Tag Archives: squirrel girl

Messages from Midgard #6: Cute Baby Laussa

The “War of the Realms” takes a break this week from the main heroes and blockbuster trappings to tell smaller, quirky stories that are varying degrees of fun. The McElroys bring the road trip banter in War of the Realms: Journey into Mystery #2, and Andre Araujo gets to take a break from advanced technology and gory fight scenes to be a humor cartoonist. War of the Realms: New Agents of Atlas #1 is one of the first tie-ins to remember that this event has a global scope, and Greg Pak and Gang Hyuk-Lim introduce Marvel’s first Filipina hero, Wave, although the story comes apart at the seams sometimes. I tip my hat to Pak and Lim for introducing more Asian heroes to the main Marvel Universe, and hopefully we get to hear for them after three issues. And Unbeatable Squirrel Girl continues to be a sweet cinnamon roll of a comic that I hope Marvel never cancels. (Thank you Scholastic book club marketing!)

War of the Realms: Journey into Mystery #2

With the boring team assembling part out of the way, the McElroys, Andre Araujo, and colorist Chris O’Halloran are free to write and draw road trip hijinks after a quick prelude showing why Ares is working for Sindr and after Thor’s baby sister, Laussa. The McElroys settle into writing this truly odd assortment of characters in Journey into Mystery #2, and honestly, I could read a whole ongoing series of them traipsing through the Marvel Universe and arguing about personal space, the fact that no one on the team can drive except Kate Bishop (Kudos to Miles Morales for doing driver’s ed next semester though.), and Thori being fierce.

The McElroys and Araujo don’t force a fight with Ares just yet and have the team stop at “Bide-A-Wee” trailer park because, again, no one except Kate Bishop can drive. Araujo draws the denizens of the trailer park in a stiff manner like they’re pretending to be human. This makes sense because they are actually Skrulls. (Of course, the McElroys use this fact to get in some licks at Secret Invasion.) And, then, there’s the requisite action scene that Araujo and O’Halloran make fun with some creative shapeshifting and pink arrows for Kate. However, the sequence is resolved in a very un-War of the Realms way. But what do you expect from a creative team that made changing a dirty diaper both hilarious and suspenseful.

If we had to fight a War of the Realms to get this fun buddy road trip story from the McElroys and Andre Araujo, it will have been worth it. This comic definitely feels like it was written by a bunch of guys who have probably been in enclosed spaces with each other for a long time whether that’s childhood road trips or doing live podcast shows for rabid fans. Throw in a sense of wonder, humor, and love for cute babies interacting with Helhounds, and Journey into Mystery #2 an overall verdict of Buy.

War of the Realms: New Agents of Atlas #1

Through his elevation of Amadeus Cho to the Hulk and especially a four issue arc of Totally Awesome Hulk where Cho teams up with other Asian-American superheroes, Greg Pak has used his clout as a writer to push for more Asian and Asian-American superheroes in Marvel Comics. He and artist Gang Hyuk Lim turn that up to eleven in War of the Realms: New Agents of Atlas #1, which features appearances from Marvel’s first Filipina hero Wave, the Chinese hero Aero, and Korean heroes Crescent and Io and Luna Snow, who were popular in the Marvel Future Fight mobile game and make their first comic appearance here. It’s cool to see these characters and their unique abilities get the spotlight, but Pak struggles to juggle such a large ensemble cast in one issue. Lim’s art is also fairly pedestrian even though there are pops of color from Federico Blee like when Crescent sics his magic bear Io on some Fire Goblins.

In New Agents of Atlas #1’s back matter, Pak says that he wanted to use the book to explore the “diversity within diversity” having Asian and Asian-American from different countries and backgrounds interact while defending the continent from Sindr and Fire Goblins. And he pulls this off in one fantastic scene where Jimmy Woo, the leader of Agents of Atlas, asks Amadeus Cho, Kamala Khan, Silk, and Shang Chi what kind of pear he’s holding. Depending on their background, they say it’s a Korean, Chinese, or Japanese pear because Kamala has only seen that kind of pear at the Japanese grocery.

However, the lesson is that the kind of pear doesn’t matter, and Woo says that the important thing is that they work together as a team. They proceed to not do this with Kamala and Amadeus constantly bickering about some Champions business, which leads to their plane crashing outside Seoul and a fight against the Korean superheroes, not Sindr’s forces. Pak and Lim nail Amadeus Cho’s egotism as he flexes his muscles and showboats throughout the comic and impetuously launches himself into battle without regard for his teammates. However, the scene where the newly minted Agents of Atlas fight the Korean superheroes is very rushed as White Fox immediately assumes that Amadeus Cho is bad because he had a Hulk incident a while back. It’s a good illustration of the pointless drama that gets in the way of teamwork, but with an emphasis on the “pointless” part.

Luna Snow, who Silk fangirls over because she’s a hero and a K-Pop star, Crescent and Io, and a cool surprise character have visually distinct abilities, but Gang Hyuk Lim is too married to the Marvel house style to really let them shine. This is a book that could have used the stylized touch of a Takeshi Miyazawa, who collaborate with Greg Pak on his creator owned comic Mech Cadet Yu, or David Lafuente. With its introduction of new heroes and soapy team dynamic, New Agents of Atlas has tantalizing potential even if this first issue doesn’t completely deliver so it earns the Overall Verdict of Read.

