Tag Archives: heavy metal

Indie Comics United with a Super Humble Bundle of Awesome Stuff to support the CBLDF!

Indie Comics United: A Super Bundle of Awesome Stuff

Indie comics and their publishers are having a moment like never before, and what better way to celebrate this achievement than by putting together a bundle of the best of the best? And even better than that?? You can get all of these comics delivered right to your inbox at the low price of your choice!!

Humble Bundle has partnered with a bunch of indie publishers: Ablaze, Action Lab, American Mythology Productions, Battle Quest Comics, Drawn & Quarterly, Dynamite Entertainment, Fantagraphics Books, Heavy Metal, Living The Line Books, Valiant Entertainment, Zenescope, Hermes Press, and Green Ronin Publishing to support their shared goal of encouraging bold ideas and creativity in their creators and readers, bringing you some of their most beloved titles, like quirky time travel graphic novel There’s No Time Like the Present, intimate queer family drama Stone Fruit, fairy tale reimagining Grimm Tales of Terror, sci-fi epic Moonray, and the newly revamped Heavy Metal! You choose what you pay for all of these and more, and every purchase supports the Comic Book Legal Defense Fund!

The Indie Comics United: A Super Bundle of Awesome Stuff has a retail value of $1,329 and you can get all 60 items for just $18.

Publishers Motion to Dismiss Diamond’s Adversary Complaints

Diamond Comic Distributors

One of the major outstanding issues with Diamond‘s bankruptcy is the status of consignment inventory. Diamond currently has stock that was provided to it by publishers on a consignment basis. That stock is currently physically held by Sparkle Pop which purchased some of Diamond’s assets, including taking over the warehouse where these are stored, though they don’t have a right to sell it (which they did and there was drama around that).

Diamond wants to sell the consigned goods to help pay back its creditors. Publishers obviously want their stock back. A judge put a stay on the decision which has been playing out for months. Diamond then went a submitted adversary proceedings against publishers, over 30 of them. In short, instead of this decision being handled at a macro level, the judge said Diamond could sue each publisher individually to figure out the product status.

Now, Diamond is in chapter 7 and due to key dates having passed, the Consignment Group, which is made up of multiple publishers, has submitted motions in each of those adversary proceedings to dismiss the complaints. Oddly a filing had the Trustee of the chapter 7 process selling the consigned goods to Sparkle Pop so it’s unclear how this motion and that clashes.

Filings by Massive Publishing, Oni Press, Panini, Alien Books, Titan Comics, Vault Storyworks, Dynamic Forces, Aspen, Black Mask Studio, Dark Horse, DSTLRY, Heavy Metal, and Magnetic Press were all revealed today were submitted to the court to “Dismiss Adversary Proceeding Complaint(s).”

The motion goes right into it stating that Diamond has not submitted facts to back up their complaint and discovery has not revealed evidence, and that the court can dismiss it over this.

The Complaint(s) in this case is devoid of any meritorious allegations that might possibly support Plaintiff’s claims; thus, this Complaint must be dismissed.

The filing then goes on about the agreement between Diamond and the publishers saying it’s “executory in nature” and Diamond’s obligations were to ship goods, properly store the goods, and pay the publishers when the goods ae sold.

On December 19, 2025, Diamond’s Chapter 11 was switched to Chapter 7 and with that, they had until February 17, 2026 to assume or reject an executory contract. The deadline to assume or reject their contracts has been an issue throughout the Chapter 11/Chapter 7 case with the deadline to do so pushed out over and over. The latest request to extend the deadline was denied in early February.

February 17 has come and gone and since the deadline wasn’t extended again and the agreements weren’t assumed, then they can be deemed rejected.

Because the agreement has been rejected, they are now terminated the Consignment Group argues and the agreement is now in breach and the next steps due to that breach need to be determined.

The Consignment Group feels the agreement has answers to that and as per a Supreme Court case, the publishers would then retain the rights it has received under the agreement. The motion lists out the various ways the agreement can be terminated (something we have mentioned before) and then goes on to state since the Consignors are owed money still and no proof of claim has been filed, the agreement has been terminated by its own terms.

