On August 5,Image Comics announced the “return” of Warren Ellis to comics with a reprint of Ocean and then on August 11 they announced the were publishing his new graphic novel, Ghost Drive Station. The announcement wasn’t well received by many, as Ellis was publicly accused of sexual misconduct by more than 60 individuals.
The lack of accountability is the sticking point, and Ellis is once again welcomed into the comic industry fold. At the time of the announcements, parties involved were silent but now Ellis has spoken up and addressed the issue.
Ellis, in his Orbital Operations newsletter, addressed the situation after plugging his new projects:
A few people have asked me about past events in my life. It’s not my place to pick at it in public or speak for others. I will say that I got to apologise directly to a group of people and offer amends, which I remain very grateful for, and I keep that door open. I learned a lot and still am. I fucked up in a number of ways over the years, it doesn’t matter that I never acted with malice in mind, I hurt people, I’m sorry, and I’m trying to do better every day. That’s all I have to say for now.
With the guidance of our facilitator, we asked Ellis to take the steps necessary for community accountability work to begin. During the process, as far as was communicated with us, Warren Ellis did not take these steps. Despite numerous discussions and hours of writing, working with Ellis remained contentious; he and our group were unable to achieve community together. Our facilitator concluded that a community accountability process with Warren Ellis is impossible under current conditions, and we agreed. In October of 2022, in a conversation with Ellis which was conveyed to us with Ellis’s consent and approval, our facilitator discussed this conclusion and our group’s intention to move on from working with him.
Ellis is just one individual with questionable history and behavior that has dipped their toes and seemingly returning to comics. It’s an unfortunate trend of 2026.
“Cancel culture” has been debated in over a decade at this point. While the issue itself has ebbed and flowed, the reality is few celebrities and entertainers that have been “canceled” have stayed “canceled.” When it comes to entertainment, perceived profitability is what matters and no matter how problematic someone is, if corporations can make money off of them, they’ll be forgiven. Comedian Louis C.K. was accused for sexual misconduct in 2017 but Netflix rolled out the red carpet and gave him a platform in 2026 for a set during the Netflix is a Joke Festival at the Hollywood Bowl. He also won a Grammy for “Best Comedy Album” in 2022, his third win and first since the accusations.
At its worst, “cancel culture” is just another part of the ongoing culture wars used to score political points and galvanize a political party’s base to drive votes or put pressure on a business. That corruption does a disservice to the real world abuse and bigotry it’s supposed to address.
Comic publisher Image Comics has done their own disservice by recently welcoming back at least two individuals who have both been accused of misconduct in the comic industry.
The accusations against Ellis had some immediate impact. He had a story pulled from Dark Nights: Death Metal. DC completed the release of his Batman’s Grave series but it has not been collected. Recently his run on The Authority was released as part of DC Compact Comics line, as there were plans to bring the superhero group to the big screen, but those plans have fizzled. In general, Ellis went away, even taking a break from his weekly email newsletter, only to eventually return to that in 2022 with regular updates.
And now, Warren Ellis has returned to the world of comics with two releases by Image. On August 5, Image announced that Ocean from Ellis and Chris Sprouse was returning to print in October. It was originally released by Wildstorm/DC Comics in 2004. It was optioned to be adapted for film in 2007 but there hasn’t been much news since the initial announcement.
A reprint isn’t the only announcement from Image regarding Ellis. On August 11, the publisher said it would be releasing his new graphic novella with artist Lordess Foudre, Ghost Drive Station, this November.
I have spent the day re-reading the entirety of SoManyOfUs.com, including every testimonial. I’ve also re-read dozens of documents and communications from the transformative justice action SMOU-TJ and Warren Ellis started. I wanted to remember the hope I held at that time. I also wanted to see if I could approach this moment with gratitude instead of anger.
To believe in transformative justice is to believe people capable of change. But, as our mediator said during the process, “transformation is heartbreak.” It is crushing and painful, but it is also our right as human beings. I haven’t spoken to Warren Ellis in over 6 years. I don’t know who he is now. I don’t know how he’s changed, but I’m sure he has. I know Warren read all of SoManyOfUs.com and I can’t imagine an outcome where doing so doesn’t change you. But, as Kai Cheng Thom says, “Change is inevitable, growth is optional.” I was often sad that Warren, when confronted with the consequences of his actions, didn’t react in the way I expected him to. But I am grateful it led to me untangling 15 years of complicated feelings and hurtful actions.
