Tag Archives: nathan fairbairn

Batman vs. Robin gets a trailer before its September release

Batman vs. Robin is by writer Mark Waid, artist Mahmud Asrar, colorist Jordie Bellaire and letterer Steve Wands. Main cover is by Asrar and Nathan Fairbairn.

Spinning out of the events of both Batman/Superman: World’s Finest and Shadow War, father and son will do battle in one of the single most earth-shattering tales ever told!

Deep in the heart of Lazarus Island, the demonic legacy of the al Ghul family line has at last been freed, and the Devil Nezha is out for blood. To reclaim his total domination over planet Earth, Nezha has supercharged magic—anyone who dares use it is overcome by a demonic evil that supercharges their abilities to dangerous, unpredictable, and in some cases deadly levels! With Damian in Nezha’s clutches and Bruce haunted by the return of an old friend, the Dark Knight and the Boy Wonder are pitted against one another in the battle of the century! Legendary writer Mark Waid helms the next epic saga in Batman history, while superstar artist Mahmud Asrar makes his triumphant return to DC!

Underrated: Lake Of Fire

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Lake Of Fire


It is 1220 AD, and the gears of the Albigensian Crusade grind on. When an alien spacecraft infested with a horde of bloodthirsty predators crash-lands in the remote wilderness of the French Pyrenees, a small band of crusaders and a Cathar heretic are all that stand between God’s Kingdom and Hell on Earth.

When the owner of my LCS not so subtly recommended this to me by putting it in my pull box, I figured that she’s never steered me wrong yet, so why not give it a go? A few hours ago I opened the cover to the five issue collection, unsure of what I’d be getting beyond the notion that it was essentially aliens verses knights, and I didn’t stop reading until the story was done.

I devoured the entire tpb in one sitting and immediately wondered why I hadn’t read about this somewhere before. Why had nobody told me about this before the owner of my LCS told me to read it?

Published by Image, Lake Of Fire was written, coloured and lettered by Nathan Fairbairn with art by Matt Smith (no, not the guy who played Doctor Who), the comic does have a fairly straight forward knights verses aliens feel to it – not that that is a bad thing as it allows the characters, action and art to really pop.

Yes, there are the fairly standard typical characters within the story, but while Fairbairn does tread familiar ground with the characters, the major players all feel as though they have a weight about them. You have the grizzled old warrior, the naive young knights and the dark priest all present and accounted for, and yes they are popular fantasy archetypes, but they’re well written archetypes which goes a long way in my book. I’d rather a well written archetype than a shallow character for the sake of originality.

That being said, rather than having the characters face off against a supernatural threat Fairbairn instead pits them against a horde of alien predators. I’ve always been partial to seeing how our ancestors would fair against an extraterrestrial threat, and the collected edition of Lake Of Fire scratches that itch remarkably well.

Matt Smith‘s art couldn’t be better suited to the past-meets-future story; the action sequences are easy to follow and once the comic reaches the midpoint the atmospheric art really amps up the threatening feel of the story itself in a case where Fairbairn’s colouring melds so well with Smith’s line art that it’s hard to believe that two people were involved in creating the visuals for the story.

It may seem as if I’m being a little harsh on the story for being relatively straight forward, and that’s not my intent. Lake Of Fire is a fairly easy tale to follow from start to finish, but there are a more layers to the characters than you’d initially expect from the story – such as the relationships between some of the characters – and there’s an underlying theme about acceptance and tolerance in a time when neither of these were encouraged or widely practiced.

As far as recommendations from my LCS go, this is one of the more surprising ones; I didn’t expect much more out of this story than to be able to just pop my feet up with a cup of tea and just relax with a half the story before moving on to something else. Instead I ended up finishing the entire trade in one go and immediately start writing this column. Lake Of Fire is a really enjoyable story that surpasses a lot of the comics currently on the racks – and it’s also entirely self contained.

There are a lot of reasons why I wanted to spotlight the comic this week, but chief among them is that I haven’t heard anything about it anywhere – and that’s why it’s Underrated.


That’s all for this week folks. Join us next week when we talk about something else that falls under the Underrated banner in the comic book world.

