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TV Review: The Walking Dead S10E2 We Are the End of the World

The Walking Dead Season 10

The Walking Dead takes things back in the second episode with a flashback episode that reveals the origins of Alpha and Beta. Alpha attempts to toughen up Lydia as they prepare to walk with the dead. The Whisperers also create their herds.

The second episode of The Walking Dead is interesting. You could also call it “When Alpha met Beta.” That initial meeting isn’t quite as interesting as expected but it’s what unfolds that becomes really interesting, that of Lydia.

Through various glimpses, we get a sense of the horrors the Whisperers have done to survive in this new world. Those horrors eventually cracks Lydia and we see her break down and the repercussions of that. It highlights the abusive road that some have gone down and the deep psychological scars inflicted.

While not touched upon, contrast all of this with how the children of the various towns have endured and lived.

There’s some impactful moments that as a father of a daughter just chilled me. Lydia’s struggles. Alpha’s rejection of being called mother. It creates a cold and chilling experience. Add in Alpha’s actions and what she says it’s an interesting episode.

But overall, the episode focuses on the loss of self in this new world. Names are eschewed. It’s a shedding of identity and connection and with it humanity. Again, compare this to the communities and what they’ve done, endured, and built.

But despite that, there’s still something understandable about it all. These are individuals who have chosen a different way to survive. They see the walkers as both protection and destiny. This is a new reality and with it, new rules and norms are needed. And, as presented there’s a quasi-religious aspect to it all. But, Alpha still has depth and that’s in the form of her feelings for her daughter.

The episode creates a complicated relationship between Alpha and Beta and Alpha’s outlook on the world. It’s all much more complicated than what’s expected and the episode adds depth to characters who otherwise could easily have none. The revelations toward the end, such as where some of their walker masks come from, create a group that has layers.

It’s a creepy episode that focuses on the big evil of the season giving them history that makes them both more understandable and scarier at the same time.

Overall Rating: 8.35

TV Review: The Walking Dead S10E1 Lines We Cross

The Walking Dead Season 10

In the season 10 debut of The Walking Dead, the group in Oceanside continues to train in case the Whisperers return; tensions are high as the heroes struggle to hold onto their concept of civilization.

The Walking Dead returns with a packed episode that covers a lot of ground. It’s an interesting episode that attempts to explore the new normal and question who the heroes really are. With the threat of the Whisperers still looming, the civilization must focus on what reality is. Death looms over everyone as they reflect on those that passed and face new dangers.

The episode has some smart explorations, such as what happens to the infrastructure above. Satellites pose a risk and we see here what a challenge one presents when it crashes. It, as well as the opening, are reminders that this world doesn’t have the security that we take for granted. A fire in a forest is as much a threat as walkers or rival groups.

The episode’s highlights, like so much of the series, is the character and actor interactions. Norman Reedus’ Daryl and Melissa McBride’s Carol are the heart of the series still. Their friendship will be the emotional journey of this season and it does not bode well based on the finale.

While not an exciting start, the season 10 debut does a nice job of setting up the season to come. It’s not one of action but one of reflection and foreshadowing.

Overall Rating: 7.75

AMC’s The Walking Dead Fined $104,000 for Using the Emergency Alert System

The Walking Dead

The Federal Communications Commission (FCC) reached settlements this week with a handful of media outlets after they were found to have misused the emergency alert system (EAS) tone.

There’s a rule against using the tone outside of actual emergencies to “protect the integrity” of the system. The idea is that listeners won’t mistake the real tone for ones from television shows and vice versa.

The agency found that ABC’s Jimmy Kimmel Live!, AMC’s The Walking Dead, Animal Planet’s Lone Star Law, and Meruelo Radio Holdings all misused the EAS tone. The companies have agreed to pay more than $600,000 in civil penalties for the violations.

AMC’s The Walking Dead used the tone twice in the “Omega Episode” of the program in February 2019. The playing happened during eight instances. AMC will pay a $104,000 civil penalty and agreed to a compliance plan.

