Tag Archives: fantagraphics

Fantagraphics launches Takumigraphics, a New Imprint focused on East Asian Comics

Fantagraphics has announced a new imprint, Takumigraphics, devoted exclusively to East Asian Comics. This new imprint will feature comics, manga, manhwa, and more from Japanese, Korean, Chinese, and other countries. The launch is part of the publisher’s 50th Anniversary celebration taking place in 2026.

Ever since Fantagraphics was founded in 1976, they’ve sought out graphic works that are imaginative, daring, and aesthetically compelling. For the first 30 years, the focus was primarily on English language cartoonists, with forays into definitive translations of exceptional European and South American works. 2010 marked the publisher’s first serious entry into literary manga with the publication of A Drunken Dream and Other Stories by the pioneering shojo manga creator Moto Hagio. Since then they continued to publish manga by Atsushi Kaneko, Kago, Inio Asano, Susumu Higa, Gengoroh Tagame and others.

Takumi is a double-bottomed meaning encapsulating the imprint’s editorial goals: it refers to “excellence,” skillfulness,” “adroitness,” “ingeniousness” — as well as a person who embodies those qualities. It’s a term they feel exemplifies the aesthetic caliber of the books that will comprise this imprint — works of mastery and vision.

While the initial focus of Takumigraphics will be on Japanese comics, future titles will include comics by authors from Korea, China, Singapore, Taiwan, the Philippines, and other Asian countries. While this represents a wide range of nuanced cultures and backgrounds, comics from these countries often share an aesthetic and visual language that they believe readers will recognize and appreciate.

The Ephemerata: Shaping the Exquisite Nature of Grief is dour but hauntingly beautiful

Drawing upon her own bereavement, renowned comics artist and writer Carol Tyler emerges from a decade long period of grief to create an allegorical masterpiece.

During collisions between life and death, estrangement and loss, Carol Tyler turned to her pen to face facts and extract meaning from the oddly sacred experience. Exploring realms metaphorical, half-imagined, and all-too-real, she explored previously uncharted emotional territory for herself and others, in a work that is both painfully intimate and philosophically rich.

An artistic advancement nearly forty years into Tyler’s comics-making career, The Ephemerata features Tyler’s most breathtaking picture making ever ― fine, dense brush lines complemented with occasional color washes or highlights ― and formally stunning cartooning. Combining art and text in multiple ways ― in the traditional comics panel grid, as words-and-illustration, as organically flowing images surrounded by floating text ― she depicts the inner monologue of a fallible human being grappling with questions of profound relevance. Tyler’s memoirist skills also rise to the fore, excavating and colliding scenes from her history, delineating with sensitive intuition ways in which the inevitability of grief is built into our lives and our loves. To struggle in the face of loss is a universal experience. To turn it into this compassionate, deep and beautiful book takes a true artist.

Story: Carol Tyler
Art: Carol Tyler

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


Fantagraphics provided Graphic Policy with a FREE copy for review
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Preview: Lost Marvels No. 2: Howard Chaykin Vol. 1: Dominic Fortune, Monark Starstalker, and Phantom Eagl

Lost Marvels No. 2: Howard Chaykin Vol. 1: Dominic Fortune, Monark Starstalker, and Phantom Eagle

by Howard Chaykin

When Howard Chaykin broke into comics in the 1970s, there was nothing quite like him. His original characters Dominic Fortune and Monark Starstalker took classic pulp heroes and ran them through a postmodern blender. This new volume contains retro-science-fiction bounty hunter Monark Starstalker’s debut appearance and all Chaykin’s color-comic-book Dominic Fortune stories, including the character’s unexpurgated Max series, published a generation later. Completing the package is the collision between pulp heroism and the devastating, bloody realities of World War I in Chaykin’s 111-page collaboration with The Boys writer Garth Ennis on War Is Hell: The First Flight of the Phantom Eagle. The collection is introduced by author and comics scholar Brannon Costello. This second title in Fantagraphics’ Lost Marvels series collects some of the most exciting, sought-after work by Howard Chaykin from 1975 to 2008. Full-color illustrations throughout

Lost Marvels No. 2: Howard Chaykin Vol. 1: Dominic Fortune, Monark Starstalker, and Phantom Eagle

Fantagraphics to publish Robert Crumb’s Tales Of Paranoia!

