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Brett’s Favorite Comics of 2021 and a Reflection on the Past Year

The Recount #1

Much like 2021, It feels weird writing a “best of” list for the past year since it’s been so difficult for so many. Comics, and entertainment as a whole, continued to be an escape from the rough reality of the year that was. Things struggled to get back to normal, whether you think it was too soon or not.

Comics have been an escape for me as I myself remained holed up at home, forgoing movie theaters and generally the public as a whole.

To pick one that stood out above all the rest doesn’t quite feel right as there was so much that was fun and entertaining.

The comic industry continued to shift in massive ways as creators figured out new ways to become independent or were lured by the promise of big paydays by venture capital. Publishers got bought out and some struggled to stay open. Stores opened. Stores closed. Distribution continues to shift. The industry continues to be disrupted in many ways. Some ways for the better. Some for the worse.

Things shifted for everyone.

Publishers canceled projects, shifted schedules, and continued to look to go directly to the consumer. Publishers faced distribution issues as ports backedd up and printing issues as paper became scarce. Creators looked for new ways to earn money and also go directly to the consumer. Consumers had more choices than ever before that made it easier to escape the world burning around them and find enjoyment in make-believe worlds where justice prevails in the end.

In the end, though 2021 continued to look bleak, it left the comic industry as a whole stronger than ever before with many challenges ahead and many answers yet to come.

It feels weird doing this “best of” but at the same time I feel like I want to “honor” and spotlight the comics that got me through the year and had me excited to read the next issues. This is what I’ve read so if you don’t see something mentioned it’s not that I didn’t enjoy it, I just might not have read it. Sorry, I can’t read everything (there was a massive glut in webcomics but more manga for me).

All of these are listed in no particular order (hell it’ll probably just be in alphabetical). Enough with the rambling… lets get on with some comics!

The comics that had me excited in 2021 and have me excited for 2022. It turns out maybe I enjoy horror more than I know?

