Tag Archives: star wars: the force awakens

FN-2187, aka Finn, gets a premier helmet!

Denuo Novo has revealed the Star Wars: The Force Awakens Finn FN-2187 Premier Helmet Accessory is available for Pre-Order.

Committed to the cause of the Resistance, Finn fights alongside his closest friends in the struggle to defeat the First Order, the evil regime he once served as a stormtrooper. As FN-2187, he was trained from birth to serve the First Order, but a skirmish on Jakku awakened his conscience and drove him down a different path, one that proved both heroic and dangerous.

This helmet accessory includes details recreated using 3D scans, measurements, and reference taken from the original screen-used production assets from Star Wars: The Force Awakens.

  • The helmet is painted to replicate the look of the blood-stained FN-2187 helmet worn by Finn in Star Wars: The Force Awakens.
  • The helmet is made of a high-quality fiberglass outer shell.
  • Fully lined interior, complete with removeable adjustment pillows.
  • Helmet size adjustment system ensures a comfortable and secure fit.
  • Helmet fits up to a size 8 US hat size.

This helmet accessory is expected to be in stock in Q2 (April-June) 2023.

NYCC 2022: Denuo Novo reveals the Star Wars: The Force Awakens Poe Dameron Blue Squadron Premier Helmet

Denuo Novo offers the Star Wars: The Force Awakens Poe Dameron Blue Squadron Premier Helmet Accessory for Pre-Order. New York Comic-Con attendees can head to Denuo Novo booth #2900 for more information!

A Resistance starfighter ace, Poe Dameron is one of Leia Organa’s most-trusted operatives. He can fly anything – which is fortunate given how often his headstrong nature leads him into trouble. Poe leads the attack that destroys Starkiller Base, but soon finds himself on the run from the First Order.

This helmet accessory includes details recreated using 3D scans, measurements, and reference taken from the original screen-used production assets.

  • Outer shell is made of fiberglass and features Poe Dameron’s Blue Squadron helmet markings.
  • Fully lined interior, complete with removeable adjustment pillows.
  • Helmet size adjustment system ensures a comfortable and secure fit.
  • Helmet fits up to a size 8 US hat size.
  • This helmet accessory is expected to be in stock in Q1 (January-March) 2023.

Preview: Star Wars Episodes 4-9 Adaptation Box Set

Star Wars Episodes 4-9 Adaptation Box Set

(W) Alessandro Ferrari (A) Various
In Shops: Nov 17, 2021
SRP: $59.99

Explore the Star Wars galaxy in a whole new light with this box set of stylishly illustrated graphic novel adaptations.

“Help me, Obi-Wan Kenobi. You’re my only hope.”

“Do. Or do not. There is no try.”

“That’s how we’re gonna win. Not fighting what we hate, saving what we love.”

“Confronting fear is the destiny of a Jedi.”

Relive all the events from the twin sunset over Tatooine to the lightning-streaked skies of Exegol with this handsome selection of paperbacks, adapted from the films by writer Alessandro Ferrari. Each book combines the epic wonder of a galaxy far, far away with streamlined, young-reader friendly designs, making this a visual treat for longtime fans and a great introduction for newcomers.

This special box set collects the graphic novel adaptations of A New Hope, The Empire Strikes Back, Return of the Jedi, The Force Awakens, The Last Jedi, and The Rise of Skywalker.

Star Wars Episodes 4-9 Adaptation Box Set

Bad Boys for Life Rides Together in First Again

Bad Boys for Life

Bad Boys for Life took the top spot again at the weekend box office. The film earned an estimated $34 million a drop of 45.6% from opening weekend. The film has earned $120.6 million domestically. the movie is less than $20 million from becoming the highest-grossing domestic film in the franchise. Not surprisingly, a fourth film is in development.

It shows that though folks say they don’t want sequels, they’re happy to go to them and support them. The film earned more than double the second-place movie 1917.

Internationally, the film added 19 markets and earned $42 million to bring the international total to $95 million pushing the worldwide total to over $215 million.

