Tag Archives: graphic mundi

The Consignment Group files their Support for the Ad Hoc Committee’s Motion to release Consigned Stock in Diamond’s Chapter 7 Case

The Consignment Group, which consists of Aspen, Black Mask, DSTLRY, Dynamic Force/Dynamite, Heavy Metal, Magnetic Press, Massive Publishing, Oni-Lion Forge, Panini, Alien Books, Graphic Mundi, Titan, Vault Comics, and Dark Horse, have submitted a response/joinder to the court in support of the Ad Hoc Committee‘s motion for the court to release consigned stock currently held by Diamond.

One of the biggest fights during Diamond’s chapter 11/chapter 7 process has concerned consigned goods provided by publishers and currently held by Diamond and stored by Sparkle Pop. In short, Diamond believes they “own” the product and can sell the goods to help pay off its debts. Of course, the publishers wants their goods back.

In their response/joinder, the Consignment Group argues:

  1. The publishers have a distribution agreement with Diamond for the goods on a consignment basis, but the publishers own the inventory,
  2. If the distribution agreement is terminated, the goods need to be returns,
  3. Diamond currently has a lack of “adequate storage,” has let insurance lapse, and the goods are still being sold unauthorized,
  4. The stock is losing value and publishers aren’t able to distribute the product through other ways which is causing issues with consumers as well as contractual claims,
  5. The distribution agreement has been terminated/rejected and because of that, the goods should be immediately returned,
  6. Some consigned goods were provided after Diamond’s chapter 11 process began, so the trustee doesn’t have claim to that.

They’re asking the judge to grant the Ad Hoc Committee’s relief and release the consigned inventory, as well as any other relief the Court deems just and proper.

You can read the full filing below.

More Last Minute Filings in Diamond’s Chapter 11 Case Before Monday’s Hearing including Facts and Economic Interest

Monday is a big day in Diamond’s Chapter 11 case and will feature discussion of multiple motions that have yet to be decided. One of the bigger motions is Diamond’s motion to approve procedures for sale or other disposition of consigned inventory. In short, Diamond wants to sell inventory from publishers to help pay back it’s loan from the bank. There’s dispute as to who owns that property.

Last minute filings are coming in before the hearing begins.

A group of publishers that includes Aspen, Black Mask Studios, DSTLRY, Dynamic Forces/Dynamite, Heavy Metal Entertainment, Magnetic Press, Massive Publishing, Oni-Lion Forge Publishing Group, Panini UK, Punk Bot Comic Books/Alien Books, The Penn State University/Graphic Mundi, Titan Publishing, Vault Comics, and Dark Horse have submitted a document featuring the “Disclosable Economic Interest in Case.”

What each publisher has in value is listed out. The grand total is over $1.241 million worth of inventory with the most from Titan Publishing with $413,898.17 and least is Heavy Metal Entertainment’s $363.37.

Also, a document that features agreed upon “facts and authenticity of exhibits” between JPMorgan Chase Bank and the Consignment Group has also been released.

It has information like agreements between Diamond and the Publishers and more interesting bits.

Here’s some of the highlights:

  1. “the Consignors and not the Debtors were to pay all personal property taxes on the consigned stock that the Consignors delivered to the Debtors; and that the Debtors sent to the Consignors, on several different occasions, correspondence indicating that the Consignors were responsible for paying personal property taxes to the State of Mississippi and/or DeSoto County, Mississippi, because the Consignors owned the stock delivered to the Debtors.”
  2. “JPM stipulates and agrees that it was aware of the fact that the Diamond Comic Distributors, Inc., debtor (“Distributor”) dealt in consigned goods; and that it had actual knowledge of the Distributor’s participation in consignment transactions during the period from its initial advance of funds to the Debtors through the present.”
  3. The loan documents between JPMorgan and Diamond are all authentic.

The first two points might be important in that the first one indicates it was the publishers who paid taxes on the product, not Diamond, strengthening proof of their ownership. The second point is important in that it shows JPMorgan was aware that Diamond sold consigned goods when it made a loan, a point of contention at various stages.

Penn State University Press to Self-Distribute Graphic Mundi Imprint

Graphic Mundi logo

After nearly five years with a third-party distributor, Penn State University Press will begin self-distribution of its Graphic Mundi imprint effective August 18, 2025. Staffed full-time by a professional warehousing, fulfillment, and customer service team, the Penn State University Press distribution center in University Park, PA also provides fulfillment services for the Penn State University Press and Eisenbrauns imprints. Executive Director of Penn State University Press David Ayock anticipated no service disruptions.

