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Cable: Love and Chrome #1 has Cable facing his terminal condition and find out he’s not alone

Cable: Love and Chrome #1

He’s been a soldier. An X-Man. A protector of the timestream. But even from his earliest days, the mutant known as Cable has been living on borrowed time, waging a lonely war against the ravages of the Techno-Organic Virus. Yet when a high-stakes mission in the future goes catastrophically awry, Cable is left stranded in the dystopian city of Salvation Bay – and will find himself caught in the midst of a civil war that will change his life forever. Cable: Love and Chrome #1 is a bit of a throwback in some ways and has the character facing his biggest struggle, the virus within.

I grew up in the 80s and in the 90s I was all in when it came to comics. Every event, chromium cover, debut, it was purchased. 40+ comics a week came home with me to devour. Looking back, most were exactly that, events and flash to get people to purchase them. The depth wasn’t quite there but the ideas were wild, packed with action, and utterly confusing. Cable was a prime example of that. A time traveler, his role in the Marvel Universe has changed over the decades and his path is at this point impossible to follow. That’s partially why I went into Cable: Love and Chrome #1 with the mental expectation that’ll be big explosions and cinematic moments, much like the 90s solo comics I remember. But, written by David Pepose, I should know to expect more and I was pleasantly surprised and please with what was within and the direction of the series.

Pepose mines the character in an interesting way focusing on the character’s struggle with the Techno-Organic Virus he was infected with as a child. The concept of the virus at this point is a bit convoluted as a whole but with Cable, it’s simplified. If he doesn’t use his mutant power, his willpower, the virus will overtake his body and kill him. He has a disability that makes every day a struggle. Cable is the extreme of what those with a disability go through every day, their internal fight and struggle to just function up against a world that “wages a war against them.” And, at times, Cable has slipped in that fight and it has become more difficult for him. It’s something I can relate to personally as my own disability gets the better of me and makes every day a fight of willpower. Pepose has opened up my eyes that Cable can be an allegory and not just over the top weapons that defy physics.

Pepose gives us over the top action too. The comic opens with a scene that is very much Mad Max with details that pop and ground it in a dystopian Marvel future. A new villain is introduced and overall, it’s just a lot of fun. It’s the opening sequence before the credits of the film roles where you just go along for the ride and don’t question the lead up. But, it’s the latter focus on the struggles of Cable and finding a possible community that struggles along with him that stands out and makes this comic more than just big guns, big explosions, and lots of pouches.

Part of the fun of Cable: Love and Chrome #1 is the art of Mike Henderson. As I said, the opening sequence is a prime example of that as there’s small details that ground it all and connects it to Marvel’s past. The designs of the characters are interesting and detailed telling a story and all of it is presented in a way that feels like it could be on the big screen with moments that hit. The color by Arif Prianto is solid giving it all a dirty palette but at the same time keeping the overall coming feeling bright and not depressing. Joe Sabino‘s lettering adds a bit of a punch in scenes as well.

Cable: Love and Chrome #1 has a feel like some of the Cable series I grew up with when the character got solo series with chromium embossed lenticular covers regularly. But, it’s far more getting at an aspect of the character that often takes a backseat and presenting it in a way so many can relate to. It’s a fresh take on the character, something Pepose excels at and a prime reason to check out this debut.

Story: David Pepose Art: Mike Henderson
Color: Arif Prianto Letterer: Joe Sabino
Story: 8.0 Art: 7.75 Overall: 7.95 Recommendation: Read

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TVA #1 falls flat in its debut

TVA #1

The Time Variance Authority has long watched over the timeline, protecting it from dangerous variations that could cause the end of EVERYTHING. Now, as the organization begins to expand its tolerance of variants, it’s enlisted some new recruits from timelines that have been wiped from existence: Captain Peggy Carter, Super-Soldier of her world; Gambit, despondent and aimless from the loss of his lady love; and… this can’t be right… Spider-Gwen?!? Has her world been destroyed?!? TVA #1 delivers a confusing first issue that’s full of variant ideas.

