What if instead of sitting on their money like Smaug the Dragon, funneling it into documentaries about the wife of a rapist directed by a rapist, or using it to actively billionaires (and trillionaires, ugh) donated half their fortunes to the people. And if they refused, they fought each other to the death in a Roman gladiators, but slightly more high tech manner. This is the premise of the graphic novella Free for All by auteur cartoonist Patrick Horvath. The story has been released in a few different formats, but I would argue that the upcoming Oni Press edition is the definitive version featuring an interview with Horvath and some behind the scenes commentary on the book’s thrilling final pages. So, it’s a treat for process nerds as well as folks who want a cathartic, yet slightly unsettling shot of fight comic adrenaline.

Let’s start by talking about the art! Patrick Horvath is a cartoonist’s cartoonist, and he does a good job using page composition and body language to flesh out the two main characters, Ted, a real estate magnate (Think the late Dr. Jerry Buss if he had a Spartacus fixation instead of a basketball/chasing women one!) and his ex-wife Luella, who is a woman spurned-turned-girl boss-turned-first lady of vengeance. (Think MacKenzie Scott meets Katniss Everdeen, but more District One or Two than Twelve.) At pivotal parts in Free For All, Horvath goes full trippy anatomy model on us and uses these memorable visuals and free verse captions to give us a literal glimpse into their heads. It’s part human vulnerability, part CEO LinkedIn mantra. I definitely don’t love these characters, but I don’t despise them either.

Where Free For All really works is in the actual fights. There are two main ones in the book: Ted vs Cameron, a healthcare CEO and Ted vs Luella. Even though Ted is beyond a match for Cameron, Patrick Horvath plays out the battle to show his bond with the crowd and obsession with fighting. There is some dark humor too in Cameron fiddling with the sci-fi raygun weapon plus plenty of flop sweat and a heavy heaping of red blood and gore. Horvath definitely goes for over the top with the violence. And like all healthcare CEOs, he is pretty pathetic. However, the fight between Ted and Luella is a proper physical chess match that is heightened by the bond they once shared. The battle could really go any way.

Free for All is an action book for the shitty fascist, late capitalist reality that is 2026. It’s kind of utopian, kind of dystopian, and kind of about a couple slamming the door shut on their relationship in a way that affects the world economy. Patrick Horvath has become a comics superstar for his work on Beneath the Trees Where Nobody Sees, and this is another exciting addition to his body of work showing off his fight choreography chops and satirical bite.

Story: Patrick Horvath Art: Patrick Horvath
Story: 8.2 Art: 9.4 Overall: 8.8 Recommendation: Buy

Oni Press provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – Bookshop – Amazon

What if instead of sitting on their money like Smaug the Dragon, funneling it into documentaries about the wife of a rapist directed by a rapist, or using it to actively billionaires (and trillionaires, ugh) donated half their fortunes to the people. And if they refused, they fought each other to the death in a Roman gladiators, but slightly more high tech manner. This is the premise of the graphic novella Free for All by auteur cartoonist Patrick Horvath. The story has been released in a few different formats, but I would argue that the upcoming Oni Press edition is the definitive version featuring an interview with Horvath and some behind the scenes commentary on the book’s thrilling final pages. So, it’s a treat for process nerds as well as folks who want a cathartic, yet slightly unsettling shot of fight comic adrenaline.

Let’s start by talking about the art! Patrick Horvath is a cartoonist’s cartoonist, and he does a good job using page composition and body language to flesh out the two main characters, Ted, a real estate magnate (Think the late Dr. Jerry Buss if he had a Spartacus fixation instead of a basketball/chasing women one!) and his ex-wife Luella, who is a woman spurned-turned-girl boss-turned-first lady of vengeance. (Think MacKenzie Scott meets Katniss Everdeen, but more District One or Two than Twelve.) At pivotal parts in Free For All, Horvath goes full trippy anatomy model on us and uses these memorable visuals and free verse captions to give us a literal glimpse into their heads. It’s part human vulnerability, part CEO LinkedIn mantra. I definitely don’t love these characters, but I don’t despise them either.

Where Free For All really works is in the actual fights. There are two main ones in the book: Ted vs Cameron, a healthcare CEO and Ted vs Luella. Even though Ted is beyond a match for Cameron, Patrick Horvath plays out the battle to show his bond with the crowd and obsession with fighting. There is some dark humor too in Cameron fiddling with the sci-fi raygun weapon plus plenty of flop sweat and a heavy heaping of red blood and gore. Horvath definitely goes for over the top with the violence. And like all healthcare CEOs, he is pretty pathetic. However, the fight between Ted and Luella is a proper physical chess match that is heightened by the bond they once shared. The battle could really go any way.

Free for All is an action book for the shitty fascist, late capitalist reality that is 2026. It’s kind of utopian, kind of dystopian, and kind of about a couple slamming the door shut on their relationship in a way that affects the world economy. Patrick Horvath has become a comics superstar for his work on Beneath the Trees Where Nobody Sees, and this is another exciting addition to his body of work showing off his fight choreography chops and satirical bite.

Story: Patrick Horvath Art: Patrick Horvath
Story: 8.2 Art: 9.4 Overall: 8.8 Recommendation: Buy

Oni Press provided Graphic Policy with a FREE copy for review

Pre-Order: Bookshop – Amazon