Unbeatable Squirrel Girl #44

Arguably, the best “War of the Realms” tie-in continues as writer Ryan North, artist Derek Charm, and colorist Rico Renzi have Squirrel Girl team up with Ratatoskr, the Norse squirrel god of chaos against Frost Giants and then frighten the citizens of rural Alberta. North and Charm do a good job laying out Ratatoskr’s motivation as she sees that Malekith ruling all ten realms would lead to conformity and boredom, which is the opposite of chaos. So, she’s fighting Frost Giants although in a flashback, she did give a thumbs up to Mangog, the destroyer of Asgard. Unbeatable Squirrel Girl #44 is really an exercise in ethics as Ratatoskr tries to cross lines, but Squirrel Girl holds her back and tries to keep everything even kneeled. However, this backfires.

Like every issue in this series, Unbeatable Squirrel Girl #44 is a dense comic filled with jokes, extended riffs, footnote jokes, and kick-ass fight scenes. What could have been just a simple fight between Squirrel Girl and two Frost Giants ends up with Ratatoskr giving an update on what she has been up to over the past 30 issues or so while imprisoned in Asgard as well as some jokes about how Frost Giants see humans as action figures and superhumans as rare ones. They’re still looking for the rare action figures with kung fu grips though.

Once the Giants go down, North and Charm go into full fish out of water mode with Ratatoskr, who is trying to blend in with the locals, but ends up as a femme fatale in rural Canada and does not pass for human. She has great fashion sense, and North and Charm get to sneak in jokes about video game palette swaps, Sailor Moon, and draw a squirrel ear wearing Spider-Man costume while she picks her look. Also, in her interactions with the regular folks of Alberta, she chooses the chaotic option over the safe one and ends up getting in random guys’ faces. This scene also illustrates the classic principles that humans hate and fear what they don’t understand as the Albertans turn on Squirrel Girl and Ratatoskr, once they realize that “they’re not from around here”.

Ryan North, Derek Charm, and Rico Renzi seem to be having a hell of time combining Squirrel Girl’s morality and empathy with Ratatoskr’s penchant for chaos and manipulation. It’s an instant source of drama and mischief and gives Charm the chance to draw “resting evil face”. Also, for its dedication to fun, good comedy, complex baddies, adorable art, and expressive, flat colors, Unbeatable Squirrel Girl #44 gets an overall verdict of Buy.


Although the quality of this week’s three comics does fluctuate, Journey into Mystery, New Agents of Atlas, and Unbeatable Squirrel Girl use the backdrop of “War of the Realms” not as a crutch, but as a freedom to tell road trip, Asian superhero team-up, and odd couple stories. Frost Giants are coming through portals so why not bring back the entertaining villain Ratatoskr from a few years back to mess with Squirrel Girl and use her divine abilities to troll mere mortals. A book like New Agents of Atlas could use its own series to build up the new characters, but Journey into Mystery and Unbeatable Squirrel Girl uses the events of “War of the Realms” as jumping on points for comedic misadventures. This week is a breath of fresh air after all the melodrama, gore, and Frank Castleness of previous “War of the Realms” tie-ins.

Panel of the Week

I don’t know what beef Malekith has with Shakespearean English. (Art by Derek Charm and Rico Renzi from Unbeatable Squirrel Girl #44.)

Recreate the Adventures with Marvel Rising: Secret Warriors Figures from Hasbro this October

Marvel Rising: Secret Warriors debuts Sunday, September 30 on Disney and Disney XD and you’ll be able to recreate the show yourself with figures from Hasbro.

The figures are 11-inch scale and not only sport the outfits of the characters but also 15 points of articulation.

Figures include Ms. Marvel, Squirrel Girl, America Chavez, Ghost-Spider, Quake, Inferno, and Patriot. Each has their own accessories and Tippy-Toe is included too!

The figures are out this October first at Target, followed by Disney Stores and the Hasbro shop.

Unboxing: Loot Crate Presents Marvel Gear + Goods “Take the Lead”

Loot Crate has a box for Marvel fans with the Loot Crate Presents Marvel Gear + Goods! You get official Marvel apparel, collectible goods every 2 months starting at $39.99.

This month’s box celebrates some of the awesome women of Marvel and their “taking the lead.”

Supplies are limited order the next box now!

 

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Funko Specialty Series: Squirrel Girl Dorbz & Gargoyles Hudson Pop! this Summer

Every store deserves an amazing Funko exclusive!

In an effort to recognize their most special accounts and loyal retailers, Funko is continuing their Specialty Series. Every month, they announce two major exclusives – this month includes a Dorbz and Pop!

Why is it so special? You’ll only be able to find these Specialty Series exclusives in boutique retail, specialty stores, local comic book shops and from qualified online retailers. This is your chance to help support local businesses and smaller retailers, and you’ll pick up an amazing exclusive item in the process!

The latest exclusives are a Squirrel Girl Dorbz and Gargoyles Hudson Pop!

Remember, these two fantastic pieces are exclusive to the Specialty Series. So pay a visit to your favorite specialty store or your local comic book shop and let them know to order the Specialty Series from Funko.

Dorbz: Marvel – Squirrel Girl
Please Note: Final Images Coming Soon.

Pop! Disney: Gargoyles – Hudson

Please Note: Final Images Coming Soon.