Written by Katharyn Blair, TVA #1 is a frustrating comic in multiple ways. While the idea of the TVA goes back decades in comics, this version of the TVA looks more like what has recently been seen in the Marvel Cinematic Universe. Is this comic a spin-off of the MCU or is it in the comic universe? Is it both? Who knows and that’s part of the frustration. As a whole, the TVA in the Marvel comic universe makes little sense considering how many times the universe has been reset or timelines shifted around. But, this TVA has plucked character from defunct timelines to solve problems. In concept, it could be fun and feels like an echo of the beloved Exiles team.

In this story, nightmares are cropping up across timelines and giving people visions of the TVA that they shouldn’t know as well as having them confront personal nightmares. It could be interesting and all points to the character Nightmare behind everything. But the execution of this story feels like being dropped into a new season of a show after a reboot and new characters being introduced. While you think you should be able to dive in and get it, you feel rather lost and you’re missing something.

The art by Pere Pérez with color by Guru-eFX and lettering by Joe Sabino is good. Everything looks good and some scenes with Spider-Gwen as she crawls around are interesting visually. But, like the story itself, the visuals feel a little disconnected at times. There’s a choppiness visually that matches a choppy narrative.

TVA #1 isn’t a bad comic and there’s potential for the concept but overall it’s a frustrating comic in far too many ways.

Story: Katharyn Blair Story: Pere Pérez
Color: Guru-eFX Letterer: Joe Sabino
Story: 6.0 Art: 7.0 Overall: 6.0 Recommendation: Pass

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Exceptional X-Men #1 shows potential with some interesting details

Exceptional X-Men #1

After the fall of Krakoa, Kate Pryde is trying to get as far away from all things X as she possibly can. She’s just a bartender now attempting to live a “normal” life, away from the action and her past. But, can she stay away from the world of the X-Men for long? Exceptional X-Men #1 kicks off a new team with a unique voice as Marvel’s X-Men rises “From the Ashes.”

Written by Eve L. Ewing, Exceptional X-Men #1 is an interesting debut that fills a niche that the other X-comics haven’t explored yet. With a first issue mainly focused on Kitty Pryde (she’s back to Kitty), we see the fallout of the fall of Krakoa and the exhaustion in one member of the X-Men. Through Kitty, we get an interesting voice and perspective. She admits the more cringe aspects of Krakoa and has clear mixed feelings about her role in the X-Men over the years. She’s focused on starting her life over, a job, attempting to date, dealing with a roommate, and the PTSD of her experiences.

In Ewing’s Exceptional X-Men #1, we get admission that Krakoa wasn’t all it was cracked up to be and that the mutant nation had lost its way. Kitty, and the issue, brings up the statement that mutants were humans’ new “gods,” a statement declared early on in the Krakoan-age and one I winced at. It showed the X-Men were no longer about equality but supremacy. Through Kitty, we see a move to go back to a more classic take on the X-Men and what they’re fighting for, the ability for mutants and humans to live side by side, be neighbors, be friends, be equals. It’s an interesting discussion when folded into other X-titles where the longing for Krakoa is still there and outright movements for separation.

But, of course Kitty can’t stay out of the action as she comes along a young mutant being discriminated against and threatened, forcing her to leap into action to get the young mutant out of harms way. It’s the small spark of what we all know is coming, a team featuring not just Kitty by Emma Frost. All of it is teased and more in this debut issue.

The art by Carmen Carnero is solid. The comic focuses more on the mundane, a job, life in an apartment, waiting in line for a concert, but that makes the action all the more interesting. Visually, the comic does a solid job of ramping up the action, as can happen in real life where things go from 0 to 60 quickly and unexpectedly. Carnero is joined by Nolan Woodard on color and Joe Sabino on lettering and everything pops in a good way with a look that uses its youthful energy balanced with a world weary viewpoint as well. The team nails each moment and the flow of one scene into the next is solid creating a great visual pacing that builds on the rollercoaster of emotions that is Ewing’s script.