1917 held on to second place earning an estimated $15.8 million, a 28% dip from the previous weekend. Domestically, it has earned $103.8 million. Internationally, it brought in an estimated $23.7 million from 50 markets to bring that total to $96.6 million and $200.5 million worldwide.

Dolittle came in third place with an estimated $12.5 million, a drop of 42.8% from the previous weekend. Lack of films aimed at kids is helping this one. But, it has a long way to go to make back its $175 million production. The domestic earning now stands at $44.7 million. Internationally, the film earned $13.2 million to bring that total to $46.4 million and a worldwide total that now stands at $91.1 million.

The Gentlemen debuted in fourth place with an estimated $11 million. It received a “B+” CinemaScore from the opening day audience. The audience was 60% male with 55% of it aged between 25 and 44. STX was happy with the opening and will be expanding it in theaters next weekend.

Internationally, the film expanded its limited release adding 20 territories where it earned $3.1 million to bring the international total to $22.5 million and worldwide total to $33.5 million.

Jumanji: The Next Level wrapped up the top five with an estimated $7.9 million to bring the domestic total to $283.4 million after 7 weeks. It also added $9.6 million internationally where it has earned $454 million for a worldwide total of $737.4 million.

Out of the top five, Star Wars: The Rise of Skywalker came in at #7 earning an estimated $5.2 million to bring its domestic total to $501.6 million. It’s only the 15th film to cross that total domestically. 2017’s The Last Jedi earned $620.2 million domestically and 2015’s The Force Awakens earned $936.7 million.

No comic films charted on the weekend box office but we’ll have further analysis of 2019’s releases in an hour.

John Wick Comes Out Guns Blazing to Take Out the Avengers

John Wick: Chapter 3 - Parabellum

Something eventually had to unseat Avengers: Endgame from the top of the box office, and it was John Wick that did it. John Wick: Chapter 3 – Parabellum was the top of the box office with a better than expected $57 million. The film was a crowd favorite receiving an “A-” CinemaScore from the opening day audience. The film “debuted” with a $5.9 million Thursday night preview which is the largest for Lionsgate behind Twilight and the Hunger Games franchises. It’s more than double the $2.2 million John Wick: Chapter 2 earned two years ago.

Parabellum continues the trend of the movie franchise improving upon itself showing it has been gaining an audience over the years. The debut, John Wick, earned $14.4 million opening weekend going on to gross $43 million ($46.7 million adjusted for inflation) domestically in 2014. Worldwide, that film earned $88.8 million. John Wick: Chapter 2 opened with $30.4 million and went on to gross $92 million ($93.8 million adjusted for inflation) domestically and $171.5 million worldwide. John Wick: Chapter 3 – Parabellum has almost out-earned the second film having already made $149.2 million worldwide (it has earned $92.2 million at the foreign box office).

With that success, there’s little doubt we’ll be seeing John Wick: Chapter 4 before too long.

In second place was Avengers: Endgame which earned $29.4 million after four weeks. Domestically, the film has earned $770.8 million and has passed Avatar to be the second highest grossing film domestically. Star Wars: The Force Awakens has the top honor having earned $936.7 million in 2015. It’s unlikely Avengers: Endgame will pass it. Worldwide, Endgame now stands at $2.615 billion putting it about $174 million behind Avatar to become the highest grossing film worldwide. There’s a chance it’ll pass it but will have to rely on the foreign box office to do so.

Detective Pikachu came in third place and expanded its theater count. It earned an estimated $24.8 million to bring its domestic total to $94 million. The film has earned $112.4 million at the foreign box office. That brings the worldwide total to $112.4 million after two weeks. With a budget of $150 million, it does have a bit to go to get in the profitable realm. It currently ranks fourth domestically when it comes to video game adaptations

In fourth place was the debut of A Dog’s Journey. The film earned an estimated $8 million. That film received an “A” Cinemascore from audiences and should have a nice run as a family friendly film.

Rounding out the top five was The Hustle which earned $6.1 million to bring its total to $23.1 million.