Review: Unbeatable Squirrel Girl #26

SquirrelGirlCoverUnbeatable Squirrel Girl takes a little break in issue 26 for a special in-universe zine comic written and drawn by various heroes, villains, and denizens of the Marvel Universe. In real life, they are all written by Ryan North with Erica Henderson switching roles with her Jughead collaborator Chip Zdarsky to pen a surprisingly sultry Howard the Duck story. It’s a fun sampler that mostly hit and very little miss from the much vaunted series of three panel Galactus gag strips by Garfield‘s Jim Davis to Anders Nilsen and Soren Iverson’s poignant story of Wolverine befriending a Sentinel and shotgunning a beer with his adamantium claws. The series Unbeatable Squirrel Girl has a lot of fantastic action, jokes, and the occasional superhero parody, but it’s a book where Doreen listens to both her opponents and allies and tries to work things out with eating nuts and kicking butts. S

So, it’s fitting, we get this comic that is written by a wacky range of POVs beginning with Squirrel Girl herself who stutters through the intro about his being a fundraiser zine. We get to listen to Kraven, hear Spider-Man’s retort, and see the world through Tippytoe’s eyes, which is drawn and colored in an adorable manner  Madeline McGrane’s art and colors make this frame story definitely look like a zine you might pick up at the local coffee shop or one of those fancy schmancy zine stores in bigger stories. It’s followed up by Chip Zdarsky going the closest he’ll ever get to his work on Sex Criminals in a mainstream comic with Erica Henderson doubling as a film noir director, but more awkward. They use close-ups and small panels of Howard the Duck and his femme fatale/client like they’re egging Marvel editorial to linger on this scene more while adding a funny caption. Zdarsky doing Big Two interiors is a big treat, and he barely holds back.

Tom Fowler’s Brain Drain story is a nice showcase of the underrated Unbeatable Squirrel Girl supporting character and hews the closest to Henderson’s usual style on the book. His take on Brain Drain is philosophical, adorable, and structured like the computer science programs that the character loves. It’s oddly motivational too and worth a reread thanks to its erudite writing style. Speaking of rereads, Carla Speed McNeil draws a Loki comic that only makes sense forwards and backwards and is a great example of how the comics medium allows for flexibility of meaning using Loki as a litmus test. It’s a wonderful double page spread, and the best Loki story since Journey into Mystery.

After this, Michael Cho draws a Kraven the Hunter comic/Spider-Man diss story, which is a pretty fun riff off “Kraven’s Last Hunt” and features dead presidents. His art has a light hearted old school vibe while having a subversive take on superhero/supervillain relationships kind of like the main Unbeatable Squirrel Girl title, but from the bad guy’s perspective. It’s followed up by a one page retort from Spider-Man with some gorgeous, yet still funny digital painting work from Rahzzah, who teams up later in the book to do Nancy Whitehead’s photo collage comic with the help of North, who channels Dinosaur Comics in the strip. It’s a well-designed remix story that will make the non-artists reading this comic smile and the kind of mash-up that you would find in a real zine.

NilsonWolverine

But the heavy hitter of the bunch is Anders Nilsen and Soren Iverson’s Wolverine story that is fitting for an artist who had done a comic called Poetry is Useless. Anders Nilsen has a minimalist Euro style perfect for a comic about Wolverine getting talked out of killing a Sentinel, who challenges him to look past his shiny mutant killing exterior and team up with him to beat up some kaiju. (Sadly, this part of the story is off panel.) Wolverine gets a big epiphany moment when he realizes that he’s “hating and fearing” the Sentinel just like the X-Men have been treated for most of their career. This story is proof that more Fantagraphics and Drawn and Quarterly guys should draw superhero comics.

Following this weighty, yet fun story is a couple of candy confections. Unbeatable Squirrel Girl colorist Rico Renzi draws an adorable and faux edgy Batman parody starring the one and only Tippytoe. It pokes fun at Batman’s angsty backstory as well as the fact that Tippytoe always plays second banana. Renzi’s art style is similar to the cartoon The Amazing World of Gumball with lush digital backgrounds and colors. Finally, Jim Davis, whose work I was familiar with eons before I ever opened a Marvel comic, transposes the classic Garfield and Jon relationship to Galactus and the Silver Surfer. It’s the same dad-ish, three panel punchline jokes, but told in a more cosmic key, and Davis has a lot of fun showing Galactus doing his planet devouring, face stuffing thing. His literal eye popping Silver Surfer has a similar manic energy to Robin Williams’ Genie in Disney’s Aladdin.

Unbeatable Squirrel Girl #26 is a real treat as independent cartoonists, the creator of Garfield, and even the book’s colorist get to take a stab at some of the more familiar faces in the Marvel Universe while also giving Squirrel Girl’s supporting cast a moment in the sun. It’s sometimes poignant and always funny.

Story: Ryan North, Erica Henderson Art: Madeline McGrane, Chip Zdarsky, Tom Fowler, Carla Speed McNeil, Michael Cho, Anders Nilsen, Rico Renzi, Jim Davis Colors: Madeline McGrane, Chip Zdarsky, Rico Renzi, Rahzzah,Soren Iverson
Story: 9.5 Art: 9.0 Overall:9.2 Recommendation: Read

Marvel and Freeform Find Their New Warriors

One of the announcements I had predicted for San Diego Comic-Con was the unveiling of the cast for Marvel and Freeform‘s New Warriors television show. A week early the information has dropped with some fantastic additions and what looks to be a solid group.

Comedian and actress Milana Vayntrub has landed one of the most coveted roles out there as she steps into the tail of Squirrel Girl. There’s been lots of speculation as to who would play the lead character with some pretty high profile actresses publically vying for the spot.

Joining Vayntrub is Derek Theler as Mister Immortal, Jeremy Tardy as Night Thrasher, Calum Worthy as Speedball, Matthew Moy as Microbe, and Kate Comer as Debrii.

The series is Marvel’s first live action comedy and one of two live action series to debut on the channel from the multimedia company, the other being Cloak & Dagger. The show was picked up straight to series and will launch in 2018.

(via The Hollywood Reporter)

Squirrel Girl and the New Warriors Come to Freeform in a New Live-Action Comedy

Freeform, Marvel, and ABC (all are owned by Disney) have announced a new television project, Marvel’s New Warriors. The television series is the second Marvel project for the television and is a comedic live-action adaptation, the first comedy for Marvel on television. The series has been picked up for ten 30-minute episodes and will debut in 2018.