I’m grateful that I believe we can change and hold ourselves accountable in this world. But, quoting our mediator again, “being called to accountability feels like being reminded that your shit stinks. and coming clean is hard to do.” It can feel impossible to look in the mirror and confront the worst version of ourselves. Without having the necessary support systems in place to make it possible, I don’t blame or fault anyone for not being able to do it.
We all tried our best. When our attempt at a community accountability action failed, I was disappointed, but grateful that we tried. And grateful to know that Warren had tried, too.
I currently work as an editor in comics, with books I work on being published by Image. I love comics. I love the comics community and how we all keep making them despite it being so hard, with no financial security, and no safety nets. I see groups within the community doing so much good and fighting hard to make the industry more sustainable and safer for everyone involved.
But there is no set process for anyone in the comics community to account for our actions and change our behaviour after harm or abuse has happened. This has led many people to be forced out of the industry – victims, perpetrators, and witnesses. My heart hurts for all the people who were bullied, ostracized, shunned, or threatened out of this community, particularly those I spoke to back in June and July of 2020, impacted by Warren’s actions. I hope one day this changes.
I’m grateful to everyone who was wondered if Warren has “made amends to the satisfaction of all involved.” It shows me solidarity and care are widespread within comics. I wouldn’t say I’m satisfied, but I also would say I am no longer personally invested in Warren’s transformation.
I am personally invested in the books I work on that come out with Image, and I really hope you don’t take any disappointment you feel in Image’s actions out on the creators whose work they publish. Seeing people boycotting Image comics feels a cruel joke when that directly affects my livelihood and that of the people who respect and support me. But I get it – this seems like a financial decision from Image, so respond in a financial fashion. I hope we can all keep ourselves open to change in the future.
My resolve to expand my capacity to hope for change – after a night of anger and crying and shouting – is renewed. Thanks for hearing me out and for reading all of this.
In 2020, Jason Latourwas accused of harassment by multiple individuals. Again, the original accuser wasn’t looking to harm a career but instead raise awareness of his behavior, as well as the “creeper” behavior in general. Numerous other individuals spoke up about their own interactions with Latour and were described as “inappropriate behavior.” Latour did attempt to take responsibility for his actions and apologized in Tweets that were later deleted. If he actually attempted to apologize to individuals or really took responsibility is unknown.
Around the time of all of this, Southern Bastards was one of the hottest comics on the market, having won multiple awards and being well regarded by both critics and readers. Created with writer Jason Aaron, the series paused due to the accusations against Latour and hasn’t returned to comics. In October 2025, it was announced that Hulu ordered a pilot based on the series.
But, like so many “canceled,” Latour returned to mainstream comics with a contribution in the Image 30th Anniversary Anthology #12 which was released in 2023. His crowdfunded graphic novel Super Ego got a bigger release from Image in May 2026, with an announcement of it in February 2026. It didn’t make much of an impact on release, honestly I didn’t know it was and thought it was still yet to come out.
At the time of that announcement, we said “2025 was the year of court cases for the comic industry and two months into 2026, it sounds like it’ll be the year of attempted returns by those in the comic industry previously accused of harassment.”
The embrace of Ellis and Latour are just two examples within the comic industry of its recent warm embrace of its troubled past. While some individuals have completely left the industry, others still find work or dip their toes in to test the waters and see the reaction. In early February 2026, Neil Gaiman broke a year of silence to address allegations against him for sexual assault among other alleged crimes. It was the first step in his attempt to re-enter the public sphere in the build up to a new book release.
There’s some irony in Image’s choice to welcome back these two individuals. In November 2021, Image employees began the unionization process with Comic Book Workers United. They had nine goals, one of which was:
A collective voting option to allow stay a say in canceling publication of any title whose creator(s) have been found to have engaged in “abuse, sexual assault, racism and xenophobia, homophobia, transphobia, anti-Semitism, Islamophobia, ableism, etc. until such time as said creators have engaged in meaningful reparations toward affected person(s).”
Now, we as consumers have a choice, if we welcome these returns and purchase their published comics or send a signal to publishers these individuals are unwelcome back until they show actual signs of acknowledging the harm they’ve done and accept responsibility. Image Comics has shown where it stands, now it’s time for the consumers, retailers, employees with publishers, and other creators to show if they really believe accusers and are against this behavior, or if it was all performative to score points online and look good to others.