Preview: Superman’s Pal Jimmy Olsen’s Boss Perry White

Superman’s Pal Jimmy Olsen’s Boss Perry White

(W) Matt Fraction, Nathan Fairbairn (A) Steve Lieber, Clayton Cowles
In Shops: Jun 21, 2022
SRP: $4.99

Perry White’s long career in the papers deserves a big celebration, and who better to help than his favorite colleague? No, not Lois Lane. No, not Clark Kent…or that super-guy they all write about. It’s Jimmy Olsen!

In a new 48-page one-shot comic, Superman’s Pal Jimmy Olsen’s Boss Perry White #1 (on sale June 21 with a Final Order Cutoff date of May 22), revisit the Daily Planet and read a new 7-page short story from the Eisner Award-winning Superman’s Pal Jimmy Olsen team of Matt Fraction and Steve Lieber, then see Perry White’s career throughout the years with reprinted stories by Elliot S. Maggin and Curt Swan, Neil Kleid and Dean Haspiel, and Brian Michael Bendis and Ivan Reis!

Superman’s Pal Jimmy Olsen’s Boss Perry White #1, featuring a new 7-page story by Matt Fraction, Steve Lieber, Nathan Fairbairn, and Clayton Cowles, plus three classic reprint stories, arrives June 21, with a cover price of $4.99 and a new cover (seen below) by Lieber and Fairbairn.

Superman's Pal Jimmy Olsen's Boss Perry White

Matt Fraction, Steve Lieber, Nathan Fairbairn, and Clayton Cowles turn their attention to Superman’s Pal Jimmy Olsen’s Boss Perry White!

They told the story of Jimmy Olsen, Superman’s pal. Now, they’re telling the story of Perry White, Superman’s pal Jimmy Olsen’s Boss! In a new one-shot comic, Superman’s Pal Jimmy Olsen’s Boss Perry White #1, coming to shops this June, revisit the Daily Planet and read a new 7-page Matt Fraction and Steve Lieber short story, then see Perry White’s career throughout the years with reprinted stories by Elliot S. Maggin and Curt Swan, Neil Kleid and Dean Haspiel, and Brian Michael Bendis and Ivan Reis!

Perry White’s long career in the papers deserves a big celebration, and who better to help than his favorite colleague? No, not Lois Lane. No, not Clark Kent…or that super-guy they all write about. It’s Jimmy Olsen! Yes, the same Pulitzer Prize-winning Jimmy Olsen who’s sometimes a giant turtle! Just don’t call him Jimberly—that’s a reference only Batman’s supposed to know about!

Matt Fraction, Steve Lieber, Nathan Fairbairn, and Clayton Cowles to their Ringo and Eisner Award-winning Superman’s Pal Jimmy Olsen: Who Killed Jimmy Olsen? run! You begged for more from this team, and they’re back!

Are Fraction, Lieber, Fairbairn and Cowles back for good? Or for bad? Or just for the laughs? Pick up Superman’s Pal Jimmy Olsen’s Boss Perry White #1 in June to find out! With a new cover by Lieber and Fairbairn plus three classic reprint stories, this new one-shot 48-page comic arrives on June 21 with a cover price of $4.99.

Superman’s Pal Jimmy Olsen’s Boss Perry White #1

Review: The Sandman Universe – Nightmare Country #1

The Sandman Universe - Nightmare Country #1

James Tynion, Lisandro Estherren, and Patricio Delpeche dip their toes back into The Dreaming in The Sandman Universe: Nightmare Country #1. The story centers around the nightmare The Corinthian, whose teeth for eyes motif has been an inspiration for a Brooklyn college student named Flynn. (It’s less inspiring to the guy she brings back to her dorm room.) Estherren’s art style actually looks like dreams with a flowing, impressionistic line and a lo-fi palette from Delpeche. However, in the early going the visuals are unfortunately all Nightmare Country has going for it.

In the tradition of many Sandman stories and spinoffs like the Death minis and The Dreaming, Nightmare Country #1 focuses on mortals with supernatural beings like The Corinthian in this case playing a background role. However, Flynn isn’t really an interesting protagonist even if her monologues about the world ending and being an outcast are totally relatable to anyone in their 20s, early, late, or otherwise. Lisandro Estherren and Patricio’s Delpeche’s art do the heavy lifting during her monologues conjuring up a future vision of New York underwater with fish being poisoned by art students’ paints and hint at her worst fear: Jabba the Hutt with teeth for eyes that’s sure to be revealed down the road.