  • Barbaric (Vault Comics) – The series caught me off guard with a classic fantasy barbarian story with a twist. I don’t want to go into it too much but if you haven’t read this one, definitely check it out. I can’t wait for more to come.
  • Black Panther (Marvel) – John Ridley taking over Black Panther, nuff said. The series has grounded the character in political paranoia and assassination attempts on undercover agents.
  • Blue, Barry & Pancakes (First Second) – I’ve been loving the releases focused on kids and this series about a trio of friends is one I enjoy reading each release over and over with my daughter. They’re goofy fun.
  • BRZRKR (BOOM! Studios) – I’ll admit I went into this series rolling my eyes as it felt like a pitch for a movie/television series for Keanu Reeves. But, while the series has a lot of action its focus on its main character of B and what makes him tick has been a welcome surprise. It’s surprisingly deep and more about the character than the action.
  • Dark Ages (Marvel) – In a year with so many “alternate takes” on classic characters this one of a world where technology is nerfed and the heroes and villains must bring it together is an interesting one. Here’s hoping we get more of these stand-alone miniseries from Marvel as this works so well.
  • DC vs. Vampires (DC Comics) – The premise of vampires rising up and attacking the DC Universe sounds simple enough. But, the series so far has eschewed simple fights instead going for paranoia where you don’t know who is a vampire and who will get killed.
  • Did You Hear What Eddie Gein Done? (Albatross Funnybooks) – The true story about Eddie Gein is haunting with art that walks the line of crossing over to gross out levels.
  • Fear State (DC Comics) – I wasn’t the biggest fan of the start of James Tynion IV’s run on Batman but when “Fear State” got rolling things quickly shifted. The story was intense and did an amazing job of folding in “Future State” as well. Speaking of which…
  • Fist of the North Star (VIZ Media) – The classic manga is back and being reprinted in beautiful hardback versions as part of VIZ Signature. Yeah, it’s martial arts Mad Max but it’s so good.
  • Future State (DC Comics) – A two-month event that took us to a possible future DC, the comics were mostly great with the glimpses of the future being used when the series returned. It was a great use of an event to breathe new life into a line and drive the narrative for months to come.
  • Glamorella’s Daughter (Literati Press) – A fun series about the daughter of the world’s superhero that has such a great sense of itself with great humor and fun characters.
  • Impossible Jones (Scout Comics) – A blast in every way introducing us to a new world of superheroes and villains and leaves us wanting more.
  • Karate Survivor in Another World (Seven Seas) – In a year that felt like every other manga was about someone getting killed and reincarnated in another world with some hook, this one stood out. With a grounded premise, the story is about Nozaki Hitoshi who is sent to another world where his only skill is karate. But, there’s a twist that’s teased out and works so well.
  • Kraken Me Up (Holiday House Publishing) – In a year where I read lots of comics geared towards kids I loved the art in this one and it had such a cute story about a pet Kraken and the girl who loved it.
  • Maniac of New York (AfterShock) – I’m not a fan of horror films but this take on the slasher genre had me hooked as it felt like an homage to the genre and something all its own.
  • The Other History of the DC Universe (DC Comics) – John Ridley delivers a blunt history lesson about DC from the perspective of characters who rarely get the spotlight. Amazing art added to the enjoyment in what felt like a college course in comics.
  • Robin & Batman (DC Comics) – Dick Grayson’s early years as Robin is explored with beautiful artwork.
  • The Recount (Scout Comics) – Talk about a series that was too close to home. The series focused on a nation split due to a corrupt government and an uprising after the assassination of the President. Coming out around January 6 made the first issue hit even more.
  • Serial (Abstract Studio) – The series has gotten better and better with every issue with a serial killer at the center of it all. It’s really done an amazing job of serialized storytelling and has my on the edge of my seat more and more to see what happens next.
  • Shadow Doctor (AfterShock) – The true story about a African American Doctor who can’t get money to open a practice and has to turn to Al Capone for funding. The story is just a great mob story but the fact it’s true makes it all the more amazing.
  • Solo Leveling (Yen Press) – 2021 saw me getting more into manga and manhwa and this series saw three volumes released. It’s about a world where dungeon crawling is an actual profession and the world’s worst, who actually has something a bit special about him. It’s just a great mix of comics and video game nostalgia with solid art.
  • Stray Dogs (Image Comics) – The miniseries was a murder mystery from the perspective of dogs. Did their master kill their former owners? Will the dogs make it to safety? Mix in amazing art and this was a miniseries that had everyone talking.
  • Task Force Z (DC Comics) – Red Hood has to lead zombie versions of Batman villains in a Suicide Squad like team. The concept is silly but works so well with a focus on the ethical aspect of it all and an amazing team dynamic. Mr. Bloom? Really!?
  • Timeless #1 (Marvel) – When it comes to end of year one-shots, Timeless is the best Marvel has put out. Its focus on a character and a real focus on him as a person. There’s some solid teases of what’s to come but it’s the story of Kang front and center that’s the real draw. It might be a tease of what’s to come but beside that, it’s a good one-shot anyway.
  • Warhammer 40,000: Marneus Calgar (Marvel) – The series shook up the character’s history in major ways and as a fan of Warhammer 40K I was all into it. It definitely pissed off “fans”, so bonus?
  • We Live (AfterShock) – The series has been an amazing apocalyptic adventure as kids attempt to make it to get to a ship to get off the planet. The series was a gut punch over and over and had me in tears.
  • Wonder Woman Historia: The Amazons #1 (DC Comics) – We just got one issue from Kelly Sue Deconnick and Phil Jimenez but this look at the history of the Amazons is amazing. The art was jaw dropping with the only flaw being the pages having a middle seam.
  • Yasmeen (Scout Comics) – The comic series about horrible events in Iraq and a young girl’s experience was an emotional punch with every issue. It shows the power of comics.

The Warhammer 40,000: Marneus Calgar #1 Games Workshop Variant is Now Available

Games Workshop has an exclusive variant cover to Warhammer 40,000: Marneus Calgar #1. The cover by Clayton Crain is exclusive to their stores and is the first time the Marvel comic is available through GW and its stores.

The comic is the untold origins of the Ultramarines Chapter Master written by Kieron Gillen and art by Jacen Burrows and Java Tartaglia.

The comic retails for $4.99 and is limited to 1 per customer. It’s available until it sells out so hurry!