Last weekend, allegations surfaced regarding comic creator Ed Piskor and his behavior towards numerous women. There are multiple claims with screenshots provided. You can read the full scoop here. Piskor himself has been rather silent on the topic (with maybe a burner account going on the attack). We’ve reach out for comment and have not heard a word. His often collaborator Jim Rugg has spoken out, ending his working relationship with Piskor.
Rugg has worked on comics with Piskor as well as co-hosts the popular Cartoonist Kayfabe. The statement was posted on Rugg’s Instagram account and you can read it below.
In light of this past week’s shocking revelations, I find it necessary to reevaluate my professional associations to ensure they align with my values of respect and integrity. Therefore, I have ended my working relationship with Ed Piskor.
Ed Piskor is the creator behind the hit series Hip Hop Family Tree and X-Men: Grand Design and co-host of the popular Cartoonist Kayfabe. This past weekend, he was accused by multiple women for grooming and other wrongdoing. A fellow comic creator shared screenshots of conversations she and Piskor had through Instagram Stories. They’ve since been deleted. The screenshots featured conversations dated 2020 which would put the accuser at age 17 when Piskor was 38. Piskor was aware of the age as can be seen in the conversations shared.
He called her a “naughty girl” and asked if she’d be “a good partner in crime.” He specifically asked if she was a “snitch” and also sent a photo of a room offering her the ability to crash at his place. Both individuals live in Pennsylvania.
The accuser stated that this wasn’t meant as a cancellation of Piskor but instead was to serve as a warning.
Others spoke up over the next few days telling their own stories. One stated that Piskor propositioned her for oral sex in trade for Piskor’s agent’s phone number.
Another said Piskor invited her to his home to draw her nude and in exchange introduce her to “bigger industry folks.”
We’ve included quotes and screenshots but removed the accusers names in hopes to diminish any harassment they might receive.
We reached out to Piskor for comment but have yet to hear back. He has limited his social media, deleting accounts, limiting comments on others. What is believed to be a burner account was launched defending him and attacking the accusers.
This isn’t the first issue for Piskor. A 2022 variant cover for Red Room: Trigger Warnings was criticized for mocking the Holocaust. It referenced the graphic novel Maus in its design. Piskor has also been criticized for use of racial slurs in the past. Recently, Piskor’s Hip Hop Family Tree was collected as an omnibus by Fantagraphics.
Posting on their social media channels in efforts of transparency, Dark Horse Comics has announced new policies regarding harassment, discrimination, and a Code of Conduct.
This comes after waves of renewed criticism for the company regarding its employees. Allegations against editors Scott Allie, Brendan Wright, and freelancer Cameron Scott all came out this past summer.
You can read their full statement below.
With the help of outside HR Consultant, McGeachy Consulting, Dark Horse leadership has been reflecting, discussing and implementing new and updated policies to ensure the safety, happiness, and well-being of all employees.
Here are the measures that we have instituted:
• An updated Code of Conduct policy that we are asking all employees, creators, and business partners to uphold
• A more in-depth anti-harassment and anti-discrimination policy, which includes a clear reporting policy, for employees across all departments and divisions
• A newly formed Employee Relations Committee that manages, guides, and directs any significant employee relations issues that arise at Dark Horse
• A newly formed HR Executive Committee focused on implementing HR strategy, planning, and policy
• Identification and introduction of new company values assembled into a Culture Document helping to define and inspire our workplace culture
Beginning this year, an annual series of harassment and discrimination prevention training sessions will be implemented for all our employees. Dark Horse will continue taking the necessary steps forward to prevent harassment and discrimination within the workplace. We can and will do better.
We are optimistic about the future as we continue to improve and update our company policies. It continues to be our goal to be a company in which every single person feels valued and where every person feels safe from harassment or discrimination of any kind. While there is more work to be done in the many months ahead, we remain deeply committed to positive change in the workplace.
The statement sounds like a fantastic start. Will it begin a wave of changes throughout the industry where these types of policies are implemented?
Comics’ harassment crisis isn’t just caused by the names you’ve seen in the comics news. It is enabled by an entire system of employment and fandom built on exploitation. Good thing there are some brilliant and brave people joining me to talk about what we can to do create meaningful change in the industry.
