Tag Archives: LGBTQ

Mama Tits Saves the World from Northwest Press

Mama Tits Saves the WorldNorthwest Press is getting the word out that fabulous (and famous) drag queen Mama Tits is coming to comics in Mama Tits Saves the World!

Mama Tits made headlines when she confronted antigay protestors at Seattle Pride in 2014.

That fabulous activism inspired Northwest Press publisher Zan Christensen to team up with artists Terry Blas and Marissa Louise to bring Mama to comics.

The publisher has recently launched a funding driveΒ on IndiegogoΒ to cover the printing of the book, artists’ costs, and sending Mama herself to RuPaul’s DragCon to debut the comic! The funding drive runs through May 6th.

Northwest Press is an independent comics publisher that has been producing quality comics exploring the LGBT experience since 2010.

 

 

 

While we’re no longer picking crowd funding projects to spotlight on our site, we’re allowing project creators to make their case for their project on our platform. We remind individuals, we don’t endorse any of these projects, and that by supporting any crowd funding project, you’re taking any risks associated with doing so. – the Management

Prism Comics Awards the 2016 Queer Press Grant

The recipientΒ of the 2016 Prism Comics Queer Press Grant was announced at the ALPHABET -10 Years of the Prism Comics Queer Press Grant panel by Prism Comics Queer Press Grant chair Jon Macy, at WonderCon. This year was a tie between Catherine Esguerra for Eighty Days and Elizabeth Beier for I Like Your Headband.

The Queer Press Grant is awarded to assist comics creators in self publishing comics with LGBT characters orΒ themes. Entries are judged first and foremost by artistic merit, followed by concerns such as financial need,Β proposal presentation, and the project’s contribution to the LGBT community. They are reviewed by the PrismΒ Board, past recipients of the Grant, and Prism’s Advisory Board.

The Queer Press Grant is an all volunteer organization funded entirely by donations from comic book professionalsΒ and readers.Β Since its inception, the Queer Press Grant has been awarded to –

2005: Steve MacIsaac – Shiftlifter Β  Β  Β  Β  Β  Β  Β  Β  Β Β Β Β Β  2010: Jon Macy – Fearful Hunter Β  Β  Β  Β 
2006: Megan Gedris – YU+ME Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  2011: Robert Kirby – Three Β 
2007: Justin Hall – True Travel Tales Β  Β  Β  Β  Β  Β  Β  Β  Β Β  2012: Christine Smith – The Princess
2007: Tommy Roddy – Pride High Β  Β  Β  Β  Β  Β  Β  Β  Β  Β Β Β Β Β  2012: Blue Delliquanti – O Human Star Β  Β  Β 
2008: Pam Harrison – House of the Muses Β  Β  Β Β  Β 2013: Hazel Newlevant – If This Be Sin
2009: Ed Luce – Wuvable Oaf Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  2014: Calvin Gimplevich Β  Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β 
2009: Eric Orner – Storybox Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  2014:Emiliano QualeΒ 
2010: Tana Ford – Duck Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β  2015:Β  Dave Davenport -Stray Bullet
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β 

Prism Comics is an all volunteer organization dedicated to promotingΒ LGBTQ comics. You can help greatly by making a donation to the Queer Press Grant.

Around the Tubes

star-wars-force-awakens-official-poster-691x1024It’s a new week and that means more interviews, reviews, and more! Convention season is underway as well as big budget movies hitting theaters! What are you looking forward to in 2016? Sound off in the comments.

While you contemplate that, here’s some comic book news and reviews from around the web.

Around the Tubes

The Beat – Marvel to adapt The Force Awakens with Wendig and Ross – Not too shocking. It is shocking it’s been this long.

The Outhousers – Using Their Noodle: Marvel Teams Up With Ippudo For Ramen – Interesting. Would love to see what gets turned down.

Huffington Post – Graphic Novel Captures What It’s Like to Be Gay in Iran: Part 2 – Great to see comics like this.

GamePolitics – Nintendo-claimed video a β€œcrystal clear case of fair use” says EFF attorney – Hopefully Nintendo backs down.

Kotaku – Steel-Hard Skin – A good read.