When it comes to comic films….

Captain Marvel dropped to #14 from #11 earning $727,000 after 11 weeks at the box office. The film stands at $425.1 million domestically.

Shazam! was right behind Captain Marvel coming in at #15. The previous week the film was #12. It earned $681,000 to bring its domestic total to $137.9 million after seven weeks.

Stay tuned, we’ll be back in an hour for a deeper dive look at this year and last year’s comic adaptations.

What is it to be a Fan in the 21st Century? Examining Fandom in Entertainment.

What is it to be a fan in the 21st century? That’s what a lot of people are asking not just of themselves but of their peers and the general culture at large. Right now our society is dominated on all sides by franchises of one stripe or another. Be they books, movies, TV shows, comics, etc…and all of those have thousands of permutations and subgroups within them. Take superheroes which are, for brevity, divided between Marvel and DC Comics which then divides again into the structures based around their universes that then divides all the way down to individual characters. The birth of “modern fandom” is usually given credit to George Lucas’ 1977 opus Star Wars. That was the birth of the block buster and merchandise driven marketing and franchising that has shaped the world in ways we are still comprehending today. The Marvel Cinematic Universe, begun in 2008 with the release of Iron Man, saw Marvel Comics become a global brand the world over in the last decade. Over these decades long franchises, several generations across numerous backgrounds have grown attached to these characters and stories. As a result, fandom has grown to be both a toxic force and a positive one. The question then becomes what do things that we love have to say on the subject of fandom and this push and pull between the toxic gate keeper side and the positive and sincere earnest side?

Stories about fandom are not all created equal. With the rise of social media, the creator and fan dynamic has changed drastically, especially in the world of comics. Fans can interact with the creators of their favorite stories in a way they never could previously. This has obviously led to positive feedback on both the fan side and creative side but it’s also become a doorway for the most toxic fans to vent their frustrations directly to the creative team. As a result, some stories have taken approaches to address or shoot down these fans directly. With targeted social media campaigns and general trouble makers on the web its left creators in a spot where they might not be able to tell the well-intentioned fan who has legitimate concerns about representation from the entitled fan who rages at them for changing the color of a mask or giving a character pants for their costume.

The stories discussed in this piece are meant as none of that. Both are very broad metaphors about actual positive fandom vs. different breeds of toxic fandom to the discussion of creators conflating well-meaning fans with legitimate concerns and toxic bigoted fans who feel entitled is a discussion worth having but it’s also a separate one. This is meant as an examination of two stories with similar metaphorical themes and not meant as a condemnation of people who raise legitimate concerns with creators or a discussion of how said creators respond to the concerns.

With that aside let’s talk about what is often cited as the birth of the modern pop culture fan, Star Wars.

When it exploded onto the scene in 1977 Star Wars left an immediate impact. An impact that was so big it reshaped the Hollywood business model practically overnight and left a permanent imprint on the psyche of generations of young kids. In 2015 after six movies and ten years out of the cinematic spotlight, Star Wars returned with Episode VII: The Force Awakens. Its reception was overwhelmingly positive and had everyone looking forward to more. However, one of its biggest criticisms was that the film was a modern remake of the original film. Despite this, people couldn’t wait to see more of the new characters Rey, Finn, Poe, and Kylo Ren. With the film being an homage to the original the big thematic hook for the new hero and villain is that of two separate stripes of fans.

The first is that of a star struck and super earnest fan. Rey is enamored by the exploits of Luke and the Rebels having a discarded rebel pilot helmet she wears for no other reason than to just wear it, a handmade doll that looks like a rebel pilot, reacting with shock and joy at meeting Han Solo and learning the ship she’s stolen is the Millennium Falcon, as well as referring to him as a smuggler when Finn calls him a general. She is symbolically the audience in this movie in this regard. A super eager fan finally living the dream and super excited about everything happening to her. On the other end of the spectrum though we have Kylo Ren.