Marvel’s New Warriors is about six young people with powers living and working together. With powers and abilities on the opposite end of the spectrum of The Avengers, the New Warriors want to make a difference in the world … even if the world isn’t ready. Not quite super, not yet heroes, Marvel’s New Warriors is about that time in your life when you first enter adulthood and feel like you can do everything and nothing at once – except in this world, bad guys can be as terrifying as bad dates.

The series will feature fan-favorite “Squirrel Girl” (Doreen Green) as a totally empowering fan girl— tough, optimistic and a natural leader. Doreen is confident and has the powers of a squirrel … She’s acrobatic, can fight and talk to other squirrels. Her most important trait is that she has faith in people and teaches them to believe in themselves. Additional cast to be announced.

Freeform also has Marvel’s Cloak & Dagger underway at the network. Can a crossover be far behind?

The series is co-produced by Marvel Television and ABC Signature Studios. Marvel’s Jeph Loeb, and Jim Chory serve as executive producers on the series.

The New Warriors debuted in 1989 in The Mighty Thor #411 and Tom DeFalco and Ron Frenz are created with their creation. The team has numerous versions with a rotating roster. It’s unknown who will be a part of this version. While Squirrel Girl hasn’t been on the team she was a part of a version of the team that appeared on the Ultimate Spider-Man cartoon series.

Review: Deadpool: Too Soon? #1

deadpool-too-soon-1-coverDeadpool: Too Soon? #1 is insane in the best possible way from the first panel to the last. This issue showcases everything you love about the Merc with a Mouth. If this is your first foray into the world of Deadpool it’s a good start and you won’t be disappointed. Issue #1 of this arc treats us to more guest stars than you can shake a katana at and while Squirrel Girl, The Punisher, Spider-Ham, Howard the Duck, Ant-Man, Forbush Man, and Rocket & Groot seem like they wouldn’t be in the same comic book, in any part of the multiverse or on any timeline, it seems to work.

Deadpool, aka “the reason you’re reading this comic book” and Shiklah join together an elite (or as Deadpool puts it, the funniest) team of superheroes for a super secret mission. Someone has murdered the Forbush Man! Could someone be targeting some of the Marvel Universe’s funniest heroes for death? That’s certainly what Deadpool thinks – and he’s gathered a number of characters in a spooky old mansion (naturally) to help crack the case. Good thing Deadpool is known for his world-renowned investigative skills! But as more bodies start turning up, can these heroes solve the mystery before their goose is cooked?

Joshua Corin‘s writing is on point and is in line with the Deadpool brand. It’s quick and clever and I loved every word of it. Corin takes some of the most humorous , and one of the most deadly, characters in the Marvel universe and gives the readers something to laugh about. Even though the content is hella dark the delivery feels natural & unforced. The dialogue and interaction are exactly what you would want them to be in a mash up involving such a motley crew. No on acts out of character and it all seems extraordinarily natural and organic. Corin gives the readers a quick, page-turning read and the only problem I had with it is that it was over too soon.

Todd Nauck‘s artwork is on point, the detail is amazing and we get some pretty cool retro panels in The Avengers super secret underground lair. We are treated to art that looks like it’s moving and allows the reader to get caught up in the action. Not a frame is wasted and it feels more like a TV show or a movie than like a comic book and that’s not a bad thing. The visuals are on point with and, keep up with the sharp dialogue that Corin provides.

Overall this issue was everything I wanted and more than I expected. It was a nice call back to the comic books of my youth and reminded me of what I loved about comic books as a kid. It was cohesive, smart, well written., expertly drawn and a perfect start to a story arc. I look forward to seeing how this story plays out and if it keeps ending on such hard and enticing twists. I am totally in for the long haul and you should be too.

Story: Joshua Corin Art: Todd Nauck Colorist: Jim Charalampidis
Story:9.1 Art:8.9 Overall: 9 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: Unbeatable Squirrel Girl #13

detailIn Unbeatable Squirrel Girl #13, Doreen Green, her mom, best friend Nancy, and an army of squirrels fight back against the living Gulliver’s Travel riff, Enigmo as he multiplies at an exponential rate and takes over both the United States and Canada. Writer Ryan North, artist Erica Henderson, and colorist Rico Renzi embrace the silliness of this premise and the seeming tranquility of the Ontario wilderness as Squirrel Girl with some assistance from the nihilistic robot Brain Drain and a very tired and pissed off Ant-Man of the Scott Lang variety use their minds, superpowers, and random pointless knowledge about various animals to defeat this crazy threat.

Add Scott Lang to the pantheon of popular characters that Erica Henderson has executed an epic riff on. She doesn’t draw him in Paul Rudd heartthrob mode, but in full anger mode with side of dad jokes about his “Ant Van” in his utility belt. He is constantly making fun of Canada, which kind of gets exasperating after a while, but luckily North balances his world-weariness with the high-level enthusiasm of Squirrel Girl and Nancy plus Brain Drain’s non-sequitur routine. (Basically, everything that comes out of this character’s mouth is super hilarious.) The plot of Unbeatable Squirrel Girl #13 is very much a middle chapter as Squirrel Girl and her team regroups to take out Enigmo. But this regroup includes a size changing van, canoes, and way too much information about ant colonies so the comic is still pretty entertaining.

Rico Renzi should be commended for his deep blue and black backgrounds for the Ontario scenes, which make it seem like Squirrel Girl and her company are really in the middle of nowhere and not in New York City lite or a Vancouver backlot. This kind of detail in locations is one of the strengths of the comics medium, and it pays off in a big way as the team dodges traffic on the expressway between Ontario and the United States, which turns into a fight scene against cops that all look like Enigmo. The fight choreography is super jumbled, but North and Henderson hit on a genius idea in the final pages that turns the arc from superhero versus multiplying supervillains fight to a heist movie complete with cool (imaginary) costumes. This totally makes sense because both Brain Drain and Scott Lang are former criminals. Plus Ant-Man’s movie was more of a heist flick with a third act that parodied Marvel superhero films so this turn in the plot is totally logical.