The seminal cartoonist who single-handedly invented the alternative comics format of the one-person anthology in 1967 with ZAP, Robert Crumb, returns at age 81, still raging at the world and himself, still drawing like a master, and still funny…for the most part! In his latest comics excursion, Crumb dives down internet and newspaper rabbit-holes, and comes up asking questions. Why don’t we know the real background of deep state careerists? Is Crumb himself just as paranoid as everyone else tells him he is? Or is that just what THEY want you to think?

Mixing memoir, essay, polemic, neurosis, and conspiracy across 12 short comics—including the final Dirty Laundry story, drawn by Crumb from a script written with Aline Kominsky-Crumb before her death in 2022 —Tales Of Paranoia shows there’s still plenty of life in both the artist and the classic underground comics format.

Landing in stores this November, Tales Of Paranoia will usher in the celebration of Fantagraphics’ 50th anniversary!

Tales Of Paranoia

The Ad Hoc Committee Drops a Motion asking Out of Diamond, Ad Populum, and Universal Distribution, Who’s Actually Selling the Consignment Merchandise?

Diamond Comic Distributors

There’s been a lot of unanswered questions when it comes to Diamond‘s chapter 11 filing and the purchase of its assets by Universal Distribution and Ad Populum/Sparkle Pop. The Ad Hoc Committee of Consignors has submitted a motion that lifts the veil a bit and gives clues as to some of those answers.

The Ad Hoc Committee of Consignors is a group of creditors, aka publishers, impacted by Diamond’s chapter 11 and also Diamond’s motion to try to sell consignment goods to help pay back its debts. The committee includes Ablaze, American Mythology, Avatar Press, Battle Quest, Drawn & Quarterly, Fantagraphics, Green Ronin, Hermes Press, Living the Line, Paizo, Udon Entertainment, and Zenescope.

At the heart of this motion is the question as to whether anyone can legally sell goods still held by Diamond and if Ad Populum or Universal Distribution properly continued any of the previous Diamond contracts.

In short, who the hell are currently selling and profiting from the comics and games being “sold by Diamond”?

Sit back, because this is a doozy of a filing and we’re going to try to break it down with bullet points for ease and the really interesting parts are in bold…

  • Diamond filed its bankruptcy on January 14, 2025 and on January 21 put in a motion to sell its assets
  • On May 1, Ad Populum/Sparkle Pop and Universal Distribution won the bidding prosses for the assets
  • On June 10, Diamond filed a notice of the sales closing with each closed in mid-May
  • Goods held on consignment by Diamond were excluded from the inventory sold to Ad Populum/Sparkle Pop and Universal Distribution
  • Spark Pop was given 20 business days after closing to decide what contracts it would continue and that includes the contracts (consignors) between Diamond and the publishers
  • Diamond nor Ad Populum/Sparkle Pop filed motions to have the “Consignors’ Contracts assumed and assigned.” This ended in early June 2025
  • Universal Distribution did include assumed contracts in its sale closing which was filed a month after closing. That included Green Ronin Publishing and a distribution agreement with Paizo. But, the purchase agreement and sale order didn’t identify any assigned contracts, so there’s some paperwork issues there.
  • On June 25, 2025, Diamond filed a motion to sell the consigned inventory it has.
  • After, there were a lot of objections to that consignment sale.
  • On April 17, Titan Publishing Group filed an emergency motion to compel Diamond to assume or reject its distribution agreement with Titan
  • On May 16, 2025, Diamond filed a motion objecting to Titan’s motion.

Got all that? In short, no one has filed the paperwork properly to assume or reject the contracts that existed between Diamond and the publishers.

There’s more interesting details…

On May 27, an email was sent to publishers stating the Ad Populum/Sparkle Pop and Universal Distribution were responsible for all sales activity after May 16 and Ad Populum/Sparkle Pop’s Diamond was a new entity. The Ad Hoc’s motion states that the email sent misled the publishers that the “Asset Sale to Sparke Pop was actually a sale of ownership, because it indicated that Diamond continued to operate under the ownership of a new buyer.”

What’s interesting is that that email says Ad Populum is responsible for new stock, but never took over any stock and that the legacy consignment stock continued to be sold… by someone.