It’s interesting to be that their more surreal work is used for the “real world” (With jaunts into the horrific and bizarre) while Yanick Paquette‘s clean line and Nathan Fairbairn’s clearly delineated, color in the lines work is used for an interlude into The Dreaming in Nightmare Country. This four page sequence’s writing style is clearly Tynion channeling Neil Gaiman, and there are real “A book is a dream you hold in your hand” vibes to it as he introduces The Corinthian to anyone not familiar with the original Sandman series. He also does a super short story about a man in Appalachia that is afraid in mirrors that along with the last few pages featuring Mr. Agony and Mr. Ecstasy is more effective than any of the main story sequences featuring Flynn, The Corinthian, and her lover. However, Tynion, Estherren, and Paquette’s characterization of The Corinthian doesn’t go beyond creepy guy with teeth for eyes that has a connection/is an inspiration to Flynn and heralds a bigger fish in the pond, the Smiling Man. He’s just a fixation for now even if Lisandro Estherren and Patricio Delpeche make crimson, scarring mini-masterpieces out of Flynn’s paintings of him.

It fits the whole actual dream/nightmare of it all, but Nightmare Country‘s key flaw is honestly how the scenes are put together. The Paquette/Fairbairn sequence has more of a prologue vibe and its combination of strong visuals plus nostalgia for the original Sandman may have worked better opening the issue than Flynn talking bullshit at the bar with a man who she ends up in bed with despite sharing almost no chemistry beyond man and woman at a bar. (There’s an awkward panel that I think is meant to be their arms brushing against each other to create a physical connection, but it’s staged in extreme close-up and is hard to follow.) But, despite a slow start, Tynion and Estherren do end with Nighmare Country‘s most entertainingly written sequence plus some gory chills in the visual department as Mr. Agony and Mr. Ecstasy match their names in the best way and have some amusing banter while killing their victim. But, of course, The Smiling One is the Big Bad and gets the final page despite only being basically “that creepy guy in the background” for now. It’s meant to be a mystery, but for now, I’m not super invested as Agony and Ecstasy steal the show.

Despite being a continuation of what is considered to be one of the greatest comics of all time, Nighmare Country #1 is a middling start to this dreamscape horror yarn. As mentioned several times, its saving grace is the art of Lisandro Estherren and Patricio Delpeche whose hazy line and colors blur the lines between sleep and waking, fear and nightmare. This series might be one to check out in the inevitable trade paperback edition instead of on a monthly basis for now with an uninteresting protagonist and a baddie that is all flash and no substance for now.

Story: James Tynion IV Art: Lisandro Estherren, Yanick Paquette
Colors: Patricio Delpeche, Nathan Fairbairn Letters: Simon Bowland
Story: 6.0 Art: 9.0 Overall: 7.4 Recommendation: Read

DC Comics/Black Label provided Graphic Policy with a FREE copy for review


Purchase: comiXology/KindleZeus ComicsTFAW

Discover the Secrets of Alexandria in this New Look Inside The Art of AMC’s The Walking Dead Universe

AMC NetworksSkybound Entertainment, and Image Comics have unveiled an all-new look inside The Art of AMC’s The Walking Dead Universe, the upcoming hardcover going behind-the-scenes of all three of AMC’s landmark The Walking Dead TV series, featuring an in-depth look at the iconic town of Alexandria, top secret details on the evolution of Merle Dixon, never-before-seen concept art from The Walking Dead: World Beyond, and more.

The Art of AMC’s The Walking Dead Universe is available at comic shops on October 20, 2021 and everywhere books are sold on October 26, 2021, featuring an in-depth compilation of behind-the-scenes pre-production and production art from AMC’s three iconic TWD series—The Walking Dead, Fear the Walking Dead and The Walking Dead: World Beyond. Plus, fans will discover never-before-seen original sketches, concept art, storyboards, special product illustrations, and more from the shows inspired by Robert Kirkman’s comic book turned pop culture phenomenon.

