The horrors of war, for anyone who has witnessed it, has seen the carnage humans will do to one another.  The mere fact that although we have gone through years of advancement in diplomacy, to the point where we have learned each other’s languages and customs.  At our most base instincts, when it comes to fight or flee, human nature takes over, and most people are surprised at what they can do, when it comes to life or death. Before my grandparents passed away, I remember them telling us of the treatment they underwent during the Japanese occupation of the Philippines during World War II.

I can still see my grandmother’s face, as her eyes welled up, remembering those times as it was a bad nightmare, and not quite feeling safe, even though to that point, it had been 40 years. Realizing then as a child, that something as traumatic, never really goes away, it becomes a scar on your psyche. I knew she would carry it with her until she left this earth, of her treatment and those she loved.  In the sixth issue of Über and the beginning of a new story arc, we find the tory moving towards the Pacific, where find the Japanese have their own enhanced soldiers.

The reader is immediately transported to the Pacific, a few miles away from Okinawa, giving a bit of a history lesson, as we find out just how decisive suicide bombers were to the war effort. We are also introduced to two Marines, Razor and Chuck, who are attempting to understand why so many Japanese are willing to kill themselves than expect help from any American. We also see that the Japanese has been using the same technology as the Germans and the English, except they act as suicide bombers destroying navy ships and submarines without thinking twice.  By issue’s end, we are introduced to the squadron of “Miyokos”, a team of enhanced soldiers, who is even more formidable than the German “battleships” were.

By issue’s end, the story though moved to the Pacific, just became even more thrilling. The story by Kieron Gillen is layered, dramatic and intelligent. The art by Canaan White is both horrifying and exciting. Altogether, this issue expands the canon and pushes the pedal to the floor on the action.

Story: Kieron Gillen Art: Canaan White
Story: 10 Art: 9.8 Overall: 9.7 Recommendation: Buy

Growing up watching movies, the very first time I watched anything resembling Kaiju was King Kong. I watched everything from the very first black and white movie to the most recent one and each one transported me to that first time. The mere fact that something like that could exist was phenomenal. Eventually, I found out about Godzilla through his Japanese movies. Those became an instant obsession for myself as well. Since then not too many subgenres can keep me captivated like those movies.

Godzilla was little bit more prolific than King Kong as the kaiju’s movies were a huge sensation in Japan during the 1960s and 1970s. One of Godzilla’s best movies, after the hilarious Son Of Godzilla, was his face off against King Kong. The movie by today’s standards may seem outdated but the effect it created was major. In the fifth issue and conclusion to the first arc of series of Über we get an epic battle between Colossus and Sieglinde.

The reader is taken to Paris, as the Allied forces are briefed about Sieglinde and the powers she carries, as this is no weapon they have ever seen before. Soon after, the very first Panzermensch, Matthias Scholtz, gets incinerated by one of the HMH, as the science Stephanie smuggled finally pays off for the British. In turn, Sieglinde, hears about this and wants to even the odds, which is a trap set by the HMH, where she faces off against Colossus. By issue’s end, not all things go as planned, as the fault here was one’s ego.

Overall, an excellent end to the first story arc. It’s one which gives hope for some characters while meaning the end for others. The story by Kieron Gillen is intense, fun, and brimming with hope for future arcs. The art by Canaan White is striking and lifelike. Altogether, an issue that will keep you on for the next story arc.

Story: Kieron Gillen Art: Canaan White
Story: 9.4 Art: 9.3 Overall: 9.65 Recommendation: Buy

As a fan of movies one of my favorite actors was Paul Newman. There was no one quite with the flair and intelligence that Mr. Newman brought to characters on the movie screen. Who could forget his portrayal of lone pool player Eddie Felson in The Hustler, which he reprised years later in The Color of Money. Then there is his portrayal of John Russell in Hombre, as a fast shooter who is shunned because Native Americans raised him.

As much as I enjoyed his classic movies, it was his later movies which caught my eye. Who could forget his inspired turn as an Irish gangster in Road to Perdition. Then there is his incredible performance of General Groves in Fatman and Little Boy which showed a man focused on winning the war, as he famously says in the film:

We could give this country the biggest stick in the playground, and I intend to do that.

In the fourth issue of Über, this is exactly what Churchill hopes to do now that he possesses the technology to create his own “battleships.”

We catch up with Stephanie shortly after Churchill ordered her to start building his HMH troops, as Patrick being the first one, undergoes the excruciating procedure. We also find out where the German battleships have been, as they are sent to Paris, which lies defenseless, to draw out the Allies. As the war heats up, it appears Stephanie is having even worse troubles then she had with German ones, they are prematurely dying, as each HMH troop thus far, is missing the durability. By issue’s end, it looks as if they finally found answer to the German battleship problem, in Patrick, as he becomes the most powerful HMH troop.

Overall, full of training montages and war reels, but one that leaves the reader hopeful for a big showdown next issue. The story by Kieron Gillen is fun, gritty, and action-packed. The art by Canaan White is enthralling and vivid. Altogether, an issue that will more than satisfies readers of this book.

Story: Kieron Gillen Art: Canaan White
Story: 9.5 Art: 9.6 Overall: 9.45 Recommendation: Buy

As long as technological advancements have made the world a better place, it always starts somewhere. Many of these advancements have been tested on animals.  This is usually due to the fact, that they believe that to her mammals, such as certain animals, are a good test subjects. This was not always the way innovators tested their devices.

Many of these experiments were made on humans, often on slaves. This is what made the recent protests of the statues of J. Marion Sims, a man who conducted gynecological experiments on slave women without anesthesia, still so disturbing.  Because at its core, these types of liberties in the name of advancement, is also barbarianism, in its purest form. In the third issue of Über, the Allies looks to even the odds despite the inhumane means that bringing the balance would mean.

We catch up with Stephanie, shortly after arriving in England, where she must brief Churchill, as well as turn over the technology she escaped with. We also catch up with Sankt, a s he briefs Hitler on how Stephanie escaped the country with the very technology she cultivated in SS labs.  Eventually, Stephanie must recruit a solider to part of the English superhuman tank. By issue’s end, Hitler has another card up his sleeve, something neither the Allies or his subordinates can see coming.

Overall, an excellent issue that shows just how complicated war is and how everyone may have more than one purpose for doing the right thing. The story by Kieron Gillen is powerful. The art by Canaan White is elegant. Altogether, an issue that bridges a few gaps and will surprise fans in the most unexpected way.

Story: Kieron Gillen Art: Canaan White
Story: 10 Art: 9.0 Overall: 9.5 Recommendation: Buy