The agreement lays out what happens next:

  1. Effect of Termination
    d. Except as provided herein, the termination of this Agreement shall not relieve or release any party from any of its obligations existing prior to such termination. Upon termination of this Agreement, title to all material containing the
    Trademarks, or Seller’s copyrights, service marks, or similar rights shall be deemed to have automatically vested in Seller. Unless otherwise agreed to by Seller, Buyer shall immediately deliver such material to Seller, at Seller’s cost. Buyer, at Seller’s option, may destroy such material at Seller’s cost, and upon such destruction furnish Seller a certificate of destruction satisfactory to Seller and signed by an officer of Buyer.

In short, the Buyer (aka Diamond) needs to return the goods to the Seller (aka publishers) with the Sellers paying for shipping. The Buyer can also destroy the material if the Seller wants, with the Seller paying for that.

The Consignment Group’s motion then concludes that due to all of that, the consigned goods are now clearly owned by the publishers and the Adversary Complaints should be dismissed.

This is a pretty big motion that might be the first real step to settle the outstanding question as to who owns the consigned goods. With the lapse of the date concerning the acceptance or rejection of existing agreements, the publisher’s case gets stronger.

We’ll be watching this closely and report when the court makes a decision regarding this key issue.

Indie Comics United with a Super Humble Bundle of Awesome Stuff to support the CBLDF!

Indie Comics United: A Super Bundle of Awesome Stuff

Indie comics and their publishers are having a moment like never before, and what better way to celebrate this achievement than by putting together a bundle of the best of the best? And even better than that?? You can get all of these comics delivered right to your inbox at the low price of your choice!! Humble Bundle has partnered with a bunch of indie publishers: Ablaze, Action Lab, American Mythology Productions, Battle Quest Comics, Drawn & Quarterly, Dynamite Entertainment, Fantagraphics Books, Heavy Metal, Living The Line Books, Valiant Entertainment, Zenescope, Hermes Press, and Green Ronin Publishing to support their shared goal of encouraging bold ideas and creativity in their creators and readers, bringing you some of their most beloved titles, like quirky time travel graphic novel There’s No Time Like the Present, intimate queer family drama Stone Fruit, fairy tale reimagining Grimm Tales of Terror, sci-fi epic Moonray, and the newly revamped Heavy Metal! You choose what you pay for all of these and more, and every purchase supports the Comic Book Legal Defense Fund!

The Indie Comics United: A Super Bundle of Awesome Stuff has a retail value of $1,329 and you can get all 60 items for just $18.

Exclusive Preview: Get a look at Gladiatrix! Out in Heavy Metal #3!

Forbidden Planet New York Signing

After a hugely successful relaunch earlier this year, the latest issue of Heavy Metal will appear in stores from Wednesday, October 8 – the same week as New York Comic Con! One of the stand-out titles from this new era of the magazine has been John Stanisci’s Gladiatrix, which fuses history, sci-fi, fantasy and hyper-violence into a potent bloody mix.

To celebrate this momentous occasion, Forbidden Planet New York will host an all-star signing event for Heavy Metal #3 at their 832 Broadway location on Wednesday, October 8 from 5:00-7:00pm. Joining Gladiatrix creator John Stanisci will be his colorist David Baron, letterer Tom Napolitano and editor Dave Kelly, as well as artist Marco Failla who is illustrating the new serial, Ink.

On an ancient world ruled by eldritch forces, a fierce warrior steps into an arena to confront a sinister gatekeeper and a horde of the undead, but the real test will come from the emerging hero’s willingness to face the haunting weight of her own sins. Issue 3 offers further revelations in the Gladiatrix saga and sets the stage for what’s to come – making it the perfect jumping-on point.

Gladiatrix was co created by John Stanisci and Oscar nominated screenwriter Dan Gordon with special thanks to Charley and Vlas Parlapanides, the creators of Blood Of Zeus on Netflix and Ink for Heavy Metal.

Heavy Metal #3 will be available for signing at the Forbidden Planet New York event on Wednesday, October 8. You can also find it (and earlier issues) at your local comic shop, newsstand or online direct from shop.HeavyMetal.com.

SDCC 2025: Heavy Metal Announces Early Release/Exclusives for Heavy Metal #2

After its massively successful relaunch earlier this year, Heavy Metal Magazine is back with Issue #2,  kicking off with an early release at San Diego Comic-Con (July 23-27) alongside two SDCC-exclusive variant covers. Fans at SDCC will be able to grab an early copy at the Heavy Metal and GenSeven Creations booth (#4804)Heavy Metal #2 will be available worldwide at local comic shops and newsstands starting July 30. 