Marking AMC Networks’ first venture into book publishing, The Art of AMC’s The Walking Dead Universe, from writer Matthew K. Manning and Creative Director John J. Hill, also features an introduction by Chief Content Officer of  The Walking Dead  Universe Scott M. Gimple and fun facts from creators and crew members on all three series.  

The Art of AMC’s The Walking Dead Universe standard edition can be pre-ordered right now everywhere books are sold, in both print and digital formats, along with TWDUShop.com. A special edition, featuring a new cover by superstars David Finch & Dave McCaig, can be exclusively pre-ordered at the Skybound Store. The AMC Networks Publishing Limited-Edition Exclusive featuring a new cover utilizing the three-circle symbol displayed throughout the shows by Yanick Paquette and Nathan Fairbairn is also available to pre-order here. 

Superman ’78 Takes Off in August and You Can Get a New Look!

Beginning this fall, decades after Richard Donner and Christopher Reeve’s Superman: The Movie introduced generations of fans to a silver screen version of DC’s Man of Steel, DC returns to this beloved property to tell new stories set within this world with the publication of Superman ’78 by writer Rob Venditti and artist Wilfredo Torres!

In this first look preview, Superman ‘78 #1 begins with all the classic elements of Superman: The Movie on full display. Check it out, and then scroll through for more information about this new comic book series launching in print and digitally on August 24!

In Superman ’78, bystanders are surprised and delighted by Superman’s abilities, and Lois Lane doesn’t (yet!) know that Clark Kent is secretly Superman. The sheer thrill of seeing a man fly, leap, or stop a bullet will be reflected in this environment where Superman has just been introduced! Inspired by Donner’s classic, timeless style of superhero storytelling, in Superman ’78 Venditti and Torres will remind fans that a man can truly fly.

Superman ‘78 #1 by Rob Venditti, Wilfredo Torres, Jordie Bellaire, and Dave Lanphear arrives on August 24 with a cover by Torres, plus variant covers by Evan “Doc” Shaner (open to order) and Torres (1:25).

Coming up in the Superman ’78 run:

After a battle with a rampaging robot, Superman enlists an unlikely ally to crack the code behind who sent it. He needs an intelligent technological genius, and that can only mean one person: Lex Luthor!

In order to save Metropolis, Superman must surrender to Brainiac or watch his city burn to the ground! After being taken aboard Brainiac’s ship, Superman finds a shocking piece of his past that changes his entire future! Meanwhile, Lois Lane gets a cryptic message from a mysterious source claiming to have a  way to save the Man of Steel!

Review: Dark Nights: Death Metal #7

Dark Nights: Death Metal #7

And this is it, the end of Dark Nights: Death Metal and the launch of a new DC Universe. The “Crisis Event” by a different name wraps up with Dark Nights: Death Metal #7 launching into a new era where anything can happen. The results, like much of the event, are a mixed bag.

Written by Scott Snyder, the series sees one final clash between the heroes and villains of the DC Universe taking a stand against the Darkest Knight. It’s an issue filled with grand ideas and grand visuals as Wonder Woman is front and center in the battle. Snyder makes things interesting by having unexpected characters make unexpected sacrifices. It keeps readers on their toes as to what might happen next and by who.

There’s some interesting concepts about the creation of the DC Universe thrown in and the various boundaries that have existed. In a meta sense the discussion of these boundaries is the most interesting aspect. It feels like a stance as to what has hampered the various eras of DC Comics. A limitation of worlds or multiverses or worlds is all brought up. In the end though, all of it is made cannon and an infinite number of possibilities is left on the table. What’s now possible is the real lasting impact and what’s hinted at to come is the most intriguing. Dark Nights: Death Metal #7 feels like the end to a messy attempt to right the ship. DC has stated in the past they’ve wanted continuity to not matter as much and the ability to tell whatever stories they’ve wanted. Dark Nights: Death Metal creates a clearer slate to do so. It took them a while but they’re finally really there with a best of all worlds scenario.

The art of the comic is over the top as expected. Greg Capullo handles most of the duties with Jonathan Glapion inking, FCO Plascencia on color and Tom Napolitano on lettering. Yanick Paquette and Bryan Hitch also provide pencils and inks while Nathan Fairbairn and Alex Sinclair also provide colors. The art is as it has been. There’s some very solid moments worth of the big screen and other moments that just feel off. The art itself feels a bit more “death metal” than previous issues as character die or battle it out in spectacular ways but overall there’s little images that feel iconic. For such a big event, the story and art come off as a bit forgettable. What they lead to is the bigger aspect. There’s a missing of that “it” moment.

