Tag Archives: gisele lagace

Preview: Red Sonja #14

Red Sonja #14

writer: Amy Chu, Erik Burnham
artist: Carlos Gomez
covers: Jonboy Meyers (A), Carlos Gomez (B), Gisèle Lagacé (C), Cosplay Photo Variant (D), Art Baltazar (E-Sub), Jonboy Meyers (RI-B/W), Gisèle Lagacé (RI-B/W), Carlos Gomez (RI-B/W)
FC | 32 pages | $3.99 | Teen +

Red Sonja and Wallace have faced the darkness and made their way out from Hell – or have they? They’ve crossed the River Styx, but the land of the living looks just as desolate as the land of the Dead – and it soon becomes all too clear that this is the handiwork of Kulan Gath, enraging Sonja. She didn’t travel back and forth through time and escape from Hell just to find her homelands in ruin…Kulan Gath may be more powerful than ever, but a reckoning is coming!

Jay Baruchel Heads to Capital City Comic Con in March

Chapterhouse Publishing’s CCO Jay Baruchel will appear at Capital City Comic Con in Victoria, British Columbia. Chapterhouse will be present for the entire weekend from March 16th – 18th with Jay appearing on the Saturday and Sunday.

Baruchel will be at the Chapterhouse Booth #19 to meet the fans and sign comics alongside Captain Canuck creator Richard Comely and Fantomah’s Soo Lee. Also in attendance as part of the Chapterhouse family will be J. Torres, John Gallagher, Ed Brisson, and Gisele Lagace.

On Saturday March 17th, he will appear as part of the Chapterhouse panel hosted by Tony White. The panel will commence at 3.30pm in the VCC Theatre with Jay, Chapterhouse Founder and CEO Fadi Hakim, and Richard Comely chatting about all the latest Chapterhouse news, and will feature a Q+A. There will also be a host of other Chapterhouse panels over the weekend, including sketch battles and workshops.

This is Jay’s first comic con appearance this year on the run up to Free Comic Book Day on May5th 2018, which sees Chapterhouse bring together some of the biggest and best heroes of the Chapterverse for Invasion.

Preview: Vampirella Vol. 4 #10

Vampirella Vol. 4 #10

writer: Jeremy Whitley
artist: Andy Belanger, Matt Gaudio, Alex Sanchez
covers: Philip Tan (A), Gisele Lagace (B), Cosplay Photo Variant (C), Jimmy Broxton (D-Sub), Cosplay (RI Virg), Philip Tan (RI B/W), Jimmy Broxton (RI B/W), Philip Tan (RI Virgin)
FC | 32 pages | $3.99 | Teen+

A thousand years in the future is a really weird place to run into someone you know. Especially when that person is now hell bent on destroying you. Which is exactly what happens when Vampirella and Vicki came face to face with their antagonist—PANTHA!

Review: Bingo Love

IMG_3389.jpg

If you read my reviews regularly, you might notice that I have a certain preference for the type of comics I read. Usually, my choices are dark stories involving serious themes ranging from trauma to war. Because of these preferences, I mostly read horror, dark fantasy, or crime dramas. Despite this preference, I have explored other genres, such as slice-of-life with Slang Pictorial. There is one genre that I have rarely explored, romance. The only one I’ve read so far is Stejpan Sejic’s wonderful lesbian BDSM romcom Sunstone. I think the lack of recognition for romance’s legitimacy are bad misconceptions, mostly societal. Literary elites tend to look down on romance as frivolous and poorly written. But why? Any genre can be either good or bad based on the story’s quality. Romance is a chance to explore love and bonding in ways other genres can’t when it’s simply a subplot to the larger narrative. Also, what’s wrong with reading something that makes you happy? Why not escape into a fictional story about two people finding true love, adoring each other, and having a fantastic adventure of joy?

Which brings us to today’s review of Bingo Love by Tee Franklin, Jen St. Onge, Joy Sann, Cardinal Rae, and Gisele Lagace. I didn’t know what to expect since this was my first black queer romance, but I’m happy to say it turned out to be a beautiful, albeit short, reading experience.

