Tag Archives: alan moore

The Point of Heroes in a Dark World

Superman - art by Joe Shuster (1939)

In the wake of the 2024 election, comics writer Mark Waid posted the following on BlueSky:

…I don’t believe in the basic goodness of my fellow Americans anymore, and without this, I cannot write superheroes. There’s no point.

Mark Waid is a writer for whom I have the greatest respect. His work on The Flash and The Fantastic Four with the late Mike Wieringo and others are essential reading. His despair is understandable but I hope that he can muster up whatever magic he needs to do the work in the wake of the horrific choice made by the majority of our countrymen. His stories do matter to a lot of people, never more so than now as the entire world begins a long, dark journey whose end is uncertain. Hope will be hard to find and we will often be unable to see the stars through the clouds.

Superheroes are not now and have never been figures of social realist fiction. Even Alan Moore and Dave GibbonsWatchmen revels in the absurdity of the genre. Perhaps the most unrealistic thread at the heart of the concept is the notion that a person gifted with an amazing power or great wealth will use it for the benefit of others and not themselves.

Human beings are deeply flawed creatures. We must constantly choose between good and evil while trying to thrive (or at least survive) in a dangerous world. Our humanity is the sum total of the choices we make throughout our lives and can be squandered and regained many times. There are certainly points of no return, but to view the voting booths of Pennsylvania and Georgia as the equivalent of the gas chambers of Auschwitz or the killing fields of Cambodia is not helpful at this point. 

If good and evil exist in reality as opposite ends of a spectrum painted in shades of gray, then the superhero must exist in the brightest primary colors we can get onto paper or the digital screen. They are not a reflection of the facts of life but a refutation of it. They are visions of power conjured up by the maligned and the marginalized (Jews, immigrants, people of color, LGBTQIA+ and women) at a time of turbulence for the entire world that was almost as great as the one we face today. The fact that we can even conceive of an alien from another planet who came only to do good, proves that we have at least the seed of goodness beneath all of the excrement on which the foul weeds of Hitler, Stalin, and their modern descendants sprout. To lose that would be to abandon the best part of ourselves, to feed the human to the beast.

I don’t really believe in God, certainly not the kind, benevolent, one of my Catholic upbringing. If he does exist though, the best he was able to create was humanity: flawed, broken and bound to the Earth. We created a champion of truth and justice who is as indestructible as he is incorruptible and who can show us the stars as he takes his dog for a walk on the moon.

If you ask me, when it comes to creators, we’ve done God one better. He made us and we made Superman. Superman does good and doing so inspires us to do better. That’s the point.

Watchmen returns in DC’s new “Compact Comics” format! It holds up after all these years.

Graphic novels to read anywhere: DC Compact Comics collect DC’s bestselling, most iconic stories in a new size! Get the classic Watchmen for just $9.99!

Story: Alan Moore
Art: Dave Gibbons
Color: John Higgins

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


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The Folio Society To Publish DC: Batman

The Folio Society, independent publisher of beautifully illustrated hardback books, in collaboration with DC, will celebrate the 85th anniversary of the first comic book appearance of DC’s Dark Knight Detective with the release of DC: Batman. Created by Bob Kane with Bill Finger, Batman first appeared in 1939’s Detective Comics #27 and since then the Dark Knight has stood as a symbol of determination, courage and justice to generations of fans for over 80 years. Batman is one of the most iconic fictional characters in the world, and is a self-made Super Hero, notable not for his super powers, but for his intelligence, determination, and tech savvy.

This collectible compilation includes twelve seminal comics, by a host of iconic writers and artists— including Bill Finger, Bob Kane, Jerry Robinson, Denny O’Neil, Neal Adams, Marshall Rogers, Frank Miller, Dave Mazzucchelli, Alan Moore, Brian Bolland and Kelley Jones—all selected and introduced by former DC President, Publisher and Editor-in-Chief of DC, Jennette Kahn. Along with the 320-page one-of-a-kind deluxe book, DC: Batman also comes with a stand-alone replica copy of Batman #1. Scanned in its entirety from an original 1940 copy, the replica copy of the Batman #1 comic book, which includes the original back-up strips and vintage ads and introduces DC’s Clown Prince of Crime, aka The Joker, and The Cat, who would come to be known as Catwoman.