Comics Alliance – DC Rebirth: Is Geoff Johns Selling Out DC’s Future in Pursuit of its Past? – Thoughts?

 

Around the Tubes Reviews

Comic Attack – Power Man and Iron Fist #1

Talking Comics – Snowfall #1

Talking Comics – Zodiac Starforce #1-4

Bash Back, A Story of the Queer Mafia Chats with Graphic Policy Radio this Monday

GP Radio pic MondayThis Monday is a brand new episode of Graphic Policy Radio and joining us are the team behind the webcomic Bash Back. The comic is described as “a story of the Queer Mafia” from the minds and creativity of writers Kelsey Hercs and Lawrence Gullo and artist Fyodor Pavlov. The webcomic is updated each Monday.

The show airs LIVE this Monday at 10pm ET.

After thousands of years of bloodshed, torment, and ridicule, now is the time to take what is ours. Bash Back comic is a cathartic, hyper-violent, contemporary queer revenge fantasy.

Kelsey Hercs is a playwright and performer based in New York City. Bash Back is her first foray into writing for comics, and she is thrilled that this project is the one she’s cutting her comic-writing teeth on.

Russian emigre Fyodor Pavlov is a freelance illustrator, comic artist and smut peddler. In print, Pavlov’s work can be found in Sherlock Holmes Mystery Magazine, The Ouroboros Cycle, Queerotica: A Comics Anthology, and more. His latest comics foray is the art of Bash Back. Together with his husband and creative partner Lawrence Gullo, he co-directs Dr. Sketchy’s NYC, throws costume parties and raises a very spoiled cat.

Lawrence Gullo – Writer, colorist, and graphic design for Bash Back.Β  Artist and performance artist.Β  Speaker on transgender issues.

Listen to the show live this Monday at 10pm ET.

We want to hear your questions. Tweet them to us @graphicpolicy.

Around the Tubes

It’s a new week, and today is MLK Day here in the US. For those with the day off, spend some time doing some research on the man this day honors, or go out and volunteer.

While you await to do that, here’s some comic news and reviews from around the web in our morning roundup.

Around the Tubes

The Beat – Marvel Switches the A-Force Talent Line-up: Thompson and Caldwell Enlist – Interesting.

Panels – Need More Colors in the Rainbow: Jessica Jones and LGBTQ Representation – An interesting read.

 

Around the Tubes Reviews

The Outhousers – Injection #6

Around the Tubes

Around the Tubes

Panels – Need More Colors in the Rainbow: Jessica Jones and LGBTQ Representation – Warning spoilers, but a good read.

Panels – Read Harder: Comics About a Religion Other Than Your Own – A cool read.

Panels – Jessica Jones and Toxic Masculinity – Another good read.

ICv2 – Barnes & Noble Closing Fewer Stores – Well that’s good news.

 

Around the Tubes Reviews

Comics Alliance – All-New X-Men #1

Panels – Daredevil #1

Comics Alliance – Daredevil #1

The Rainbow Hub – Gotham Academy #12

The Rainbow Hub – Harley Quinn’s Little Black Book #1

The Rainbow Hub – Robin War #1

Did We Just Get Our First “Out” Transformer?

There’s some spoilers here, so if you don’t want to find out what happens in Transformers #44, out today from IDW Publishing, then you might want to leave and come back later.

Still here? Ok, lets begin.

needlenoseWritten by John Barber with art by Andrew Griffith, issue focuses on Tracks and Needlenose, brothers split due to the war. The issue focuses on their relationship and history before, and after the war. Needlenose in the beginning is swayed to Megatron’s cause by Horri-Bull. Needlenose’s cause is more about disenfranchisement, and haves and have nots, while Megatron was much grander and focused on the corruption of the ruling class as a whole. While the two views align, they’re not quite the same thing.

And now some more background about the relationship that was Needlenose and Horri-Bull. For those that don’t know, Needlenose and Horri-Bull teamed up post war harassing bots that took neither side in the war referred to as Nails. This led to a confrontation where Horri-Bull refused to back down in his harassment forcing Bumblebee to detonate a chip blowing up Horri-Bull’s head.

That incident has clearly stuck with Needlenose, who in a confrontation with Tracks in a bar declares that Horri-Bull was the “one bot I’ve ever loved.” Wait…. what!?