Hazel Johnson and Mari McCray are a queer couple that first met when they were teenagers during the 1960s. They fell in love but were separated by bigoted family members, then forced into unhappy marriages with men. Over 50 years later, they reunite at a bingo tournament, the same kind of tournament they first met in. They realize this is fate bringing them back together, but first they must come out to their families and deal with the fallout. Only true love can guide them to eternal happiness.

If you love the description of the story, buckle up! You’re going to love it even more after I’m done talking about it.

IMG_3390.jpg

The cover by Gisele Lagace is not as flashy as other comic covers I have seen, but it succeeds in a task way more important, which is advertising the contents of the story. We have three images of the couple, Mari and Hazel, together in different stages of their lives: teens, old age, and advanced old age. We see them together, embracing, looking at each other like they’re the whole world. Bingo balls fall all around, the title of the book in the upper left-hand corner. We know by looking at this cover that this is a romantic story spanning different stages of two women’s lives. We know somehow bingo is going to play into this. Most importantly, the positive feelings the cover inspires attracts the reader to the title. It’s perfect.

 

The first thing to grab my attention was the interior art. Jenn St. Onge’s character designs are diverse with unique hairstyles, body types, and facial structures. Readers might notice a good number of characters with similarities, but that’s largely because of the fact the majority are family members. Actually, it’s refreshing to have an artist know that family members are going to look similar to each other, particularly how children are a combination of their parents with features from both even if they resemble one parent more than the other. I love that people in Bingo Love have wrinkles, stretch marks, folds of fat and muscle, sagging breasts from age and breastfeeding, and other such tiny details. It adds a level of, if not realism, relatability to a style that’s otherwise cartoony.

Joy San’s coloring is fleshes out the art. She not only gives characters their unique skin tones, she renders the entire comic with an unnatural brightness. This is not a negative criticism but a compliment because this type of coloring heightens the emotions of the book to surreal, dream-like qualities. It’s like escaping into a fantasy realm of intense love. This is no more apparent than in splash pages. Many of them are used during the most intense moments of romance, such as here:

IMG_3391.jpg

The coloring and character expressions are both fantastic and relatable, capturing the intense joy one feels when in these moments. It truly feels like a fairy tale come true. This includes scenes of family spending time with each other, grandparents hugging their grandchildren, siblings socializing with each other and their in-laws. My favorite is this splash page of a dinner table:

If I weren’t a vegetarian, I would’ve immediately cooked up this exact meal after looking at the image.

All this said, I found that the most romantic moments were quieter scenes, gradual multi-panel sequences showing the build up to an embrace or kiss. The reason is that the quietness allows emotion to linger, to slowly, like a wave, grow with each splash. This is much more intense than the payoff. It operates on the polar opposite, yet same line, that marks great horror.

The mastermind behind the story is Tee Franklin who delivers a story that is both relatable and unique. She starts off by establishing the two main characters so well. Hazel Johnson is plus-sized and shy, but also very passionate about the people she cares about. Mari McCray is more extroverted, a Californian tomboy that loves new experiences and very upfront about her feelings. We see their relationship in three parts: Youth, Old Age, and Advanced Old Age. The most recognizable is Youth. It starts off with the recognizable trope of Meet Cute, in which a future couple meets for the first time. The setting is a bingo tournament both girls accompany their grandmothers to, hence how bingo plays such a significant role in the story. Next time the girls meet, it’s in school, and after what can be considered an unofficial first date, they become friends throughout middle and high school.

 

Watching Hazel and Mari’s teen romance uses many tropes and story beats from romance that I have taken for granted over the years. There is the aforementioned meet cute moment, the first date, walking each other home from school, the first kiss, etc. I hadn’t realized how enjoyable these tropes are, the good feelings that they give you. If we must justify them on a more intellectual level, they dramatize the core of positive human bonding: meeting people, talking to them publicly or privately, and understanding them through a combination of small talk and personal anecdote. The result is an organic relationship that develops through mutual adoration. The mark of true love is being able to listen to your partner with the same attention about a new favorite album as you would a serious revelation of personal issues.

