Tag Archives: salvatore aiala

Purgatori Must Die in a New Series!

Purgatori is always managing to piss somebody off. The ancient vampire-demoness has lived for thousands of years and accrued many enemies, mortal and beyond. But this time, she may have finally gone too far! Purgatori Must Die debuts this January.

Writer Ray Fawkes continues his chronicling of the character, following Vampirella vs. Purgatori and Purgatori. He’s reunited with artist Alvaro Sarraseca, alongside colorist Salvatore Aiala, and letterer Tom Napolitano.

Recently Purgatori’s control of her own mind and restraint with her power has been slipping. Not only does she suck the blood of her victims, she also absorbs not only any abilities they may have, but also fragments of their memories and personalities. Her patchwork mind has become more and more tangled through the years, and she’s recently embraced this twisted curse. Her latest victims? Gods. Who don’t take too kindly to being hunted and eaten.

The various pantheons have pooled their collective resources to offer up one historic, humongous bounty for the head of Purgatori, no matter which psycho takes it off her. Who would turn this challenge down? This thrilling third act of the Purgatori saga brings together a who’s who of Purgatori’s nemeses and erstwhile allies from across the Chaos! and Dynamite mythos. Fans can look for Vampirella, Evil Ernie, the Sacred Six, and plenty more to crash the party in what is sure to be an action-packed showdown.

To celebrate this climactic crossover spotlight on Purgatori, Dynamite and editor Matt Idelson have pulled together a hunting party of top talents for covers. Collette Turner brings her stunning take on these powerful female characters over from Vampirella: Year One to another legendary vampire. Joseph Michael Linsner‘s sensual portrayals are always beloved by fans. Then two Purgatori regular artists contribute, with Antonio Fuso and Alvaro Sarraseca.

Review: The Death of Nancy Drew #1

The Death of Nancy Drew #1

When The Death of Nancy Drew was announced, people were not too happy. Dynamite Entertainment was celebrating 90 years of the iconic character by killing her. It was kind of obvious that it wasn’t likely going to be the case and reality. The Death of Nancy Drew #1 should make fans of the character, and the Hardy Boys, as well as fans of crime/noir happy. It’s exactly what I’d expect in a hard-boiled detective story with a grown-up sense dealing with drug use, mobs, and murder.

Written by Anthony Del Col, the story is a great mix of traditional noir storytelling and that of the classic Nancy Drew and Hardy Boys stories. The comic takes you through the death of Nancy Drew with voice overs and introduces us to possible suspects. But, what’s great is Del Col also gives us small clues throughout much like the classic stories it’s based on. A mention of a small detail makes you think this is something we need to file away later to recall during the eventual reveal. The mention of characters and connections allows us to build a mental board connecting the dots. It’s a lot of fun as you work through the story.

Generally, the art by Joe Eisma is pretty solid. There are some solid panels that really evoke the noir genre. But, there are some issues. There are panels here and there that had me pause and took me out of the story, unfortunately. An arm or eye’s positioning look off, it’s enough to distract. But, there are some fantastic moments like waiting out a police interrogation or a punch being thrown. The coloring by Salvator Aiala feels like it shifts a bit in later parts of the comic and in the end, might not be different but just feels and looks different for some reason. Again, it’s something that took me out of the art as well.

Despite some shaky art, I really enjoyed The Death of Nancy Drew #1. It’s predictable and in the end, the overall reveals are what I expected but it’s still a solid read. Anthony Del Col nails the pacing, tone, and voice of the comic. It does a service to classic Nancy Drew and Hardy Boys type storytelling with a mix of the dime crime stories.

Story: Anthony Del Col Art: Joe Eisma
Color: Salvatore Aiala Letterer: Crank!
Story: 8.25 Art: 6.75 Overall: 7.75 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


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Dynamite Celebrates 90 Years of Nancy Drew… By Killing Her

Nancy Drew & the Hardy Boys: The Death of Nancy Drew

Happy birthday Nancy Drew, here’s a fridge! One of the stranger reveals so far of 2020 is Dynamite‘s Nancy Drew & the Hardy Boys: The Death of Nancy Drew which will be released in April.

In reality, Nancy Drew is not dead as the announcement teases “Nancy Drew is dead! Or so it seems…” The release has understandably angered some as on the surface the concept of celebrating Nancy Drew by investigating her death is a bit odd. It’s Nancy Drew’s story… it just so happens to star the Hardy Boys.

The series is written by Anthony Del Col with art by Joe Eisma. Both took to Twitter to address the controversy.

Del Col Tweeted “not everything is as it seems…”

While Eisma responded to a Tweet asking if they just fridged Nancy, “I promise I would never do anything of the sort.”

The full release from Dynamite hints at more than just a murder mystery:

Through twists and turns, this dark noir-infused story unfurls as the biggest Nancy Drew mystery of all time. Nancy’s mysterious death follows one of her highest stake investigations into organized crime.