And that’s what is at the heart of this motion, who is selling the stock that Ad Populum/Sparkle Pop and Universal didn’t purchase. Diamond isn’t providing information concerning that.

The May E-Mail confirms that the Stock continued to be sold by someone after the Sparkle Pop and/or UDL sales closed, but it is unclear who is selling the Stock. The Debtor has confirmed that it has not sold stock after May 15, 2025, but has declined to voluntarily provide any information to the Consignors as to who sold Stock after May 15, 2025, which Stock was sold, or what payments remain due and owing to the Consignors on account of
the sales. The Debtors have declined to voluntarily provide any information to the Consignors as to how any party other than the Diamond Distributor Debtor could sell Stock without a properly assumed and assigned agreement to do so.

The motion has amounts that are owned to each of the publishers. The 12 publishers are owed at least $555,971.84. But, that amount is unknown and likely higher since Diamond isn’t providing up-to-date reporting as to what’s sold or collected, so that amount may be higher.

The motion goes on further to poke holes in Diamond’s plan to sell the consignment stock and that there are outstanding obligations.

It’s asking for the status of these contracts to be determined and done so soon and the consignors what the contracts to be terminated when if Diamond rejects the contracts.

They’re also conducting discovery to find out who sold the stock after the May 15 sale to Ad Populum/Sparkle Pop.

Buckle up, this is going to get very interesting!

Read all of the filings below:

Who is the Ad Hoc Committee in the Diamond Bankruptcy Case?

Diamond Comic Distributors

During the Diamond Chapter 11 bankruptcy case, there’s been an “Ad Hoc Committee” that has represented multiple creditors impacted, the creditors being publishers and others Diamond owes money to. But, who makes up the “Ad Hoc Committee?”

Formed on or about July 11, the group is represented by YVS Law, LLC and with a new filing, we now know who is represented answering more questions as to how publishers are responding to the legal proceeding and checking off 11 more who are involved in the proceedings.

The “Ad Hoc Committee” consists of:

  • Ablaze LLC
  • American Mythology Productions, LLC
  • Avatar Press, Inc.
  • Drawn & Quarterly Books Inc.,
  • Fantagraphics Books, Inc.
  • Green Ronin Publishing LLC
  • Herman & Geer Communications, Inc. dba Hermes Press
  • Living the Line LLC
  • Paizo Inc.
  • UDON Entertainment Inc.
  • Zenescope Entertainment Inc.

Check out the filing below:

SDCC 2025: Visit Fantagraphics at San Diego Comic-Con Booth 1721

Fantagraphics

Fantagraphics is back at San Diego Comic-Con booth 1721, along with Special Guests Emil Ferris and Janice Shapiro! We’ve got a full signing schedule, fascinating panels, tables full of books, and exclusive merch! And then of course, there’s the big annual Not-At-Comic-Con Sale, with 25% off just about everything on Fantagraphics.com! Read on for the details.

SIGNING SCHEDULE

Thursday, July 24th:

12:00-1:00 pm: Greg & Fake (Santos Sisters Vol. 1)
1:00-2:00 pm: Briana Loewinsohn (Raised By Ghosts)
2:00-3:00 pm: Janice Shapiro (Honoria: A Fortuitous Friendship) + Mathew Klickstein (Daisy Goes to the Moon)
5:00-6:00 pm: Caitlin McGurk (Tell Me a Story Where the Bad Girl Wins) + Caitlin Cass (Suffrage Song)

Friday, July 25th:

10:00-11:00 am: Emil Ferris (My Favorite Thing is Monsters)
12:00-1:00 pm: Briana Loewinsohn (Raised By Ghosts) + Caitlin Cass (Suffrage Song)
1:00-2:00 pm: Daniel Clowes (Monica)
3:00-4:00 pm: Jaime Hernandez (Love and Rockets)
4:00-5:00 pm: Greg & Fake (Santos Sisters Vol. 1)
5:00-6:00 pm: Caitlin McGurk (Tell Me a Story Where the Bad Girl Wins) + Janice Shapiro (Honoria: A Fortuitous Friendship)

Saturday, July 26th:

