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JLA: Tower of Babel is an important story that has a lot that just doesn’t stand the test of time

Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader.

This incredible series of stories brings Batman’s life story together in an epic full-color collection.

The Legends of Batman Collection includes the best and most essential Batman adventures by legendary creative teams. The collection forms an expansive overall narrative that begins with Batman’s origin in Year Zero and culminates in Batman Year 100.

The Fanhome The Legends of Batman collection delivers a modern classic: JLA: Tower of Babel!

Collecting: JLA #43-46, JLA Secret Files & Origins #3

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Story: Mark Waid, Dan Curtis Johnson
Art: Howard Porter, Pablo Raimondi, Steve Scott
Ink: Drew Geraci, Mark Propst, Claude St Aubin, Mark Meikis
Color: Pat Garrahy, Tom McCraw
Letterer: Ken Lopez, John Costanza


Fanhome provided Graphic Policy with a FREE copy for review

Save Up to 84% off with the DC Holiday Sale

Save Up to 84% off with the DC Holiday Sale at comiXology.com! The sale is running now until January 4, 2021.

There’s over 3,000 comics on sale right now including JLA, Action Comics, Superman, Batman, Wonder Woman, and so much more. Get some classic comics or discover something new!


This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

Save Up to 84% off with the DC Holiday Sale

Save Up to 84% off with the DC Holiday Sale at comiXology.com! The sale is running now until January 4, 2021.

There’s over 3,000 comics on sale right now including JLA, Action Comics, Superman, Batman, Wonder Woman, and so much more. Get some classic comics or discover something new!


This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

Save Up to 84% off with the DC Holiday Sale

Save Up to 84% off with the DC Holiday Sale at comiXology.com! The sale is running now until January 4, 2021.

There’s over 3,000 comics on sale right now including JLA, Action Comics, Superman, Batman, Wonder Woman, and so much more. Get some classic comics or discover something new!


This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

Save Up to 84% off with the DC Holiday Sale

Save Up to 84% off with the DC Holiday Sale at comiXology.com! The sale is running now until January 4, 2021.

There’s over 3,000 comics on sale right now including JLA, Action Comics, Superman, Batman, Wonder Woman, and so much more. Get some classic comics or discover something new!


This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

Review: Doom Patrol/JLA Special #1

JLADPA_Cv1It’s safe to say that Doom Patrol/JLA Special is the best comic ever to feature superheroes inflated like beachballs saving the day. Writers Gerard Way and Steve Orlando, artists Dale Eaglesham and Nick Derington, and colorists Marissa Louise and Tamra Bonvillain deliver a story that is action packed, emotion filled, and cerebral too. Orlando and Way steep the book in DC history, like the collected works of Grant Morrison, the first appearance of Doom Patrol in My Greatest Adventure #80, and even Keith Giffen “Bwahaha” era of Justice LeagueHowever, they aren’t overwhelmed by history and/or nostalgia and craft a satisfying ending to the battle against the Retconn corporation that has real consequences for both the DC Universe and Young Animal world going forward.

Along with the stained glass psychedelic passion play that is the return of Doom Patrol founding member Rita Farr aka , the relationship between Casey Brinke and her son Milkman. Way, Orlando, and Eaglesham could just use him as a strawman representation of corporate comics, but they give the tabula rasa turned moralizing pitchman a human side. Much of Eaglesham’s work in Doom Patrol/JLA is bombastic with splash pages and topsy turvy layouts, but the scenes with Casey and Milkman showcase his skill with interpersonal drama.

Up to this point, Milkman has been a punch/(misogynist) insult machine, but Casey, who is more EMT than superhero, takes him away from the fight, clasps his hand, and says it’s okay that he’s a little screwed up. This is because all of Doom Patrol is a little weird. In a few pages, Way, Orlando, Eaglesham, and Bonvillain and Louise’s warm color palette create a beautiful mother/son relationship that is stripped away in a moment that could be a “put the toys back in the box” plot device moment, but really resonates. Derington even adds a grace note at the end with Casey thinking about Milkman while having a “Good job, rookie superhero” chat with Wonder Woman.

