Tag Archives: laurence campbell

Mignola, Roberson, Mitten, Stewart, and Campbell Team Up for Rise of the Black Flame

This September, legendary Hellboy creator Mike Mignola, iZombie co-creator Chris Roberson, Criminal Macabre and 30 Days of Night artist Christopher Mitten, award winning colorist Dave Stewart and cover artist Laurence Campbell will present Rise of the Black Flame. This five issue miniseries from Dark Horse Comics will present a dark horror story about an ancient, evil power. In Rise of the Black Flame, young girls are going missing from the cities of Siam, and the trail leads to the jungle hideout of a bloodthirsty cult– the Cult of the Black Flame.

In Rise of the Black Flame, it’s revealed that before there was a man called the Black Flame, there was an ancient cult hidden deep in the jungles of Southeast Asia known by that name. The creators plumb the depths of cruelty and ruthlessness that groups of people are capable of reaching, and explore how this cult which reaches back to prehistoric times is connected to the most dangerous villain in the history of the Hellboy book.

In addition to Rise of the Black Flame, Roberson and Mignola will be co-writing Hellboy & The BPRD: 1954 and Witchfinder: City of the Dead. Rise of the Black Flame will mark the Mignolaverse debut of artist Christopher Mitten.

Rise of the Black Flame issue 1 goes on sale from Dark Horse Comics on September 7.

Rise of the Black Flame #1 CVR

Caliber Comics Announces Their Summer Releases

Caliber Comics, one of the leading independent comic companies of the 90’s, announced its return to publishing in February of this year. Now they are announcing their schedule for the summer of 2014.

Caliber will be releasing only graphic novels initially with no timetable on releasing monthly periodicals. Here’s their announced schedule for the summer:

July

Talismen is a full color young adult graphic novel about a modern day soldier finding himself waking up in a fantasy land and tabbed as a returning hero.  From creators Steve Jones and Barb Jacobs.

Wayne Vansant, the noted historical artist for books such as The Civil War series from Heritage and Days of Darkness, tells the tales of the Waffen SS in Knights of the Skull which will be released in black and white.

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August

Hitting shelves will be a new printing of The Rocky Horror Picture Show comic collection. Adapted by Kevin Vanhook, Kevin has also gone through the pages and made some adjustments, primarily in the coloring of the pages. In addition to a new cover and some guest pinup pages, the section on the audience participation guide will be replaced with a look at Rocky Horror and what went into the comic production.

From writer Danny Boyd and artist Edi Guedes, Carbon is an ecological adventure tale based on the turmoil of coal extraction in West Virginia.  Film director John Sayles provides the introduction.

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September

Storyville: The Prostitute Murders is an original mystery in graphic novel format. Set in early 1900 New Orleans, Storyville was the legalized red light district. In this tale, written by Gary Reed and illustrated by Wayne Reid, someone is killing the prostitutes and their clients and the lead detective is forced to work with a doctor specialized in psychotherapy in an attempt to figure out the motive for the murders.

Also by Reed is Subversives: Tales of Rebels, Spies, Schemers and Other Acts of Misdeeds.  Reed explores brief glimpses into the lives of the famous and infamous in this survey of traitors and subversives throughout history.   Some exploits are well known, or believed to be and of course, there are always a number of surprises.

Also in September is Disciples: The New Magic, a full color graphic novel collecting the Image series featuring art from Laurence Campbell, artist on Mike Mignola’s B.R.P.D. and Deadpool, Punisher, and Wolverine for Marvel.  Written by Chris Dows and Colin Clayton, Disciples are a misfit group of seers, magicians, and wielders of the Black Arts whose own internal politics pose as great a threat to their survival as any outside influence.

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With all of the books in the final stages of production and all but one have the complete art finished, Caliber publisher Gary Reed has said “These books will ship on time.”  He added that there will be other books printed but most of them are collections of previously published material which will probably not be carried by Diamond Distributors.

Reed said that since Caliber first announced its return, most of the effort has been to bring the Caliber library into digital format for all the various formats.  “From Transfuzion (Reed’s former publishing company that rolled into Caliber), we had some 45 graphic novels which not only have to be converted to Caliber titles but also digitized for the formats.  Plus, we’ve picked up a number of other titles, both previously published and new material.”  Reed also said that the digital formatting was nearly complete.  As for new titles, Reed said that there will be likely a short delay releasing to digital after the print version, especially for any titles that go through Diamond Comics,  but no specific time frame has been set as of yet.

Review: B.P.R.D. #109, The Strain: The Fall #1, Star Wars: Dark Times—A Spark Remains #1

21881B.P.R.D. #109 Mike Mingola, accompanied by Mignolaverse and B.P.R.D. regular John Arcudi, brings some clarity and relief to the plot that’s been developing in the Hell on Earth series, concluding the Wasteland story line by wrapping up some narratives and turning the spotlight onto new ones—the best way to keep a long-running series interesting and attention-grabbing.