11:00 am-12:00 pm: Mathew Klickstein (Daisy Goes to the Moon) + Paul Karasik (How to Read Nancy)
12:00-1:00 pm: BK Taylor (I Think He’s Crazy!) + Eddie Campbell (Kate Carew: America’s First Great Woman Cartoonist)
1:00-2:00 pm: Briana Loewinsohn (Raised By Ghosts) + Liniers (Macanudo: The Way of the Penguin)
2:00-3:00 pm: Emil Ferris (My Favorite Thing is Monsters)
4:00-5:00 pm: Caitlin McGurk (Tell Me a Story Where the Bad Girl Wins) + John Pham (J & K)
5:00-6:00 pm: Janice Shapiro (Honoria: A Fortuitous Friendship) + Caitlin Cass (Suffrage Song)

Sunday, July 27th:

12:00-1:00 pm: Mathew Klickstein (Daisy Goes to the Moon) + Eddie Campbell (Kate Carew: America’s First Great Woman Cartoonist)
1:00-2:00 pm: Janice Shapiro (Honoria: A Fortuitous Friendship) + Caitlin Cass (Suffrage Song)
3:00-4:00 pm: Briana Loewinsohn (Raised By Ghosts)

PANEL SCHEDULE

Thursday, July 24th at 1:00 pm in Room 29ABComics Your Way: Can’t create like everyone else? Great! Comics are for everyone and can be created in so many unique and wonderful styles. A variety of Comic-Con special guests, including ChrisCross, Emil Ferris, Todd Klein, Liniers, Jen Sorensen, and Bianca Xunise, discuss how they found their place in comics and how you can too! Moderated by TBD.

Friday, July 25th at 11:30 am in Room 10: The Birth of Comics: How Anarchy and Innovation Led to the Comics of Today: Elements of modern comic strips, comic books, and graphic novels can be observed in the earliest efforts of early newspaper comic artists. Through the newly revised volume Society is Nix (Fantagraphics/Sunday Press), a panel of historians and artists look back at a time when there were no set rules or formats for comics. The early creators built on this freedom to establish a new artform, leading to the artistic and technological evolutions that followed. Peter Maresca (Sunday Press), Paul Karasik (Paul Auster’s The New York TrilogyHow to Read Nancy), Peter Kuper (InsectopolisWish We Weren’t Here), and Bruce Simon (Hoo-Hah Press) discuss the influence of the past on artists of the present, with a Q&A to follow.

Friday, July 25th at 2:00 pm in Room 28DE: Comics Set In the 1990s: Six of your favorite cartoonists discuss everything ’90s, from passing notes to pagers. With Raina Telgemeier (Smile), Julia Wertz (Impossible People), Jordan Morris (Youth Group), Thien Pham (Family Style), and Briana Loewinsohn (Raised By Ghosts).

Friday, July 25th at 3:00 pm in Room 28DE: Reconciling and Reckoning with the Past: Historical fiction and nonfiction comics can help us understand the past and current moments by shining a light on the fallout of World War II, the rise of fascism and communism, the challenges faced by the civil rights movement, or the work of a groundbreaking newspaper cartoonist. Emil Ferris (My Favorite Thing is Monsters), Mimi Pond (Do Admit: The Mitford Sisters and Me), Eddie Campbell (Kate Carew: America’s First Great Woman Cartoonist), and Nate Powell (Save it For Later) speak to Meg Lemke (Publishers Weekly) about the laborious and enthralling process of bringing the past back to life for today’s readers.

Friday, July 25th at 4:30 pm in Room 26AB: A Life Drawing: Jaime Hernandez in Conversation with Gary GrothJaime Hernandez (Life Drawing: A Love and Rockets Collection) has been crafting—along with his brother, Gilbert—”The Great American Comic Book” (as described in Los Angeles PBS station KCET’s 2022 Emmy-Award nominated documentary about the Hernandez brothers) for over 40 years. Over the course of L&R‘s multi-decade run, its characters have aged in real time, lending these stories a depth and weight that few literary works achieve. Combining elements of fantasy, science fiction, and real-life drama, romance, adventure, and heartbreak, Love & Rockets is a true original. Jaime will discuss the groundbreaking series and his art with his editor Gary Groth (Fantagraphics).