Unbeatable Squirrel Girl #13 tells the same joke about Canadians over and over and the fight against Enigmo is underwhelming, but for the most part Ryan North, Erica Henderson, and Rico Renzi turn in another wacky installment of Unbeatable Squirrel Girl complete with Doreen revealing that she treats the squirrels she controls as friends unlike Scott Lang and his ants, Maureen Green playing the overly proud parent, and the set up for next month’s heist issue. Plus there is the Marvel Comics debut of the talented Spider-Man fanzine artist Hannah Blumenreich on the reliably hilarious Deadpool trading cards that Brain Drain uses to pick a hero to help them against Enigmo

Story: Ryan North Art: Erica Henderson Colors: Rico Renzi
Story: 7.5 Art: 8 Overall: 7.7 Verdict: Read

Marvel Comics provided Graphic Policy with a FREE copy for review.

Whatever Happened to Jessica Jones?

JessicaJonesNYCC

Unfortunately, Jessica Jones hasn’t had a solo series since The Pulse was cancelled in 2006, except for a special one-off for 2015’s New York Comic Con. She’s had stories featuring her as the lead character in Brian Michael BendisNew Avengers, had a solo story by Bendis and her co-creator Michael Gaydos that is all but a pitch for Alias II in the Marvel 75th Anniversary Special, and even was a co-headliner in Chris Yost and Mike McKone‘s Spider-Island: The Avengers with Carol Danvers, but there have been no ongoing or miniseries with her as protagonist.

Also, even though Bendis gave her the semblance of an arc through six years of New Avengers as she went from mom to superhero and back to mom, Jessica has sadly become defined by her relationship with her husband Luke Cage and her daughter Dani. However, along the way, he has developed her relationships with Carol Danvers, Daredevil, and even Spider-Man, who she used to have a crush on back in high school and inspired her to first put on the Jewel costume. (This story is told in a wonderful backup drawn by former Marvel editor-in-chief Joe Quesada.)  And when Bendis was running the Avengers (and by extension) and the main Marvel events, she made appearances in such high profile storylines as Secret Invasion, Siege, and Fear Itself and the tie-ins to Civil War and Avengers vs. X-Men. With Hickman in charge of the Avengers the past couple of years and Bendis focusing on the X-Men and Guardians of the Galaxy, she hasn’t appeared in any recent Marvel events, but this is going to change with Bendis penning Civil War II with artist Dave Marquez. Finally, Jessica is a consistent source of sarcasm and one-liners in the Marvel Universe making her a natural fit for the quip-heavy back and forth of the New Avengers team.

JessVows

The first defining post-Pulse event in the life of Jessica Jones as a character is her marriage to Luke Cage in New Avengers Annual #1, which acts as kind of an epilogue to The Pulse. Also, it ensured that thousands of more readers would be exposed to the relationship between Jessica and Luke, and it gives their wedding an “event” feel, like the previous high profile Marvel weddings between Reed and Sue Richards, Vision and Scarlet Witch, and Spider-Man and Mary Jane Watson. Luke and Jessica were separated once when she decided to sign the Superhuman Registration Act to protect her and her baby, but they still remain married after 10 years. Bendis also doesn’t give into cliche in this issue and has the New Avengers fight the Super Adaptoid before the big day instead of having Black Widow’s replacement ruin the fun. Jessica also makes her own vows and says that Luke has inspired her and helped her not be stuck in her own head all the time, like the early arcs of Alias. It is touching climactic moment in their relationship, and artist Olivier Coipel captures it in usual clean art style and gives her a really poufy dress.

JessvsStark

The next big Jessica Jones moment (Sans her final guest spot in Young Avengers as team mentor where she gives Hawkeye’s bow to Kate Bishop and a couple appearances in Black Panther with Luke) is in New Avengers #22, which is a Civil War tie-in focused on Luke Cage deciding to not sign the Superhuman Registration Act. Bendis uses lots of loaded language and metaphors about the KKK and Jim Crow laws, but basically Luke wants to protect Harlem on his terms, not the government’s. Plus Jessica gets to call SHIELD, “the United States of corporate sellouts”. She shares a sad moment with Carol Danvers as it looks like the superhuman Civil War is going to fracture their friendship for a while, and she ends up not taking part in it going to Canada with her still unnamed daughter in tow for the duration of the event.

BabyDaniDanny

After the war, Jessica ends up on the run with the New Avengers, but instead of going on cool missions with them in Japan and fighting Japan, she stays cooped up in the Sanctum Sanctorum with Dani. Wong or Luke even does her shopping for her because of the Registration Act. Of course, this leads to some major cabin fever, and she snaps in New Avengers #33, which kicks off “The Trust” arc when the New Avengers decide to work with the Mighty Avengers to take on the Hood and a consortium of supervillains, who want to blow up Stark Tower. As a stay at home, she feels like she is suppressing who she really is, and this is confirmed in New Avengers #34 when Doctor Strange does an “imagery” spell on the team to see who they really are on the inside (and if they’re Skrulls.), and Jessica’s image is her in her Jewel costume. Bendis is foreshadowing her possible return to the superhero life, but she won’t join the New Avengers for quite a while. She does get to name her daughter, Danielle, after Danny Rand even though she jokes that the baby was named after Danny Partridge and empathizes with Luke’s paranoia that Dani is a Skrull in light of Elektra being outed as a Skrull in a previous arc.

