Tag Archives: fantagraphics

Publishers Get the Win When it comes to Consigned Goods Inspection with Sparkle Pop

Two settlements with publishers in the fight over consigned goods and the Diamond chapter 7 case were settled this past week. One settlement was with 13 publishers and the other settlement was with 15 publishers. It was a big step in wrapping up the situation that has dragged out for over a year. Part of what led to one of those settlements was Sparkle Pop dropping its objection.

Sparkle Pop is one of the companies that purchased assets of Diamond’s and currently houses the consigned goods that are at the center of the dispute. Sparkle Pop had objected to the want of publishers to do an inspection over the inventory being help and generally not being included in the settlement negotiations.

On Friday, the “motion to compel discovery” was approved for a dozen publishers involved. Ablaze, Avatar Press, Zenescope, Paizo, Living the Line, Herman & Geer Communications, Green Ronin Publishing, Fantagraphics, BOOM!, Battle Quest Comics, American Mythology Productions, and Action Lab Entertainment all had their motion to “compel discovery” approved by the court.

The motion is interesting with some new nuggets of information:

  • The inspection of the inventory was performed on October 26 and October 27
  • Each day the inspection lasted for eight hours
  • It was performed by Shawn Hamrick with an assistant. Hamrick worked for Diamond Comic Distributors for almost 32 years and was the Vice President of Operations & Chief Logistics Officer.
  • The plaintiff, aka publishers, are responsible for the fees and costs.
  • Sparkle Pop was able to accompany Hamrick and the assistant during the inspection.
  • It’s a visual inspection and identification of the consigned inventory, but Hamrick and the assistant weren’t able to move any physical items. So, we’re not sure how you really dive in and count and confirm the inventory without being able to do so.
  • Sparkle Pop will pay any fees it incurs during the process (so their staff is on their dime).

So, based on all of this, it sounds like the inspection of the inventory was completed earlier this week, before either settlement was approved… It’s an interesting twist and might explain why Sparkle Pop dropped their entire objection to the settlement. But, there are a lot of different scenarios that we aren’t privy to regarding the specific details of this side quest. If nothing else, it confirms a lot of negotiations occurring behind the scenes that aren’t being made public.

Check out the full court document below:

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Fantagraphics to Publish Visiting America: 19 Days In An I.C.E. Facility, the true story of R.E. Burke’s Incarceration at the Hands of the US Government

Fantagraphics has announced that it will be publishing R. E. Burke‘s graphic memoir Visiting America: 19 Days In An I.C.E. Facility. It’ll arrive in stores in May 2027.

While on vacation in the Pacific Northwest, 28-year-old British cartoonist R. E. Burke was shackled and detained in a U.S. Immigration and Customs Enforcement (I.C.E.) facility for 19 days. As her family mounted a campaign to free her, R.E. Burke documented the lives of the ordinary, innocent women she found herself incarcerated with and their attempts to survive the immoral violation of their legal and human rights. 

In this work of graphic memoir and journalism, Burke tells the story of how, in February 2025, as she was attempting to cross the border into Canada from Washington State, an innocent technicality led to hours of terrifying interrogation and unjust detainment in an I.C.E. facility (run by the for-profit GEO corporation) for 19 days.

In vivid color and startling detail, Visiting America immerses readers in her experiences: her fear, despair, disorientation, and her fellow detainees’ attempt to help her acclimate. Burke documents in comics form, the difficulty of navigating a haphazard, callous bureaucracy, rife with misinformation, stonewalling, and threats. As her mental and physical conditions worsen, despite the best efforts of the women to take care of each other, a campaign to free her mounted by friends and family garners international support.

Visiting America is not only her own story, but the stories of the strength, spirit, and humor of the other women — mothers, daughters, workers, innocent people fleeing war, genocide, and abuse — whose situations are even more precarious and desperate. They are trapped in a cruel, horrifying, and rapidly worsening system with no place safe to return to. Burke’s memoir includes an epilogue with updates about some of the women she was detained with.

Visiting America is potent evidence for the graphic memoir’s power to share our most vulnerable stories. Burke’s pages demand the reader’s attention, and her story demands a nation to take action.

Nirvana is Here is a fantastic crime thriller that touches upon real world issues and social issues

A chance encounter in a flea market parking lot and a severed finger embroil two Vietnamese German siblings ― and a vividly drawn cast of eccentric neighbors, a tough teen biker with a crush, a rollerblading girl gang, and many others ― on a mission to save a desperate young Vietnamese woman from her pursuer.