Saturday, July 26th at 11:30 am in Room 10: How to Pitch Your Story for Comics, Graphic Novels, Film, and Animation: Sara Phoebe Miller (You Belong Here, editor for Boom and DC), Julia Wertz (Impossible People), Derek Kirk Kim (The Last MermaidRoyals), Jordan Morris (BubbleYouth GroupTeen Titans Go!), and Briana Loewinsohn (Raised By Ghosts) discuss everything you need to know to pitch your million-dollar idea for graphic novels, comics, animation, TV and film. Moderated by Thien Pham (Family Style).

Saturday, July 26th at 12:00 pm in Room 25ABC: Spotlight on Emil Ferris: As the author and artist of the acclaimed My Favorite Thing Is Monsters series—arguably one of the most extraordinary and astonishing graphic works in decades—Emil Ferris is recognized worldwide for her contributions to the comics canon. She’ll be discussing her award-winning books, the importance of art and storytelling, and all things monstrous and horrific with her editor, Eric Reynolds (Fantagraphics).

Saturday, July 26th at 3:00 pm in Room 29AB: See You in the Funny Papers: Humor And Social Critique in Comics: You’ll have to laugh or you’ll cry! John Pham (J & K), Walter Scott (The Wendy Award), Allison Conway (A Pillbug Story), and Nathan Gelgud (Reel Politik) discuss the ways humor can be used as a tool for valid social criticism, whether it’s exposing the degradation of low-paying jobs, the ridiculousness of misogyny, or gently mocking generational divides, these comics (hilariously) challenge the status quo. Moderated by Meg Lemke (Publishers Weekly).

Saturday, July 26th at 4:00 pm in Room 4: Spotlight on Janice Shapiro: With her debut graphic novel, Honoria: A Fortuitous FriendshipJanice Shapiro crafted a tale of friendship, grief, and growth that is both achingly sad and effortlessly funny. She’ll be discussing her art, the Jazz Age, and what the past has to teach us about the present with her editor, Gary Groth (Fantagraphics).

Sunday, July 27th at 12:00 pm in Room 24ABC: Horror at the Intersection of Genre: Comic-Con Special Guests Emil Ferris and Jonathan Maberry alongside authors Liz Kerin (First Light), Kiersten White (The House of Quiet), and Erika T. Wurth (The Haunting of Room 904) talk about some scary good books. These creators are pushing boundaries in horror writing, expanding the genre in terrifyingly fun ways. Moderated by Haydee Smith (writing instructor, UCSD).

Sunday, July 27th at 12:00 pm in Room 4: Truth in Comics Storytelling: Blurring the Line Between Fiction and Non-Fiction: Is anything ever purely made up? And is there such a thing as an undiluted truth? Comics creators—whose work diverges from each other in subject matter and style, but not in quality—will discuss how they treat the truth in their stories: how much they take from real life for their fiction and if they ever take artistic liberties with their nonfiction. Briana Loewinsohn (Raised By Ghosts), Janice Shapiro(Honoria: A Fortuitous Friendship), Caitlin Cass (Suffrage Song), and Thien Pham (Family Style: Memories of an American from Vietnam) discuss fact and fiction with moderator Tiffany Babb (The Comics Courier)!

Sunday, July 27th at 1:00 pm in Room 32AB: Story of My Life: Autobiography in Graphic Novels: Generations of cartoonists discuss their innovative autobiographical comics, featuring underground comix legend Lee Marrs (PudgeGirl Blimp) self-publishing pioneer Eddie Campbell (Alec), Craig Thompson and his industry-changing memoir Blankets, and graphic novelists Briana Loewinsohn (Raised By Ghosts) and Thien Pham (Family Style), who drew inspiration from childhood when crafting their own indelible memoirs. Moderated by Andrew Farago, curator of the Cartoon Art Museum.

Publishers Respond to Diamond’s Plan to Liquidate Stock

Diamond Comic Distributors

On June 25, 2025, Diamond Comic Distributors submitted a motion for the “sale or other disposition of consigned inventory.”

After Diamond’s sale of the majority of its assets to Universal Distribution and Ad Populum/Sparkle Pop, (old) Diamond still has a “significant inventory” that was sent on a consignment basis. I think we all assumed all inventory was moved to the two new owners, but that doesn’t seem to be the case. They had an option and that specific part of the purchase was left as to be determined. Instead, it’s sitting in (old) Diamond’s warehouse in Mississippi.