Around the Tubes

Powers of X #1

It’s a new week and we’ve got the regular news and reviews for the morning as we recover from Gen Con. While you kick off your day, here’s some comic news and reviews from around the web in our morning roundup.

Splinter News – Top Republicans Are Blaming Video Games for the White Terrorist Attacks – You know, instead of White Nationalism…

Y-City News – Man sentenced to prison for stealing over $25000 worth of comic books – Good.

The Wrap – ‘Walking Dead’ Movie Had Multiple Suitors Beyond Universal, AMC’s Josh Sapan Says – This is a surprise?

Just Collecting News – Captain America #1 sells for world-record $915,000 at Heritage Auctions – That’s a lot of money.

Screen Rant – Snowpiercer TV Show Is NOT In Same Continuity As Film – Odd since the new prequel graphic novel seems to be and the original graphic novels are in continuity with the film.

CBLDF – Retailer Spotlight: Bridge City Comics in Portland Oregon! – Check them out if you’re in the area.

ComicBook – Batwoman EP Confirms Kate Will Be Jewish – Good.

Reviews

Geek Dad – Batman: Last Knight on Earth #2
Monkeys Fighting Robots –
Leave on the Light #1
Talking Comics –
Powers of X #1
Geek Dad –
Red Hood Outlaw Annual #3
But Why Tho? –
We Are Here Forever

Rob Guillory’s Farmhand is Optioned by AMC

Bestselling comic book series Farmhand, created and illustrated by Rob Guillory, has been optioned for television development by AMC/AMC Studios. Guillory is set to write the pilot for the series and will executive produce alongside LaToya Morgan.

Farmhand follows Jedidiah Jenkins, a simple farmer, but one whose cash crop isn’t corn or soy. He grows fast-healing, plug-and-play human organs. For years, Jed’s organic transplants have brought healing to many, but deep in the soil of the Jenkins Family Farm something sinister has taken root.

Guillory previously co-created and was the Eisner-award winning artist on the New York Times bestselling series Chew. He is represented by Anonymous Content & Myman Greenspan LLP.

The trade paperback of Farmhand, Vol. 1 (ISBN: 9781534309852) is available now and Farmhand, Vol. 2 (ISBN: 978-1534313323) will be available in September. It can be pre-ordered at Amazon, Barnes & Noble, Books-a-Million, IndieBound, and Indigo.

Farmhand, Vol. 1

Christopher Cantwell and Martín Morazzo’s She Could Fly is in Development at AMC

Berger Books has announced She Could Fly has been optioned for television development by AMC. Based on the comic series created by Christopher Cantwell and Martín MorazzoShe Could Fly marks the first property from the esteemed Berger Books line to be optioned for film or television.

She Could Fly tells the story of Luna, a disturbed 15-year-old girl who becomes obsessed with an unknown woman who appears in the Chicago sky flying at heights reaching 2,000 feet. Suddenly—the mysterious woman dies in a fiery explosion mid-air. No one knows who she was, how she flew, or why. Will cracking the secrets of the Flying Woman’s inner life lead to the liberation from Luna own troubled mind? The second series of She Could Fly, She Could Fly: The Lost Pilot #5 arrives August 14, 2019, with the collection arriving December 17, 2019. 

Christopher Cantwell, co-creator of She Could Fly has past experience with AMC through AMC’s Halt and Catch Fire as a co-creator, showrunner and executive producer. Executive Producers of She Could Fly include Mark Johnson, Executive Producer of Breaking Bad and Better Call Saul; Melissa Bernstein, also an Executive Producer of Breaking Bad and Better Call Saul; Karen Berger, founder of Berger Books and Vertigo; Mike Richardson, Dark Horse Entertainment’s founder and Executive Producer (The Umbrella Academy)and Keith Goldberg, Dark Horse Entertainment Senior Vice President and Executive Producer (The Umbrella Academy). 

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