CaseyFeels

Like all good final crossover issues, JLA/Doom Patrol has some great superhero battles beginning with the first double page splash of the entire JLA and Doom Patrol plus special friends Mother Panic and Shade jumping out of Cave Carson’s cybernetic eye. However, the story shows the futility of fisticuffs and the power of healing and, of course, hope to save the world. There’s the aforementioned conversation between Casey and Milkman as well as dialogue from Vixen about the power of the Red (Contained in her ancestral totem) to heal, their plan to save reality as a “defebrillation” and finally Flex Mentallo’s big damn monologue.

It’s quite amusing to see the super serious Batman speaking about “muscle mystery”, and Gerard Way and Steve Orlando take a page out of the Grant Morrison Batman handbook and make him comfortable with the absurd. You can definitely see him dressing up in a rainbow suit to confuse bad guys. It’s also just plain clever to make the most metafictional character of the bunch literally reset the reboot button while getting an assist from the rest of the teams. It also dovetails nicely with the Rita storyline, which goes from gaudy and religious to primal and minimalist while also kind of reminding me of the video for “Take On Me” as Elastigirl leaves her fictional television world for the real to her, sadly fictional to us world of the DC Universe literally entering the panels of JLA/Doom Patrol Special. She faces the literal comic of her origin story as a victim of circumstance and re-enters the world as a formidable character and charter Doom Patrol member. Retcons can be pretty great some time, and I think Grant Morrison would be proud at this use of comic book as magic spell that calls back to Multiversity and the letters page of The Invisibles. (Think wankathon…)

Speaking of meta, Way, Orlando, Eaglesham, and Derington don’t just use the fourth wall breaking for jokes and jabs at superhero comics (Everything out of Shade’s mouth is comedic gold though.), but give the self-aware-that-he’s-a-comics-character Robotman some big character moments. It’s kind of adorable to see The Ray geek out on him and mention the impact that fictional superheroes had on him. This heat of battle rapport pays huge dividends in the epilogue. Let’s just say, there are hugs.

Doom Patrol/JLA Special isn’t just an entertaining comic that is filled to the brim with hopefulness, it’s a paradigm for how superhero stories can be told. Basically, Gerard Way, Steve Orlando, Dale Eaglesham, Nick Derington, Tamra Bonvillain, and Marissa Louise are saying that superhero comics are pretty damn weird, and they can embrace this strangeness, be inspirational and even funny, and not just be grist in the mill of real life Retconns aka their corporate overlords. Because of this, I’m excited to see what Young Animal does next with its Eternity GirlShade the Changing WomanMother Panic: Gotham A.D., and Cave Carson Has An Interstellar Eye comics that get short, unobtrusive teasers in Doom Patrol/JLA Special.

Story: Gerard Way and Steve Orlando Art: Dale Eaglesham and Nick Derington
Colors: Tamra Bonvillain and Marissa Louise
Story: 10 Art: 9.8 Overall: 9.9 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

Review: JLA/Doom Patrol Special #1

JLA DOOM PATROL SPECIAL #1Grab a milkshake, put a cherry on top, and maybe add a shot of whiskey or two, and you’ve got JLA/Doom Patrol #1, the first chapter of the monthlong DC Comics/Young Animal “Milk Wars” crossover. Writers Gerard Way and Steve Orlando combine the surrealism and fourth wall obliterating metafiction of Doom Patrol  with the punching and personality-driven Justice League of America to create the soft serve chocolate swirl of “event” comics. It roasts these kind of stories while indulging in all the tropes, including a spread it all around your dorm room four page spread from artist Aco and colorists Tamra Bonvillain and Marissa Louise of the Doom Patrol fighting the literally homogenized version of the JLA.

It’s super entertaining, in general, to see the book go from a critique of corporate comics to a 1950s Americana small town mystery thriller, then a slugfest, and finally an unlikely team-up thanks to a couple stinger pages that put those Wolverine “post-credits” pages in inconsequential Marvel Comics to shame. The play of genre, tongue in cheek sense satire, and embrace of the strange side of superhero stories makes JLA/Doom Patrol generally fantastic. It’s the comic book equivalent of getting a tasty dessert and getting some nutritious visuals and ideas along the way.