With the absence of original B.P.R.D. characters, except for Johann Kraus, the book just doesn’t feel the same, but it’s a good difference that allows Mignola to explore a new aspect of the paranormal reality he’s brought to life in hundreds of comics. The apocalypse seems all around, and the last few B.P.R.D. issues have the feel of a zombie thriller in which the plague is airborne. But, as we learn, with the advent of a new character, Howards, the demon-making gas hasn’t affected everyone (or the horses). Mignola uses the child Lucas introduced in B.P.R.D. #107 as a foil to bring about a ‘final battle’ against the monsters, with a twist ending and a Conan easter egg.

Laurence Campbell, as I’ve said before, is perfect for the Hell on Earth series, since he creates a truly bleak atmosphere with disgusting monsters and a truly horrifying glimpse of deathly visages. Additionally, his art is well suited to the zombie apocalypse feel of the book. Dave Stewart brings his talented history with Mignola books to bear on Campbell’s art. Stewart plays on the sketched-lines and minimalistic facial and figure art to expand the feel of Campbell’s pencils and inks, and though he has proved his mastery of vibrant colors elsewhere, he exacerbates Campbell’s artistic atmosphere by limiting the issue’s color spectrum, the feat of a truly skilled colorist.

B.P.R.D. #109 is another fine addition to the Mignolaverse narrative, strong in horror-comic artistry and hitting home with a dead mother and a mysterious new character.

Story: Mike Mignola and John Arcudi  Art: Laurence Campbell and Dave Stewart
Story: 8  Art: 8  Overall: 8  Recommendation: Buy

19185The Strain: The Fall #1 I really wasn’t sure if David Lapham’s adaptation of Guillermo del Toro and Chuck Hogan’s vampire horror novel The Strain, and continuation of the Dark Horse comics of the same name, was something I wanted to read—after all, while I may be a horror comics fan, the images Dark Horse has been using for advertisement are a bit too creepy for me. I can say now, though, if you’re like me, and you decided against The Strain: the Fall #1, you might want to rethink that decision and check this book out!

The Strain: The Fall #1 is a thrilling, complex, and innovative new take on the all-too familiar vampire mythos, blending the mystery of Mesopotamia and mystical books with city-wide epidemic paranoia and devious plotting by a Master and his pawns. Though I haven’t read del Toro of Hogan’s novel, by the end of this premiere issue I knew this is a vampire tale I was meant to fall in bloody love with!

Lapham’s script is well written, introducing plenty of main characters, several plot lines, and all of it in a well-paced package wrapped up neatly in Mike Huddleston’s apt art. (Not sure if these characters were in the previous The Strain comics, since this is my first experience therewith) There was a lot going on in this first issue, and I got lost on some of the names and their motivations, but that didn’t stop me from flipping back through the pages to re-enjoy everything and figure it out—sometimes things need a second time through; sometimes that’s bad, but this is time it’s well worth it!

Our culture is truly vampire crazed, and has been for a long time; this is the sort of stuff I study outside of comics: America’s cultural fascination with the occult and the Gothic. The Strain: The Fall is a great take on vampires because it makes them into the apex predator we believe they would be, one with a tendril tongue that infects and drinks blood, a true horror to behold, because they can strike from afar! Seriously, on a scale of Twilight to shit-my-pants, these are probably the most fear-inducing vamps I’ve come across.

Kudos to Lapham and crew for adapting del Toro and Hogan’s story and making it into something truly incredible. Another fantastic debut from Dark Horse.

Story: David Lapham  Art: Mike Huddleston
Story: 9  Art: 9  Overall: 9  Recommendation: Buy

19794Star Wars: Dark Times—A Spark Remains #1 While Star Wars: Dark Times has always been about the pain of war and defeat, and the fate of the Jedi and their compatriots following the Clone Wars and Order 66, A Spark Remains #1 is a touching, more human look at the lives, losses, and love of what seem in the hands of Randy Stradley and Douglas Wheatley to be real people, torn by war, hunted by the Dark Side. We see Jedi, warriors, and smugglers cooking, fearing, watching the Holonet, trying to figure out how to survive.

Stradley starts this issue in media res, capturing his audience with an incredible 5-page layout that hooks us into a plot to…erm, *spoilers,* take Darth Vader’s life. We then are transported several weeks into the past, where we get to see the beginning of this storyline and a more human side of Dass Jennir and his non-human compatriots. Stradley’s writing is spotless (then again, can’t expect much less from an editor, eh?) and sophisticated, and moves along at such a pace that we get nice forays into the everyday side of life on the run from the Empire alongside (and at the same time as) rebellion and devious plots.