Guests:
Jay Edidin writes comics, short fiction, and narrative nonfiction; covers culture, arts, science, and gender as a journalist and essayist; edits comics, transmedia, and genre fiction; and is half of the podcast Jay and Miles X-Plain the X-Men. Jay was named ComicBook .com 2017 Comics Person of the Year for his investigative coverage of harassment issues at D.C. Comics and his work to foster diversity and inclusion in comics culture.
Joan Hilty is a comics editor who came up in the 90s queer comics scene as a cartoonist, then had a 15-year editorial run at DC Comics/Vertigo, and now works with many of the Top 10 comics publishers in licensed publishing at Nickelodeon. She’s taught at Maryland Institute College of Art and is currently on the Cartooning faculty at School of Visual Arts. In 2014 she wrote about her experience with harassment in the industry for the Guardian, which was later a part of Jay’s Buzzfeed reporting leading to the ouster of a top editor at DC.
Kwanza Osajyefo: Author and creator of BLACK, a comic that asks: what if only black people had superpowers. Kwanza has been a part of the comics for nearly 20 years. Beginning his career as an online producer at Marvel before moving into other media roles. He later returned to comics and launched DC Comics’ digital publishing initiatives.
A few days after actor Ray Fisher retracted his praise of director/writer Joss Whedon he went on to further elaborate why on Twitter.
The actor who played Cyborg in Justice League stated that:
Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable.
He was enabled, in many ways, by Geoff Johns and Jon Berg.
Accountability>Entertainment
Fisher has been talking more about the film since the announcement that Zack Snyder’s vision for the film will be done for HBO Max. He praised Snyder and writer Chris Terrio for “empowering” him and giving him a seat at the creative table with input on his character for the film.
It’s believed that much of Fishers Victor Stone/Cyborg storyline was cut in Whedon’s version of the film. Whedon took over for Snyder on the film after Snyder had to step down due to a family tragedy.
Named as enabling Whedon in the Tweet are Johns and Berg. Both were producers on the film and have credits on numerous DC properties going forward. Johns shifted his focus from comics to DC’s live-action properties but still has handled high-profile DC comic storylines like the recent Doomsday Clock. Johns went from film to comics due to DC staffer Eddie Berganza who himself has a history of abuse. In 2010 Johns was named the Chief Creative Officer of DC Entertainment and he stepped down from his executive role in 2018. He launched Mad Ghost Productions to focus on film, tv, and comic book based on DC properties. He’s currently working on the Green Lantern Corps for HBO Max. Johns being named would be yet another DC executive accused of shielding abusive behavior by staff.
Whedon himself has been involved in comics with the relaunch of his Buffy the Vampire Slayer and Angel properties at BOOM! Studios.
None of the individuals named have made a statement regarding Fisher’s statement.
Update: Jon Berg has made a statement to Variety saying it was “categorically untrue that we enabled any unprofessional behavior.” He also said “I remember [Fisher] being upset that we wanted him to say ‘Booyaa,’ which is a well known saying of Cyborg in the animated series.”
It was announced today as well that Fisher’s co-star Jason Mamoa would be starring in an upcoming film produced by Johns and Berg.
Scott Lobdell is a comic writer who has largely escaped allegations of harassment. Today, he announced that he would be exiting Red Hood and the Outlaws after the 50th issue wraps. He began writing the character of Jason Todd, aka Red Hood, since DC’s New 52 initiative in 2011 and has one of the longer current runs of a single writer on a character.
I’m stepping away from only remaining freelance work on Red Hood and The Outlaws, effective immediately” Lobdell wrote. “Issue #50 out in October will be my final issue. While I’m profoundly grateful for the last ten years on a book telling the story of a tragically flawed man in search of redemption, I depart certain that my vacancy will be filled by a dynamic new voice.
His statement makes it sound like Lobdell is stepping away from comics as a whole. He still is writing for Dynamite and is launching their latest volume of The Green Hornet.
The writer has found success with films like Happy Death Day which was released in 2017 and a sequel in 2019. He also was a writer on Critters Attack! which was released in 2019 and an attempt to reboot the classic horror franchise. His creator-owned comic series Ball and Chain is currently being adapted into a film starring The Rock and Emily Blunt.
I myself witnessed Lobdell drunkenly making a woman uncomfortable, something she told me had happened multiple times before, at San Diego Comic-Con. A DC staffer stood next to Lobdell as if to make sure he didn’t get completely out of hand but was ok with general creepiness. A source also has spoken privately of unwanted inappropriate messages Lobdell would send over instant message.