IMG_3392.jpg

Old Age does the reunion trope seen sometimes when a couple has been distant for a number of years. It’s fresh here because it is Hazel and Mari as senior citizens and not 20-30 somethings like most of the time. Along with reconnecting, they also deal with the fact they are both married women with families. Intense emotions and buried tensions surface as Hazel and Mari navigate to their eventual happy ending. Then there is Advanced Old Age in which the couple must face the reality of mortality (No spoilers). It was a truly engaging reading experience. Advanced Old Age comes after the conflict of Old Age is resolved. Hazel, Mari, and their families have adjusted to their new lives. This is the “honeymoon”, the moment the couple gets to be together and go on fantastic journeys. They get to live out their dreams once the shackles are broken. Their love is powerful even at the end. Oh, and of course, bingo is how they reunite. Bingo doesn’t serve much else than a setting for the two distinct romantic catalysts (love at first sight and reunion), but it works. Also, it legitimizes an activity often looked down upon, much like romance stories.

What made reading Bingo Love also enriching is that it is told from fresh perspectives, specifically black and queer. I can’t remember the last time since I read August Wilson where black people were allowed to interact with each other as actual humans, in churches and at home, sitting around and talking. They are allowed the same complexity and emotional range often reserved for slice-of-life stories populated solely by white people. And Bingo Love is slice-of-life as much as it is romance. It’s not just the love of romantic couples but that of families with all the baggage it comes with.

Without giving away too much, Hazel’s family find out about her relationship with Mari. They take it hard, especially Hazel’s husband James. He yells at her, they fight, and years of tension gets worse. I give Tee Franklin credit in that no one comes off as truly a bad guy. Everyone has their reasons for the way they’re reacting to the situation. Although some of it is confusing, such as with James. He gets portrayed as a loving husband and provider, but Hazel is uninterested in sex except for the times they have a child. Later it is revealed that James only ever had sex with Hazel when he wanted children. That means James was the one in the wrong all this time, but at the beginning the refusal of sex seemed more like Hazel not wanting to it because she didn’t love him, not that she was made to only when he wanted children. We do learn that James had a secret that fueled his need to find validation in having children. I won’t give away what it is, but it’s not that hard to figure out. There is a separate story online that tells his side of the story. I haven’t read it yet, but I’m eager to.

As I analyzed this conflict, I slowly realized the real culprit: a two-headed hydra of homophobia and patriarchy. The earliest hint is an occurrence that seems to happen often, a homophobe that is a hypocrite. They will go on about how much homosexuality is a sin while having their own misconduct that’s worse. It’s just a small part though. The larger societal context is not only how homophobia keeps Hazel and Mari from being happy together, but how it forces them into restrictive woman roles. They must be married to men, they must have children, must sacrifice their happiness for that of their families. Hazel becomes a housewife, even though she dreams of being a fashion designer. Mari becomes a lawyer, but many of the burdens typically dump on women remain. There is a sublime tie between queerphobia and misogyny, one that I do not believe I am knowledgeable enough to go into detail. The fact Bingo Love is able to tackle this issue while still remaining a positive story is a great feat.

I almost forgot, but there are scenes of Hazel participating in serious mental self care, something not often represented except going to support groups or therapy. There is a therapy scene, but it is very meaningful in affirming Hazel’s love for Mari. After that, there is a scene where Hazel helps one of her grandchildren braid their hair, and it brings her so much joy she is able to relax again after a fit of anxiety. It is referred to as self care, demonstrating how it comes in many forms.

My only gripe with the story is that it is so short. I wasn’t expecting Anna Karenina. This is young adult fiction after all. Brevity is key. But I do wish there were multiple volumes of the story. There were so many angles I wanted to see expanded upon. And while I have praised the characterizations of Hazel, Mari, and James, every other character is extremely minor. I wished there as much to Hazel’s children explored as much as her. We do not even get to know the names of Mari’s children or meet her husband. I wish there was more to her side of the story. Take note I bring this criticism up because of how I wanted more after reading. I could have read this title for the next 20 years and never been bored once!

The only other criticisms I have are 1) sometimes the coloring wasn’t done all the way, leaving empty spaces of white. 2) The otherwise effective narration and inner monologue captions by Cardinal Rae were confusing to tell apart at times. Although the former is all capitalized, the caption boxes are both colored yellow. It’s easy to mistake the two.