Fans attending San Diego Comic-Con will have early access to Heavy Metal #2, one week before its official release. The iconic illustrated anthology will be available to purchase during SDCC, from Wednesday, July 23, through Sunday, July 27 at the Heavy Metal and GenSeven Creations booth (#4804)Heavy Metal talent will be conducting signings and have copies available to purchase at their booths, including:

  • Longtime Heavy Metal artist Lorenzo Sperlonga (Booth #4812)
  • Heavy Metal Editor-in-Chief Frank Forte (Booth #1429)

There will be a limited supply of two SDCC-exclusive covers from Lorenzo Sperlonga (500 copies) and the Escorza Bros (200 copies). Additional open order covers for Heavy Metal #2 include:

  • Cover A – BROM
  • Cover B – Patrick Reilly
  • Cover C – Janevsky
  • Cover D – Jim Mahfood

Heavier than ever, Heavy Metal #2 brings the world’s greatest illustrated magazine back to the forefront of comics. This issue will introduce Blood of Zeus creators Charley & Vlas Parlapanides’ new story, INK, with art by Marco Failla. One of the magazine’s original legends, Enki Bilal continues with his acclaimed BUG series. Burton & Cyb returns by Antonio Segura and Jose Ortiz. Janevsky’s cult sci-fi heroine, Sixella continues. Guido Crepax’ classic character Valentina returns by Sergio Gerasi. Writing duo Leah Moore and John Reppion will pen Taarna’s ongoing adventures, with art from Anna Morozova. The return of classic strips The Bus by Paul Kirchner and June 2050 by Pepe MorenoMichael Conrad will pen MILLSTONE illustrated by Ilias Kyriazis. Additionally, the issue is rounded out by a plethora of short stories, including Justin Jordan and Elgo’s collaboration on Bug Hunt; the return of Alfonso Font to Heavy Metal with his Carmen Bond; and Claudio Alvarez teams up with Geraldo Borges on Habemus Papam, among many others.

In addition to Issue #2, lifelong fans and those new to the mythos can look forward to the Heavy Metal Library, a new premium graphic novel collection curating classic Heavy Metal stories, world-renowned fiction, and debuting many works in English. Beautifully produced and designed for collectors, each volume will feature rarely seen art, behind-the-scenes materials, and exclusive commentary from original creators. The first wave of release includes the collected works of Druuna by Paolo Eleuteri Serpieri, the haunting sci-fi epic Segments by the legendary Juan Giménez, and the anarchic cyberpunk masterpiece RanXerox by Stefano Tamburini and artist Tanino Liberatore.

Fans can subscribe to Heavy Metal Magazine to dive into strange new worlds and never miss the visionary art and mind-expanding stories packed into every issue. Subscribers can choose from three tiers (Softcover, Collector’s Edition Hardcover, or Digital) to receive four epic quarterly issues and an annual special edition featuring a subscriber-only variant.

Exclusive Preview: Get a look at “Taarna” from Heavy Metal #1

This week, Heavy Metal returns to comic shops with Heavy Metal #1! After a successful Kickstarter campaign, the magazine is back with the editorial team of Frank Forte, Dave Kelly and Chris Thompson.

Within this anticipated relaunch you’ll find Sergio Gerasi’s gorgeous revitalization of Guido Crepax’s seminal character, Valentina. This new vision of the femme fatale, which is fully authorized by the Crepax estate, was first published by Feltrinelli Editions in late 2024 and will be making its English language debut.

On the original comics front, Michael Conrad will be teaming up with Greek comics legend, Ilias Kyriazis, and letterer Simon Bowland, for an all-new series entitled Millstone. This dark and twisted fantasy tale fully embraces Heavy Metal’s bold, unrestricted style, and is sure to excite readers with its potent storytelling and immersive worldbuilding.

These new titles complement the previously announced line-up, starting with one of the magazine’s original legends, Enki Bilal, who returns for the English language adaptation of his acclaimed BUG series. He’s joined on the European front by previously unseen instalments of Burton & Cyb by Antonio Segura and Jose Ortiz, as well as Vicente SegrellesThe Mercenary. And, in the spirit of introducing American audiences to the freshest European talent, issue #1 will present the English-language debut of Janevsky’s cult sci-fi heroine, Sixella, in an original story, The Last Roots.