With Lobdell’s announcement, numerous individuals have spoken out further about the creator leaving many to wonder if he’s getting out of comics before more is revealed threatening his movie career.
Artist Tess Fowler came forward about inappropriate comments Lobdell made to her.
Just found this from a 2013 FB discussion with a friend. Scott was in the headlines at the time I believe. pic.twitter.com/xLIbytoge3
— Tess Fowler (currently battling breast cancer💪😎) (@TessFowler) June 30, 2020
Alex de Campi too took to Twitter to speak up as well:
Scott Lobdell tried this with me too (I shut him down) and as recently as a year ago he tried it with a young female artist I know (she approached me, said “I think I’m being groomed”, I said “yup you are” and welcome to blocksville, population: THAT GUY) https://t.co/NdTmnKowzf
And more individuals have come forward as witnesses to his behavior.
I’ve witnessed Scott Lobdell saying disgusting remarks to female colleagues since I was 14. In offices, during panels- not under the still inexcusable context of “drunk at a bar.”
The women involved in my stories have written him off as a pervy uncle. These ladies, however… https://t.co/MGSNWTcEXl
Numerous other individuals are coming forward with their own stories and screenshots of inappropriate messages the writer has sent.
Lobdell is a shining example of a known problem within the industry seeing no repercussions due to their actions and being protected by senior staff. And, suffering no accountability, is able to walk away on his terms.
Earlier this week, new revelations came out about the behavior of comic editor/writer Scott Allie including harassment, retaliation, and emotional abuse towards others in the industry. This is beyond the documented 2015 assault on a comic creator that happened at San Diego Comic-Con.
Hellboy Creator Mike Mignola and comic publisher Dark Horse were quick to distance themselves from Allie stating they would no longer be working with him. But, both Mignola and Dark Horse continued to work with Allie after 2015 despite his admission of the assault and concerns from staff, some of who have come public with raising concerns with management. It wasn’t until 2017 that Allie “left” Dark Horse though he continued to edit their top titles including Hellboy, which he would later pen some issues in that universe, and on Gerard Way’s Umbrella Academy. He continued to work with the company on a freelance basis and his role became even MORE PROMINENT after 2015 as he began to write issues. Despite Allie’s reputation for abuse, he was still chosen to provide “oversight” on the Image benefit anthology after the Las Vegas shootings. He was replaced after the outcry.
The protection of Allie went beyond Mignola and Richardson and is a prime example of the industry unwillingness to put action to words.
While Dark Horse quickly made a statement that echoed their 2015 statement, yesterday, the company founder Mike Richardson spoke up.
As has been pointed up by so many, Richardson’s statement rings hollow. In 2015, he stated among other things:
Dark Horse agrees 100% with the EEOC Guidelines.
So are we to take his statement above that Dark Horse HASN’T been doing what’s legally required like no retaliation and zero tolerance? If Dark Horse, and Richardson, agreed with guidelines in 2015, what have they done in the five years since?
They “rehired” Allie as a freelancer.
Mike Mignola expounded upon his short Tweet from the day the news broke in a post entitled “I Believe and Completely Support Shawna Gore”:
About Scott Allie—
Scott was my second editor on the Hellboy series at Dark Horse. He was only meant to be my temporary editor, just for the one comic (THE CORPSE) and a more senior editor was supposed to take over after that. But, as the story goes, he saved me from making a rather big mistake on that one comic and I requested that he stay on as my regular editor, and we ended up working together for something close to 25 years.
From the earliest days I heard stories of his drunken behavior at conventions—stupid stuff like jumping fully clothed into fountains. It was joked about and I was not aware that there was anything at all more serious going on.
The drunken incident in 2015 made it clear that there was a much more serious problem that needed to be dealt with. I spoke to him about it. Others spoke to him about it. He agreed that the drinking was a problem and we were all led to believe he was getting help for that. And to the best of my knowledge he DID get help for the drinking problem.
Around this time I started to hear rumors of other past incidents—alcohol-fueled behavior that seemed limited to drunken, juvenile pranks. There was nothing specific and I never heard the names of any specific persons involved in these other incidents. I continued to write these off as just more of his stupid drunken episodes. I became aware that some people did not like working with Scott. While our working relationship had always been good I know his editorial style could be aggressive and off-putting and I honestly believed this, coupled with the past drinking problem, was the reason for the trouble. The truth of course is that after a very long and very productive working relationship I did not want to believe there was anything more to these stories. I was blind because I wanted to be blind and that’s on me and it’s something I have to live with.