DC: Batman includes:

Facsimile: Batman #1 (Spring 1940)
Writer: Bill Finger
Cover artists: Bob Kane, Jerry Robinson
Artists: Bob Kane, Sheldon Moldoff
Editor: Whitney Ellsworth

The Bat-Man
Detective Comics #27 (May 1939)
Writer: Bill Finger
Artist: Bob Kane
Editor: Vincent Sullivan

Batman and Green Arrow: The Senator’s Been Shot!
The Brave and the Bold #85 (September 1969)
Writer: Bob Haney
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: Ben Oda
Editor: Murray Boltinof

The Dead Yet Live
Detective Comics #471 (August 1977)
Writer: Steve Englehart
Cover artists: Marshall Rogers, Terry Austin, Tatjana Wood, Gaspar Saladino
Penciler: Marshall Rogers
Inker: Terry Austin
Colorists: Marshall Rogers
Letterer: John Workman
Editors: Julius Schwartz, E. Nelson Bridwell

Batman: Year One—Chapter One: Who I Am—How I Come to Be
Batman #404 (February 1987)
Writer: Frank Miller
Artist: Dave Mazzucchelli
Colorist: Richmond Lewis
Letterer: Todd Klein
Editor: Dennis O’Neil

The Last Arkham (Part One)
Batman: Shadow of the Bat #1 (June 1992)
Writer: Alan Grant
Cover artist: Brian Stelfreeze
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist: Adrienne Roy
Letterer: Todd Klein
Editors: Scott Peterson, Dennis O’Neil

Robin—the Boy Wonder
Detective Comics #38 (April 1940)
Writer: Bill Finger
Artists: Bob Kane, Jerry Robinson
Editor: Whitney Ellsworth

The Crimes of Two-Face!
Detective Comics #66 (August 1942)
Writer: Bill Finger
Artists: Jerry Robinson, George Roussos
Letterers: Ira Schnapp
Editor: Whitney Ellsworth

Daughter of the Demon
Batman #232 (June 1971)
Writer: Dennis O’Neil
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: John Costanza
Editor: Julius Schwartz

The Dark Knight Returns
Batman: The Dark Knight Returns #1 (June 1986)
Writer: Frank Miller
Cover artists: Frank Miller, Lynn Varley
Penciler: Frank Miller
Inker: Klaus Janson
Colorist: Lynn Varley
Letterer: John Costanza
Editors: Dick Giordano, Dennis O’Neil

Batman: The Killing Joke (July 1988)
Writer: Alan Moore
Cover artists: Brian Bolland, Richard Bruning
Artist: Brian Bolland
Colorist: John Higgins
Letterer: Richard Starkings
Editors: Dennis O’Neil, Dan Raspler

Knightfall Part 1: Crossed Eyes and Dotty Teas
Batman #492 (May 1993)
Writer: Doug Moench
Cover artists: Kelley Jones, Bob LeRose
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist Adrienne Roy
Letterer: Richard Starkings
Editors: Scott Peterson, Jordan B. Gorfinkel, Dennis O’Neil

The release of DC: Batman is the second release in the Folio Society publishing program with DC, following the release of the acclaimed DC: The Golden Age. DC: Batman has been made according to The Folio Society’s exceptional production standards. Scanned from original copies held in the DC archives, the comics have been reproduced in 10” x 7” treasury format. An anti-scratch laminated hardcover features Batman’s signature silhouette, with titles foil-embossed in yellow and midnight blue, the book itself cowled in a pitch-black slipcase bearing the famous Bat-Signal. A compendium of gothic artwork and Batarang-sharp storytelling, DC: Batman is an unmissable investigation into the adventures and pathology of one of the world’s most famous – and most troubled – DC Super Heroes. DC: Batman will be available from the Folio Society on February 20, 2024.

The Folio Society edition of DC: Batman, selected and introduced by Jenette Kahn, will be available for £65 / US $100 on February 20, 2024.  

Alan Moore and Steve Moore’s long-awaited magnum opus, The Moon and Serpent Bumper Book of Magic, coming October 2024

Top Shelf Productions and Knockabout Ltd have announced the publication date of the long-awaited The Moon and Serpent Bumper Book of Magic. Born of the longstanding creative partnership between legendary writer Alan Moore and his creative and magical mentor Steve Moore (no relation), this celebration of magic and the occult has been meticulously under development for nearly two decades and is brought to life through a combination of prose, illustration, and sequential art from five incredible artists. This veritable grimoire of the magical, the mystical, and even the macabre will be on sale in October 2024.