Two German siblings, 12-year-old Tâm and 14-year-old Dennis Nguyen, encounter a young Vietnamese woman in trouble in a flea market parking lot. When Tâm’s spy movie-obsessed schoolmate, Alex, discovers an abandoned backpack with a photo of a happy couple with Tâm’s address on the back, it will lead the two to discover a severed finger. Worried, Tâm searches for the desperate woman, aided by her reluctant brother, and eventually finds Hoa Bin, who escaped from her kidnapper ― who’s still tracking her down. Drawn to Hoa Bin, Tâm vows to save her ― even if she has to break her stern-but-loving mom’s rules, dodge the bad guys in wild chases through the Berlin streets, and combine the forces of Marina, the Nguyens’ tough-chick neighbor, Jutta, an elderly retired actress, a rollerblading girl gang, and many others to do so.

In Ross’s empathetic, loose-but-controlled lines, cartoonishly expressive kids interact against and within the realistically depicted urban environments, given texture and grit by screen-tones. Nirvana Is Here is a contemporary crime thriller that has adventure, diasporic, coming-of-age, and love story elements, set in Berlin’s working-class Lichtenberg district against a backdrop of very current social issues.

by: Mikael Ross
Translation: Nika Beauchamp

Get your copy now!

Bookshop
Amazon


Fantagraphics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Requiem for Gaza is an interesting example of graphic journalism

In the spring of 2025 the cartoonist Joe Sacco, author of Palestine and Footnotes in Gaza, and Chris Hedges, the former Middle East Bureau Chief for The New York Times, traveled to Cairo where they interviewed 29 Palestinian families who had recently left Gaza. In Requiem for Gaza, they use the experience and stories of these families to detail the crucible of the genocide, the loss of homes and communities, the appalling death toll among friends and loved ones, the constant displacement, the terror of indiscriminate killing, the hunger and deprivation, the obliteration of all that was known and familiar, and the struggle to cope with the callous indifference of a world that continues to supply Israel with weapons despite its wholesale destruction of Gaza and mass slaughter.

Requiem for Gaza, like their New York Times best seller Days of Destruction, Days of Revolt, combines comics and single images drawn by Sacco within the narrative written by Hedges. Hedges’ vivid prose and Sacco’s visceral images complement each other and together paint a portrait of dignity and suffering under genocide. The collective power of the individual stories that chronicle the first day of the genocide, the forced evacuation of homes, the targeted assassinations, the false hopes engendered by ceasefires, the dislocation and alienation of exile, the brutal killing and hasty burial of family members, and the humiliation of living under tarps without clean food and water bring every aspect of the genocide to life. Set against this horror are stories of self-sacrifice and compassion that show how Palestinians not only clung to their humanity, but morally triumphed over their killers.

by: Chris Hedges, Joe Sacco
Translator: Ruba Abu Zannad Jafar

Get your copy now!

Bookshop
Amazon


Fantagraphics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Chris Hedges and Joe Sacco are going on tour for Requiem for Gaza

In the spring of 2025, the cartoonist Joe Sacco, author of Palestine and Footnotes in Gaza, and Chris Hedges, the former Middle East Bureau Chief for The New York Times, traveled to Cairo where they interviewed 29 Palestinian families who had recently left Gaza.

In Requiem for Gaza, they use the experience and stories of these families to detail the crucible of the genocide, the loss of homes and communities, the appalling death toll among friends and loved ones, the constant displacement, the terror of indiscriminate killing, the hunger and deprivation, the obliteration of all that was known and familiar, and the struggle to cope with the callous indifference of a world that continues to supply Israel with weapons despite its wholesale destruction of Gaza and mass slaughter. Hedges’ vivid prose and Sacco’s visceral images complement each other and together paint a portrait of dignity and suffering under genocide.

They are going on tour to discuss this profound and elegiac work of investigative journalism—here are their stops in October:

Promotional graphic for the 'Requiem for Gaza' book tour featuring authors Chris Hedges and Joe Sacco, listing event dates and locations.

Celebrate 50 years of Fantagraphics with Humble Bundle’s 50 Essential Fantagraphics Titles

A classic alien invasion thriller! An iconic Sunday strip adventure! A murder investigation with a pulpy twist! When it comes to publishing great comics, Fantagraphics knows what’s up, and if you’ve been looking to get into what this fantastic publisher has to offer, Humble Bundle has collected 50 of Fantagraphics’ best titles in one bundle! Solve the murder of a mysterious woman alongside a horror-obsessed 10-year-old in My Favorite Thing Is Monsters! Escape to an era of medieval swordfights and epic adventures with the first two collected volumes of Prince Valiant! Fight back against a devastating alien invasion in the subversive Argentine masterwork The Eternaut! All of these and many more are featured in this bundle of 50—yes, F-I-F-T-Y—of Fantagraphics’ best titles, so grab them now at the price of your choosing, and support the Freedom of the Press Foundation with your purchase!

