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From the ashes, the future of the X-Men revealed

Krakoa is gone…but the X-Men remain, always.

Just now at the Future of Marvel Comics’ X-Men and Digital Comics panel at South by Southwest (SXSW), Editor-in-Chief C.B. Cebulski and VP, Executive Editor Tom Brevoort were joined by writers Jed MacKay and Gail Simone to announce what’s coming next for Marvel’s line of X-Men comics. In the wake of their acclaimed Krakoan Age, witness the X-Men’s latest evolution this summer in X-Men: From the Ashes!

This new era of X-Men will be centered around three flagship titles written and drawn by some of today’s most influential and acclaimed creators: Jed Mackay and Ryan Stegman’s X-Men, Gail Simone and David Marquez‘s Uncanny X-Men, and Eve L. Ewing and Carmen Carnero’s Exceptional X-Men. Each series will offer different explorations of the mutant mythos as they take Marvel’s Merry Mutants into bold and untrodden territory.

Over their 60-year history, the X-Men have been many things. Outcasts. Teachers. Revolutionaries. Heroes. Above all, they’re a species, and the future is still theirs for the taking! Krakoa showed the world what homo superior is truly capable of, and now, the X-Men have to fight harder than ever to keep Professor X’s dream alive. These three core series will approach the X-Men’s vital mission with distinct and relevant perspectives while remaining faithful to the storytelling power of the mutant metaphor!

Read on to discover what awaits! 

X-MEN

Written by Jed MacKay
Art by Ryan Stegman

KRAKOA IS NO MORE…BUT THE X-MEN FIGHT ON!

From their new base in Alaska, the X-Men raise a flag of defiance! Join CYCLOPS, BEAST, MAGNETO, PSYLOCKE, KID OMEGA, TEMPER (formerly OYA), MAGIK and JUGGERNAUT as they assemble against new forces, battling for the destiny and philosophy of the mutant species. Mutant business is their business.

“It’s not just those three titles in this relaunch, there’s a lot!” MacKay shared at the panel. “[My X-Men title] is where we’ll see the first inklings of what the X-Men will look like in 2024. I’m very excited for you guys to see it when it comes out. If you look at that line-up, they’re a group of people who are not well suited to integrating into the world. And in these books, we’ll see what that means and what it looks like going forward.”

UNCANNY X-MEN

Written by Gail Simone
Art by David Marquez

OUTLAW HEROES ONCE AGAIN, THE X-MEN EMBARK ON A NEW MISSION!

Making themselves at home in the Big Easy, the X-Men protect a world that hates and fears them! Join ROGUE, GAMBIT, NIGHTCRAWLER, JUBILEE and WOLVERINE on explosive super hero adventures. Uncanny as ever, the X-Men are back to saving the day mutant-style!

“I think X-Fans are special in that we identify with having something different about us…and you’re going to feel that in this book, and what it means to have that thing about you that’s different, or exceptional. We go deep into the emotional part of that,” Simone told the crowd.

“David Marquez is the perfect artist for this book,” she continued. “He does amazing action, amazing character work, and he’s really excited about getting into the characters appearing in this book. I knew from the very first panel that this book was going to be super exciting and gorgeous. He just knows how to knock it out of the park!”

EXCEPTIONAL X-MEN

Written by Eve L. Ewing
Art by Carmen Carnero

MUTANTKIND’S TWO GREATEST TEACHERS MOLD THE NEXT GENERATION OF X-MEN!

KATE PRYDE has returned home to Chicago following the war with ORCHIS. Having stepped away from the world of mutantdom, she is nevertheless called back into action as she crosses paths with a trio of new young mutants, BRONZE, AXO and MELEE, who clearly need training and guidance. Unfortunately for Kate, EMMA FROST thinks so as well!

This is only the beginning, and fans shouldn’t fret if they don’t see their favorite mutant icons just yet! In the coming weeks, get ready for more X-Men title announcements including new ongoing team books, solo series, and more. Catch a glimpse at some of the future titles and stay tuned for full announcements plus the main cover reveals and first looks for X-Men #1, Uncanny X-Men #1, and Exceptional X-Men #1.

Check out all three cast lineups on Ryan Stegman and Marte Gracia’s X-Men: From the Ashes promotional image and get a sneak peek at what’s to come in the X-Men: From the Ashes trailer, featuring never-before-seen artwork that teases new villains AND the mystery of Inamte X! And don’t forget to take your first steps into the new era on May 4 with a special prelude tale by Gail Simone in Free Comic Book Day 2024: Blood Hunt/X-Men #1 AND in June’s X-Men #35, the 700th issue of Uncanny X-Men, which will feature stories by both Simone and MacKay. 