Check out our review of the first issue.

Warhammer 40,000: Marneus Calgar #1 Clayton Crain variant

Marvel’s Warhammer 40,000: Marneus Calgar Comics are Getting Variant Covers for Games Workshop’s Warhammer Stores

Games Workshop and Marvel announced in September of 2019 that they would be partnering for a new line of comics based on GW’s properties. In June of 2020, the first comic was announced, Warhammer 40,000: Marneus Calgar which was released in October of 2020.

Games Workshop usually has some sort of tie-ins for this sort of partnership regarding their stores so it was rather odd that the game publisher was a bit silent about the new venture and haven’t sold the comics in their stores both physical and online.

Today GW announced that the comic will be coming to Warhammer shops with exclusive variant covers the first of which will be released very soon.

Check out the first cover below and we’ll have more as they’re revealed and announced.

Warhammer 40,000: Marneus Calgar GW Variant

Review: Warhammer 40,000: Marneus Calgar #3

Games Workshop‘s world of Warhammer 40,000 comes to Marvel Entertainment comics with Warhammer 40,000: Marneus Calgar! The two issues were a solid introduction but and upended what you thought you knew about Marneus Calgar. Talk about a game-changer! Warhammer 40,000: Marneus Calgar #3 doesn’t attempt to compete with the last issue, instead focusing on the character’s growth over the years.

Story: Kieron Gillen
Art: Jacen Burrows
Color: Java Tartaglia
Letterer: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

comiXology
Kindle
Zeus Comics

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Review: Warhammer 40,000: Marneus Calgar #1

Warhammer 40,000: Marneus Calgar #1

When it comes to “grim dark,” Marvel and Disney are two companies I don’t associate it with. The partnership between Games Workshop and Marvel for comics based on GW’s popular tabletop games might seem odd. When thinking of other recent acquisitions by Marvel, like Conan, Aliens, and Predator, it doesn’t seem odd at all. There might be a broader plan by the House of Mouse and its comic crown jewel. And after reading Warhammer 40,000: Marneus Calgar #1, any apprehension is out the window.

Kieron Gillen handles the duties as scribe for this debut series. The comic centers on Marneus Calgar, the hero of the Ultramarines Space Marine Chapter. For those who might not know their grim dark from their dark grim or Space Marine from Ork, Warhammer 40,000: Marneus Calgar #1 serves as a decent introduction to the world crafted by Games Workshop.

For those unfamiliar, Warhammer 40,000 is a tabletop miniature game that was first published in 1987. It recently launched its 9th edition and is a combination game and model kit hobby. You buy units to build your army. Those units you put together, they’re mostly plastic model kits, arming them as structured by the rules. And if that hobby aspect wasn’t enough, you can paint them up. The game features numerous futuristic armies with the forces of the Imperium of Man taking up the main focus. Mankind is ruled by an immobile Emperor who sits on a Golden Throne and the Imperium has taken over 1000s of worlds across the universe. Their rule is fascist, brutal, and undemocratic. As with expansion such as this, threats exist from all over, both from outside aliens and heretics within.

Gillen has the (un)enviable task of explaining the above to new readers. But, the comic also needs to deliver something new and interesting for long time fans. With over 30 years of material to work from, the comic gives an interesting focused start. Marneus Calgar takes center stage as Gillen has the character reflect on his origin while dealing with modern-day threats. Calgar, for those who might not know, is the Chapter Master for the Ultramarines. That Space Marine chapter is the pride of the Imperium. Many consider them “boy scouts” of the Warhammer 40k world. They’re generally the “default” Space Marine army for Games Workshop featured with releases such as the most recent 9th edition. They follow the rules and are unwavering in their support of the Imperium leading the way.

What’s interesting about the choice is that the comic gives us a well-known character as opposed to a generic marine by which we can explore this new world. It also seems to ignore the current focus of the games on the “Indomitus Crusade”. That battlefront is the current storyline featuring in Warhammer 40,000 9th Edition and some of the books released around it.