Bingo Love is a treasure of diversity, love, and joy. It brings fresh, underrepresented faces to romance and comics as a whole. Despite how short it is, one will find themselves lost in the lives of the characters, in the nuances of their personalities and journeys. With the poppy, dreamy art, the fantasy is complete. I urge everyone to pick up a copy of Bingo Love. Support these creators so they can make more comics, whatever it is they do next. Support black voices, queer voices, and love. Most of all, enjoy yourselves. This story will make you happy. We can all use happiness and love in our lives. Whatever helps people get through the day, make someone realize their worth as a person. No matter your ethnicity, gender, sexuality, physical presence/ability, mental health, etc., we all deserve love. Bingo Love affirms that right.

Bingo Love is out on Valentine’s Day, February 14, 2018 via Image Comics.

Story: Tee Franklin Art: Jenn St. Onge Colors: Joy San
Letters: Cardinal Rae 
Cover: Gisele Lagace
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

(Note: My copy is a pre-order version from before the book’s deal with Image Comics).

Advance Review: Bingo Love

IMG_3389.jpg

If you read my reviews regularly, you might notice that I have a certain preference for the type of comics I read. Usually, my choices are dark stories involving serious themes ranging from trauma to war. Because of these preferences, I mostly read horror, dark fantasy, or crime dramas. Despite this preference, I have explored other genres, such as slice-of-life with Slang Pictorial. There is one genre that I have rarely explored, romance. The only one I’ve read so far is Stejpan Sejic’s wonderful lesbian BDSM romcom Sunstone. I think the lack of recognition for romance’s legitimacy are bad misconceptions, mostly societal. Literary elites tend to look down on romance as frivolous and poorly written. But why? Any genre can be either good or bad based on the story’s quality. Romance is a chance to explore love and bonding in ways other genres can’t when it’s simply a subplot to the larger narrative. Also, what’s wrong with reading something that makes you happy? Why not escape into a fictional story about two people finding true love, adoring each other, and having a fantastic adventure of joy?

Which brings us to today’s review of Bingo Love by Tee Franklin, Jen St. Onge, Joy Sann, Cardinal Rae, and Gisele Lagace. I didn’t know what to expect since this was my first black queer romance, but I’m happy to say it turned out to be a beautiful, albeit short, reading experience.

Hazel Johnson and Mari McCray are a queer couple that first met when they were teenagers during the 1960s. They fell in love but were separated by bigoted family members, then forced into unhappy marriages with men. Over 50 years later, they reunite at a bingo tournament, the same kind of tournament they first met in. They realize this is fate bringing them back together, but first they must come out to their families and deal with the fallout. Only true love can guide them to eternal happiness.

If you love the description of the story, buckle up! You’re going to love it even more after I’m done talking about it.

IMG_3390.jpg

The cover by Gisele Lagace is not as flashy as other comic covers I have seen, but it succeeds in a task way more important, which is advertising the contents of the story. We have three images of the couple, Mari and Hazel, together in different stages of their lives: teens, old age, and advanced old age. We see them together, embracing, looking at each other like they’re the whole world. Bingo balls fall all around, the title of the book in the upper left-hand corner. We know by looking at this cover that this is a romantic story spanning different stages of two women’s lives. We know somehow bingo is going to play into this. Most importantly, the positive feelings the cover inspires attracts the reader to the title. It’s perfect.

The first thing to grab my attention was the interior art. Jenn St. Onge’s character designs are diverse with unique hairstyles, body types, and facial structures. Readers might notice a good number of characters with similarities, but that’s largely because of the fact the majority are family members. Actually, it’s refreshing to have an artist know that family members are going to look similar to each other, particularly how children are a combination of their parents with features from both even if they resemble one parent more than the other. I love that people in Bingo Love have wrinkles, stretch marks, folds of fat and muscle, sagging breasts from age and breastfeeding, and other such tiny details. It adds a level of, if not realism, relatability to a style that’s otherwise cartoony.

Joy San’s coloring is fleshes out the art. She not only gives characters their unique skin tones, she renders the entire comic with an unnatural brightness. This is not a negative criticism but a compliment because this type of coloring heightens the emotions of the book to surreal, dream-like qualities. It’s like escaping into a fantasy realm of intense love. This is no more apparent than in splash pages. Many of them are used during the most intense moments of romance, such as here:

IMG_3391.jpg

The coloring and character expressions are both fantastic and relatable, capturing the intense joy one feels when in these moments. It truly feels like a fairy tale come true. This includes scenes of family spending time with each other, grandparents hugging their grandchildren, siblings socializing with each other and their in-laws. My favorite is this splash page of a dinner table:

If I weren’t a vegetarian, I would’ve immediately cooked up this exact meal after looking at the image.