This special collector’s edition release of Heavy Metal #1 also comes with a variety of cover options, including the standard Greg Hildebrandt and Frank Frazetta covers – as well as a handy Blank Sketch edition to commission your favorite artist – plus three brand new covers created exclusively for the direct market. These covers shine a spotlight on some of the interior stories, including Taarna by Tula Lotay, Grimaldi by Keron Grant, and Sixella by hot French newcomer Janevsky!

For those who love the 1981 cult classic animated film, Heavy Metal will showcase some of their most famous faces in a series of new stories. There will be special one-shot tales of Cold Dead War by Craig Wilson, Grimaldi by Keron Grant, and Legends of Taarna by Joseph Michael Linsner – as well as the debut of Taarna’s ongoing adventures, which will continue in each issue. Written by Leah Moore and John Reppion, with art by rising star Anna Morozova, colors by Ellie Wright, and letters by Tom Napolitano, this will be the definitive take on Taarna, which sets and establishes her character beyond the film and going forward. Forget what came before, here is your chance to get in on the ground floor.

Bridging the gap between European and American audiences is DC Comics superstar, Fernando Dagnino Guerra, who brings a new series of interconnected, yet stand-alone, cyberpunk shorts to the magazine – starting with Lester, That Old Feeling. Dagnino’s sci-fi splendor has most recently been seen within the pages of Blade Runner for Titan Comics, and these new stories represent a major leap forward in his futuristic storytelling abilities. Alongside these European classics and recognizable Heavy Metal characters, issue #1 will also feature the return of classic strips such as The Bus by Paul Kirchner and June 2050 by John Workman – plus a brand-new horror short, Transcendestiny, by acclaimed masters of horror, David Quinn and Tim Vigil; a tale of the Kecksburg UFO by Jim Rugg and a new story by Jonathan Wayshak.

All of that is in addition to a host of great editorial features, interviews, and coverage!

We have an  exclusive six-page preview of Taarna that you can check out below. Then, head to your local comic shop so you don’t miss the return of Heavy Metal!

Heavy Metal #1

Heavy Metal returns in the new year

Heavy Metal #1

After months of hushed rumors and backroom whispers, Heavy Metal International has announced the official relaunch of its eponymously-titled flagship publication, Heavy Metal magazine, in the new year!

With a rich history dating back to 1977, Heavy Metal began by featuring work by greats such as Enki Bilal, Richard Corben, Guido Crepax, Philippe Druillet, Caza, Jean-Claude Forest, Jean “Moebius” Giraud, and Milo Manara.

Since that time, the magazine has passed through many hands, and faced many challenges, but is returning with a dedicated new team led by Chief Executive Officer Marshall Lees.

Returning to the helm, this time as Editor-in-Chief, is Frank Forte. With over 30 years of publishing experience running Asylum Press, as well as serving with Heavy Metal for parts of the last two decades, Frank brings a wealth of knowledge and connections to the role.

Joining Frank are two new faces to Heavy Metal, though definitely not strangers to the comics industry or brand, as they’ve been vocal proponents for many years.

Dave Kelly has previously enjoyed success with the Ringo-nominated Tales of the Night Watchman through his own So What? Press, but his love of Heavy Metal dates back over twenty years to his high school days, when he began buying back issues at used bookstores across his native Kansas. He joins the team now as Executive Editor.

And former Eisner Award-winning retailer, Chris Thompson—who helped to launch the Statix Press line and other initiatives with Titan Comics before doing the same with other publishers—rounds out the oversight team as Editorial Manager. He read his first issue of Heavy Metal at far too young an age in 1985, thanks to a wayward but influential friend, and immediately became a Philippe Druillet devotee, whom he eventually met and spent time with in his Paris studio.

The super-sized Issue 1 is already well underway, and the first round of pre-orders will be taken via Kickstarter early next month where fans will be able to grab some amazing limited-edition covers and collectibles. With a stellar line up of writers and artists contributing including mind-blowing new cover art from the incredible Greg Hildebrandt, this is set to be the best Heavy Metal magazine in many, many years!