(Old) Diamond is claiming the consignors (the sellers) haven’t followed the legal steps to establish a superior claim to their inventory. In short, the publishers (owners of the product) haven’t done what’s require by law to protect their ownership rights. So now, (old) Diamond has to do something with all of that inventory.

So, (old) Diamond submitted a motion to approve their plan to market, sell, or dispose of the inventory to “minimize costs and maximize recoveries” and generate the “best result for the estates.” It is assumed that money raised from the sale would go towards paying off money owed to JPMorgan Chase Bank which has provided loans to the company throughout the Chapter 11 process. So, instead of money going towards publishers, it’d likely go towards a bank.

As you can imagine, publishers are pissed and frustrated by the lack of communication.

There’s a lot of questions out there like how much stock is being held by (old) Diamond and exactly what stock?

There are 128 publishers listed in the motion and we reached out to a large portion of them to get their responses and a better idea of what’s going on.

As you can imagine, the responses back were mostly filled with anger and frustration. While the majority didn’t respond and many responded with “no comment” due to it being legal matters, we did get some details, a lot on background, but it all help to paint a bigger picture.

This is a brazen and sleazy attempt to pilfer millions of dollars worth of books, many from small, independent publishers for whom this would be a catastrophic economic hardship. We intend to fight this wanton act of piracy with all legal means at our disposal.

-Gary Groth, the founder and publisher of Fantagraphics

I’m trying to make sense of what doesn’t make sense. As an independent creator and publisher, I feel betrayed. Our only crime is to have been loyal. To have trusted the process. Including Chapter 11. But seeing that, not only we haven’t received any payment while our books have been sold, for weeks but now Diamond plans to seize our inventory (our sole possession, basically our lifeline) and selling it for its own profit to absolve its management and pay their bank back on a technicality, is morally and economically unacceptable. It’s fraud in plain sight. We’re part of a group of 128 publishers that are victim of a situation that Diamond created and that they’re trying to solve on our backs. I can’t begin to tell you how frustrating and unfair it is.

I’ve been in publishing for 27 years. On two continents. I’ve never seen this.

I named my company FairSquare Graphics. I believe in best practices. And we’ve been fighting the good fight. Being fair to creators, my peers. Fair to the fans and retailers. All that on a tight budget with all the challenges of not having any seed money or investors. Yet, we published 46 titles in the past 5 years.

I’m an immigrant and a minority. We are a family business and we work more than everybody else. We have that mentality.

I’ve been naturalized American this past April. I swore to protect the rule of law. But where is it for me now? I feel I’ve been caught in a web of deceit. And, believe me, I’m not done fighting. FairSquare Graphics will survive this situation. Wounded. Not dead.

-Fabrice Sapolsky, Publisher FairSquare Graphics

I went into 2025 anticipating a major shake up with Diamond and preparing for the worst. The level of chaos that ensued exceeded my wildest expectations. But it was the lack of communication that was the most disappointing. Even the reps I could speak to were left in the dark up until the day they were no longer employed. There hasn’t been much for us to do but watch as things disintegrated around us.

-Tyler Chin-Tanner, Founder/Publisher A Wave Blue World

Michael Calero, the CEO/Publisher of Massive Publishing gave us not just a comment but also a look into what’s owed:

Thank you for your reporting on this matter. This is one of those cases where a bad situation somehow manages to get significantly worse due to the laws protecting a company that many would say has worked against the interest of its own creditors (Publishers) through the dishonest actions of feckless leadership. Diamond should never have been allowed to enter Chapter 11 bankruptcy, and I think if creditors would have been given the opportunity to provide the court with evidence of the manipulation of inventory and payments prior to the filing, they wouldn’t have approved it. This allowed them to accumulate even more debt, that we as consignment vendors are now being put on the hook for. Massive was one of the first companies to end our exclusive partnership over the original debt and as the sale of the company went forward, we asked for clarity on what would happen with our consignment inventory. Eventually we requested a No Cost Return (NCR) for many of our products. These requests were never properly addressed and new Diamond ownership misled us of what the status of our inventory was as recently as June 3rd. 