A Disturbance in the Force premieres at SXSW this March

In 1977, “Star Wars” became a cultural phenomenon that single-handedly revitalized a stagnant film industry, and forever changed how films were sold, made, and marketed. Movies would never be the same again.

A year later, neither would television.

In 1978, CBS aired the two-hour “Star Wars Holiday Special” during the week of Thanksgiving and was watched by 13 million people. It never re-aired.

While some fans of the franchise are aware of this dark secret, this bizarre two hours of television still remains relatively unknown among the general public. Simply put, we will answer how and why did the “Holiday Special” get made.

A Disturbance in the Force is written and directed by Jeremy Coon and Steve Kozak and features Seth Green, Weird Al Yankovic, Paul Scheer, Taran Killam, Donny Osmond, Gilbert Gottfried, Bonnie Burton, Bruce Vilanch, and Steve Binder.

SXSW is “Suspended” Due to Coronavirus Concerns

SXSW

Calls for the cancellation of SXSW have been on the rise in recent weeks and today organizers of the festival have pulled the plug due to COVID-19 concerns.

The gathering in Austin, Texas drew over 417,000 people in 2019 with 26% of those coming from 105 different countries outside of the US. The event covers film, music, science, technology, comics, and more over two weekends.

The cancellation comes based on a recommendation of Austin’s public health official and director of public health according to Austin Mayor Steve Adler.

Options are being explored to reschedule the event or launch a virtual SXSW online experience.

SXSW Movie Review: The Inventor: Out for Blood in Silicon Valley

Greetings from the aftermath of SXSW, where the best in tech and the bleeding edge of movies and music all swarm around downtown Austin, TX in a smorgasbord of capitalism and consumerism. (Don’t believe Sean Hannity saying otherwise)

And perhaps no film represented the worst, grifting, douchy edge of some of the folks attracted to this heady aroma of dozens of panels on blockchain and cryptocurrency than the new documentary The Inventor: Out for Blood in Silicon Valley, making its rounds at SXSW before a premiere on HBO this month from Alex Gibney (Enron: The Smartest Guys in the Room, Going Clear, Taxi to the Dark Side).

The Inventor refers to documentary subject Elizabeth Holmes, the quixotic/messianic founder of Theranos, which promised to change the medical industry with a revolutionary blood test that would be cheaper, simpler, and only require a finger prick. It was unfortunately too good to be true, and the film traces the evolution from Holmes’ time as a Stanford dropout to the implosion of her company just a few years ago.

It’s a powerful film that portrays Holmes in an interesting light. She’s not quite a fraud– indeed, we’re left believing that she very much believed in her company’s ability to (eventually) deliver on what it promised. We’re left believing that the people at Theranos were good people just caught up in a delusion, willing to compromise because they believed in their vision so much.

Unfortunately, the film also leaves some of the most interesting stones unturned in this whole affair. As a visual and auditory medium, film has the power to deliver some information that an article or book never truly could. And there have been plenty of articles and books about Theranos and Holmes.

But what of her fashion sense, which is only all-too-briefly touched on in the film, of wearing this all-black costume and Steve-Jobs-invoking turtleneck? What about her signature vocal fry? It’s incredibly clear, although never stated, how much harder it was for Holmes to operate in Silicon Valley as a young, attractive woman and be taken seriously. While Gibney is a great documentarian, one can’t wonder if a female director would’ve had a more interesting take here.

Speaking of Gibney taking a pass, this is another infuriating aspect of the documentary is Gibney plays softball with the signature underlying issue behind the Theranos fraud: this is what happens when you have too much capital in the hands of too few people investing based on a whim.

Much like in his profiles on Enron, Scientology, Eliot Spitzer, Jack Abramoff, etc, Gibney gets all the facts right but fails to indict the larger system. Maybe electricity shouldn’t be traded like a commodity on the open market / Maybe there’s too much money in politics / Maybe venture capital isn’t the best way to decide on how to run our economy. Income inequality has pushed soooooo much extra money into the hands of the 1% they simply don’t know what to do with it, and waste it on frauds like Theranos because no one bothered to actually do the science and the homework before writing a big check.

Regardless of these shortcomings, this was one of the best documentaries I saw at SXSW this year and is worth your time if you can catch it.