Exceptional X-Men #1 is an interesting voice in the X line of comics and it should be intriguing to see how it builds from this issue. It has a clear viewpoint of events from Kitty and also a sense of torn duty many individuals feel in their lives. Though it may be fantastical, it still is grounded in a way that makes it easy to connect to. Out of all of the “From the Ashes” launches so far, Exceptional X-Men #1 has the most potential to shine.

Story: Eve L. Ewing Art: Carmen Carnero
Color: Nolan Woodard Letterer: Joe Sabino
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

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NYX #1 Explores Life After Krakoa

NYX #1

How do you cope with the loss of paradise? This is the question at the heart of the From the Ashes relaunch of X-Men, and no title so far exemplifies that question more than NYX. The mutant island nation of Krakoa is no more and its diaspora is left to pick up the pieces. And like so many of the world’s diasporas, many Krakoans find their new home in New York City, holding onto what community they have left.

This first issue of NYX is told largely through the perspective of Ms. Marvel. She is an interesting character to hinge the first issue on seeing as she never quite got to experience the promise of Krakoa and is still exploring her newfound mutant identity. Writers Jackson Lanzing and Collin Kelly pick up the thread of Kamala attending college courses in NYC that was established in her last run of solos. The school that once was receiving funding from an anti-mutant hate group now is host to a ethnic studies course on Krakoa and its diaspora, taught by Xavier’s own Prodigy, now going by Professor Alleyne. Kamala is attending this course alongside her new friend and Prodigy’s former classmate at Xavier’s, Sophie of the Stepford Cuckoos. Other Xavier’s alumni like Anole and Laura Kinney the Wolverine also make appearances in the comic, as a bartender and vigilante respectively. Seeing Kamala bounce off between these characters is fun and interesting. Alongside these more positive budding relationships Kamala runs into several threats in this issue, one being a anti-mutant group called the “Truthseekers” and another being the mysterious self proclaimed Krakoan dressed in a mix of Magneto and Professor X’s Krakoan costumes, who may or may not have a connection to members of the books cast that should provide for some interesting drama. 

This book should be a particular treat for fans of the Academy X run of comics, that subsect of the X-Men fandom have long been asking for a book that centers around characters from that series and NYX seems like the answer to their prayers. 

I find myself in a curious position vis à vis this book. I myself am a twenty-something queer New Yorker college student. The characters in this book are largely teenager to twenty-something allegorically (and in some cases literally) queer New Yorker college students who are members of a diaspora. This is a setup that is quite similar to my own life. Thus I feel a certain draw to this book that’s subject matter so closely relates to my lived experience. I will admit to getting a kick out of seeing the infamous Highline sculpture, the Vessel in the issue. I eagerly anticipate seeing more NYC landmarks throughout the following issues. The characters feel pretty authentic to my lived experience, Lanzing and Kelly pretty solidly land the voice of my generation. 

The art by Francesco Mortarino feels like a step up from his work on Avengers, the first page in particular is quite stunning, partly due to Raul Angulo’s quite excellent colors. The characters look appropriately youthful and the rendering of NYC is well done. I’d compare Mortarino’s faces to Luciano Vecchio’s work, but while it’s similar in the angler nature of the faces it’s still suitably different and it’s own thing. In general the issue doesn’t have so much visual spectacle but the art team makes it a compelling visual treat. 

Overall NYX #1 isn’t the most flashy of first issues but it’s laying down a lot of interesting tracks, the characters aren’t really a team yet but honestly I think that’s not exactly what the book is going for. NYX seems to be telling a story about a group of young mutants finding their place in a world post the fall of their homeland, and it does a pretty damn compelling job doing it. This is definitely a book to keep an eye on.

