Tag Archives: drawn and quarterly

Logan’s Favorite Comics of 2022

If you’ve followed my writing this year, you can definitely tell that 2022 was the year I had serious issues keeping up with new comics even though I opened up my first pull list in six years (Shout out to Rick’s Comic City!) However, I still believe it’s the greatest storytelling medium, and the stray moments I had re-reading old favorites or finding new works were some of the best I had in 2022. I don’t really have the attention span to keep up with crossovers or sprawling shared universes any more, but I love my five issue minis or soft, queer OGNs.

So, without further ado, here are my ten favorite comics of 2022.

10. One-Star Squadron (DC)

Mark Russell and Steve Lieber’s One-Star Squadron follows a group of C and D-list superheroes who are part of an organization called Heroz4U that tries to help find heroes “meaningful” work whether that’s sales for the company, personal appearances, or even actual search and rescue work. The comic satirizes all aspects of modern employment culture, including corporate restructuring, gig work/side hustles, and the cavalier/cutthroat nature of hiring/laying off folks. NFTs and “girlboss culture” even come into play with the Russell’s take on Power Girl. There’s plenty of jokes and comedic beats and visuals from Lieber, but One-Star Squadron also has a strong emotional throughline in the relationship between Red Tornado and his employees as he tries to go to bat for characters like Minuteman and Gangbuster while trying to provide for his family and make the higher-ups at Heroz4U happy. One-Star Squadron is a must-read for fans of David Graeber’s Bullshit Jobs, r/antiwork, and obscure DC heroes.

9. Rockstar and Softboy (Image)

Rockstar and Softboy is a breezy, fun one-shot ode to queer friendship from cartoonist Sina Grace and also acts as his triumphant return to doing interior art. Even though they have completely opposite personalities, Rockstar and Softboy have a lovely friendship that survives the ups and downs of the increasingly surreal house party that is the main setpiece of the comic. Beneath the super sentai battles and dick jokes, Grace also explores the nature of creativity, collaboration, and friendship through his two lead characters as the real motivation for the house party is creating great music and video games as well as getting laid. Rockstar and Softboy is definitely one of the more fun and chaotic comics I read in 2022.

8. Sabretooth (Marvel)

As mentioned earlier, I’m a bit behind on the current X-books, but enjoyed a lot of what I read from them in 2022, including the first arcs of X-Men Red and Immortal X-Men. However, my favorite comic from that editorial group was the Sabretooth miniseries from Victor LaValle and Leonard Kirk. It’s basically Paradise Lost with Sabretooth playing the role of Milton’s Satan and trying to make a heaven of hell with his fellow Krakoans that were thrown in the Pit for various reasons. LaValle and Kirk fully explore the dark side of a utopian society and also provide social commentary on the prison system in the United States using various B and C-list mutants. Plus it ends on a killer sequel hook that enhances Victor Creed’s role in the X-books.

7. Doughnuts and Doom (Top Shelf)

Doughnuts and Doom is a (literally at times) sweet and magical queer romance graphic novel by cartoonist Balazs Lorinczi. It’s full of all the fun, relatable tropes like missed signals, enemies to lovers, and most importantly, slow burn with Lorinczi using most of the story to shape the relationship between witch/online potion seller Margot and musician/donut shop employee Elena. I also like how Lorinczi focuses on Margot and Elena’s lives outside their relationship, like Margot struggling to get her magic license, or Elena’s conflict with a local Visually, Doughnuts and Doom has a bubblegum punk aesthetics with plenty of pastels and spot blacks and different panel layouts any time magic, music, or romance happens that makes the comic even more immersive and heartwarming.

6. Spider-Punk (Marvel)

Spider-Verse denizen Hobie Brown aka Spider-Punk gets his first solo miniseries in five issues of anticapitalism, antifascism, antiracism, and head cracking from writer Cody Ziglar and artist Justin Mason. Ziglar and Mason’s passion for classic punk music shines in characters like a Devilock-sporting alternate version of Taskmaster, and they also create memorable riffs on other Marvel characters like Daredevil being a female punk drummer from Philadelphia or Captain America (Renamed Anarchy, of course) being a queer and indigenous man. Mason’s energetic art and Jim Charalamapidis’ colors create spectacular fight scenes as Hobie and his makeshift band cross the United States in a quest to take out the relatably fascist president of the United States. Spider-Punk shows that superhero comics can be subversive and call out the status quo while still being fun as hell, and it’s always interesting to see anti-corporate art being put out by one of the world’s biggest and most smothering corporations.