The secrets of the celebrated Moon and Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD) promise to be revealed in The Moon and Serpent Bumper Book of Magic. This clear and practical grimoire of the occult pairs the knowledge of the proprietors of the aforementioned Grand Egyptian Theatre with illuminating visual delights from artists Kevin O’Neill, John Coulthart, Steve Parkhouse, Rick Veitch, and Ben Wickey. Unprecedented in its scope and splendor, this tome is full to bursting with illustrated instructional essays, activity pages, biographies of the great sorcerers, and forbidden knowledge sure to tantalize even the most disillusioned of adults into believing in magic once again.

The Moon and Serpent Bumper Book of Magic (ISBN 978-1-60309-550-1) will be available in fine bookstores and comic shops in October 2024.

The Moon and Serpent Bumper Book of Magic

All ten DC Compact Comics have been revealed!

In November, DC announced a new line in their graphic novel slate: DC Compact Comics. Featuring a 5.5″ x 8.5″ standard book trim for trade paperback novels, the new format pulls bestselling, new-reader-friendly titles from DC’s evergreen library for $9.99. Now, the publisher has announced all ten launch titles along with when they’ll be released in 2024.

The initial DC Compact Comics launch in 2024 will offer the following titles at $9.99 US, and are available for preorder now:

June 4, 2024

  • Batman: The Court of Owls by Scott Snyder, Greg Capullo
  • Watchmen by Alan Moore, Dave Gibbons

July 2, 2024

  • All-Star Superman by Grant Morrison, Frank Quitely
  • Far Sector by N.K. Jemisin, Jamal Campbell

August 6, 2024

  • Batman: Hush by Jeph Loeb, Jim Lee
  • Wonder Woman: Earth One by Grant Morrison, Yanick Paquette

September 3, 2024

  • Harley Quinn & the Gotham City Sirens by Paul Dini, Guillem March
  • Joker by Brian Azzarello, Lee Bermejo

October 1, 2024

  • American Vampire Book One by Scott Snyder, Stephen King, Rafael Albuquerque
  • Catwoman: Trail of the Catwoman by Darwyn Cooke, Ed Brubaker

DC goes compact with DC Compact Comics – $9.99 Graphic Novels

DC has announced a new line in their graphic novel slate: DC Compact Comics. Featuring a 5.5″ x 8.5″ standard book trim for trade paperback novels, the new format pulls bestselling, new-reader-friendly titles from DC’s evergreen library as the first books offered in this new lineup of compact editions of adult graphic novels. Watchmen by Alan Moore and Dave Gibbons and All-Star Superman by Grant Morrison and Frank Quitely, among others, will go on sale beginning in June 2024, retailing at $9.99 US, to launch DC’s new program.

The format is more focused on the manga crowd who are used to this format as well as casual readers like you might find at bookstores, airports, and train stations. The initiative is squarely aimed at expanding the comic market as opposed to catering to the current readership. To watch out for is the second wave of releases and if DC uses the releases to get readers to explore comic shops or DC’s own services like DC Universe.

The new line will showcase DC stories across many genres, including science fiction, thrillers, horror, fantasy, adventure, and mystery. Featured among the DC Compact Comics launch titles in 2024 are DC’s recent Hugo Award-winning sci-fi graphic novel Far Sector by N.K. Jemisin and Jamal Campbell, along with perennial classic graphic novels like Catwoman: Trail of the CatwomanBatman: HushBatman: The Court of Owls, and more.

The initial DC Compact Comics launch in 2024 will offer the following titles at $9.99 US:

  • Watchmen (9781779527325) by Alan Moore, Dave Gibbons
  • Batman: The Court of Owls (9781779527271) by Scott Snyder, Greg Capullo
  • All-Star Superman (9781779527257) by Grant Morrison, Frank Quitely
  • Far Sector (9781779527295) by N.K. Jemisin, Jamal Campbell
  • Wonder Woman: Earth One (9781779527332) by Grant Morrison, Yanick Paquette
  • American Vampire Book One (9781779527349) by Scott Snyder, Stephen King, Rafael Albuquerque
  • Batman: Hush (9781779527264) by Jeph Loeb, Jim Lee
  • Joker (9781779527318) by Brian Azzarello, Lee Bermejo
  • Harley Quinn & the Gotham City Sirens (9781779527301) by Paul Dini, Peter Calloway, Tony Bedard, Guillem March, Andres Guinaldo
  • Catwoman: Trail of the Catwoman (9781779527288) by Darwyn Cooke, Ed Brubaker

Cover Art, Full Story From Robin’s 1988 ‘Death in the Family’ Shine Bat-Signal on Heritage’s June Comic Art Auction

Batman #428

Even before bidding opened for Heritage Auctions’ June 16-19 Comics & Comic Art Signature Auction, one offering made global headlines: Frank Miller and Lynn Varley’s original cover art for 1986’s Batman: The Dark Knight Returns Book One, the iconic cover from one of the most important titles of the past half century. Yet that historic lightning strike is just one centerpiece among many landmark works of original comic art featured in this historic event, which includes some swinging Spider-Man art from Todd McFarlane and the entirety of one of the most influential – and infamous – Batman stories ever told, “A Death in the Family.”