Further details about the triumphant return of Heavy Metal will be shared over the coming weeks.

Around the Tubes

Luke Cage: Gang War #1

The weekend is almost here! What geeky things are you all doing? Sound off in the comments below! While you wait for the weekday to end and the weekend to begin, here’s some comic news and reviews from around the web to start the day.

ICv2 – Former Heavy Metal CEO, Managing Editor, Pen New Graphic Novel – Going with not being published by Heavy Metal.

Falls Church News-Press – Google Agrees to Pay Canadian Media for News – Can we get paid for our news?

Reviews

CBR – Luke Cage: Gang War #1
The Beat – W0rldtr33
CBR – X-Men Blue: Origins #1

Heavy Metal releases a message from new CEO Marshall Lees

We’re only 18 days in to 2023 and things have already seen a lot of changes and shakeups in the comic industry. Yesterday news broke that Matthew Medney was stepping down as CEO of Heavy Metal with Marshall Lees taking over the role.

The publisher has had troubles of late including a money crunch, a “reorganization”, accusations of selling foreign rights without the creators knowledge or compensation, and accusations the publisher has been having troubles fulfilling purchases.

Today, the company’s new CEO has issued a statement about the situation:

A message from Heavy Metal’s new CEO to all our valued partners, friends and fans.

As stewards of a renowned brand that has had a significant impact on cinema, art, literature, and culture for over 40 years, we recognize that we have made mistakes. As the new CEO, I am excited and honored to take on this role, but also aware of the challenges ahead. The brand, its legacy, our team, and all of you deserve better, and I, along with the new team, are committed to delivering that.

We recognize that creatives are the lifeblood of our company. They are the reason we exist. Moving forward, Heavy Metal will focus on being a conduit for unfettered creativity, providing support for your exploration and a platform for reaching the world without boundaries or restrictions. We want to hear your stories, see your art, and empower you to create without limits. As part of this commitment, Heavy Metal Publishing will publish a wide range of stories and content that pushes boundaries fearlessly. Additionally, we are implementing a more transparent creator portal to improve communication with all of our partners.

To all of our fans, including those who have remained loyal to us and those whom we have disappointed, we want you to know that we deeply value your support and contributions to the legacy of our brand. We are committed to doing better for you and enhancing your experience with Heavy Metal in new and exciting ways, while staying true to our roots. You can expect increased engagement with our community, great emphasis on timely delivery, and improved products that you will be proud to own. THe journey ahead is only meaningful if you join us on it.

There are many reasons to be enthusaistic about the future. The new leadership brings a desire to rebuild and a commitment to allowing creators to do their best work. The team is reinvigorated and passionate about what they do. Heavy Metal Studios, our emerging TV and film studio, is poised to break through barriers in the entertainment industry. Additionally, we have a variety of exciting new products and intellectual property that we are confident will excite our audience.

Our management team will continue to have some familiar faces. Tommy Coriale will remain our Head of Studio, Kris Long remains as our Chief Sales Officer and now serves as interim Publisher, Jamie Penrose has assumed the role of Chief Operating Officer and Joe Durko fills the critical role of Chief Restructuring Officer and Chief Financial Officer.

I am here to listen and learn from you all and I open my inbox for you to reach out to me at ceo@heavymetal.com if you would like be a part of the exciting road ahead as we rebuild Heavy Metal together.

Welcome to the new Heavy Metal.

Marshall Lees
CEO

Heavy Metal statement. Same as text above

Around the Tubes

The weekend is almost here and it’s a pretty big holiday weekend! Hope you all have a good one. While you wait for the weekday to end and the weekend to begin, here’s some comic news and a review from around the web.

The Beat – More on AfterShock bankruptcy, Heavy Metal restructuring and Dead Reckoning publishing – More details on the meltdowns.

Publisher’s Weekly – Indie Comics Publishers Face Year-End Financial Troubles – Absolutely the story of the year.

CBR – James Gunn Is Working With Jim Lee to Better Coordinate DC Studios and Comics – This, honestly, never really seemed like a big issue. Definitely can be improved, but there was clearly coordination before.

The Mary Sue – How ‘Naruto’ and a PETA Court Case Could Strike a Blow Against AI Art – Good points.

Review

CBR – I Hate Fairyland #2

I Hate Fairyland #2
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