JessWarOver

If New Avengers Annual #1 was the happiest moment for Luke and Jessica’s relationship, then New Avengers Annual #2 and its followup issue New Avengers #38, which is drawn by Michael Gaydos, is its darkest hour. In a frightening sequence of events, the Hood, who is majorly overpowered, overcomes the defenses of the Sanctum and Sanctorum causing Jessica to give Dani to Spider-Man while she runs away. She and Dani almost get sniped by Punisher villain Jigsaw, but Spidey saves them with his webs. The trauma of this attack causes Jessica to go to Avengers Tower and sign the Registration Act to protect Dani from both supervillains and Skrulls. She and Luke have a long argument where she tells him that he put his principles before being a father, and that all she cares about is Dani’s safety. He even almost gets arrested by the Mighty Avengers, but Carol does Jessica a solid and lets him go if he “thinks” about registering. Because Luke put his ideology before his family, Jessica and him separate with her staying in Avengers Tower, and him in an apartment owned by the Rand Corporation with the other New Avengers.

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However, thanks to a Skrull invasion and crossover event, Jessica and Luke reunite as she joins the fray in Secret Invasion #7 leaving Dani with Jarvis in Avengers Tower. This is the first time Jessica has been in action since she fought Norman Osborn in the first arc of The Pulse, and there’s nothing like a big group superhero fight to rekindle a relationship. Unfortunately, Jarvis is a Skrull and kidnaps Dani. In spite of this momentous event, Bendis even takes some time away from the action to tell a flashback story in New Avengers #47 with Michael Gaydos from her days in Alias Investigations when Luke hired Jessica (His third P.I. choice after Jessica Drew and Dakota North.) to find his dad so he can tell him that he’s not a criminal, but a hero. The flashback part is paced much like an issue of Alias with silent opening sequence and a dialogue heavy interview sequence shot with Luke emoting while Jessica is quiet and listens. Jessica does track him down and meets Luke’s step mom, who reads about his exploits as Power Man in the newspaper, and tries to show his father Luke’s good side. Sadly, they aren’t reunited, and Gaydos puts a literal screen door between them. However, Luke and Jessica grow closer and share a joke about Luke’s costume choices during the Bronze Age, and it cuts to the present where they talk about how Dani won’t have a normal life because they’re both superpowered people, but at least she’ll see the world.

Bendis uses Dani’s kidnapping as an opportunity to make Jessica and Luke the focus of the first post-Secret Invasion arc of New Avengers during 2009’s Dark Reign when the US government thought it was a good idea to put Norman Osborn in charge of SHIELD. After being just a mom and wife for most of his New Avengers run, Bendis and artist Philip Tan give her a more active role in the plot as she, Luke, and Wolverine interrogate a SHIELD agent, who is a Skrull after Jessica gets a Skrull detector from Invisible Woman. Then, Luke shows that he is willing to put Dani first and teams up with Norman Osborn and the Dark Avengers to get her back from the Skrulls. However, he beats up Venom and Bullseye with a crowbar to show them that he doesn’t work for Osborn, which creates a tension leading to a conflict between the New Avengers and the government sanctioned, yet utterly evil Dark Avengers.

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At her new abode of Bucky’s apartment (He’s the current Captain America.), Jessica doesn’t get to play superhero, but she has more input in the New Avengers plans, like telling them to keep their battle with the Dark Avengers out of the apartment, and starts to forge a platonic relationship with Spider-Man after he reveals his secret identity to the team. Bendis and Tan mine a lot of humor out of Jessica’s high school crush on Peter, Luke’s feigned (Or is it.) jealousy, and the fact that he only knew her as “coma girl”. Bendis and Joe Quesada explore their relationship in more depth in a backup story in Amazing Spider-Man #601 retconning a background girl in Stan Lee and Steve Ditko’s Amazing Spider-Man #4 to be Jessica Jones as she watches Spider-Man beat up Sandman. She also gets a great line about Spider-Man starting his own religion with  “With great power comes great responsibility” and says she’ll teach Dani about that. Spider-Man talks to Jessica about showing Dani her best side, and maybe that means a return to superheroing. It’s a great backup that gives Jessica another relationship outside of Luke and Carol, but Quesada’s art is overly posed and not his best work. Jessica Jones also looks like Mary-Jane Watson with brown hair for some reason.

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And Jessica does return into action when the Dark Avengers kidnap Luke, and Stuart Immonen ups New Avengers‘ visual quality when he becomes the new artist on the title towards the end of 2009. After shaking off some criticism from her mother, who is keeping Dani, Jessica spearheads Luke’s rescue by saying, “You don’t fucking mess with Luke Cage.”, a one-liner that should definitely be said some time in the Netflix Defenders show. And, in New Avengers #59, she assembles her own Defenders lineup of Daredevil, Hellcat (First canon meeting between Patsy and Jessica.), Dr. Voodoo, Misty Knight, The Thing, Valkyrie, and of course, Iron Fist to spring him from Norman Osborn. They rescue him easily, but in action movie villain fashion, there’s a bomb on Luke’s chest. It doesn’t detonate when Spider-Man plays it cold and blows up Osborn’s summer home again. (He probably did Harry’s homework there.) These events cause Luke and Jessica to consider their mom’s advice about finding a more normal life about Dani, and they daydream about walking through the park with Dani in her stroller and finding a place to live where they don’t have to be in hiding.