Effective on the same day, Canadian distribution for Graphic Mundi will be handled by the University of Toronto Press.

Since 2021, Graphic Mundi has been publishing innovative and award-winning graphic novels for adults and young adults on a range of topics that affect how we live in today’s world. Genres include graphic medicine, graphic journalism, graphic justice, graphic memoir, and graphic history.

To migrate a retail or wholesale account or to place an order for Graphic Mundi titles with Penn State University Press, contact your Penn State University Press sales representative or Sales Manager Paul Harrington at prh5213@psu.edu. You can also reach Penn State University Press’s fulfillment team at orders@psupress.org. Customer service can be reached at (800) 326-9180 weekdays from 8:30 AM to 4:30 PM ET.

Publishers Respond to Diamond’s Motion to Move its Consignment Hearing to the middle of SDCC

A group of 13 publishers have filed a response to Diamond‘s attempt to move the hearing regarding its consignment plan. While it was originally scheduled for July 21, Diamond wanted to move it to July 24 or 25. Image Comics weirdly supported the move, even though in their support Image brings up San Diego Comic-Con during that week. The new proposed dates would be smack dab in the middle of SDCC.

On June 25, 2025, Diamond Comic Distributors submitted a motion that would allow them to sell, liquidate, dispose of, inventory it currently still has. The 13 publishers have also filed an objection to Diamond’s motion.

The group of publishers have filed a response that they don’t disagree with the move but ask for it to happen some time after San Diego Comic-Con, so after July 27.

They also are asking for that hearing to be an initial, non-evidentiary hearing, instead of deciding if Diamond’s original motion is approved.

13 Publishers Submit a Joint Motion Objecting Diamond’s Consignment Motion

It’s a massive team-up of publishers who have filed a joint motion objecting to Diamond Comic Distributor‘s motion that would allow them to sell, liquidate, dispose of, inventory it currently still hasMany publishers have been vocal about the motion and many have responded to our inquiries with “no comment” because it’s an ongoing legal matter. So far, TwoMorrows Publishing, Magma Comix, and Graphitti DesignsAbstract StudioNBM, William M. Gaines, Agent, Inc., and Humanoids have each filed objections to the motion.

Aspen Comics, Black Mask Studios, DSTLRY Media, Dynamic Forces, aka Dynamite Entertainment, Heavy Metal International, Magnetic Press, Massive Publishing, Oni-Lion Forge Publishing Group aka Oni Press, Panini UK Ltd., Punk Bot Comic Books, aka Alien Books, The Penn State University aka Graphic Mundi, Titan Publishing Group, and Vault Storyworks, aka Vault Comics formerly known as Creative Mind Energy have formed like Voltron to form a new team called the “consignment group” entering the legal fight.

The 63 page document starts with what we’d expect stating the publishers own the merchandise, aka consigned goods, and not the property of Diamond Comic Distributors. It then dives into Diamond’s claim that the publishers needed to file a UCC-1 financing statement which would have protected them against this situation. The legal argument says that may not needed as this was a “true consignment” established by the various contracts signed and state law.

This filing is similar to Humanoids’ stating that contested matter needs to be handled by Rule 7001(2) of the Federal Rules of Bankruptcy Procedure and requires an adversary proceeding and emphasizes again that the publishers own the goods, not Diamond. It also states that it was Diamond’s intention to sell the goods this way and that they should have paid the publishers as per the terms of their agreements.

Like Humanoids’ objection, there’s a focus on Bankruptcy Rule 7001(2) requires that says an adversary proceeding has to happen to determine the “validity, priority, or extent of [an] interest in property.” In short, it hasn’t been determined that the consignment product is property of Diamond and that needs to happen before they can sell anything.

Part of Diamond’s initial motion is that no publishers filed a UCC-1 financing statement which would have protected them. But, did they even need to file it? The publisher’s motion calls them “true consignments,” and don’t meet the definition of UCC Section 9.

(A) the merchant:
(i) deals in goods of that kind under a name other than the name of the
person making the delivery;
(ii) is not an auctioneer; and
(iii) is not generally known by its creditors to be substantially engaged
in selling the goods of others.
(B) with respect to each delivery, the aggregate value of the goods is $1,000 or
more at the time of delivery;
(C) the goods are not consumer goods immediately before delivery; and
(D) the transaction does not create a security interest that secures an obligation.

Back to that non-payment. Goods were shipped after Diamond’s January 14 Chapter 11 filing, and the publishers should be paid for them and administrative expense claims such as attorney fees and late penalties.

The rest of the filing includes purchase order agreements, distribution agreements, details of those agreements like discount percentages, and more.