Not only does this auction feature Mike Mignola’s original cover art for 1988’s Batman #438, featuring a battered Robin, but here, too, you will find the entire 22-page story contained in that issue – the one during which the Joker killed Jason Todd’s Robin with an assist from DC Comics readers and a 1-900 number. The story, written by Jim Starlin with art by Jim Aparo and Mike DeCarlo, features one of the most indelible images in Batman’s long history: The Dark Knight carrying the bloodied Boy Wonder from the wreckage.

Miller made mention of Jason Todd’s death in The Dark Knight Returns, two years before the Joker beat him up and blew him up. And though Miller (and many others at DC) loathed the publisher’s decision to put Robin’s fate to a vote – out of more than 10,000 calls, the Boy Wonder lost by a mere 72! –Starlin’s “A Death in the Family” has gone from one of the Batman Family’s most controversial tales to one of its most enduring.

Mignola’s cover art, and Aparo and DeCarlo’s iconic interiors (which feature a cameo from Superman, essentially reprising his The Dark Knight Returns role asgovernment operative), have been in a private collection since the 1990s.

This auction also includes original artwork from another 1980s Batman book that, like Dark Knight Returns and “A Death in the Family,” had profound and long-term ramifications. This event offers two pages from Alan Moore and Brian Bolland’s 1988 Batman: The Killing Joke, in which the Watchman writer and his artist collaborator provided the Joker with a tragic origin story defined by a single bad day (and a red hood, which later became the disguise of a resurrected Jason Todd after his murder at the hands of the Joker). The Killing Joke, of course, is best known as the book in which The Joker shoots and paralyzes Barbara Gordon, who eventually morphed from Batgirl to the Oracle.

Iconic Batman covers abound in this auction, among them one of the earliest ever offered at auction. That would be the cover art for 1942’s Detective Comics #59, featuring Batman and Robin as drawn by their co-creator Bob Kane and his beloved Golden Age Batman collaborator Jerry Robinson. This is the first time Heritage has had the privilege and pleasure of offering a Kane cover.

Also featured is Jim Lee‘s triple gatefold variant cover for Batman #619, which wrapped the 12-part “Hush” epic that resurrected Jason Todd and established Bruce Wayne and Selina Kyle as more than mere Bat and Cat chasing each other on rooftops. This is the Batman Family version of the variant, a roster that includes Batman and Catwoman, Robin and Nightwing, Oracle and her father Commissioner James Gordon, Huntress, Superman, Harvey Dent and Hush himself.

This event also features two Caped Crusader covers by illustration legends gone too soon: Batman #246 by Dave Cockrum and Neal Adams (Frank Miller’s mentor, who died April 28) and Batman #438 by George Pérez, who died only eight days after Adams.

One of the definitive artists of the 1990s was Todd McFarlane, who swung to stardom on Spider-Man’s spaghetti webbing. This auction features one of the more coveted covers McFarlane drew during tenure with the Web-Slinger –the final one, too: 1991’s Spider-Man #16, guest-starring Rob Liefeld’s X-Force. That cover is accompanied in this auction by individual pages, offered separately, from the same issue, McFarlane’s final fling with Spidey before launching Spawn at his Image Comics.

And to really tie this auction together, several Frank Miller pages will be offered – among them a page from The Dark Knight Returns Book Four, featuring Superman off to fight Batman. Now, as then, everyone wins.

Preview: Voice of the Fire 25th Anniversary Edition

Voice of the Fire 25th Anniversary Edition

(W) Alan Moore (CA) John Coulthart
In Shops: Mar 02, 2022
SRP: $14.99

Discover the astonishing first prose novel from the legendary author of Watchmen and From Hell-an epic yet intimate portrait of a single English town across the whole span of human history. The precursor to Jerusalem. In a story full of lust, madness, and ecstasy, we meet twelve distinctive characters that lived in the same region of central England over the span of six thousand years. Their narratives are woven together in patterns of recurring events, strange traditions, and uncanny visions. First, a cave-boy loses his mother, falls in love, and learns a deadly lesson. He is followed by an extraordinary cast of characters: a murderess who impersonates her victim, a fisherman who believes he has become a different species, a Roman emissary who realizes the bitter truth about the Empire, a crippled nun who is healed miraculously by a disturbing apparition, an old crusader whose faith is destroyed by witnessing the ultimate relic, two witches, lovers, who burn at the stake. Each interconnected tale traces a path in a journey of discovery of the secrets of the land.