In the Transformers world there’s a concept called Conjux Endura. Some have said this is the idea of a spouse, but it might be better to describe it as power of attorney. It has come out more when a bot’s life is on the line and a decision has to be made. The concept isn’t universally accepted in the Transformers universe, with some dismissing close relationships like this as embarrassing.

firestar_nauticaFor those that have been reading IDW’s Transformer comics for a while now, this isn’t the first “male” bot pairing though, while it might be the first to use that word “love.”

In Transformers: More Than Meets the Eye,Β Chromedome and Rewind have been an inseparable couple for quite some time now. A “same-sex” couple that stay by each other’s side through the ages. At times the coupling to me felt more Maverick/Goose in Top Gun (yes, I chose that pairing specifically), but it’s hard to argue the two aren’t together in ways that are more than friends.

More recently, with the introduction of the female Transformer dominated world of Caminus, we’ve also been introduced to the concept of Amicua Endura, which Firestorm and Nautica (two female bots) are. This one though did have a different tone, with Firestorm referring to Nautica as her “best friend,” and they “lived together.” Later on the word “platonic” is used in reference to the concept. It’s a similar concept to Conjux Endura, but clearly more “best friend” than real relationship. In this particular case Sorority Sister might not be too far off either.

The only other instance where the word “love” was used was with Chromedome and Rewind. Upon his death, in a final message good-bye Rewind says something “he doesn’t say enough” “I love you.” If there were doubts about how deep the two’s relationship went, this scene clearly defined it.

In an email from Transformers writer John Barber in response to my inquiry, he said I’m “not reading too much into it.” And reminded me Needlenose and Horri-Bull weren’t the first.

Many might see a comic based on a toy line and dismiss it. But, for years now the comic has been one of the most politically, and socially aware comics on the market. It has not only explored revolution, governmental collapse, nation building, class warfare, and more. The series in the last year has introduced more female named characters than many comic universes currently have. Arcee, Windblade, Chromia, Nautica, Firestorm, Proxima, Acceleron, Velocity, Skystalker, Javelin, Exocet, Skimmer, a whole planet dominated by female bots in Caminus, and the all female combiner Victorion. The series has grown to not just be politically aware, but also one of the most progressive comics out there. The fact it can have a scene such as Needlenose as if it’s just an everyday occurrence is energon icing on the cake.

This series and universe is expanding its representation while other companies are retrogressively shrinking it. For that we should celebrate and give props where they’re due.

Robinson Apologized for Airboy Issue 2 Because We United and Took Action

β€œIf There Is No Struggle, There Is No Progress. Power concedes nothing without a demand. It never did and it never will”. – Frederick Douglass*

Airboy02_CoverActivism gets results. Graphic PolicyΒ and The Rainbow HubΒ were criticized by people in the comics community when we took action against the extremely transphobic second issue of Airboy. But because we raised hell we made progress. That’s the lesson people should be taking away from this.

On June 30th Graphic Policy and The Rainbow Hub‘s Emma HouxboisΒ published stories calling attention to the rampant transphobia in the second issue of the Airboy comic. I’d lavished praise over the comic’s first issue. We knew the context the story took place in and it was the story itself that was transphobic, not just words that characters said while “behaving badly”. Our sites’ explained how the comic’s narrative repeats the dangerous myth that trans women are out there trying to “trick” men into sex with them. We explained that this myth endangers trans people and in a world in which “trans panic” still gets used as an excuse to murder trans people we need to react as strongly as possible when it is repeated.

And we heard crickets in response.

On July 2nd I emailed GLAAD, the most powerful media watchdog for LGBTQ people. We know that when GLAAD speaks out they can’t be ignored and the comics world knows it too– since GLAAD’s known for giving awards to comics that have positive portrayals of LGBTQ characters. GLAAD sprung into action. They issued a statement. And between their clout and the outcry we organized, we forced the comics community to pay attention to the problems in the comic.

And then James Robinson apologized. Robinson heard what we said, and he listened and explained that he now realizes that he “fucked-up” (his words) . I’m not trans but his apology seemed earnest and thoughtful to me. Some trans people were not impressed but others have responded favorably to his apology.