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Continuing the tradition of big Jessica Jones moments in New Avengers annuals, New Avengers Annual #3 features the return of the Jewel costume thanks to artist Mike Mayhew, who did the covers for The Pulse. The setup is reminiscent of DC’s Birds of Prey as the female members of the New Avengers: Ms. Marvel, Spider-Woman, and Mockingbird plus Jessica Jones team up to rescue Clint Barton from the Dark Avengers. They infiltrate Osborn’s helicarrier, kick around Mentallo aka the wannabe version of Mastermind, and grab Clint in a majestic fashion thanks to Mayhew’s painted art style. The successful mission has Jessica even more interested in being a superhero again and also features the return of Steve Rogers back from the dead to throw a wrench into everything as he becomes the head of SHIELD after Norman Osborn is arrested after the events of Siege, and the Superhuman Registration Act is repealed. This has a huge effect on the life of Jessica and Luke as they are no longer fugitives and take Dani on a simple walk in a New York City park in a gorgeous splash page from Bryan Hitch in New Avengers Finale #1.

But even if the happier times of the Heroic Age are upon Jessica Jones, she drew the short straw as Luke Cage got his own four issue miniseries called New Avengers: Luke Cage, written by BPRD‘s John Arcudi and drawn by Eric Canete (Martian Manhunter) and Pepe Larraz (Kanan). While Luke is off busting a crime and drug ring in Philadelphia, Arcudi writes Jessica Jones as a stereotypical nag constantly calling about him being back home instead of being sarcastically empathetic as a former superhero and private eye. To add insult to injury, Canete draws her like a teenage girl in a manga instead of an adult woman adding an air of creepiness into her all too brief scenes. Arcudi can spin a crime yarn, and Anete’s Philadelphia has real character, but their depiction of Jessica Jones is one note.

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But even as she is turned into a sitcom wife in New Avengers: Luke Cage, Jessica Jones fared much better in the Heroic Age relaunch of New Avengers where Luke Cage bought Avengers Mansion from Tony Stark for $1 to house and support the New Avengers, who received a paycheck from SHIELD. Luke was still wary of getting a government paycheck because of his desire for independence, but Jessica accepted the check on his behalf and made a great quip about him being the original “hero for hire”. And she almost immediately jumps right back into battle when the Eye of Agamotto possesses Luke in New Avengers #2. Jessica punches it off him, and there is a lot of magic and possession genre stuff going like The Exorcist meets a standard superhero comic. She does get to punch ghosts and fly in Luke Cage to stop Agamotto (He’s a guy, actually.) opening a portal to scary dimensions along the way and rescue Carol Danvers from being incinerated by magical energy. You basically just want her to join the team.

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And she does take another step to being a full-fledged New Avenger by searching for a nanny in New Avengers #7, which features some funny Marvel D-lister cameos as Bendis and Immonen show they can deftly balance humor and action. She and Luke eventually settle on Squirrel Girl even though she has a bushy tail and a weird past with Wolverine because she can easily control her powers and is interested in working in childcare while she is a student at NYU. Getting Squirrel Girl as a nanny allows Luke and Jessica to go on their first real date possibly ever in New Avengers #8 as Daniel Acuna draws her at her most gorgeous. Luke thinks that Jessica would make a great Avenger as well as a mom and suggests the moniker “Power Woman” for her, which of course, she vetoes. In the issue, Bendis shows her torn between wanting to be present for Dani while wanting to inspire her as a superhero. And there’s a battle between her, Luke, and Doombot where she take the robot out with a fire hydrant. This is the spark that she needs to decide to join the New Avengers for real with Luke adorably saying, “Boo yah.” New Avengers #8 is the lighter counterpart to New Avengers #31 as Bendis focuses in on Jessica and Luke’s ever changing relationship and takes a break from villain plots or magical mumbo jumbo to give her a real milestone as a character even if she is technically a supporting character in the title.

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Jessica’s first mission is a pretty fun espionage tinged one fitted for Mike Deodato‘s photorealistic, noir style of art as she and the New Avengers hunt down Superia, who they later find out has a briefcase with the Infinity Formula that Nick Fury alive, not too old, and strong. She gets a pretty fun moment as she actually drives a truck to take down Superia while Luke carries his with his super strength with Iron Fist in it because Danny doesn’t have a driver’s license. Later, as a tie-in to Fear Itself, Jessica gets to punch Nazi robots controlled by the Red Skull’s daughter Sin, who has godlike status. It’s nice to see Jessica have an active role in a Marvel event for once instead of running away to Canada in Civil War, or staying in some kind of domicile like in Secret Invasion and Siege. She also gets a mini-team up with Squirrel Girl, who surprises Jessica with her squirrel summoning abilities, and successfully sets up the Avengers Mansion safety protocols to protect Dani. Nothing climactic happens to her in New Avengers Annual #1, but Bendis remembers she has a friendship with Daredevil from his days as her lawyer in Alias and client for her bodyguard services in his run on Daredevil. This is why it’s fitting that she gives him an Avengers keycard and welcomes to the team for a short duration as Bendis basically gets to make the New Avengers a clubhouse of all his favorite characters.

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However, Jessica Jones’ Avengers status is less than permanent, and she completely unravels as a superhero in New Avengers #16.1, a special issue drawn by Neal Adams. Jessica is part of an escort to transfer Norman Osborn to the Raft when he becomes the Green Goblin again and threatens to kill Dani until Wolverine forces him to stand down with his claws. However, he ends up escaping, and a few issues later, Jessica confides in Luke that she is afraid to leave Dani’s side because Norman Osborn on the loose. Jessica’s concern for Dani’s safety causes her to sit out of the team’s next mission even though Squirrel Girl is there to watch the baby. Later, she uses her status as a relatively unknown superhero and tries to speak to protesters who decry the destruction left in the wake of the Avengers’ battle, but gets called a spoiled princess. This causes her to go on the run yet again with Dani and Squirrel Girl and argue with Luke for putting their daughter in harm’s way by being at Avengers Mansion. This is basically a rehashing of what went down in “Dark Reign”, but with Deodato instead of Immonen art except with Jessica quitting the Avengers team. Bendis and Deodato also make a clumsy parallel between Luke’s participation in Avengers vs. X-Men with a soldier going to war and leaving his family behind.