All this said, I found that the most romantic moments were quieter scenes, gradual multi-panel sequences showing the build up to an embrace or kiss. The reason is that the quietness allows emotion to linger, to slowly, like a wave, grow with each splash. This is much more intense than the payoff. It operates on the polar opposite, yet same line, that marks great horror.

The mastermind behind the story is Tee Franklin who delivers a story that is both relatable and unique. She starts off by establishing the two main characters so well. Hazel Johnson is plus-sized and shy, but also very passionate about the people she cares about. Mari McCray is more extroverted, a Californian tomboy that loves new experiences and very upfront about her feelings. We see their relationship in three parts: Youth, Old Age, and Advanced Old Age. The most recognizable is Youth. It starts off with the recognizable trope of Meet Cute, in which a future couple meets for the first time. The setting is a bingo tournament both girls accompany their grandmothers to, hence how bingo plays such a significant role in the story. Next time the girls meet, it’s in school, and after what can be considered an unofficial first date, they become friends throughout middle and high school.

Watching Hazel and Mari’s teen romance uses many tropes and story beats from romance that I have taken for granted over the years. There is the aforementioned meet cute moment, the first date, walking each other home from school, the first kiss, etc. I hadn’t realized how enjoyable these tropes are, the good feelings that they give you. If we must justify them on a more intellectual level, they dramatize the core of positive human bonding: meeting people, talking to them publicly or privately, and understanding them through a combination of small talk and personal anecdote. The result is an organic relationship that develops through mutual adoration. The mark of true love is being able to listen to your partner with the same attention about a new favorite album as you would a serious revelation of personal issues.

IMG_3392.jpg

Old Age does the reunion trope seen sometimes when a couple has been distant for a number of years. It’s fresh here because it is Hazel and Mari as senior citizens and not 20-30 somethings like most of the time. Along with reconnecting, they also deal with the fact they are both married women with families. Intense emotions and buried tensions surface as Hazel and Mari navigate to their eventual happy ending. Then there is Advanced Old Age in which the couple must face the reality of mortality (No spoilers). It was a truly engaging reading experience. Advanced Old Age comes after the conflict of Old Age is resolved. Hazel, Mari, and their families have adjusted to their new lives. This is the “honeymoon”, the moment the couple gets to be together and go on fantastic journeys. They get to live out their dreams once the shackles are broken. Their love is powerful even at the end. Oh, and of course, bingo is how they reunite. Bingo doesn’t serve much else than a setting for the two distinct romantic catalysts (love at first sight and reunion), but it works. Also, it legitimizes an activity often looked down upon, much like romance stories.

What made reading Bingo Love also enriching is that it is told from fresh perspectives, specifically black and queer. I can’t remember the last time since I read August Wilson where black people were allowed to interact with each other as actual humans, in churches and at home, sitting around and talking. They are allowed the same complexity and emotional range often reserved for slice-of-life stories populated solely by white people. And Bingo Love is slice-of-life as much as it is romance. It’s not just the love of romantic couples but that of families with all the baggage it comes with.

Without giving away too much, Hazel’s family find out about her relationship with Mari. They take it hard, especially Hazel’s husband James. He yells at her, they fight, and years of tension gets worse. I give Tee Franklin credit in that no one comes off as truly a bad guy. Everyone has their reasons for the way they’re reacting to the situation. Although some of it is confusing, such as with James. He gets portrayed as a loving husband and provider, but Hazel is uninterested in sex except for the times they have a child. Later it is revealed that James only ever had sex with Hazel when he wanted children. That means James was the one in the wrong all this time, but at the beginning the refusal of sex seemed more like Hazel not wanting to it because she didn’t love him, not that she was made to only when he wanted children. We do learn that James had a secret that fueled his need to find validation in having children. I won’t give away what it is, but it’s not that hard to figure out. There is a separate story online that tells his side of the story. I haven’t read it yet, but I’m eager to.