While I can’t quite recommend Dark Nights: Death Metal #7 I also can’t quite say you can skip it either. It’s a curiosity more than anything else. It’s the end to an era and leading into what’s next shaking up the status-quo for DC Comics. If you’re interested in seeing how that comes about, it’s worth checking out. If not, then this is one you can pass on.

Story: Scott Snyder Art: Greg Capullo, Yanick Paquette, Bryan Hitch Letterer: Tom Napolitano
Ink: Jonathan Glapion, Yanick Paquette, Bryan Hitch Color: FCO Plascencia, Nathan Fairbairn, Alex Sinclair
Story: 6.5 Art: 7.0 Overall: 6.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindle Zeus Comics

Rick Remender’s Scumbag Gets Four Incentive Covers

The forthcoming humor series The Scumbag by Rick Remender will feature four scumily rare incentive covers—a pretty scummy 1:10 by Tula Lotay, a scumtastic 1:25 by Yanick Paquette & Nathan Fairbairn, a 1:50 silver scum-foil by Jerome Opeña and colored by Moreno Dinisio, and an extra, super scumtacular 1:100 gold foil edition of the same Opeña cover, but GOLD like our hero Ernie Ray’s front tooth! All this stunning scumbaggery available this October from Image Comics

In addition to these highly collectible and totally scummy variants, The Scumbag will feature a murderers’ row of Rick’s favorite all-star artistic talent rotating interior art duties on each issue, with Punisher superstar artist Lewis LaRosa on deck for issue #1.

The Scumbag is the story of Ernie Ray Clementine, a profane, illiterate, drug addicted, biker, with a fifth-grade education and the only thing standing between us and total Armageddon because this dummy accidentally received a power-imbuing serum making him the world’s most powerful super spy.

Ernie is a relic of a bygone era, the living embodiment of sex, drugs and rock and roll—so, this doesn’t make things easy for the spy organization that needs his help as they bribe, cajole, and manipulate Ernie to choose between his own self-interests and doing what’s right.

The Scumbag will join Remender’s growing Giant Generator Studios empire, alongside such salesbeasts as Death Or Glory with Bengal, Seven to Eternity with Jerome Opeña, Low with Greg Tocchini, Fear Agent with Jerome Opeña and Tony Moore, Tokyo Ghost with Sean Gordon Murphy, Black Science with Matteo Scalera, Strange Girl with Eric Nguyen, Deadly Class with Wes Craig, and more.

The Scumbag #1 will be available at comic book shops on Wednesday, October 21st.

  • The Scumbag #1 Cover A LaRosa & Dinisio – Diamond Code AUG200010
  • The Scumbag #1 Cover B Robinson – Diamond Code AUG200011
  • The Scumbag #1 Cover C Blank Sketch – Diamond Code AUG208188
  • The Scumbag #1 Cover D Lotay 1:10 incentive – Diamond Code AUG208008
  • The Scumbag #1 Cover E Paquette 1:25 incentive – Diamond Code AUG208009
  • The Scumbag #1 Cover F Opeña & Dinisio 1:50 Silver Foil incentive – Diamond Code AUG208010
  • The Scumbag #1 Cover G Opeña & Dinisio 1:100 Gold Foil incentive – Diamond Code AUG208191

Preview: The Flash: The Fastest Man Alive #10

The Flash: The Fastest Man Alive #10

Purchase

Bullet” by Van Jensen, David Lafuente, Paul Mounts, and Rob Leigh

It’s an all-out brawl between Reverse Flash and Flash as Barry tries to save a cop from an errant bullet. Will the Flash be fast enough to stop a bullet?

Burnout” by Dave Wielgosz, Brad Walker, Nathan Fairbairn, and Rob Leigh

Barry is running himself ragged, and his best friend Hal Jordan comes to check on him, but Flash doesn’t want the help. When the Top goes on a rampage, can the two friends put their differences aside to work together?

The Flash: The Fastest Man Alive #10
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