While both storylines are incomplete since only one movie has been released with them we can glean enough information about Rey and Kylo to see what they are meant to be symbolically. In this respect Kylo Ren is set up as fan culture gone wrong. Someone who is unhealthily obsessed with the worse parts of what’s come before. He’s seen talking to Darth Vader’s helmet throughout the film and asking for strength to ignore the call to the light. He heads up a planet sized battle station similar to, though much larger, than the Death Star and vows to finish what Vader started. To top it off when things don’t go his way, instead of processing it like an adult, he lashes out with his lightsaber almost like a child throwing a tantrum for not getting his way. Kylo Ren is representative of a toxic side of fan culture that only looks back and has latched onto the unhealthier aspects. Now most people like Darth Vader because of the tragedy that is his story and we even dress up as him but we also keenly aware he is the bad guy and one that should not be emulated, either in ideology or action.

So then how does Marvel fit into this then? Starting in April of 2016 Marvel began publishing a comic titled “The Unbelievable Gwenpool.” Due to the popularity of a variant cover of the Deadpool comic and cosplay of the character, Gwenpool was given an ongoing series with the novel gimmick of her being from our real world. In the comics Gwendolyn “Gwen” Poole is a high school student transported to the Marvel universe via unknown means. Realizing this she dons a costume to avoid being an “extra” and becomes the superhero “Gwenpool,” the star of her own comic book. Gwen herself is a fan of comics and has read a vast collection of them, writes fan fiction, and has a sketchbook that she draws superheroes in. She even is knowledgeable of established tropes and rules of books such as knowing the hero won’t die and that she can’t reveal secret identities publicly because it’s her book and “they” wouldn’t allow that. Gwen, like Rey, is a positive representation of a fan. She reacts with various combinations of excitement, nervousness, awkwardness, and joy at the various superheroes she meets on her adventures. However, she is also her own worst enemy.

Gwen herself is caught in the middle of earnest fan culture and toxic fan culture. While she reacts with enthusiasm and excitement at the prospect of meeting the heroes she’s read so much about she also treats them with casual disregard. Namely, she knows she won’t die because it’s her book and she’s the star and that the people she’s meeting are indeed fictional and thus immune to being killed or hurt in any devastating way for very long. This gives rise to a future version of herself that has become a reality bending supervillain that messes around with the comics simply because she can. This is because Gwen discovers that being from our real world has granted her the ability to not just break the 4th wall but to literally escape between the pages of the books and interact with them as she sees fit.

Her future self had made life difficult in the Marvel Universe in the future because she would reveal secret identities and use her knowledge to essentially toy with the lives of the heroes. At one point she even reveals the secret identity of Miles Morales as Spider-man and results in his family being killed. Future Gwenpool is herself a commentary on the toxic route fan culture can go. Gwen treats the universe with casual disregard because she has power over it now instead of the starry-eyed admiration her younger self once had.

With the characters of Rey, Gwenpool, Kylo Ren, and future Gwenpool what you have is a push and pull of what fandom is and can become.

Future Gwen and Kylo Ren represent the toxic notions of fandom and how these toxic aspects can even dominate and overwhelm the good parts. Kylo Ren is in command of a legion dedicated to tearing down the world the heroes of the original trilogy created and rebuilding it in the image of Darth Vader to the point his only challengers seem to be a small group which are in part run by those old heroes. Future Gwenpool overwhelms the heroes of her time who are powerless to stop her. In the age of social media, toxic fandom can drown out and even overwhelm the positive aspects and these two characters are personifications of that very idea.

Gwenpool of the present and Rey on the other hand represent positive fandom and how those positive aspects can overcome the more toxic aspects. They are the uncorrupted fan. The dreamers that want to explore the universe before them and add their own names to it. Gwen is the pure enthusiasm of fan culture. As she often gets in over her head and on multiple occasions makes people’s lives harder but it is never done out of intentional malice. Rey is the more mature side of that coin having respect for the things around her. This love that is deep and sincere is also the reason that Rey and Gwen can overcome their counterparts in the end.