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Michael Gaydos makes his final (for now) return drawing the character of Jessica Jones in New Avengers #31, which is mostly a conversation between Jessica Jones and Carol Danvers, who has taken on the identity of Captain Marvel. Jessica feels like she has driven Luke to quit the New Avengers and is a “bad wife”, but Carol reassures her by telling her that it just took him a while to understand his responsibilities as a father and husband. Jessica is really happy with Carol’s new name and costume saying that it suits her as a great superhero and friend as she gets sarcastically sentimental. Even though some of the writing makes Luke seem flighty or a deadbeat dad, Bendis and Gaydos really capture what is great about Jessica and Carol’s friendship, and it’s a pity that they haven’t had much time to interact in issues after this arc of New Avengers. This is probably because Carol’s solo books, especially the past two volumes of Captain Marvel, are more concerned with cosmic threats and adventures than earthbound things. With Bendis on Civil War II, their lack of interactions will likely change, and it will be interesting to see if they resent each other after such a long absence.

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After a magically caused battle between the New Avengers and Avengers team, Jessica Jones finally says her goodbye to the team in New Avengers #34 as she, Luke, and Dani are there for the unveiling of a statue of Victoria Hand, who went from Norman Osborn’s stooge to government liaision to the Avengers, and dying heroically. It’s a pretty touching issue filled with lots of jokes about the events of previous issues, and she even gets a warm hug from Spider-Man. Deodato draws a beautiful double page spread showing all their big moments from Alias onwards as Bendis tries to make an argument that they were the heart of his New Avengers run. I could maybe see that Luke Cage was the focal point of his nine years on the family of books as he went from being a barely used supporting character in Daredevil and Alias to a team leader of both the New Avengers and the Thunderbolts. (He was more of the Tbolts’ babysitter.) However, Jessica Jones, despite her showcase issues, ended up mainly being a mom and sarcastic comic relief. For every scene where she got to punch a Doombot or joke around with Spider-Man, there’s another one where she’s standing silently with Dani on her arm with a baby bottle.

But, at least, while Brian Michael Bendis’ New Avengers was a key book in the Marvel Universe and led to or tied into the big summer event books, Jessica Jones got panel time. This hasn’t been the case since Jonathan Hickman and other writers have taken over the books titled Avengers and New Avengers. Gerry Duggan, Brian Posehn, and Mike Hawthorne use her as a nagging wife stereotype in a couple of stories dealing with Deadpool’s team up with Luke Cage and Iron Fist against the racist supervillain, White Man. It’s a pretty funny parody of the old Power Man and Iron Fist comics, and Jessica Jones does get one great moment when she punches Deadpool out a window when he remarks on her “post baby body.”

Jessica later becomes a supporting character when Luke Cage starts yet another Avengers team in Mighty Avengers, but Al Ewing is careful not to tread on old Bendis plot points and has Luke have the team meet in an old theatre while Jessica and Dani have their own apartment. She doesn’t factor into the plot much except for a great scene where she gets to clock Superior Spider-Man (When Dr. Octopus’ brain was in Peter Parker’s body, and he was a pompous ass.), but continues to be occasional support and comic relief and gets past Blue Marvel’s hard shell to chat about his college age daughter. Jessica plays a similar supporting role in David Walker and Sanford Greene‘s Power Man and Iron Fist where she exists to say funny lines and get on Luke’s case for not spending enough time with Dani. Again, she hasn’t factored into the plot so far in the first three issues.

On a brighter note, Jessica made an appearance in the epilogue of Patsy Walker AKA Hellcat #5 in an homage to her friendship with Patsy in the Jessica Jones television show, which is the equivalent of her friendship of Carol Danvers in Alias without the extra Avengers and cosmic baggage. Jessica Jones is a P.I. for Alias Investigations in Hellcat and is actually working for Patsy’s rival, Hedy, which should stir up some real drama as the comic continues. And hopefully this portrayal continues to seep into the other corners of the Marvel Universe as Jessica is supposedly playing a role in Civil War II and getting her own solo series in its aftermath, written by Bendis with art by Michael Gaydos and covers by David Mack.

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Thanks to the high status Brian Michael Bendis has had in the Marvel stable of writers since in the mid-2000s, Jessica Jones had consistent appearances in the New Avengers titles as well as appearing in Avengers when she became a New Avenger during the Heroic Age. Because of her friendship with Spider-Man, she also appeared in some issues of Amazing Spider-Man, like when the New Avengers helped in the whole “Spider-Island” situation when random New York citizens all got powers, including Dani Cage-Jones, who promptly stuck Squirrel Girl to the wall. But her myriad appearances were mostly in support of Luke Cage or the New Avengers team with the exception of the occasional “solo” issue of New Avengers that Gaydos drew, or special annual that gave her a semblance of an arc.

Fans of Jessica Jones can only hope that Marvel’s heroic character who doesn’t want to be a superhero, overcame PTSD to be a great mom and Avenger, and might have the sharpest wit in all the Marvel Universe, but cares for the little guy and often helped out civilians while the rest of the New Avengers were punching things, gets a story of her own in the years to come and doesn’t have to play second fiddle to Luke Cage. The other Jessica gets a nuanced portrayal as mother, friend, and superhero in Dennis Hopeless and Javier Rodriguez‘s Spider-Woman, and I hope Jessica Jones gets a series like that soon, especially with the critical and commercial success of her Netflix show.

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