Tag Archives: dylan todd

Hope Nicholson Talks Gothic Tales of Haunted Love

The summer might be almost half over, but Hope Nicholson and her imprint Bedside Press are just getting started on a Kickstarter for their new anthology Gothic Tales of Haunted Love, stories that will chill the blood even on the warmest night.  

Image Credits: “Gothic Tales of Haunted Love”

cover art by Leslie Doyle, logo by Dylan Todd

(click on link to see anthology credits and details)

Or in Nicholson’s words herself:  “If you like horror, you’ll like this book. If you like suspense you’ll like this book. But if you need happy endings, well….you might NOT like this book!”

Blog544_Dark+Mansion+Forbidden+Love+Cover_1 1970s gothic romance

Image: Cover of a 1970s gothic romance comic; typical of the comics that inspired the anthology (not part of Gothic Tales of Haunted Love anthology)

The campaign itself started July 15 and ends on September 15.  After that point, the creators involved in the anthology have two months to finalize their stories before the anthology goes to print with January 2018 as the targeted delivery date.

Gothic Tales of Haunted Love, like Nicholson herself, has many inspirations.  It all started when she “was doing research for The Spectacular Sisterhood of Superwomen [published by Quirk Books].”  She discovered the 1970s comic genre of gothic romance, and had one reaction: “They were thrilling! After spending days reading romance comics, which were entertaining but usually pretty formulaic, it was so great to read stories just as emotional but with a lot more unpredictability.”

Hope elaborates on her love for the genre, saying it’s “interesting because though it still had many stories of pale beauties on the moors and dastardly lords, it was also very campy and supernatural. Lots of demons, witchery and ghosts!”

Despite her interest in this genre, though, she did admit that it had one drawback: “[These stories] were still mostly focused on North American creators, white girls, and straight romances.”

For anyone familiar with Bedside Press and Hope Nicholson, it’s no surprise that this lack of diversity troubled her–in her own words, that lack of diversity is “boring for an anthology”–and it’s something she’s looking to fix with Gothic Tales of Haunted Love.

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Image Credits: from “Minefield” by Hien Pham (told entirely in Vietnamese)

Specifically, to create an anthology that reflects true diversity and brings this genre into the 21st Century, they “did a half-curated, half-open call for new content and the stories…in this project have a focus on global gothic romance.”

And this is reflected in the stories themselves; one story has “two young men falling in love in Vietnam”, another has “pain and loss in Jamaica,” a third has “fashion intrigue in Taiwan, and [overall there are] lots of beautiful ghosts of all genders falling in love with mortals.”

The anthology itself is the reward Nicholson hopes most people enjoy.  

However, there are some other killer rewards: “Something really fun [Bedside Press] did was reach out to the estates of classic 1970s gothic romance cover artists and license artwork for special print reprints. So while [there is] a lot of new content, [Bedside Press] still [offers a] nod to the aesthetics of the old.”  Finally, as part of the rewards they “also have brand new prints from our creators as well!”

Next week, we’ll continue Nicholson’s interview, focusing on her journey as a self-publisher and Kickstarter Thought Leader.  But until then, make sure you check out the Kickstarter for Gothic Tales of Love!

 

*Note* All quoted language in this article was from Hope Nicholson.

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Image Credits: from “Crush” by Janet Hetherington, Ronn Sutton, Becka Kinzie, and Zakk Saam

 

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Image Credits: from “Fazenda do Sangue Azul” by Dante L. & H. Pueyo

Review: Violent Love #2

violentlove02_coveraRight from the opening pages of the first issue of Violent Love, it’s made quite apparent that this tale of eventual bank robbers and lovers Daisy Jane and Rock Bradley is greatly influenced by stories and films in the same genre; Dylan Todd’s striking designs connect with the cinematic aesthetic by having the creative team page look like it came right from the bottom of a movie poster. Though the influences aren’t even hidden all that well (Daisy seeing Butch Cassidy and the Sundance Kid), Frank J. Barbiere and Victor Santos are definitely crafting something different and unique both in its method of storytelling and flow of visuals.