The direction of the generic Space Marine has been done before in previous comics published by GW’s Black Library or Titan Comics. What the comic does is reveal the unknown history of Calgar a character who has had a lot of focus throughout GW’s 30+ years with this game. That focus has been on Calgar’s heroics on the battlefield, not what he was like as a kid. The comic gives readers a champion to focus on. In Calgar we get a mythic leader that’s a certain archetype and familiar. It’s a way to ease new readers into the world with something familiar and deliver something new to long-time fans.

And Gillen knows his stuff. As a fan of the game himself, the comic does a solid job of organically introducing the world and concepts of Warhammer 40,000 without being overwhelming. We learn what it takes to be a Space Marine and how difficult it is. We get a sense of the world as a whole. And Gillen nails dialogue that’d seem silly in any other situation.

What’s a bit hit and miss for me is Jacen Burrows‘ art. With color by Java Tartaglia the art doesn’t quite nail the “grim dark” aspect and there’s a slight inconsistency about it. It’s not bad at all, don’t get me wrong but there’s things at times that feel a little cartoonish. This is primarily at the end and I don’t want to spoil it but the design of some characters could be a bit more menacing.

Now, GW has been slowly moving away from their more over the top imagery (some of it would make the comic “adult”). But, there’s still can be a horror aspect about what’s currently produced. And the art GW produces can be jaw-droppingly amazing. But, when a painted miniature Ambull or the art GW has produced feels a bit scarier than what’s in the comic, there’s a slight disconnect in styles. This is definitely a more personal opinion, Burrow and Tartaglia do a solid job, but there feels like there’s a little bit held back. What does work is the detail from GW’s established world that the two nail. There’s weapons, ships, the characters themselves, look fantastic. But, a great example of where things don’t quite click is the flashback as the teacher Crixus looks a bit more gritty than young Calgar, his friends, or the Ambull.

The lettering by Clayton Cowles deserves a shoutout. There’s a lot of subtle changes to the lettering that add flavor to the comic. There’s the normal dialogue from Marneus and his Space Marines but then the lettering shifts with the Adeptus Mechanicus. It really nails down that these are human/cyborg type hybrids and emphasizes their mechanical nature. Then there’s the secret villain at the end who also has different lettering as well and there are spotlights on info about the world that also uses a different font. It’s all subtle but really works at sucking you into the world.

I went into Warhammer 40,000: Marneus Calgar #1 nervous. The cover art didn’t really give me the most confidence and the fact that Marvel has publishing compounded that feeling. But, from the first page which does some anthropomorphism to a bullet round which then explodes its target, that nervousness was settled. While it doesn’t go neck-deep in the grim dark, it does go waist to chest-deep.

As a long time player who has gone deep into game rulebooks and elsewhere I was quite happy with Warhammer 40,000: Marneus Calgar #1. The comic had more than enough new to me and feels like it’d be a solid introduction for those new to the world. There’s a lot packed in and done so in a way that’s not overwhelming and natural. This is one that’s solid sci-fi military action with a bit more depth and thought than we’ve seen from previous volumes.

Story: Kieron Gillen Art: Jacen Burrows
Color: Java Tartaglia Letterer: Clayton Cowles
Story: 8.5 Art: 7.5 Overall: 8.4 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

Preview: Warhammer 40,000: Marneus Calgar #1 (of 5)

Warhammer 40,000: Marneus Calgar #1 (of 5)

(W) Kieron Gillen (A/CA) Jacen Burrows
Parental Advisory
In Shops: Oct 14, 2020
SRP: $4.99

In the grim darkness of the far future there is only war…
The saga of WARHAMMER 40,000 comes to Marvel Comics!

MARNEUS CALGAR, the legendary Chapter Master of the Ultramarines, leads his elite Space Marines against humanity’s greatest threats in a galaxy engulfed in endless war.

Kieron Gillen (UNCANNY X-MEN, JOURNEY INTO MYSTERY, The Wicked + The Divine) spearheads the initiative with this introductory miniseries, illustrated by Jacen Burrows (PUNISHER: SOVIET, MOON KNIGHT, Crossed)–and we’re just getting started!

Now, witness Marneus Calgar’s never-before-told origin story, from his beginnings on Nova Thulium, to his campaigns in the Black Crusades, and to the unfolding mystery of the BLACK ALTAR, as a deadly threat from his past reemerges to threaten the present of the Ultramar system.