As I analyzed this conflict, I slowly realized the real culprit: a two-headed hydra of homophobia and patriarchy. The earliest hint is an occurrence that seems to happen often, a homophobe that is a hypocrite. They will go on about how much homosexuality is a sin while having their own misconduct that’s worse. It’s just a small part though. The larger societal context is not only how homophobia keeps Hazel and Mari from being happy together, but how it forces them into restrictive woman roles. They must be married to men, they must have children, must sacrifice their happiness for that of their families. Hazel becomes a housewife, even though she dreams of being a fashion designer. Mari becomes a lawyer, but many of the burdens typically dump on women remain. There is a sublime tie between queerphobia and misogyny, one that I do not believe I am knowledgeable enough to go into detail. The fact Bingo Love is able to tackle this issue while still remaining a positive story is a great feat.

I almost forgot, but there are scenes of Hazel participating in serious mental self care, something not often represented except going to support groups or therapy. There is a therapy scene, but it is very meaningful in affirming Hazel’s love for Mari. After that, there is a scene where Hazel helps one of her grandchildren braid their hair, and it brings her so much joy she is able to relax again after a fit of anxiety. It is referred to as self care, demonstrating how it comes in many forms.

My only gripe with the story is that it is so short. I wasn’t expecting Anna Karenina. This is young adult fiction after all. Brevity is key. But I do wish there were multiple volumes of the story. There were so many angles I wanted to see expanded upon. And while I have praised the characterizations of Hazel, Mari, and James, every other character is extremely minor. I wished there as much to Hazel’s children explored as much as her. We do not even get to know the names of Mari’s children or meet her husband. I wish there was more to her side of the story. Take note I bring this criticism up because of how I wanted more after reading. I could have read this title for the next 20 years and never been bored once!

The only other criticisms I have are 1) sometimes the coloring wasn’t done all the way, leaving empty spaces of white. 2) The otherwise effective narration and inner monologue captions by Cardinal Rae were confusing to tell apart at times. Although the former is all capitalized, the caption boxes are both colored yellow. It’s easy to mistake the two.

Bingo Love is a treasure of diversity, love, and joy. It brings fresh, underrepresented faces to romance and comics as a whole. Despite how short it is, one will find themselves lost in the lives of the characters, in the nuances of their personalities and journeys. With the poppy, dreamy art, the fantasy is complete. I urge everyone to pick up a copy of Bingo Love. Support these creators so they can make more comics, whatever it is they do next. Support black voices, queer voices, and love. Most of all, enjoy yourselves. This story will make you happy. We can all use happiness and love in our lives. Whatever helps people get through the day, make someone realize their worth as a person. No matter your ethnicity, gender, sexuality, physical presence/ability, mental health, etc., we all deserve love. Bingo Love affirms that right.

Bingo Love is out on Valentine’s Day, February 14, 2018 via Image Comics.

Story: Tee Franklin Art: Jenn St. Onge Colors: Joy San
Letters: Cardinal Rae 
Cover: Gisele Lagace
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

(Note: My copy is a pre-order version from before the book’s deal with Image Comics).

Ménage À 3 To Be Collected in Print by Udon Entertainment

The popular web-comic Ménage À 3 has been entertaining and titillating online readers for nearly ten years. Now, the Joe Shuster Award-nominated series will be collected in print form by UDON Entertainment starting with Ménage À 3 Volume 1 in February.

Produced by artist Gisèle Lagacé and co-writer David Lumsdon, Ménage À 3 follows the lives of a 29-year-old-virgin comic book geek and his two way-hotter-than-he-is roommates. Gary, Didi, and Zii’s tight-as-a-sandwich Montreal apartment is the cramped stage for sexy hi-jinks, awkward moments, and pretty much everybody trying to bonk, shag, or nuzzle with everyone else!

Series creator Gisèle Lagacé has lent her sequential art talents to the likes of Archie ComicsBetty Boop, and Jem and the Holograms. She’s also a sought-after cover artist whose work has graced titles including GwenpoolVampirellaStreet Fighter, and more. Gisèle has been in the web-comics game since 2000, and has grown Ménage À 3 into Pixie Trix Comix – a web-comic network that includes multiple ongoing series set in the MA3 universe and beyond.