From his first appearance on the obviously homaging All Star Superman cover from Frank Quitely, Milkman Man is a fantastic villain even if the real Big Bad is the aptly named Retconn corporation. Besides being connected to a plot point in the main Doom Patrol series, Milkman Man is Superman drained of all his inspirational power, connection to social activism, and humanity. Aco might homage Action Comics #1 when he lifts Danny the Ambulance and throws it at the Doom Patrol, but this is a Superman, who punches down and stands for the status quo. With his neighborhood watch buddies, including a thoroughly neutered (and hilarious) Lobo, he’s here to make sure that outsiders stay down, and that superhero comics are just mind numbing punch outs and don’t have any real connection to people, their feelings, and the world around him.

Milkman Man is cereal mascot at best and alt right “Politics don’t belong in my white DP_JLA_1_3male spandex clad power fantasies” mascot at worst. In his first appearance, Aco goes for pure horror with inset panels of him shoving milk down the throats of an average white Middle America family.  This powerful, nearly silent scene played against an idyllic color palette from Bonvillain and Louise is a reminder that even when art claims to be apolitical, just for fun, or not have a message that it, in fact, does have a message. The Retconn Corporation wants to “homogenize” the DC Comics characters, including their classic Trinity, and turn them from powerful icons of justice into basically toys and merchandise as revealed in a couple pages that seem like a “behind the scenes” of a corporate board meeting. Milkman Man’s reaction to reading the actual Action Comics #1 (After yet another gorgeous and meta as hell double page spread from Aco, Bonvillain, and Louise.) is a reminder of how powerful Superman’s origin story is from Way and Orlando, who realize that pop culture can change the world and immigrants get the job done.

Along with having strong metaphors, a well-written villain, and some knock your skull off your body visuals, JLA/Doom Patrol succeeds because Way, Orlando, Aco, Bonvillain, and Louise realize that one thing that makes DC Comics great is that they’re pretty fucking weird. As the unflappable comic book character brought to life Casey Brinke says to Milkman Man, “Some of the best people are weirdos.” I mean, this is a universe where their most iconic hero wears his underwear on the outside and saves cats from trees while a bisexual, chain smoking, left wing British magician can have 300 straight issues of his comic and age in real time.

Way and Orlando’s understanding of the weirdness of DC Comics really comes out when the JLA and Doom Patrol interact as (Not so.) regular people and not milk drinking, mind controlled Stepford superheroes towards the end of the book. Ray and Danny the Ambulance kind of, sort of flirt, Larry Trainor the Negative Man opens up way too much to Lobo, and Killer Frost and Crazy Jane really bond over trying to do good with their vast, yet unwieldy powers. After the punching of the first 2/3 of the comic, Aco settles down into a casual hangout vibe for these scenes before going stylized with the aforementioned “stinger” sequences. It’s a reminder that some of the best superhero stories aren’t just action figure fights, but treat their larger than life characters like human beings with thoughts, motivations, and of course, flaws.

In JLA/Doom Patrol Special #1, Gerard Way, Steve Orlando, Aco, Hugo Petrus, Tamra Bonvillain, and Marissa Louise combine the best of DC Rebirth and the best of Young Animal in one beautiful, oversized package. And as a bonus, Mags Visaggio and Sonny Liew begin to tell the poetic, retro-styled origin story of Eternity Girl in a two page backup.

Story: Gerard Way and Steve Orlando Art: Aco with Hugo Petrus Colors: Tamra Bonvillain and Marissa Louise
  Backup Story: Mags Visaggio Backup Art: Sonny Liew 
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

ComicConBox To Include Exclusive JLA #1 Variant In March

JLA #1 VariantWizard World, Inc. and DC Comics have announced that the JLA #1 with variant cover by Tyler Kirkham will be available in the March ComicConBox.