3.75 out of 5 stars

Marvel SXSW Panel Reminds Filmgoers to Read More Comics

Marvel Comics Chief Creative Officer Joe Quesada and Editor-in-Chief C.B. Cebulski took over a packed ballroom at the Austin Convention Center during SXSW (South By Southwest) on its opening day, Friday, March 9 to deliver an important message to a rapt audience of cinephiles: read your comics.

During their hour-long presentation, they went through all of the various stories and creative artists and writers who inspired the blockbusters of today. No real surprises, (and no, they were most definitely NOT signalling the end of Marvel Comics) but essentially presented a greatest hits collection of the various IP that has been mined to bring us the MCU.

First, Dear SXSW, this needed to be in a bigger room. This was one of the most hotly attended panels of SXSW Day 1, and while seats remained plentiful in some of the keynotes in the larger venues, this was packed to capacity. Second, given the giant interest and hype around all things MCU in the film world right now, Marvel should’ve brought their A-game. Cebulski and Quesda did just fine, all things considered, (they usually do) but they basically talked over a slideshow. Past Marvel presentations at SXSW have literally broken the internet (ok, well, just a few websites) when they rolled out major digital comics initiatives. And they did a great job in years past bringing in surprise guests– including Clark Gregg (Agent Coulson himself!) via Skype. Compared to that, this just felt anti-climactic.

Plus, given the panel taking place on the release date of Captain Marvel and International Women’s Day, there was a relative paucity of representation of women. Perhaps my view is tinged by the fact that Marvel followed a presentation by the editors of Cherrypicks, the critical aggregator of female film critics, and the general “Up With Women” vibe of SXSW Day 1 in general, but it still felt odd to just have sort of the same old show we’d expect at any old comic convention. They did make a small news splash (pardon the pun) by announcing a new character, Wave, who will be the first Filipina character in Marvel’s roster, so that’s nothing to sneeze at, but the way it was tossed off in the room sort of non-chalantly made it feel like a less big deal than it could have been.

This was a squandered opportunity for both SXSW and Marvel, even though there was nothing technically wrong or bad about it.

Ok, so enough of the kvetching– the panel was actually pretty fun and would be a great introduction to the world of comics for more casual MCU fans who only know the characters from the screen, which, ostensibly, a lot of the Film Festival attendees are. I’ve had a lot of great conversations in line the last few days talking with other folks, especially about Captain Marvel and Avengers: Endgame, and even among a lot of these rank cinephiles, not many have actually read the books they’re based on.

However, the crowd in attendance may have been a little more in the know, as there were cheers for luminaries like Jack Kirby and how their visual style inspired so much of the look of comics and our films. But, perhaps surprisingly, the biggest cheers came for Christopher Priest, as Quesada explained how much of last year’s blockbuster was inspired by Priest’s run on the Black Panther comic.

There were also a few fun nods to other Marvel adaptation and how they’ve inspired the cinematic universe. The 90’s X-Men cartoon was a gateway for so many people who now work in comics and in the movies. Storm, specifically, was a touchstone for so many young women to see a leader who is a black woman. The value in that representation can’t be understated.

Speaking of animation, they also pointed to the turning point in time when the “Infinity Gems” of the comics were re-branded as “Infinity Stones” and it just so happened to be. . . The Super Hero Squad Show? Indeed. Luckily, Quesada was otherwise mum on the cringy moment in the cartoon when Reptil and Hulk make a joke about their “cheesy friend” Joe (who served as Executive Producer). Good thing. We didn’t need to be reminded of that. Wait. Yes, yes we do:

Another interesting and unexpected break was a discussion of Blade, which almost everyone forgets was a Marvel comic. Quesada pointed out that Blade never sold comic books, but the success of the first film led other studios to produce more comic book movies. Those first two Blade movies are pretty good, especially the Guillermo Del Toro helmed second one.

This was a fun panel and a nice walk down memory lane of all of the comics that inspired the films that we love so much. But SXSW can do much better by putting this is the larger venue it deserves and bringing in a broader subset of Marvel talent. The panel begged the question of “Which Marvel storyline from today will inspire the movies of a few years from now?” Let’s bring in the creative teams behind The House of Ideas– even if just in a video montage let’s hear from folks working on some of their top stories. You know who would draw a GIANT crowd at SXSW (especially as politically-oriented as the festival is this year?) Ta-Nehisi Coates. Or here’s an idea– get some of the filmmakers from the MCU to talk about their favorite comic books. Don’t just tell us how much of a comic book nerd Kevin Feige is– do a trivia contest between him and Tom Breevort and let’s see how he does! Bring in Ryan Penagos and Lorraine Cink and have some banter. (Not that Quesada and Cebulski aren’t fine, but. . .) Look, we know Ike Perlmutter, CEO of Marvel, is notoriously thrifty and probably doesn’t want to shell out big bucks to promote their company. As the saying goes, you have to spend money to make money– and when tv shows like American Gods and Good Omens are doing their best to take over downtown Austin, you need to get in the game!