Wheatley proves his mettle by taking characters who would otherwise look awkward and fantastically out of place in the Star Wars universe—like the Verpine Jedi Sahdett, the Nosaurian freedom fighter Bomo Greenbark, Ratty the Rannat mechanic, and the Yarkora captain Heren, who belong to species that usually are drawn as completely unrealistic and unbelievable in their settings—and he makes them look comfortable amongst the most diverse crew to ever grace a Star Wars publication. This is a truly a great diversification of the largely (white, male) human-centric cast of much of Star Wars.

Reviewers (including myself) have said that Wood’s Star Wars ongoing is what the franchise is the saga at its finest, but Dark Times, and especially A Spark Remains, is what Star Wars has become for a new era in which the future of the film franchise is in question and the EU threatened. It’s a grown-up book recognizes that its readers expected more of the beloved franchise than just lightsaber duels and blaster shoot-outs. Stradley, editor of Dark Horse’s Star Wars Zone has made a significant contribution to the great legacy of Star Wars comics in the form of A Spark Remains #1. It’s about camaraderie, something all Star Wars fans could use these days.

Story: Randy Stradley  Art: Douglas Wheatley
Story: 8  Art: 8  Overall: 8.5  Recommendation: Buy

Dark Horse provided Graphic Policy with FREE copies for review

Review: B.P.R.D. #108, Wasteland #2

BPRD 108

In the Mignolaverse—at least where B.P.R.D.  is concerned—apocalypse seems always over the horizon, but the Bureau folks always handle it well, if not calmly and collectedly. The on-going B.P.R.D. hasn’t been my favorite book in the Mignolaverse (look forward to a review next week of B.P.R.D. Vampire #4), but it sure packs a punch, and this latest storyline has my interest. If you like horror comics, zombies, monster fights, and the like, this is the book for you, and a great way to join the B.P.R.D. in fighting the world-saving fight.

Michael Mignola and John Arcudi bring to life a desolate Wasteland of mutant zombies, bat-faced monsters, and an infectious mist that makes the whole story arc feel like a combination of Stephen King’s The Mist, Image’s The Walking Dead, and good ole Mignolaverse fun. This issue develops character, much more than plot, and serves as a way to bring newly introduced characters to the forefront and to pull-in the results of B.P.R.D. Hell on Earth: The Return of the Master, a 5-part mini-series set in Scotland featuring Agent Giarocco (yes, you should go back and read it!).

The issue begins with Corrigan and Director Nichayko discussing the state of the current apocalypse (which, if you don’t know, is the result of the Black Flame’s rebirth); there seems to be radio silence in most of the world’s major cities, and B.P.R.D. teams across the world haven’t been heard from. The B.P.R.D. head honchos are even more in the dark than the readers, which actually turns out to be quite suspenseful, because while we know it’s Black Flame, we’ve got no idea where Mignola and Arcudi are taking this.

Introduced in this series is Agent Gervesh, who reveals her first name as Becca in this issue to a young boy whose father was tragically mutated into a zombie and killed by the B.P.R.D. (not in a malevolent way, but in a we-need-to-survive-sorry-kid way). Becca and this young man form as close a relationship as is possible on an apocalyptic day when your dad is killed. In the end, however, the child poses the greatest mystery in this arc, as the final panel shows him walking off into Chicago alone (and why the heck doesn’t Johann Kraus stop him?!). As a side note, it would appear Chicago was conquered by a demon similar in appearance to H.G. Wells’ Martians.

This is largely a bridge story, focusing on travel, peppered with the same violent encounters seen in the last issue (nothing new), and with solid character development—it builds intrigue for this story arc, but doesn’t go very far on its own. Art by Laurence Campbell is detailed and diverse; it’s obvious he’s well suited to the gritty, noir-horror ambience of the Wasteland arc, but not my first choice for future Mignola comics. Campbell’s art is well complemented by Dave Stewart, colorist. Lately I seem to be looking more closely at colorists’ work, since they’re tasked with bringing the artist’s work to life in the same way that the artist has to interpret a script. It sounds like hard work, but Dave Stewart makes it look easy!

If you’re a B.P.R.D. fan—and you should be!—or you like zombies and horror comics, stop into your local comic shop or your online (digital) retailer, and make sure to read B.P.R.D. #108, Wasteland #2. You won’t be remiss, since B.P.R.D. is one of those series that makes Dark Horse one of my most beloved publishers.

P.S. I’m not so sure how Dave Johnson’s cover relates to the story, since that monster is nowhere to be seen…yet.