This second issue throttles forward into 1971 in New Mexico where Daisy has joined forces with a man named Charlie to rob banks. There is a great point of view splash page from the bank teller’s perspective, confronting the reader with Daisy’s green eyes, just slightly peeking out from her sunglasses, and a double-barreled shotgun held next to an open sack in her other hand. The images are paced out fast, flowing the narrative forward and knowing when to slow down and focus on the smaller, quieter moments. Santos does an excellent job at drawing attention to particular aspects within the frames, consistently utilizing the spaces effectively. violentlove2-2He also uses color, or the lack thereof, to emphasize the importance of certain objects or actions. For example, when Daisy sits in the hotel room where she and Charlie just engaged in a hot and heavy game of extracurricular activities, her entire body is black as the eye is drawn to the muddled orange/red hat in her hands. The previous frame reminds the reader of its importance to her, also using the color red to deviate from the use of green to shift in time. This in effect not only deepens the impact of these kinds of moments and objects but also elevates and accentuates Santos’s ability as a visual storyteller.

Daisy has clearly changed from the first issue, becoming more and more reckless as the rage of her father’s death drives her to find the man who committed the murder: Johnny Nails. Barbiere’s script is fast and quick-witted, gets straight to the point and doesn’t make the language too flowery; this is a crime/romance story after all. Rock is also introduced in this issue, doing his best James Dean impression, exuberating calm, cool and collected…at least for now. Daisy and Rock’s first meeting is filled with slight jabs at one another but the primary focus still remains on Daisy’s mission to find Johnny. This mission is leading Daisy into some fairly precarious places and people, setting up the next issue with a very interesting situation for her.

Story: Frank J. Barbiere Art: Victor Santos Designs: Dylan Todd
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Free Edison Rex! Edison Rex Goes Free Webcomic

edison_rex_18-1Chris Roberson and his collaborator Dennis Culver have announced their comic Edison Rex will now be available to new readers as a free webcomic while a Patreon funds the creation of the character’s further adventures.

Edison Rex, the story of the world’s greatest villain who appoints himself defender of Earth after defeating the world’s greatest hero, was launched as a digital-first series through Monkeybrain Comics on comiXology in July 2012, assisted by Stephen Downer on colors, John J. Hill on letters, and Dylan Todd on design. It garnered praise from critics and readers from the start. It’s a wonderful comic you should be checking out, especially now.

Now, four years after the series debuted, it is being relaunched as a free webcomic hosted by Hiveworks. The full series to date will be serialized on the site, with updates on Tuesdays and Thursdays, and then will be continuing with all new material. In addition, the creators will be offering exclusive Patron-Only content, including early access to upcoming issues, behind the scenes looks at works in progress, annotations, commentary, and a shirt-of-the-month from the team’s Threadless Artist Shop.

Edison Rex #18 is now on sale through comiXology for just 99 cents.

This is the latest example of comic creators bucking the current sales and distribution model and exploring new avenues of publication.

Preview: Blood Feud TPB

BLOOD FEUD TPB

(W) Cullen Bunn (@cullenbunn)
(A) Drew Moss (@drew_moss)
(C) Nick Filardi (@nickfil)
(CA) Dylan Todd (@bigredrobot)
Age Range: 13 and up
Genre: Horror, Adventure
Price: $19.99
144 Pages

I’ve got a story to tell—a story about how me and a couple of poker buddies squared off against the very legions of Hell… and maybe even saved the world. Like all good yarns, this one has its share of action, adventure, mystery, and romance. As for how it ends, though, you’ll have to judge for yourself. Me, I’ve always been partial to happy endings—the singing cowboy riding off into the sunset—but I reckon that just ain’t the way of the world. This story’s got vampires, too, loads of them, but not in the beginning. It began, for us at least, with spiders.

Collecting 2015’s most terrifying southern horror series from writer Cullen Bunn, artist Drew Moss, and colorist Nick Filardi!