5. Joe Hill’s Rain (IDW)

Rain is a post-apocalyptic comic miniseries adapted from one of Joe Hill’s short stories in his 2017 Strange Weather collected and is scripted by David Booher with art by Zoe Thorogood. Though originally written years before the COVID-19 pandemic, it captures some of the feelings of fear, terror, and in some cases, coming together as found family of this time period as protagonist Honeysuckle tries to survive and eventually figure out why crystal nails are raining down from the sky. Rain is part road story, part tragic queer romance and a showcase for Thorogood’s skill at conveying character acting and emotions in life and death situations. Rain is definitely a dark read, but has several great moments where humanity shines even at the end of the world.

4. DC Pride 2022 (DC)

DC Pride 2022 was one of my favorite reads of this year, and the most memorable story in the volume was by the late Kevin Conroy and J. Bone that explores Conroy’s life as a gay man in the 1970s and 1980s, how he dealt with discrimination while trying to break into the acting business, and how getting the role of Batman in Batman: The Animated Series changes his life and the lives of millions of folks who enjoyed the show. In addition to this lovely short story, DC Pride 2022 serves as a showcase for interesting LGBTQ+ comic book characters, and more importantly, LGBTQ+ comics creators. There’s Jon Kent’s first Pride done in a beautiful (and sassy when Damian Wayne is involved) way by Devin Grayson and Nick Robles, a Jo Mullein story from Tini Howard and Evan Cagle that explores the nuances of bisexuality in a space detective story, an action-packed Connor Hawke story from Ro Stein and Ted Brandt that digs into his experience as an asexual man, and much more. These big Pride one-shots are starting to be a nice tradition from DC and hope they continue indefinitely.

3. Catwoman: Lonely City (DC)

Cliff Chiang writes, draws, colors, and letters the definitive Selina Kyle story in Catwoman: Lonely City, a Black Label miniseries that wrapped up in 2022. Catwoman: Lonely City is a touching, suspenseful story about legacy, resisting authoritarianism, and finding family in unexpected places that explores an aging Kyle pulling off one last heist in a Batman-less Gotham. It has a colorful cast of supporting characters from all over the DC Universe and is one of the most gorgeous books of 2022 with Chiang nailing everything from romantic banter between Catwoman and Riddler to a color palette that straddles neon and noir as well as some very acrobatic fight choreography. It’s truly the Catwoman book you can recommend to anyone who’s remotely interested in the character and is Cliff Chiang’s magnum opus up to this point.

2. Ducks: Two Years in the Oil Sands (Drawn and Quarterly)

Ducks is a graphic memoir about cartoonist Kate Beaton’s (Of Hark! A Vagrant fame) experience working various jobs in the oil fields of Alberta to pay back her student loans from art school. Beaton doesn’t shy away from showing the difficult work conditions there and the terrible treatment of women, especially in the work camps and later explores how the oil fields affect the wild life and the indigenous people who originally owned the land. Ducks unpacks the trauma that comes from trying to make money under capitalism and being woman in a field where reports of untoward behavior and even sexual assault get a blind eye. All of this is done in Kate Beaton’s trademark cartooning that punctuates the difficult moments with bits of dark humor and insights into her upbringing in Cape Breton, Canada although she uses a more detailed style for establishing shots and the inner workings of the tool area she works at . Personally, I feel like I learned a lot more about other parts of Canada beyond Ontario and the Vancouver area, and that the country isn’t some kind of Great Northern utopia even though it feels like that some time living in a right to work state where healthcare is dependent on your employer.

1. It’s Lonely at the Centre of the Earth (Image)

Zoe Thorogood is easily one of the most exciting writer/artists working in comics, and her experimental, brutally honest graphic memoir It’s Lonely at the Centre of the Earth was my favorite comic of 2022. Thorogood effectively uses anthropomorphization to visually represent different parts of her personality as well as her friends and folks she comes in contact with throughout the memoir and gives an unfiltered look about how she feels about being a comic book artist, the response to her previous comic The Impending Blindness of Billie Scott, and her relationship with her friends, family, and an ex-lover. It’s Lonely at the Centre of the Earth can definitely be a difficult read at times, especially when Thorogood brings up her inability to connect with other people and negative self-talk. But it’s a masterpiece because it uses the tools and tricks of the comics medium and page to bring her inner world to life and ends with a powerful call to the reader that their existence matters as she dances in the streets of London to a nine panel grid.