While out on a drive, Barry Allen investigates a strange blue glow coming from a house, and ends up encountering Jasonar and Saranna, beings from the dimension known as Kalanor. Changing into the Flash, Barry learns that these aliens come from another dimension which has been under the rule of Despero, a despotic ruler who has access to super weapons. Jasonar and Saranna had come to Earth to build a device which would absorb the weapons’ power source. Offering to help, the Flash calls the Justice League together for a meeting in order to help Jasonar and Saranna in their mission to stop Despero. Writer: Gardner Cox ; Penciler: Mike Sekowsky; Inker: Bernard Sachs.

ComicConBox™ packages will be sent to U.S. members on or around the first week of each month.

The Strangest Members of the Justice League

snapperThe Justice League of America is best defined by its core of main characters.  As opposed to other major superhero teams like the X-Men, Avengers, or Teen Titans, the core seven members of the team are considered as almost sacrosanct.  Without Superman, Batman, Wonder Woman, the Flash, Green Lantern, Aquaman, and Martian Manhunter, the League is considered to not be at full power (though Manhunter has been somewhat replaced on this list by Cyborg.)  That being the case, the membership of the League has mostly remained constant over its publication history, but as with every team there are always the odd ones that find their way in.

Snapper Carr – The modern reader of comics might not recognize it immediately at a glance, but the history of comics is the history of trends.  Characters that might seem to represent some diversity in the modern day such as Power Man/Luke Cage or Shang Chi were in fact added to comics as they helped to capitalize respectively on the popularity of blaxpoitation and kung fu films.  One character long before them was Snapper Carr.  Although he existed as a sidekick more than actual superhero, he was nonetheless a vital member on some missions, (such as the first involving Starro).  The character was inspired by the Beatnik generation which was somewhat popular at the time, and for those that might look for a related Marvel character, they would be wasting their time, because the trend of beatnik characters came and went long before Marvel got established.

daleDale Gunn – After the X-Men took over the medium of comics in the 1970s it was determined that the Teen Titans became DC’s best hope to fight against this success.  After the youth oriented book performed well it was decided to give the Justice League a makeover as well, and what resulted was what has become known as Justice League Detroit, a weaker version of the team, but one focused more towards the street.  Out were Batman and Wonder Woman, in were street level characters like Gypsy and Vibe, the latter of which was enough of an attempt to cash in on the breakdancing genre that was actually popular for a while, for those that remember their Electric Boogaloo.  The stranger character though was Dale Gunn, introduced as a ladies-man character that was the custodian/tech expert for the new team, who wore a superpowered suit of armor in his first appearance, but then just faded into the background.  Zatanna and Vixen both fell in love with him almost from the get go, but his impact was never really noticed after a few issues.

maxMaxwell Lord – Whereas the X-Men had Dazzler and the Outsiders had Looker, the Justice League never really managed to capitalize on the big hair and big money 1980s, or at least they wouldn’t have except for the influence of Maxwell Lord.  The character was essentially a Gordon Gecko rip-off, and one whose moral code was also somewhat skewed.  He served as the bank roll for the team, but had delusions of heroism at times, and eventually went bad when he almost had every superhero killed during Infinite Crisis.

Blue Beetle – The Justice League of the post-Legends DC Universe was one very different from what came before.  Legends was kind of an attempt to do the final clean-up on what had happened during the Crisis on Infinite Earths, and it resulted in a new Justice League.  Whereas a lot of titles were getting darker at the time, or at least geared more to a mature audience, this team went the opposite route, becoming goofy.  Another trend at the time was that the Justice League becoming a dumping ground for characters who couldn’t hold their own series.  Thus the League assimilated Booster Gold, Blue Beetle and Captain Atom among others, but it really became the Blue Beetle and Booster Gold show, with their not-so-serious antics proving to be the fodder for most issues as opposed to real threats.  The character had been serious before, but never really recovered before being killed off.

drfateZan and Jayna – The so-called Wonder Twins didn’t come from the Justice League exactly, but instead came from the children’s show spin-off, the Super Friends.  It might have seemed likely that the characters might have just retired into obscurity as many others did, but they were actually revived for a time in the 1990s.  As a bit of a running joke before hand they never really caught on, and were used for only a few issues.