The 50 Essential Fantagraphics Titles Comic Bundle has a retail value of $1,263 and you can get all 51 items for $25.

Graphic promotional image for '50 Essential Fantagraphics Titles,' featuring book covers including 'My Favorite Thing is Monsters,' 'Prince Valiant,' and a Netflix title, with a background supporting the Freedom of the Press Foundation.

Fantagraphics and Humble Bundle team for the Disney Masters Collection & Originals to benefit First Book

Iconic Disney characters take the world of comics by storm in this Humble Bundle of Disney Masters and original comic series from Fantagraphics! The greedy Scrooge McDuck journeys from the Yukon to Atlantis and beyond in Walt Disney’s Uncle Scrooge: The Diamond Jubilee Collection! Mickey Mouse goes steampunk in the retrofuturist odyssey Walt Disney’s Mickey Mouse Versus The Mouseton Society of Evil! Epic Mickey hops from your console to the pages of his own comics in the video game inspired Disney Epic Mickey: The Comics Collection! Join Mickey Mouse, Donald Duck, Uncle Scrooge, and more of your favorite Disney legends in new tales and classic adventures in this bundle for old fans and newcomers alike! Grab this collection now at the price of your choice, and support First Book charity with your purchase.

The Disney Masters Collection & Originals features 48 items with a retail value of $1,097 and you can get it all for just $25.

The Disney Masters Collection & Originals Humble Bundle

Lovers of the Empire Vol. 1 is a hell of a graphic novel and hell of a start for Takumigraphics

South Korea, 1929. Arisa Jo, the daughter of a wealthy merchant, is the most eligible bachelorette in all of Gyeongsung (the capital city). With her Western dresses, movie star hairstyle, and assertive attitude, she embodies bold “Modern” values. Meet her opposite, Jun Seomoon, a young man from the countryside deeply rooted in tradition. When Jun is charged by Arisa’s father to be her escort in the big city, these opposing forces create sparks. Through this unlikely connection, these teenagers open their eyes to new perspectives amidst the rapidly changing world they live in.

Coming off the heels of her acclaimed Raging Clouds, Lovers of the Empire proves Yudori to be a comic artist at the height of her creative powers. On the surface a sweet and funny will they, won’t they romance, this story garners depth from its depiction of Korea at a crossroads: a city occupied by Japan, molded by Western influences, and facing a modernity that stirs inner conflicts within its citizens. Rendered in gorgeous full color, this period piece portrays a fascinating city in a tumultuous time, with two winsome characters at its heart.

Story: Yudori
Art: Yudori

Get your copy now at your local comic shop or digitally and online with the links below.

Bookshop
Amazon


Takumigraphics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Publishers to Sparkle Pop… What Consigned Goods are You Storing!? The Diamond Chapter 7 Drama Continues

What's in the Warehouse!? image

While some think the drama concerning Diamond Comic Distributor‘s bankruptcy is wrapping up or over, there’s still a long way to go before this epic story ends. In early August, (old) Diamond Comic Distributors and its trustee Morgan W. Fisher announced a resolution and compromise with 15 publishers regarding consigned goods being held by Diamond and stored in a warehouse by Sparkle Pop.

(Old) Diamond had declared Chapter 11 and eventually Chapter 7 and in its possession was consigned goods from numerous publishers valued in the millions. There has been a fight for over a year where a little over 30 publishers had been fighting to get those consigned goods back. Diamond had been claiming it has a right to them and was going to sell them to pay off their debt. Sparkle Pop had purchased some of the assets of Diamond in the bankruptcy and that included taking over the warehouse where that product was being stored.

As part of the settlement, the 15 publishers can get their goods back and have to pay for the picking and packing of the inventory.

But… what the hell does Sparkle Pop still have in their possession!?

That seems to be at the heart of multiple motions today asking the court to help figure out what inventory remains in the warehouse.