My Degeneration: A Journey Through Parkinson’s is educational and entertaining

At the age of forty-three, former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl was diagnosed with Parkinson’s disease, a disorder that, among other things, can rob a person of their ability to speak or write and degrades their ability to deal with complexity. In My Degeneration, Dunlap-Shohl recounts his attempt to come to grips with the “malicious whimsy” of this chronic, progressive, and disabling disorder with his characteristic humor and passion.

This graphic novel tracks the author’s journey through depression, juggling medications and weathering their side effects, the impact of the diagnosis on his personal relationships, and the raft of mental and physical changes wrought by the disease.

But My Degeneration is more than a memoir. Dunlap-Shohl gives the person newly diagnosed with Parkinson’s disease the information necessary to cope with it on a day-to-day basis. He chronicles the changes that life with the disorder can bring to the way one sees the world and the way one is seen by the wider community. Above all, Dunlap-Shohl imparts a realistic basis for hope, hope not only to carry on but to enjoy a decent quality of life.

Story: Peter Dunlap-Shohl
Art: Peter Dunlap-Shohl

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


Graphic Mundi provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Exclusive Preview: Heartcore from Štěpánka Jislová and Graphic Mundi

Where does love come from?

What is at the core of romantic attachment? Does our upbringing play a part, or is falling in love a magical, uncontrollable process? Are we doomed to repeat the same mistakes over and over, or can we break unhealthy cycles and learn new ways to love?

These are the questions asked in Heartcore, an award-winning graphic memoir from comics creator Štěpánka Jislová and being published by Graphic Mundi on May 13. In this empowering story of self-discovery, the author reflects on her troubled experiences in dating and love and finally seeks to understand the reasons behind her many toxic relationships. She explores topics such as normative gender roles, online dating and casual sex, alcohol abuse, sexual violence, and the psychology behind interpersonal attachment, all in an engaging graphic-novel format. By confronting her unhealthy behaviors and seeking help to come to terms with her trauma, the author provides an inspiring example of how people can change for the better.

Štěpánka Jislová is an award-winning comics artist based in Prague and the cofounder of the Czech branch of Laydeez do Comics, an international organization that promotes female comic artists and their work. Jislová collaborated with Czech writer Tereza Čechová on the 2021 Muriel prize–winning Bez vlasů, later published by Graphic Mundi in English as BaldSrdcovka (the original Czech edition of Heartcore) received the Muriel Award in three categories in 2024, including the main prize.

Check out our exclusive preview of Heartcore and order your copy from Bookshop, Amazon, or your local comic shop or bookstore.

Heartcore

Whatever Happened to Frankie King is a graphic memoir about a star basketball player who just quit

Frankie King was a precocious student and a promising basketball player at Brooklyn’s James Madison High School in the early 1950s. Sportswriters were comparing Frankie to the greatest college and professional players of all time, and he was recruited as a starting guard at the University of North Carolina. But Frankie dropped out before playing a single game.

This graphic novel follows King’s enigmatic life from its auspicious start in the limelight to his very reclusive existence in New York City, where he authored more than forty novels, including a popular series of cozy cat mysteries written under the pseudonym Lydia Adamson. Whatever Happened to Frankie King is the story of a unique and sometimes troubled life as well as a meditation on dreams realized, lost, and abandoned.

Story: Jay Neugeboren
Art: Eli Neugeboren

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon
Kindle


Graphic Mundi provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Lebanon is Burning and Other Dispatches is a fantastic graphic novel that’s great graphic journalism

Much of the present discourse about the pro-democracy Arab uprisings of 2011 paints a bleak picture of their defeat. But the truth is more complicated, and moments of struggle and inspiration still recur despite the overwhelming odds against the movements’ success.

This collection of short comics documents the political and social unrest in the Middle East during the 2010s in such places as Lebanon, Egypt, Yemen, Palestine, Sudan, and Bahrain. A collaboration between writer and journalist Yazan Al-Saadi and a lineup of stellar cartoonists from the region–including Tracy Chahwan, Ganzeer, Ghadi Ghosn, Omar Khouri, Sirène Moukheiber, Hicham Rahma, and Enas Satir–this graphic reportage serves as a witness to an era of counterrevolutionary resurgence in which entrenched powers clashed with the people’s struggle for self-determination.

Story: Yazan Al-Saadi
Art: Tracy Chahwan, Ganzeer, Ghadi Ghosn, Omar Khouri, Sirène Moukheiber, Hicham Rahma, Enas Satir

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon
Kindle


Graphic Mundi provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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