Throughout, the image of the fire resonates between the tales, while Moore finds a different voice for each character-though most are inherently duplicitous in some manner, leading to a further commentary on the disparity between myth and reality, and which is more likely to endure over time.

Voice of the Fire 25th Anniversary Edition

Preview: The League of Extraordinary Gentlemen: The Tempest

The League of Extraordinary Gentlemen: The Tempest

(W) Alan Moore (A/CA) Kevin O’Neil
In Shops: Jan 5, 2021
SRP: $19.99

Welcome to the story to end all stories. Two decades of literary League lunacy have all been building to this, the most ambitious meta-comic imaginable.

After an epic twenty-year journey through the entirety of human culture-the biggest cross-continuity ‘universe’ that is conceivable-Alan Moore and Kevin O’Neill conclude both their legendary League of Extraordinary Gentlemen and their equally legendary comic-book careers with the series’ spectacular fourth and final volume, The Tempest. Tying up the slenderest of plot threads and allusions from the three preceding volumes, The Black Dossier, and the Nemo trilogy into a dazzling and ingenious bow, the world’s most accomplished and bad-tempered artist-writer team use their most stylistically adventurous outing yet to display the glories of the medium they are leaving; to demonstrate the excitement that attracted them to the field in the first place; and to analyse, critically and entertainingly, the reasons for their departure.

Opening simultaneously in the panic-stricken headquarters of British Military Intelligence, the fabled Ayesha’s lost African city of Kor and the domed citadel of “We” on the devastated Earth of the year 2,996, the dense and yet furiously-paced narrative hurtles like an express locomotive across the fictional globe from Lincoln Island to modern America to the Blazing World; from the Jacobean antiquity of Prospero’s Men to the superhero-inundated pastures of the present to the unimaginable reaches of a shimmering science-fiction future. With a cast-list that includes many of the most iconic figures from literature and pop culture, and a tempo that conveys the terrible momentum of inevitable events, this is literally and literarily the story to end all stories. Originally published as a six-issue run of unfashionable, outmoded and flimsy children’s comics that would make you appear emotionally backward if you read them on the bus, this climactic magnum opus also reprints classic English super-team publication The Seven Stars from the murky black-and-white reaches of 1964. A magnificent celebration of everything comics were, are and could be, any appreciator or student of the medium would be unwise to miss The League of Extraordinary Gentlemen, Volume IV: THE TEMPEST.

The League of Extraordinary Gentlemen: The Tempest

Marvel Has Plans to Celebrate 40 Years of Miracleman

Miracleman teaser

Though Miracleman first appeared as Marvelman in 1954, 2022 marks 40 years since the character’s revival in 1982 by writer Alan Moore and artist Garry Leach in the anthology comic Warrior. Marvel has some plans to celebrate as the character’s return was teased in the final page of this week’s Timeless.

Timeless is this year’s one-shot teasing what we can expect from Marvel in 2022 with the return of Miracleman being a big surprise that was kept under wraps.

Marvel announced in 2009 that they had purchased the rights to Marvelman though the publisher’s use of the character has been one of stops and starts since.

In June 2010, Marvel published a Marvelman Classic Primer one-shot and in July 2010 began an ongoing series reprinting material followed by hardcovers. But, there were issues behind the scenes we’ve been told that things were still up in the air and complicated.

In 2013 Marvel announced they had “solidified” their rights to Miracleman and Neil Gaiman would finish his run that had begun 25 years earlier. A “lost” story by Grant Morrison and drawn by Joe Quesada was eventually released with a new story by Peter Milligan and Mike Allred. For the most part, the releases were reprints of older material. New material was announced to be released in 2017 but was canceled due to legal hurdles which were then supposedly resolved with a publication that was supposed to begin in 2019 that including Neil Gaiman and Mark Buckingham‘s work.

Now, it looks like we’ll finally be getting that and possibly more. The fact this tease was within a Marvel comic as part of the story and not an ad indicates this will tie into the proper Marvel comic universe. In a recent calendar released to stores, Marvel further teased the 40th anniversary of Miracleman’s return.

What does 2022 have for us as far as this character? Could the teased “Judgement” event that involves the Avengers, X-Men, and Eternals have something to do with it? We’ll find out soon enough!

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