In the motion, the publishers state that:

  1. Initially, Sparkle Pop reported sales only of inventory received after May 15, 2025.
  2. Even after Sparkle Pop reported sales of inventory received both before and after May 15, 2025, Sparkle Pop has not updated its court reporting with regard to inventory sales after October 2025.
  3. With regard to sales reported to this Court through October 2025, Sparkle Pop apparently applied a flat return rate as to each consignor. See, e.g., Sparkle Pop Report, attached hereto as Exhibit 1, illustrating the application of a flat return rate, and summary from Sparkle Pop, attached hereto as Exhibit 2. Sparkle Pop has never provided any detail as to what products were actually returned. See, Affidavit of Sparkle Pop Agent attached as Exhibit 3. Furthermore, some of the inventory sold was not returnable, and consignors have reported that they did not receive returned product (supporting the consignors’ allegation that Sparkle has reported returns that never, in fact, occurred).
  4. Sparkle Pop also may be continuing to sell inventory from the Warehouse. As recently as early 2026, one of the consignors received a report showing that inventory of another consignor being processed and removed from the Warehouse, despite Sparkle’s consensual agreement that any sales are prohibited by the automatic stay. See E-Mail from Drawn and Quarterly Books, Inc. attached as Exhibit 4.

The publishers have asked for the court to compel an inspection of the warehouse to audit the product that remains located there. They also want to use that inspection to corroborate the reports provided by Sparkle Pop. But, also raised is a “claim for conversion,” basically, is there further action publishers need to take because of actions by Sparkle Pop.

In July, the publishers submitted a subpoena to “Produce Documents, Information, or Objects or to Permit Inspection of Premises in a Bankruptcy Case” and in late July Sparkle Pop objected to that and the inspection. This created an unresolved dispute.

Sparkle Pop has made demands for the inspection to go through, which the publishers object to:

  • Sparkle Pop’s sole right to designate the party permitted to conduct the inspection of the Warehouse and its requirement that any assistants be approved in advance;
  • a requirement that the Trustee and Sparkle Pop enter into an agreement concerning payment of back rent owed at the Warehouse; and
  • a requirement that the Ad Hoc Committee of Consignors solely bear Sparkle Pop’s claimed cost of the inspection, which Sparkle Pop currently quotes at $639.94 per hour – which fee includes an unexplained “thirty percent markup” and exorbitant compensation for what should be a single employee who accompanies the inspector. Originally the fee requested was $1,000 per hour and inexplicably included charges for Sparkle Pop’s tax and insurance payments for the Warehouse.

The publishers thinks those demands are unreasonable and unwilling to pay for the inspection, though they are being flexible in that if there’s a particular party Sparkle Pop doesn’t want in the warehouse, that can be accommodated. They refuse to give Sparkle Pop unilateral control over the process. They also point out that the payment for back rent owed is between Sparkle Pop and (old) Diamond, not the publishers.

The publishers are asking for the court to compel an inspection within 30 days of the service of the motion, that the individual committing the inspection be agreed upon, and Sparkle Pop will bear its own costs in related to the inspection.

The publishers that are part of this motion include 12 of the 15 (so far) that settled/compromised:

Ablaze
Action Lab
American Mythology
Avatar Press

Battle Quest Comics
BOOM! Studios
Fantagraphics
Green Ronin Publishing

Hermes Press
Living the Line

Paizo
Zenescope

You can read the filings below which also includes a look behind the curtain as far as inventory and discussion for this publisher. The overall motion is the same for each publisher while the inventory changes for each.

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Exclusive Preview: Yudori’s Lovers of the Empire Vol. 1

Lovers of the Empire Vol. 1

by: Yudori
Purchase: Amazon – Bookshop

Set in the atmospheric Korean capital in the 1920s, this dynamic manhwa period piece follows two teenagers from different social strata thrown together ― and their unlikely connection leads to comedic, emotional, and eye-opening experiences of discovery.

South Korea, 1929. Arisa Jo, the daughter of a wealthy merchant, is the most eligible bachelorette in all of Gyeongsung (the capital city). With her Western dresses, movie star hairstyle, and assertive attitude, she embodies bold “Modern” values. Meet her opposite, Jun Seomoon, a young man from the countryside deeply rooted in tradition. When Jun is charged by Arisa’s father to be her escort in the big city, these opposing forces create sparks. Through this unlikely connection, these teenagers open their eyes to new perspectives amidst the rapidly changing world they live in.
Coming off the heels of her acclaimed Raging Clouds, Lovers of the Empire proves Yudori to be a comic artist at the height of her creative powers. On the surface a sweet and funny will they, won’t they romance, this story garners depth from its depiction of Korea at a crossroads: a city occupied by Japan, molded by Western influences, and facing a modernity that stirs inner conflicts within its citizens. Rendered in gorgeous full color, this period piece portrays a fascinating city in a tumultuous time, with two winsome characters at its heart.

Full-color illustrations throughout

Lovers of the Empire Vol. 1
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