BLOODFEUDV1-TPB-MARKETING_PREVIEW-1

Review: Heart of Weirdness

heart of weirdnessStrap in readers for one heck of a ride! Heart of Weirdness is a romping genius of a comic, which unites color and art with good minimalist writing, allowing the reader to become absorbed in the artwork and really feel the story. The use of color throughout is strikingly impressive and immersive.

The issue centers around a mad military scientist who has turned on his colleagues (an alien species) and is fully armed, dangerous and a bit of a psychopath! A soldier is selected to travel to the same alternative universe and “neutralize” the threat. Chosen for his previously demonstrated mental strength, this soldier is deemed the least likely to suffer mentally as a result of the mission. This is a central consideration as nobody actually knows how far the soldier’s sanity will be stretched when traveling to an alternative universe, or in deed, locating and dealing with the target.

The soldier is given a nifty device which really does come in handy in multiple sticky situations. I absolutely love the way that this device is drawn and the label descriptors that allow the reader to understand how the device works, and the purposes it might be helpful for. It’s a really good touch to bring the reader into the story.

The writing, by Seth Andrew Jacob, in this issue is minimal, used only where needed, and there are several pages with absolutely no writing. This is something I particularly liked about this comic as all of the writing is good, with no elaborate and unnecessary embellishments.

Overall, I really enjoyed reading this issue.  It is bright, colorful, weird and most importantly: something different. If you are looking for something fresh then this is definitely the comic for you.

Story: Seth Andrew Jacob Art: Alchemichael Colours: Pete Toms Letters: Colin Bell Design: Dylan Todd
Story: 8 Art: 10 Overall: 9 Recommendation: Buy

Seth Andrew Jacob provided Graphic Policy with a FREE copy for rview

Cast Your Vote for Citizen Jack, a Brand New Horror-Comedy for Everyone Who Hates Politics

As America dives into the terrifying farce of election season, Image Comics has announced Citizen Jack, a brand new horror-comedy for everyone who hates politics. Created by blockbuster writer Sam Humphries and artist Tommy Patterson, Citizen Jack debuts on November 4th, 2015.

Every presidential candidate has a skeleton in the closet—but Jack worships the devil. Citizen Jack tells the story of Jack Northworthy, a scandal-plagued small town politician, who should in no way be president. But he has a secret weapon: Marlinspike, a malevolent demon of high ambitions. Together, they’re running for president in an outrageous campaign that America will never forget.

Humphries and Patterson have enlisted an all-star team including editor Jeanine Shaefer, designer Dylan Todd, with colors by John Alderink, and letters by Rachel Deering.

Humphries feels we’ve all had one of two reactions when it comes to politics, screaming in terror, or laughing to stop the screaming. The series comes from the teams “fright and amusement at our current system.”

Cast your vote for Citizen Jack‘s (Diamond code SEP150499) diabolical extra-sized debut this November, featuring covers by series artist Patterson, and a special variant cover by comics’ bad boy supreme, Chip Zdarsky (Diamond code SEP150500), co-creator of the smash-hit Sex Criminals and writer of Archie Comics’ upcoming Jughead series. Final order cutoff deadline for retailers is Monday, October 12th.

Citizen Jack

Kickstarter Spotlight: Copernicus Jones: Robot Detective Vol. 1

Copernicus Jones Robot DetectiveBy Matt D. Wilson

Years ago, I came up with a dumb joke. It’s the type of joke that you say once and then you forget about it forever, the kind of thing where you just match up a funny name to a funny occupation. It was “Copernicus Jones: Robot Detective.”

Thing is, I didn’t forget it immediately. It got stuck in my head. It just rolled and rolled around in there until I decided I was going to have to do something with it. It was an idea that simply had staying power. That something, I decided, should be a comic. So in 2012, Copernicus Jones: Robot Detective launched as a webcomic.