Story: Jackson Lanzing, Collin Kelly Art: Francesco Mortarino
Color: Raul Angulo Letterer: Joe Sabino
Story: 8.5 Art: 7.5 Overall: 8.0 Recommendation: Read 

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NYX #1 feels like classic X-Men capturing the current zeitgeist

NYX #1

This isn’t a book about X-Men. This is a book about mutants living past the end of their world and into a new beginning. This is Ms. Marvel embracing her mutant life in the neon streets of the Lower East Side. This is Anole trying to keep his head above water. This is Wolverine in the shadows of Bushwick, protecting her own. This is Prodigy writing history as it happens – and Sophie Cuckoo finding her own way. The news reports are bleak. The streets feel dangerous. There’s something lurking underground. Evil coming from every direction. But they’re determined to make it. This is mutant community. This is mutant pride. This is NYX. NYX #1 takes the post-Krakoan era to New York City where some of the younger mutants are trying to live their lives.

NYX #1 is an interesting debut of a comic. Mostly from the perspective of Kamala Khan, Ms. Marvel herself, the comic feels like a series of short introductions to the key characters from this series. Kamala is in school where she bumps into Sophie. Prodigy is now a professor. Anole is a bartender. And Wolverine is doing her thing. All of it is a setup for what’s to come, a story that feels more like a throwback to classic X-Men when they were a clear parable about the racism and hatred experienced in the real world.

A new organization is driving up the hatred towards mutants who have integrated back into society and doing what they can to live their lives. The organization wants to get rid of them, blaming them for incidences they may not be behind and lying about their rate of crime in the age of misinformation and social media. At its surface, the story feels like its taking on the anti-immigrant hysteria and exaggeration of the current reality of crime in the United States. But, writers Jackson Lanzing and Collin Kelly don’t make it so neat and clear as it turns out there’s a new Captain Krakoa who wants a return of the mutant nation and is in fact terrorizing the city. It feels like a rather odd ploy but the end of the comic reveals the whole gang behind the current state of things, all of it teasing an interesting direction.

The art by Francesco Mortarino is solid with color by Raul Angulo and lettering by Joe Sabino. It’s not a comic that has a lot of flashy fight scenes, there’s a few, but instead there’s a lot of different moments and settings with a lot of characters packed in. It does a solid job of balancing all of that and making it all flow nicely so it feels like different worlds but at the same time, the same city. All of the characters look good and there’s no surprising deviations when it comes to designs and the art. It’s very good overall.

NYX #1 is an interesting start and it’ll probably take the first arc to really sus out some of it. Lanzing and Kelly raise some intriguing points with writing history and doing so, so soon after events. There’s also the anti-immigrant feel to the mutant plight, but then there’s the twist as to who is causing the attacks. There’s a lot of questions raised with this first issue but so far, it feels more like a throwback to what has come before.

Story: Jackson Lanzing, Collin Kelly Art: Francesco Mortarino
Color: Raul Angulo Letterer: Joe Sabino
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review

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Exclusive Preview: Spider-Woman #8

Spider-Woman #8

(W) Steve Foxe (A) Ig Guara
(C) Arif Prianto (L) Joe Sabino
(CA) Leinil Yu (VCA) Mark Bagley
Rated T+
In Shops: Jun 19, 2024
SRP: $3.99

WHO ARE “THE ASSEMBLY”?
Spider-Woman finds San Francisco full of old foes, old friends and a new super-team that could still be either. After a fight with Angar the Screamer, the origin of another new New Champions character will be revealed!

Spider-Woman #8

Ultimate Spider-Man #5 delivers an intriguing origin to the Green Goblin in the weakest issue so far

Ultimate Spider-Man #5 is the origin of Harry Osborn as the Green Goblin!

Story: Jonathan Hickman
Art: David Messina
Color: Matthew Wilson
Letterer: Cory Petit, Joe Sabino

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


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Exclusive Preview: Black Panther: Blood Hunt #1

Black Panther: Blood Hunt #1

(W) Cheryl Lynn Eaton (A) Farid Karami
(C) Andrew Dalhouse (L) Joe Sabino
(CA) Andrea Sorrentino (VCA) Davi Go, Annie Wu
Rated T+
In Shops: May 29, 2024
SRP: $4.99

T’CHALLA THE VAMPIRE! A KEY BLOOD HUNT TIE-IN!
Spinning directly from the events in the BLOOD HUNT series, Black Panther finds himself transformed into a vampire and tasked with carrying out a key mission for the vampire overlord. But even a dark transformation won’t keep T’Challa from his duties to Wakanda – for better or for worse…