Story: Michael Mignola and John Arcudi Art: Laurence Campbell and Dave Stewart
Story: 7.5 Art: 9 Overall: 8.5 Recommendation: Buy

Dark Horse provided Graphic Policy with a FREE copy for review

Marvel Reveals David Aja’s 5 Ronin Covers!

Official Press Release

Marvel Reveals David Aja’s 5 RONIN Covers!

Marvel is pleased to present your first look at superstar artist, David Aja’s stunning covers to 5 Ronin! Featuring Wolverine, Psylocke, Hulk, Deadpool and the Punisher, Marvel’s deadliest heroes, these covers are a must have for any fan!  Bound together by the same fate, yet alone in their existence, the Ronin are forced to walk the lonely path of the masterless samurai in the violent and tumultuous world of feudal Japan to find those who they have been wronged by.

“From the very beginning, I wanted to keep each cover down to two colors that identify with each of the five characters” explains artist, David Aja. “We set out to come up with a design that would grab your eyes from the shelves compared to the rest of the covers while keeping uniformity throughout the series and I think we accomplished that here.”

Editor Sebastian Girner adds, “They clearly show the Marvel characters we know and love, but show them in a way that signals that readers are in for something a little different. Something special.”

Will the five find their revenge? What powerful secret connects these lone warriors? Find the answers to these questions and more as 5 RONIN hits comic shops everywhere this March.

*As an added incentive, retailers will be able order any amount of either cover for each 5 Ronin issue. Retailers should check the Marvel Mailer for details.

5 RONIN #1 – #5

Written by Peter Milligan

Penciled by Tomm Coker, Dalibor Talajic, Laurence Campbell, Goran Parlov & Leandro Fernandez

Covers by John Cassaday, Mark Brooks, Giuseppe Camuncoli, David Mack, Ed McGuiness & David Aja

Parental Advisory …$2.99 (each)

ON SALE THIS MARCH!

5 RONIN Hulk Cover5 RONIN Deadpool Cover5 RONIN Psylocke5 RONIN Logan cover

Marvel’s Deadliest Heroes Are The 5 Ronin

Official Press Release

Marvel’s Deadliest Heroes Are The 5 RONIN

Wolverine. Psylocke. The Punisher. Hulk. Deadpool. Five of Marvel’s deadliest heroes will come to the fore this March for a series unlike any other in 5 RONIN.  Bound together by the same fate, yet alone in their existence, they are forced to walk the lonely path of the masterless samurai in the violent and tumultuous world of feudal Japan.

Crafted by acclaimed writer Peter Milligan and a rotating cast of today’s hottest artists, 5 RONIN #1-5 is a month-long event with covers from some of the biggest names in the industry. To celebrate the release of this series, retailers will have the opportunity to order two different covers per issue – one by superstar artist David Aja and one by another industry favorite.

“What would the ultimate samurai super hero epic look like? The answer is 5 RONIN” explains Editor Sebastian Girner. “When we came up with the idea of taking our biggest heroes and setting them in this time period, writer Peter Milligan and the amazingly talented cast of artists immediately jumped on board. This is easily one of the most beautiful comics you will read this year.”

Each of the 5 seeks revenge, but against whom? And what powerful secret connects these lone warriors? 5 RONIN will examine the true face of Marvel’s most solitary characters against a majestic — and bloodstained — backdrop.

5 RONIN #1 – #5

Written by Peter Milligan

Penciled by Tomm Coker, Dalibor Talajic, Laurence Campbell, Goran Parlov & Leandro Fernandez

Covers by John Cassaday, Mark Brooks, Giuseppe Camuncoli, David Mack, Ed McGuiness & David Aja

Parental Advisory …$2.99 (each)

ON SALE THIS MARCH!

5 Ronin Wolverine5 Ronin Psylocke5 Ronin Punisher

Preview – Your New Look At Deadpool: Pulp #1!

Official Press Release

Your New Look At Deadpool: Pulp #1!

Marvel is pleased to present your new look at Deadpool: Pulp #1, from fan-favorite writers Mike Benson and Adam Glass along with rising star artist Laurence Campbell. Deadpool is the CIA’s deadliest agent. He’s also certifiably insane. But Wade Wilson is also the only one capable of hunting down a rogue CIA agent and recovering the stolen nuclear suitcase she’s carrying before she hands it over to America’s enemies. Who is this femme fatale and why has she turned traitor?  And is Deadpool crazy enough to survive or will he become trapped in a web of international intrigue? Find out in Deadpool: Pulp #1!

DEADPOOL: PULP #1 (JUL100524)

Written by MIKE BENSON & ADAM GLASS

Penciled by LAURENCE CAMPBELL

Cover by JAE LEE

Parental Advisory …$3.99

FOC – 8/12/10, On-Sale – 9/1/10

Deadpool: Pulp #1 COVER Read more

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