We have over 65,000 units of product at the Diamond warehouse which has not been paid for in any way. Consignment products which at the lowest end of our pricing ($4.99) would be worth over $325,000. 

Luckily, we did move some of our trade paperback inventory to Lunar earlier this year but that only accounted for a small portion of the inventory we had trusted to Diamond. Diamond’s contract language does not provide them with the rights to sell this product without compensating us directly, but apparently that is what they are trying to use legal loopholes to supersede. 

In short, I view this as theft. Plain and simple. Diamond is breaking its contractual agreement with us, attempting to sell the product we paid to produce, with no guarantee that we will see a single cent of the proceeds and they are using U.S. Bankruptcy court as their accomplice.

Numerous publishers described a lack of communication or confusing responses from Diamond directly. Overall, there seems to be a confusion as to what (old) Diamond still has versus what (new) Diamond has when it comes to stock and who is responsible for what. Some responses seemed to conflate this motion with Ad Populum’s lack of payments to publishers. Even those at Diamond that remain seem confused as to what’s going on.

One publisher recounted their representative told them to keep sending inventory and keep soliciting product even though the publisher stopped doing both in January. They did ask to send product in May for orders made by retailers and they expect they probably won’t be paid for that. Some publishers have asked for stock to be returned and been successful while others get no response.

Overall, the impact to publishers seems to vary. While some have said it wouldn’t impact them much, there’s others that it sounds like it’d put them on life support or even force them to close. Dynamic Forces moved to expedite their motion to get paid by (old) Diamond and state they’re now owed over $1 million and if they’re not paid, they wouldn’t be able to make their payroll.

Eight retailers opened their books to us with roughly $2.5 million in retail value and about $1 million owed to them currently tied up in this mess. It’s unknown what (old) Diamond has and what (new) Diamond has but the general feedback is they have yet to be paid for any of that either way. With 128 publishers listed in Diamond’s motion, that’s potentially well over $15 million owed to publishers.

There’s still time for publishers to speak up on this. A hearing is set before Honorable Judge Rice on July 21, 2025 at 10:00 am in Courtroom 9-D at the United States Bankruptcy Court for the District of Maryland, 101 W. Lombard St., Baltimore, MD 21201.

Objections to the Motion must be in writing and filed with the Clerk of the Bankruptcy Court, 101 West Lombard Street, Suite 8530, Baltimore, Maryland 21201, on or before July 16, 2025; and be served so as to be received on or before the Objection Deadline by the undersigned counsel for the Debtors.

Fantagraphics to publish Roy #1 by Gilbert and Natalia Hernandez

Fantagraphics has announced they are publishing Roy #1, an uncanny new comic book series from Gilbert and Natalia Hernandez, on August 6th!

The Hernandez family’s role in the history of comics is undeniable. With Love and Rockets, Gilbert Hernandez, along with his younger brother Jaime (and occasionally his older brother, Mario) have pushed the boundaries of what comics can do. In Roy #1, the family’s legacy expands, as Gilbert teams up with his daughter, Natalia!

The first issue of Roy sees Gilbert’s mustached ball of positivity teaming up with the Little Stunt Boy to deal with Roy’s arch nemesis — the Froat! Or, should we say: the Froats?!? They’re multiplying, they’re wearing board shorts, they’re hopping, they’re popping. Roy has a plan, and that plan involves bringing in some for real Tier One Operators.

Nuns!

Meanwhile, Natalia delivers a surreal eight-pager detailing an Alien spiritual encounter…because sometimes, when you hear a noise late at night, it may not be something as bucolic as a traditional cow tipping. It could be a for real X-Files type scenario! Granny? Get your gun!

ROY #1

Fantagraphics to publish Witchcraft by Sole Otero

Fantagraphics has announced they are publishing Witchcraft, the newest book by Sole Otero, a “rising star of international comics” (Publishers Weekly Starred Review), on October 7th, 2025!

Told as a fractured narrative and following a sisterhood of witches from the 1700s to the present, Witchcraft is a mesmerizing mystery to piece together.

Hand drawn in her playful, kinetic style, with a vibrant color palette, this experimental, eerie, and hilarious work assures Sole Otero as one of the most dynamic comics artists in South America — and everywhere.

Witchcraft
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