Could have Nancy faked her own death or gone into witness protection due to the mob?

Del Col and Eisma are joined by colorist Salvatore Aiala and letterer Crank! for this case.

We’ll uncover the truth when Nancy Drew & the Hardy Boys: The Death of Nancy Drew comes to shelves in April.

Review: Turok #1

A new hero rises! Turok pursues his kidnapped brother… in the Badlands of the Old West! In the waning days of the Indian Wars, the U.S. cavalry has captured Andar, but Turok will stop at nothing to rescue him. But that quest will lead Turok, Andar and even the soldiers to a strange, lost land inhabited by creatures beyond their imaginations. This is Turok as you’ve never seen him before … and Turok as you’ve always seen him!

If you’ve been reading Graphic Policy’s reviews for some time, then it will probably come as no surprise to you that I’m a Valiant fan. I’ve also been delving into the original Valiant comics from the 1990’s, and one of those series I’ve been picking up is Turok back when Valiant still had the license. So when I saw that Dynamite had started publishing another series, I was curious. Curious to see whether it would be easy enough to pick up if you never touched the cancelled series from 2017 (because I missed that, too), and curious to see if it was even worth reading.

Turok #1 is written by Ron Marz with art by Roberto Castro and colours by Salvatore Aiala, and kicks off in the American West of 1873 as Turok hunts those who have taken his brother Andar captive. The comic’s plot is remarkably simplistic (even more so if you’re aware of Turok’s more traditional setting, whether from videogames or the old comics), but a simplistic plot doesn’t mean the writing is bad; it just mean that Ron Marz didn’t waste any time in getting Turok where he was bound to end up. Honestly, instead of a half an issue or so, I expected at least an arc to pass before we saw a change of scenery. Turok’s first issue is a well paced comic that dispenses with any extraneous plot points, and gets us right to the arrow tipped, uh, point.

Artistically, Roberto Castro and Salvatore Aiala are great. The (digital) pages leave you in no doubt what’s happening, or where, as the story progresses. A pleasure to read and look at, this comic has a really enjoyable feel to it; I went in expecting to get an action comic, and that’s exactly what I got. I have no complaints about this issue in any way shape or form.

Ultimately, a refreshingly fast paced comic with some solid art make Turok #1 a comic that’s just begging to be read by any who are curious.

Story: Ron Marz Art: Roberto Castro
Colours: Salvatore Aiala Letters: Troy Peteri
Story: 8.2 Art: 8.7 Overall: 8.5 Recommendation: Buy

Dynamite provided Graphic Policy with a FREE copy for review

Review: The Resurrected #1

ressurected“In a future where death is not always the end, a lonely yet resolute Aboriginal-Australian detective challenges the world’s most powerful corporation in a battle to save his people from almost certain extinction. If he is to succeed, he must re-discover his Indigenous roots while also finally learning to overcome the loss of his family who died in the techno-plague that ravished Australia five years earlier.”

The Resurrected #1 is a comic that blends a noir style detective feel with some moderately futuristic technology into a story that evokes BladeRunner comparisons, but with a touch more light and brightness (now, shock and horror, I’ve never actually seen BladeRunner, so the comparisons are – at best – to my idea of the movie rather than the movie itself). Written by Christian Carnouche the comic offers a harsh look at the treatment of the indigenous peoples of Australia in its first few pages, but aside from a general theme of an exiled people, that segment doesn’t have as big of an impact as I’d have expected on the story this issue; though it will doubtless have  a larger effect on later issues.

A bigger question asked by the comic is whether if you could resurrect somebody, should you? The potential social ramifications are explored as the more front and center detective story unfolds before the reader, and it’s that question that will drive me into coming back to the comic as the comic seems ready to really explore a break apart the prejudices between those on e their first life, and those on their second (or third) lives. How this will comment on other, more real world issues remains an interesting proposition.

Artistically, the comic is pretty good; the figures are dynamic and detailed, and the backgrounds full of detail. although the historical inaccuracy of the Union Jack took me a little out of the story right away (Northern Ireland’s red diagonal cross wasn’t added to the flag until the early 1800’s), but other than those minor quibbles, the art is solid, and at times jumps right from the page. Crizam Zamora and Salvatore Aiala provide a level of polish to the comic that you may not necessarily expect from anything other than one of the bigger publishers, and minor niggles aside, are remarkably solid throughout the comic.

Ultimately, The Ressurected #1 is a comic that’s worth checking out if you’re looking for a change of pace from the atypical superhero stories. Yes, there are flaws, but nothing that will hamper your enjoyment of an indie comic that holds enough potential to bring you back for the second issue.

Story: Christian Carnouche Pencils/Inks: Crizam Zamora Colours: Salvatore Aiala
Story: 7.5 Art: 7.8 Overall: 7.6 Recommendation: Read

Carnouche Productions provided Graphic Policy with a FREE copy for review