I’m glad I attended the panel. But I hope if Marvel returns in 2020 they do so more like they have done in the past, and they bring in newer, more diverse talent. And SXSW better put them in the biggest room possible.

Movie Review: Us [SXSW]

US

Jordan Peele‘s newest movie Us is a haunting horror film by a director with a lot to say. Premiering at the SXSW film festival, Peele was in attendance to introduce the thriller which presents the Wilson family, lead by Adelaide (Lupita Nyong’o) and Gabe (Winston Duke). They return to a summer vacation at her parents’ home near Santa Cruz.

As we find out, she had some sort of traumatic experience getting lost in a creepy boardwalk attraction while there as a child, and after returning to the same beach near there while on vacation she begins to experience a lot of anxiety and wants to leave. At that point a family of shadowy figures appears in their driveway–murderous doppelgangers–and if you know anything more than that it is literally a spoiler.

What comes after is one of the scariest and most fun thrillers in recent memory. Peele shows that his visual sense and pacing and director’s eye is incredibly sophisticated.

But it’s Nyong’o who really sets herself apart here. She should immediately be the top of everyone’s Oscar list for Best Actress. We’ve seen her be great before, but what she does here is beyond any of that. What she does here on screen is indescribable without spoiling the film, but it is so nuanced and layered, it will take multiple viewings to fully get the depths of how good she truly is. There are seeds planted early on that blossom late in the third act. There are some just straight up intense moments that are an immediate gut punch. And there are moments you will want to revisit once you know the entire scope of the film to watch the additional bits she is adding to her performance to appreciate what she (and Peele) have done.

Also, completely forget everything you thought you knew from Get Out. Don’t let your views or expectations from that film color in any way your ideas about this film or what it is. First, let’s just go to Peele’s own words in how he describes his works:


While Peele tweeted this in response to Get Out being nominated for the Golden Globe as a “Comedy or Musical,” and this was a sort of puckish response to the “controversy” over its classification, he’s very clearly saying something important: that film was about real life.

Us is just a straight-up horror/thriller, unapologetically so, because there literally isn’t anything wrong with that. Peele’s point is well, taken, though: while many horror films have at their base some sort of social commentary (Romero’s zombie movies, The Purge films, etc) that’s not necessarily a needed ingredient.

I kept waiting for there to be something more. I wanted the social commentary. I wanted to know what the said about our moment in 2019, or more about what it meant to be black in America. But this isn’t that film and going in with such expectations and trying to put Peele into that same box is as much of a folly as expecting Get Out to be funny because of Peele’s previous success in comedy.

If anything, the social commentary of Us is not in the film at all (although there are a few lines and bits worth deconstructing). But just because the actors are black, and the director and writer is black, it doesn’t mean that we are going to get a movie about black identity with social justice themes. (Although, it’s hard to imagine many other films being able to get away with violent murder sprees set to NWA’s “F@#$ Tha Police”) Sometimes a thriller is just a thriller.

The social commentary of Us may also simply be that isn’t a true meritocracy in Hollywood. Duke and Nyong’o are so. good. here. but are often relegated to supporting roles in other films. Not that we didn’t love them in Black Panther, and it’s not like we didn’t recognize how amazing Nyong’o was in her breakthrough role in Twelve Years a Slave, and we’ve loved her in Star Wars, but it’s clear that their acting chops go for miles beyond this.

What we get is a film could have been cast with anyone. Any other director might have filled this with white actors, approved by Hollywood bean counters who have decided that that met the requisite amount of star power for the film. Two decades ago, this would’ve been Harrison Ford and Michelle Pfieffer in What Lies Beneath.

Instead the casting of black actors is a testament to the universality of the film and that in a truly colorblind society, the complexion of the actors would matter so incredibly little. Let’s hope the box office agrees, showing that black-led films are a great investment for the big studios (not sure why there’s any doubt after recent dominance by Marvel, Star Wars, but yet, here we are)

It’s not a perfect movie, but it’s close. It’s not Get Out levels of genius with layered social commentary, nor does it need to be. But like Get Out, which hit the top of my best films of 2017, it serves as an early high water mark for greatness for the year. It’s a great film and one of the scariest things you’ll see in theaters anytime soon.

