen in previous Netflix Marvel series.

Only a few more episodes to go!

Overall Rating: 6.05

TV Review: Iron Fist S1E10 Black Tiger Steals Heart

Exhausted from fighting. Danny tries to recharge with Bakuto’s help. Meanwhile, Rand’s management gets another shakeup.

Danny is taken by Bakuto to his training facility where he learns a bit more about the history of Iron Fist. That might be the coolest aspect of the show, revealing a previous Iron Fist which opens up some interesting history and potential of the series.

There’s some revelations about Bakuto and Colleen and it all spirals out fo control, but the episode introduces Davos who comes to rescue Danny from what’s a crappy situation. There’s a lot of action and Colleen chooses a side which is interesting.

The episode creates some interesting ideas in that there’s competing factions within the Hand which is something we’ve seen in the comics, but is new to the live-action Marvel universe. It’s actually a good addition and the way it’s presented leaves the viewer to wonder how much of it is truth and how much of it is bull. Bakuto’s actions would indicate a lot of it is bull, but we’ll have to wait and see.

The action increases here as Davos and Danny have to fight their way out and it’s all decent, though marred by darkness which makes some it hard to see. The martial arts sequences throughout this season has been lacking and the series lacks its iconic fight scenes that existed in Daredevil, Luke Cage, and Jessica Jones.

It’s a good episode, continuing the better latter half of the first season. While it’s not great, it’s worth a watch but like most of the season it’s not great. We’ve seen better.

Overall Rating: 6.30

TV Review: Iron Fist S1E9 The Mistress of All Agonies

Madame Gao plays mind games. Ward’s old habits catch up with him, and Danny discovers that he still has much to learn about being the Iron Fist.

Colleen’s not doing well in what was foreshadowed in the last episode. Madame Gao though is tied up and screwing with everyone. If this series has done anything, it’s made me love Madame Gao more. The delivery of lines, the attitude, the bad assness, it’s all great. And, it shows that the characters is so underused in the previous seasons.

But, the episode really emphasizes the secrets everyone is keeping. The Meachums have their secrets about their father. Danny has his secrets about his training and what happened. Colleen has her secrets as to who she works for and her training. And enter Bakuto, Colleen’s sensei who helps save Colleen.

Why this is important is the fact he knows how to do this.

It’s clear Bakuto’s knowledge and mentorship of Colleen has much more to it than initially let on. It’s clear he’s with The Hand in some way, but the fact he knows enough about Danny’s power to help him is interesting and intriguing.

This episode is the strongest of the series overall, except the Meachum stuff which continues to be out of place. We get to see Danny use his power in an interesting way and there’s a little action. What it does well is focus on a theme that threads throughout everything going on and shows off the characters’ beliefs. How they all want to handle Madame Gao is also interesting and really shows off a strong belief system that has been subtlely present throughout the series.

It’s a simple episode in some ways and also the strongest by keeping things focused and exploring the Iron Fist and what it can do and mean.

Overall Rating: 6.50

TV Review: Iron Fist S1E8 The Blessings of Many Fractures

Danny faces his fear, and Colleen meets her match. Joy makes a hasty decision, while Ward struggles to accept his sister’s admiration.

Iron Fist’s greatest enemy is… turbulence. Danny, Colleen, and Claire head to China in pursuit of Madam Gao and Danny loses his shit when they hit turbulence. That’s maybe the best use of the character so far in that it really explores his trauma, which while touched upon in the series, hasn’t really been used a lot. Finn Jones is decent in the trauma, but it’s Rosario Dawson who stands out in her reactions to it.

When the episode isn’t focused on Danny, Claire, and Colleen, it’s about Joy and Ward who have been ousted from the company. There’s a great nod to Jessica Jones in one of their scenes but this is the first decent sequence between the two. Each gets to show off real emotion and Tom Pelphrey as Ward is particularly good as a lot of what he says in his face and not his words. It’s actually really good acting between the two, especially because it hasn’t been all that great up to this point. While the two are interesting, their plotline overall feels rather superfluous in that it doesn’t directly have to do with Danny. Both have a history in the Iron Fist comics, but who knows where this is all going.

Claire, Danny, and Colleen assault Gao’s drug operation and it gives us some of the best fight choreography of the season up to this point. Colleen, in particular, stands out with a sword fight and Danny fights what I think is another Immortal Weapon, but I’m not 100% sure which. Drunk, flys, it all seems familiar from the comics.

But with the good, there’s also some bad. The end fight against Gao gives us some revelations, but the fight itself is a bit lackluster. It’s as if all of the energy has been focused on one point leaving little for elsewhere. The episode again makes the case that Marvel’s Netflix shows need to be more focused and trimmed by a few episodes.

Overall Rating: 6.05

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