Dr. Fate/Guy Gardner – These two are not exactly the strangest characters exactly, except in how they were used.  Once again another influence of the post Legends Justice League, the writer Keith Giffen was a big enough fan of gender swapping some of his characters.  Not as in the usual sense of making a separate character like Supergirl or Batgirl, but in simply finding a way to switch genders.  It was done first with Doctor Fate and recently with Guy Gardner.

Ambush Bug/Super-Chief  – After Infinite Crisis the creators promised to give exposure to pretty much every character that had ever shown up in the pages of DC Comics.  This meant that some strange and obscure characters had to be brought in.  In this case it was a Firestorm led Justice League that contained among its members the Ambush Bug and Super-Chief.  They showed up for a couple of panels and then were never seen of again.

poisonivyPoison Ivy, Lex Luthor and Captain Cold – It turned some heads in the pages of the Waid led JLA when the rotating cast of team members included what was kind of Catwoman for one issue.  People wondered how it was that a thief was allowed membership to the team, even when she didn’t really join.  This was later rendered somewhat moot in the era of rooting for the bad guys in comics.  In the modern day, many series focus on villains, and Lex Luthor, Captain Cold and poison Ivy have worked alongside the Justice League, the latter in the most recent issue of Justice League United.  As villains become the new cool characters, it is not surprising to see some join the ranks of the superheroes.

To read the list of the strangest members of the League is partially a way to read the trends which have defined the medium of comics since the team’s inception.  There have been characters that have been stunts, or put in place to take advantage of what was happening in popular culture.  The team usually goes back to the main seven, but it is interesting to note that they are not always there, and sometimes some odd choices are made.

JLA/The 99: Where’s the Outrage!?


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JLA/The 99 #1We’ve chronicled the controversy surrounding the comic books series The 99.  You can read our past posts about it here, here, here and here.  The short version of the issue is simple, the right wing hates Muslims.  Well, this week DC comics released a crossover with The 99‘s publisher Teshkeel Comics which saw the super team meet DC’s Justice League of America.

A threat from beyond the stars brings the World’s Greatest Heroes together with the World’s Newest Heroes to stop a globe-spanning invasion of Earth in this 6-issue miniseries! DC Comics’ JUSTICE LEAGUE OF AMERICA joins forces with Teshkeel Comics’ THE 99 to create an unstoppable army of super-powered beings the likes of which the world – and comic shops – have never seen before!

We’re not going to go into the review of the comic (it’s bad), but more importantly the significance of it and what a missed opportunity this is.  The right’s issue with The 99 stems around their belief that it’s goal is to brainwash our children and turn them into Muslim terrorists.  Often incorrect statements are made about the characters and of course hyperbolic statements whose only goal is to cause fear are thrown around.

So here’s a rundown of the points we see about this comic book both good and bad:

  • It’s an introduction to The 99 – Most folks have not read this comic series, and I’d imagine most have never heard of it.  So, this is their first introduction to them.  I myself have never read an issue.  So, right away it gives us an introduction to these new characters.
  • The word Muslim is uttered 0 times – For a “Muslim” super hero team, the word Muslim or Islam appears zero times in the entire first issue.  A missed opportunity here.  We do see one female character in a burka, that’s the only hint we’re given.  Maybe The 99 will save the day, and then there’ll be a reveal giving us a moment to reflect on their religious beliefs and our thoughts towards them.  My guess is, that’s not going to happen.
  • Where’s the outrage!? – Isn’t this just an easier way for the Muslims to gain a mass audience and brainwash the comic reading public!?  You’d think the right wing nuts would be all over this calling for boycotts of DC comics.  They went apeshit over one panel in a Captain America comic and that caused Marvel to lose their balls and apologize for free speech.  The comic has only been out for a week, so we’ll see.

But, I’ll give credit to DC.  They knew what they were getting into with this, and they published it anyways.  The problem with highlighting this comic is, it depicts the characters in a totally reasonable light.  There’s nothing controversial about it.  I fully expect some outrage to eventually manifest, and expect us to cover it.

But, unless that outrage manifests, those hating on The 99 comic book series and soon to be cartoon are nothing but hypocrites who pick and choose what they want to rage against to get attention and spread hate and fear.