Only July 6, artist Greg Hinkle went so far as to THANK people who spoke up on TwitterΒ and offer to continue the conversation at Comic-Con.

Meanwhile, what about all those defenders of Airboy #2? They continue to promote bigotry. Robinson acknowledged the problems with his comic. He wants to do better. When the artists who created the comic are saying that they now see the problem in what they made, their defenders should probably take a minute and use their hearts and their heads to listen. More importantly, they need to stop and listen to transwomen like Emma HouxboisΒ who’s written powerfully about the problems in this comic and in comics at large.

In the end, the defenders of Airboy want to marginalize comics as an medium because they want to perpetuate a comics industry that excludes people who aren’t like them. They are bringing comics down. Also, to all of the “serious comics journalists” who were willing to acknowledge that there Β β€œmay be problems with Airboy 2β€³ but criticized Graphic Policy and Emma for demanding the book be pulled? Guess what. We got results. If we had played it quiet and POLITE we wouldn’t have brought the attention we brought to the problem.

Remember, we started out by just writing reviews that explained the comic’s transphobia and no one was talking. As soon as we demanded the book be pulled the conversation exploded. This chart Brett made illustrates the silence around Airboy until we made our demands. GLAAD has made it very clear: activism is key to creating change. They said:

“GLAAD is very grateful that the Rainbow Hub and Graphic Policy brought ‘Airboy’ #2 to our attention, and used their social media reach to spark an online discussion about the transphobia in the issue. GLAAD was happy to use our platform to boost their signal, and then to work with James Robinson to distribute his response.” – Nick Adams, Director of Programs for Transgender Media at GLAAD.

If you value politeness over creating change then you don’t really care about making change. Β 

AsΒ Katie Schenkel aka ‏@JustPlainTweetsΒ tweeted β€œPeople who care more about the idea and purity of ART than about marginalized people’s humanity being chipped away bum me the hell out.”

And From @sarahnmoon: ” If your gentleness is tone-policing and silencing anger, it’s not truly gentle because it doesn’t care about what others are hurt by”

Oh, and what of Image comics – who had their twitter icon wrapped in the rainbow flag while publishing a transphobic comic? Image is still silent. But they took down the flag….

To everyone who tried to change the conversation into a debate over censorship, I recommend Brett’s blog post that explains the difference between our demands and actual censorship (which we oppose). Meanwhile, you can buy two Image Comics that are trans positive right away: The Wicked + The Divine and the new Arclight. You should also buy Sophie Campbell and Kelly Thompson’s hilarious, youth-friendly and suspenseful Jem and the HologramsΒ which has a trans character and is by a trans artist.

But using your comics buying dollars to support positive portrayals of trans people isn’t enough. We can’t just leave it at that. Not when comics are repeating dangerous tropes that their audience can’t even identify as a problem. Not when people are making money off of transphobia.

So yes, we took action.Β 

And no we don’t apologize.Β 

* Note on that Frederick Douglas quote: I’m not comparing what we’re doing to the scale of Frederick Douglas’s work. I use his quote to illustrate the point we are making and to show the theory behind activism.

For more on this story and comics media activism listen to our podcast from July 6th.

FlameCon: NYC’s Queer Comics Convention

Graphic Policy was at the first ever queer comics convention, FlameCon, in NYC. It was amazing. Here’s what I saw.

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.@tecktonickbootz is the worlds best Jubilee. #flamecon

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#flamecon mascot Flamey seems awesome.

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Flamey is #FlameCon‘s mascot. In the pre conference materials sent to press FlameCon explained to reporters that we should not assume to know the gender of attendees. They said we should always ask what pronoun’s to use and gave the example that when referring to the conference mascot we should use the pronouns “they/their/theirs”.

Some of the gender pronoun stickers we could use. Also included an “Ask Me” option. Wonderful!

The History of LGBT Character in DC Comics

DC All Access has released a brief history of LGBT characters found within the DC Universe, featuring The Advocate’s Jase Peeples. From the early days of the Comics Code all the way to Catwoman’s recent same-sex kiss, Jase looks at touchstones and turning points, revealing how far we’ve come and illustrating why it’s so important that comics remain inclusive.

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