This all-new tale is essential reading for 40K aficionados, as well as the perfect primer to the world of WARHAMMER 40,000 for those new to the universe.

See the Ultramarines in glorious combat, the strife between the worlds of the Imperium, and witness the larger than life characters who preside over it all!

This is but the first foray into the larger darkness that is to come from Warhammer and Marvel Comics.

Be prepared.

Warhammer 40,000: Marneus Calgar #1 (of 5)

Marvel’s Warhammer 40,000: Marneus Calgar Gets a Trailer

The Space Marine hero, Marneus Calgar, heads to war next month in a brand-new series! Warhammer 40,000: Marneus Calgar #1, the first release of the exciting collaboration between Marvel Comics and Games Workshop, will tell the untold origin of the legendary chapter master including his upbringing on the world of Nova Thulium, his bloody campaigns in the Black Crusades, and the unfolding mystery of the Black Altar, a deadly threat from his past that threatens the entire Ultramar system.

This exciting venture into the iconic Warhammer tabletop gaming universe is brought to life by a superstar creative team: writer Kieron Gillen and artist Jacen Burrows. Together, these incredible talents have crafted an action-packed tale that will delight both Warhammer aficionados and newcomers to the thrilling battles of the 41st millennium. Get a sneak peek at the glorious combat that awaits in this high-octane trailer, featuring never-before-seen artwork from the debut issue!

Warhammer 40,000: Marneus Calgar #1 brings grim darkness to comic shelves on October 16th!

Warhammer 40,000: Marneus Calgar #1 Gets a “Color Your Own Cover” Variant from Max Dunbar

The action-packed universe of the Warhammer tabletop gaming universe is coming to Marvel Comics this October! Written by Kieron Gillen and drawn by artist Jacen Burrows, Warhammer 40,000: Marneus Calgar #1 will reveal the untold origin of the legendary Space Marine Chapter Master. Witness Marneus Calgar’s beginnings on the world of Nova Thulium, his campaigns in the Black Crusades, and discover a deadly threat from his past, the mysterious Black Altar. To gear up for this latest mission, hone your design skills with the Color Your Own Variant cover by popular artist Max Dunbar. This special paper stock cover allows you to color Dunbar’s artwork so you can create your very own Space Marine and save the Ultramar system from destruction in this extraordinary chapter of the Warhammer saga!

Prepare for glorious combat when Warhammer 40,000: Marneus Calgar #1 hits stands this October!

Warhammer 40,000: Marneus Calgar #1

Marvel and Games Workshop Announce Warhammer 40,000: Marneus Calgar

A legendary Space Marine Chapter Master of the Warhammer 40,000 universe, Marneus Calgar leads his elite Ultramarines against  humanity’s greatest threats and has had his dark past shrouded in mystery…until now. This October, writer Kieron Gillen and artist Jacen Burrows will unite to tell Marneus Calgar’s never-before-told origin story – from his beginnings on the world of Nova Thulium, his campaigns in the Black Crusades, and to the unfolding mystery of the Black Altar as a deadly threat from his past reemerges to threaten the present of the Ultramar system.

Gillen, a veteran player of the Warhammer tabletop miniature wargame, can barely contain his enthusiasm for the series.

I am venerable enough to have bought Rogue Trader in 1987. Since then, I like to think every hastily dry-brushed Necron, every badly edge-highlighted Marine, every ignored Harlequin (as painting Motley petrified me) has prepared me for writing the first Warhammer comics for Marvel. If I said, ‘Getting to explore the roots of Marneus Calgar and setting the stage for Marvel’s Warhammer comics is a dream come true,’ I would be betraying everything this grim future should be since ‘dream’ implies the possibility of hope.  But getting to do this is the sort of thing Slaanesh would wave in my direction if she wanted me coming over to the tentacle-y side.

Or to translate for those less indoctrinated in 40K. I’m excited.

This never-before-told tale will be essential reading for 40K aficionados, as well as the perfect primer to the Warhammer 40,000 universe for those new to it. It will also be but the first foray into the larger darkness that is coming from Games Workshop and Marvel

Warhammer 40,000 Marneus Clagar