Both Rey and young Gwen are presented with a moment of temptation from their counterparts. Offers to either make them stronger and give them a life they could never imagine. Kylo offers to be Rey’s teacher and show her the power of the force. Future Gwen show’s her past self all the bad stuff she does with her powers has no real consequences so they should have fun while they can. In these moments, toxic fan culture is literally trying to corrupt earnest and sincere fans by saying the way they behave is the proper and better way to be a fan. In turn Rey’s respect and reverence and young Gwen’s sincere love and passion allow them to win the day. With Rey tapping into the Force herself and overcoming Kylo Ren, symbolically defeating toxic legacy obsessed fan culture. Young Gwen on the other hand is shown how she’s acting and how her earnestness has brought some real harm to people. Young Gwen in this moment literally self-examining her behavior, seeing what it leads too, and outright rejecting it because she deeply loves the world she’s gotten to know and has seen that her future self no longer loves it the way she does. Thus, Future Gwen is literally erased from existence, thereby erasing toxic dismissive fan culture.

With more fans becoming creators and getting to add their own spins and interpretations on beloved universes and characters. As such we must constantly be aware of ourselves and our behavior as fans. Looking at only the past and wanting the darker or more disturbing stuff to return will result in a culture mirrored in Kylo Ren while obsessing over fandom but treating it indifferently and with callous disregard will make us like Gwen’s future self. Rey and Gwenpool show us that fan culture can be a positive even life changing experience for us and that its ok to dream and like what we like. That these aren’t merely distractions or something we should discard. Rey and Gwen show that this can have a real positive impact on our lives. We must be aware and let it in. After all you might be the next one to add to the story.

Ryan Whorton is part of the UTD Graduating class of 2015. He has worked in the service industry for 6 while pursuing education. He writes about video games, comics, and movies in his spare time.

Around the Tubes

It was new comic book day yesterday! What’d folks get? What’d you enjoy? What’d you dislike? Sound off in the comments below.

Around the Tubes

NPR – Mirrors And Neck Ruffs: A Graphic Novel Takes On Velázquez – This sounds pretty interesting.

ICv2 – Hasbro Sues DC; More Buck Rogers Litigation – And you get a lawsuit and you get a lawsuit!


Around the Tubes Reviews

Newsarama – Secret Empire #10

Flickering Myth – Star Wars: The Force Awakens GN

Preview: Star Wars The Force Awakens: GN

Star Wars The Force Awakens: GN

Alessandro Ferrari (w) • Simone Buonfantino (a) • Ken Shu (a) •Roberto Santillo (a) • Marco Ghiglione (a) • Stefano Attardi (a)

Faithfully capturing the galaxy-spanning action of The Force Awakens, join Rey, Finn, BB-8, Kylo Ren, and all your favorite characters, new and old, on the adventure of a lifetime!

Entertainment Earth Spotlight: Star Wars: The Force Awakens Millennium Falcon

It’s a big one! The classic hunk of junk is back with the 3 3/4-inch scale Star Wars The Force Awakens: Millennium Falcon Vehicle. This awesome action figure vehicle features a firing Nerf launcher, fold-out sitting areas, and even has three exclusive figures – Chewbacca, BB-8, and Finn! Hasbro’s most action-packed vehicle yet has adjustable Hyperdrive sound effects and fires real Nerf Elite Darts. It’s the biggest hunk of junk in the galaxy – and now it can be yours!

This amazing vehicle includes 3 3 3/4-inch scale action figures, 2 weapons, a removable cannon, and 2 Nerf darts. Requires 2x “AA” batteries, not required.Some assembly and sticker application required.

Normally $139.99, the Star Wars The Force Awakens: Millennium Falcon is 57% off and just $60!




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Fashion Spotlight: In a galaxy far far away, Charting the Way, Kylo Rocks

Ript Apparel has three new designs! In a galaxy far far away, Charting the Way, and Kylo Rocks, by IdeasConPatatas, inaco, NibiruHybrid are on sale today only! Get them before they’re gone!

In a galaxy far far away


Charting the Way


Kylo Rocks








This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

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