After the news about Cameron Stewart and Warren Ellis broke last week, Scott’s name started to bubble up on social media again. Until yesterday I had never heard about Scott’s assault of Shawna. I wish I had known. I understand there are many reasons why no one would approach me with something like that—the shame and embarrassment of course and, sadly the perception that Scott and I were good friends. Had I heard any of what I’ve heard in the last 24 hours I would have severed all contact with Scott Allie at once.
But where there is smoke there is almost always fire and after a while there was so much smoke—clearly I had to finally take a hard look at the situation, had to contact some friends and associates, people who had been close to Scott and find out what had really been going on—and I was horrified but what I started to hear. I wish I had asked this questions much sooner. After so many years I wanted to give Scott the benefit of the doubt—as the son of an alcoholic I wanted to blame the booze. I was fooling myself and I will regret that forever. My heart goes out to all his victims. And Shawna—I have known Shawna almost as long as Scott and have always considered her a good friend– and now to discover that she has been living with this all these years — I am heartbroken. And of course I am furious at Scott and at myself for not realizing what was going on so much sooner.
I’m writing this now because I need to address Scott’s victims. Their stories need to be heard. They need to be believed.
Comics need to do better. We all need to be more accountable. All companies need to have responsive HR departments. Companies need to recommend training about what to do when they hear about assault, harassment, or inappropriate behavior from co-workers or colleagues.
As a creator I need to do better, I need to set a better example, both in the stories I tell and the people I choose to tell them with.
M
As many have said, Mignola is part of the reason that Allie was allowed to stay around and his behavior was excused. There was a fear that if Allie was fired, Mignola would leave and Dark Horse would struggle. In other words, dollars mattered more than lives. Artist Amy Reeder spoke up to say exactly this:
You were the reason he still had a job, they feared repercussions from you. Maybe he manipulated you, I don’t know. All I heard is, they couldn’t fire him because it’d cause Mignola to leave and the entire company would fold. It was tough to hear that about a fellow creator.
Former employees have spoken up:Former editor Jim GibbonsTweeted:
Scott Allie is far and away the most despicable, abusive, and awful person I’ve ever worked with. The amount of trauma he’s caused the people who have worked with him is extreme.
Scott Allie’s continued abuse of staff was an open secret employees were actively discouraged from speaking about at Dark Horse. While head of editorial, he was not allowed to have women in his office w/his door closed bc he repeatedly shouted or otherwise harassed staff to tears.
I am with @ShawnaGore. Scott Allie is and was a manipulator and liar. I stopped working with him a couple years ago when I found he was a predator using alcoholism as a cover for his bad actions. I found that out by digging around and asking questions.
Former Hellboy creator John Arcudi has some of the most damning statements. Not only does he mention learning of Shawna’s assault in 2017 but telling Mignola which then would go on to employ Allie until this past week:
Former Hellboy collaborator Guy Davis would indicate the toxicity of the Hellboy team went well beyond Allie:
regarding DarkHorse/BPRD~ I quit the series in 2011 because of the toxic behavior of Allie, Mignola, Arcudi and cut all contact. In 2015 with news of Allie’s assaults and DH “response”, I cancelled The Marquis HC from DH (which never had a contract for them to solicit)
To clarify my leaving BPRD in 2011, that was due to a toxic work environment with the team. I had no knowledge of Scott’s harassments until announced in 2015
The above shows there’s a rot that has infested Dark Horse for almost a decade (at least) and gone unchecked. Excuses are made and basic legal requirements not followed. What’s to believe that 2020 is any different than 2017 or 2015? Actions speak louder than words and in the five years since our initial reporting, all we’ve got is words.
If you are a U.S.-based victim of sexual assault in need of help, contact RAINN at 800-656-4673 to be connected with a trained staff member from a sexual assault service provider in your area.
Myke Cole has again been named in harassment and publisher Vault Comics quickly responded saying they’d no longer be publishing his comic Hundred Wolves. The publisher sent out a release with just one line:
Vault Comics will no longer be publishing Hundred Wolves from writer Myke Cole.
In the current wave of individuals harmed coming forward, Cole has been named again with individuals describing how he crossed lines including saying he wanted to “piss on” a fellow creator and attempting to pull her into his lap. That’s just one of numerous other stories about the author that have been revealed.