4.25 out of 5 stars

Meet Marvel’s New Filipina Character, Wave

Revealed at SXSW, Marvel has debuted Wave, the company’s newest Filipina superhero. Co-creator Greg Pak made the announcement on Twitter showing off co-creator Leinil Yu‘s design with color by Sunny Gho.

The character will debut for the first time in War of the Realms: New Agents of Atlas #1 which features art by Gang-Hyuk Lim!

Around the Tubes

Marvel Action: Spider-Man #1

It’s new comic book day tomorrow! What’s everyone excited about? What are you getting? Sound off in the comments below! While you think about that, here’s some comic news and reviews from around the web.

The Beat – Marvel’s shocking history of promoting itself at SXSW – If you read one thing today, make it this.

CBR – Netflix’s The End of the F–ing World Season 2 is in Production – Nice.

ICv2 – VIZ Sent Google Over 200 Million URL Takedown Notices – That’s a lot of notices.

Review

The Beat – Marvel Action: Spider-Man #1

No, Disney Isn’t Closing Marvel

Marvel logo

Clickbait sites are doubling down on the stupid in hopes to get traffic and the latest is speculation that Disney is closing Marvel based on a description of a Marvel SXSW panel. Like the usual game of telephone, the utter bullshit narrative spun out of control brings the comics blogosphere closer to nothing but “what character are you quizzes” and “top 10” articles.

We once again won’t link to the stupid, that’s what they want.

Charlie Day conspiracy

Dubbed “the dummbest comics conspiracy of the week” by Joe Quesada, the article is a conspiracy theory attempt to connect non-existent dots hopping from a ComicsPro speech, ignoring actual data and facts, to a panel description. The idiocy says that Marvel’s SXSW panel is actually an attempt by Marvel’s Editor-in-Chief C.B. Cebulski and Chief Creative Officer Joe Quesada to make a case that the success of comic intellectual property wouldn’t exist without the actual comics. All of that under the headline “Joe Quesada and C.B. Cebulski Fight for the Survival of Comics at SXSW” and sub-headline “The Marvel big wigs will argue that all of Disney’s success exploiting Marvel IP wouldn’t be possible without the comics that inspired them.”

Or, it could just be a panel about how today’s biggest films have been inspired by comics and an exploration of the connection. You know, something shops have been asking more for?

Clickbait much?

But, the above all seems to ignore actual data (sales rebounded in January and sales is still higher than its been for years), facts, and falls back on opinion, and utter bullshit, that makes up so much of “comics journalism” today.

Again the lesson is, ignore the clickbait and support sites that traffic in facts not fiction.

Marvel Heads to SXSW

At this year’s SXSW, join Marvel for a special panel that celebrates the history and far-reaching influence of the Marvel Comics Universe!

On Friday, March 8th, Marvel’s Editor-in-Chief C.B. Cebulski and Chief Creative Officer Joe Quesada will lead an interactive discussion about the history and landscape of Marvel Comics. Titled Marvel: From Comics To Screens, the hour-long panel will look at how some of Marvel’s most iconic characters and storylines have contributed to the games, movies, and television series that are so renowned among popular culture. Everything starts with an idea – and Marvel Comics is the spark that lights the fire!  

The full panel descriptor can be seen below:

Marvel’s Editor-in-Chief C.B. Cebulski and Chief Creative Officer + fan-favorite writer/artist Joe Quesada lead an interactive discussion on the unprecedented vast creative landscape and content factory that is MARVEL COMICS.  Marvel’s characters have achieved international renown, and now the movies, television series, and games of the Marvel Universe are the most popular in the world  – but everything starts with an idea, and Marvel Comics is the spark that lights the fire. Heroes and villains were teamed together in an epic challenge against each other in the first ever Marvel limited series Contest of Champions in 1982 before it became one of the most successful and popular mobile games of all time.  The Guardians of the Galaxy as they were seen in the 2014 film assembled for the first time in 2007’s Guardians of the Galaxy comic book.  Iron Man and Captain America had their first Civil War in the pages of the Marvel Comics series of the same name in 2006.  Cloak & Dagger first came together in a 1982 issue of the Peter Parker, The Spectacular Spider-Man comic book.  Are the next breakout stories of film, television, and gaming happening in the pages of Marvel Comics right now?  Hear from two of the Marvel Comics’ biggest story-crafters on what it’s like to lead the way in the Marvel Universe!

The panel will take place from 3:30pm-4:30pm in Room 12AB on the fourth floor of the Austin Convention Center.

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