Black Panther: Blood Hunt #1

Exclusive Preview: Roxxon Presents Thor #1

Roxxon Presents Thor #1

(W) Al Ewing (A) Greg Land
C() Frank D’Armata (L) Joe Sabino
(A) Greg Land (VCA) Adi Granov, Nick Bradshaw

Rated T+
In Shops: Apr 17, 2024
SRP: $3.99

From the pages of IMMORTAL THOR – the ROXXON AGE OF COMIXX BEGINS! In his secret identity as A.I. spokesguru CHAD HAMMER, the son of Odin knows Mama Gaea is a TOP PRIORITY for heroes AND for business! But when a group of insane environmental activists take “saving the Earth” TOO FAR, it’s time to show them the wisdom on BOTH sides – AS THOR! But WHICH God of Evil is prompting the kids to rebel? Could it be…LOKI, GOD OF EVIL??? Featuring an all-star cast of heroes! MINOTAUR! EXECUTIONER! ENCHANTRESS! And the THOR-TRUCK! This is the story of THE ROXXIN’ THOR… and it’s a VITAL part of the “ABSOLUTE ABSOLUTION” MEGA-EVENT!

Roxxon Presents Thor #1

Deadpool #1 Has Plenty of Heartbreak and Humor

Deadpool #1

Everyone’s favorite unkillable merc with a mouth, Deadpool, returns in a new title. Following a breakup with his partner, Valentine, Wade returns to his mercenary life with his symbiote dog, Princess, at his side. While hunting a low-level criminal, he encounters a new villain impressed with his immortality. Deadpool #1 by Cody Ziglar and Rogê Antônio sets up a fun and exciting adventure that will appeal to long-term Poolheads and new fans alike.

The essential aspect of Deadpool lies in the balance of humor with his more sad emotional core, which Ziglar perfectly expresses. Also, each new creative team brings a different sense of humor when it comes to writing Wade Wilson, where Ziglar’s writing evokes the classic strokes of the character while bringing his sensibilities. A great gag-evoking Chainsaw Man got an excellent laugh out of me. Humor serves as a shield for Wade to hide away from his self-pity and hatred, and I feel the writing struck a solid balance between them. I emotionally felt for Wade as he tried to get his life together after breaking up with Valentine. However, I wish we got to see it on the page instead of it being referenced in his narration boxes. I do hope Valentine pops up later in the series, considering how Princess from the previous run has a significant role, along with Ellie, his daughter, who will be a major part of it. 

Ziglar also establishes a new villain by introducing Death’s Grip, which provides a more supernatural angle for the upcoming series. Despite not learning much about him, the reader is given plenty of interesting crumbs about him, which makes him instantly fascinating. He is a different antagonist to Wade, who is intensely interested in the mercenary. With Wade focusing on the isolation caused by his immortality, I cannot wait to see how Death’s Grip will tie into it. 

Antônio’s great art enhances Ziglar’s humor and action. He provides the right amount of zaniness and violence by depicting Deadpool’s attitude and presence. Specifically with a fourth-wall-breaking joke as Deadpool and Princess travel across portals on a double-page spread. I do appreciate Antônio not showing away from the violence but embracing it. Deadpool loves guns and swords, after all. Guru-eFX’s coloring brings a punchy action feel while delivering the perfect shade of red for his costume. VC’s Joe Sabino lettering expertly switches between Wade’s narration boxes and other minor comedic details in the dialogue.

Deadpool #1 is a solid first issue for what to expect from Ziglar and Antônio. Filled with humor and action, it will satisfy fans of the character. I cannot wait to see where the pair takes the regenerating degenerate in the future.

Story: Cody Ziglar Art: Rogê Antônio
Color: Guru-eFX Letterer: VC’s Joe Sabino
Story: 8.3 Art: 8.6 Overall: 8.5 Recommendation: Read

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Purchase: Zeus ComicsKindle

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