I intended it as a parody of classic noir. I deeply love the classics of the genre, but my first encounters with it in the 1980s were parodies or twists on it–things like the now-largely-forgotten Muppets project Dog City and, of course Who Framed Roger Rabbit? In some ways, it still is that, but it’s also a love letter.

Then, I teamed up with artist Kevin Warren and letterer/designer Dylan Todd to launch the MonkeyBrain Comics digital version of the series. We’re six issues into that, and #7 is on the way.

Copernicus Jones Robot Detective 1The first arc ended up becoming something far more than even I ever expected (which I attribute largely to the art and design). I can honestly say that I’m proud of it, which is something I’ve rarely said about most of the things I’ve done in my life. To put it simply, it starts out as your traditional woman-walks-into-a-detective’s-office pastiche, and then it gets way more complicated.

Now, we’re trying to make the jump to print. We’ve launched a Kickstarter to do it. With your help, that can hopefully happen.

We have the great honor having Greg Rucka, whose name you may know if you’ve read a few comics in the past decade-plus, writing the foreword for this print edition. That’s a vote of confidence I have to pinch myself to believe I actually got. If we hit our first stretch goal, we’ll also include backups and pinups by some fantastic artists including Kyle Starks, T.J. Kirsch, Paul Salvi, Joe Hunter and Jordan Witt. And there are digital art rewards from even more artists.

The work that Kevin has put into the book is nothing short of astonishing, and it really needs to be seen in print. As of right now, I have one copy of a test version of the print edition, and I have a hard time putting it down. It just looks so good. I’m surprised I had a hand in making the thing.

If you can help us out on Kickstarter to make the print edition a reality, we’ll deeply appreciate it. And hey, you’ll get an awesome-looking book, too. Maybe Copernicus will get stuck in your head, too.

While we’re no longer picking crowd funding projects to spotlight on our site, we’re allowing project creators to make their case for their project on our platform. We remind individuals, we don’t endorse any of these projects, and that by supporting any crowd funding project, you’re taking any risks associated with doing so. – the Management

Preview: Copernicus Jones: Robot Detective #6

Copernicus Jones: Robot Detective #6

Writer: Matt D. Wilson
Artist: Kevin Warren
Letterer: Dylan Todd
Price: $0.99
Pages: 22
Rating: 15+

Copernicus pulls it all together and the Windstone case comes to a close, but things don’t wrap up quite the way he expected.

Copernicus_Jones_06-1

Preview: Boo! Holiday Special #1

Boo! Holiday Special #1

Writers: Dylan Todd, RJ White, Matt Smigiel, Scott Faulkner, Jordan Witt, Karla Pacheco, Kelly Tindall, Jon Morris
Artists: Jon Morris, Manning Krull, Matt Smigiel, Scott Faulkner, Jordan Witt, Sean Poppe, Kelly Tindall
Colorist: Pete Toms
Price: $0.99
Pages: 40
Rating: 12+

It’s Halloween in December as the BOO! Regulars reunite to spread tales of holiday horror!

Boo_2014_Holiday_Special-1

Preview: Boo! Halloween Stories Vol. 2 #1

Boo! Halloween Stories Vol. 2 #1

Writers: RJ White, Dylan Todd, Gloria Reynolds, Leonard Pierce, Matt Smigiel, Jon Morris, Delilah Dawson, Chris Sims, Ken Lowery, Manning Krull, Sean Poppe, Scott Faulkner, Benito Cereno
Artists: Kelly Tindall, Matt Digges, Gloria Reynolds, Adam Eatson, Matt Smigiel, Joel Carroll, Matthew Allen Smith, Andy Hirsch, Shawn McGuan, Manning Krull, Sean Poppe, Erica Henderson, Scott Faulkner, Jordan Witt, Jon Morris
Colorist: Pete Toms
Price: $1.99
Pages: 67
Rating: 12+

Last year’s creeps and ghoulies are back for another round of macabre tales so frightening you’ll have to say BOO! Eleven all-new stories, pinups, and more, including the chance to win a page of original art!

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