Ménage À 3 Volume 1 collects the first two years of the web-comic – that’s over 300 installments. Also included are print-exclusive bonus stories, plus special guest artist strips. The book arrives in stores everywhere February 2018.

Jem and the Holograms Gets a Music Video Based on the Comics

Jem and the Holograms gets a “Comic Book Musice Video” courtesy of IDW Publishing based on their Jem and the Holograms comic books. The video features art by Sophie Campbell, M. Victoria Robado, W. Scott Forbes, M.J. Barros, Jen Bartel, Stacey Lee, Jenn St-Onge, Gisèle Lagacé, and Jason Millet with stories written by Kelly Thompson. The Jem and the Holograms theme song music is written by Robert J. Walsh (BMI), Ford Kinder (ASCAP), Anne Bryant (BMI), with lead vocals by Kirsten Gundel. Music, mixing, and backing vocals by Mike Scudieri Recording and engineering by Alex Zander. “Jem Fan” portrayed by Katie Courtney, cinematography by Jack Rivera, and directed by Steven Scott. The animation was provided by MoreFrames Animation.

Preview: Jem and the Holograms #26

Jem and the Holograms #26

Kelly Thompson (w) • Gisele Lagace (a) • Jen Bartel (c)

Truly Outrageous Part Three! It all comes down to this oversized final issue! As the Holograms try to come together in paradise, their secrets (and their rivalries) continue to threaten to tear them apart.

FC • 40 pages • $4.99

Preview: Betty Boop TP

Betty Boop TP

writer: Roger Langridge
artist: Gisele Lagace
cover: Howard Chaykin
FC • 104+ pages • $15.99 • Teen+
COLLECTS ISSUES 1-4

The most famous female cartoon star of all is back! All-new adventures of Betty Boop (with her pals Koko the Clown and Bimbo, natch!) by award-winning writer Roger Langridge and Gisele Lagace. Join Betty as she works at the Oop-A-Doop Club, dreams of hitting the big-time, looks after her old Grampy, fights ghosts and giant bugs, dances to hot jazz, and much more!

Comic Creator Gisele Lagace Denied Entry into the US for C2E2

It was only a matter of time before this happened, but comic artist Gisele Lagace was denied entry into the United States to attend this weekend’s C2E2 which is taking place in Chicago. Lagace was to table there and have a signing for IDW on Saturday and Sunday.

As Lagace wrote on Facebook:

Welp, no C2E2 for me. Was refused entry at the border. They kept pressing about the comics I had and the sketches, and well, I had to be honest and said that I did get paid for commissions but before hand, but since they weren’t complete, it was considered work in the us. Comics wise, I had maybe $700 in value if I had sold everything. Honestly, it’s not a lot.

Was asked if I was the only one doing this as I looked surprised to be refused entry. I said no, many artists from around the world attend these to promote themselves. I don’t think they cared.

My car was searched and is a mess. And to top it off, I was body searched and finger printed too (they do that when you get refused entry apparently.) It was an awful experience.

Things then went worse when they searched me throughout and found 2 white pills in my wallet. There was no identification on them and I wasn’t sure what they were. Once I calmed down after being touched all over, I remembered they were generic acetaminophen from the dollar store that I carry around in case Marc gets a headache as it sometimes happen. I forgot they were even in there.

Anyway, I wasn’t turned around for the 2 acetaminophen, as they found those after I was refused entry for the comics in my car and the unfinished sketches but they kept us longer there until they were convinced they weren’t narcotics. I never took drugs in my life!

And to think we drove close to 2 days to get there. For nothing. (No, I didn’t get anything from that body search. Maybe Zii would think it’s a good deal.) Anyway… Driving back home.

Now that I’ve been refused entry in the US for this, it’s on file. Don’t expect to see me at a US con until I can figure out a way to get in and being absolutely certain this won’t happen.

Legace has done work for Marvel, Archie, IDW, and Dynamite, as well as numerous webcomics. The logic for denial of entry sounds similar as to what Italian band Soviet Soviet experienced when attempting to travel to SXSW, the question over what counts as “paid work.”

Expect fewer guests who live outside the US from attending shows until this is cleared up and it should be said, those who are attending from outside the US to be careful about accepting paid commissions while attending conventions.

Welcome to Donald Trump’s America…

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