Brett’s Favorite Comics of 2022 and a Reflection on the Past Year

Ducks: Two Years in the Oil Sands

Much like 2021 and 2022, It feels weird writing a “best of” list for the past year since it’s been so difficult and so strange for so many. Comics, and entertainment as a whole, continued to be an escape from the rough reality of the previous year that was. Things struggled to get back to normal, whether you think it was too soon or not. There was some return to normality as comic conventions returned and movie blockbusters begin to populate screens. For me, I mostly stayed at home again venturing out very little, attending no conventions, and my one trip resulted in the exact result I expected… COVID. Maybe I explore things a bit more in 2023 but the reality is, things won’t ever be back to normal and enjoyment like conventions and movie theaters come with a risk. But, there’s still the escape of comics.

Comics have been exactly that for me as I myself remained mostly holed up at home, forgoing movie theaters and generally the public as a whole. 2022 saw me writing over 613 reviews and I read far more comics (probably closer to 700).

To pick one that stood out above all the rest doesn’t quite feel right as there was so much that was fun and entertaining.

The comic industry continued to shift in massive ways as creators continued to figured out new ways to become independent or were lured by the promise of big paydays by flashy new technology like NFTs. The end of the year looked so much different as numerous publishers revealed their financial struggles and the grift that is NFTs collapsed. Publishers got bought out and some struggled to stay open. Stores opened. Stores closed. Distribution continues to shift. The government even stepped in at one point in what would have had seismic repercussions for the comic and boo industry. The industry continues to be disrupted in many ways. Some ways for the better. Some for the worse. 2023 will likely continue to see this as more creators look to go directly to consumers.

Things shifted for everyone.

Publishers canceled projects, shifted schedules, and continued to look to go directly to the consumer themselves. Publishers faced distribution issues as ports backed up and then cleared up. The cost of doing business increased across the board. Creators looked for new ways to earn money and also go directly to the consumer.

Consumers and readers had more choices than ever before that made it easier to escape the world that at times felt like it was burning around them and find enjoyment in make-believe worlds where justice prevails in the end. It felt like there were more choices in comics to read and more choices in the types of comics to read.

In the end, 2022 looked like a mix of bleak and hope. There’s many challenges for the industry but also many more options for it to succeed. It feels so close to cracking a new model.

It feels weird doing this “best of” but at the same time I feel like I want to “honor” and spotlight the comics that got me through the year and had me excited to read the next issues. This is what I’ve read so if you don’t see something mentioned it’s not that I didn’t enjoy it, I just might not have read it. Sorry, I can’t read everything (there was a massive glut in webcomics but more manga for me).

All of these are listed in no particular order (hell it’ll probably just be in alphabetical). Enough with the rambling… lets get on with some comics!

The comics that had me excited in 2022 and have me excited for 2023. There’s so many more I could probably add to the list that I enjoyed but this is what really stood out as the ones that stuck with me through the year and beyond.

  • 007 (Dynamite Entertainment) – James Bond returned with a brand new series that felt like a solid return of the character. A straight forward story that leaves readers not knowing who to trust, it’s a Bond story fans will appreciate it and enjoy.
  • Accidental Czar: The Life and Lies of Vladimir Putin (First Second) – The graphic novel is a fantastic exploration of Putin’s rise to power. But, it’s the admission of failures of those who engaged him that makes it feel like an honest recounting of history.
  • Blue, Barry & Pancakes (First Second) – We got multiple volumes of this graphic novel series for kids and each was a lot of fun. It’s hard to not read these and walk away with a smile if you’re kid or an adult.
  • The Boxer (Yen Press) – The first volume was an interesting one that left us questioning who the real center of the story was as it bounced around three kids and their boxing ability.
  • Bunnicula: The Graphic Novel (Atheneum Books for Young Readers) – A graphic novel adaptation of the classic book. It took us right back to our childhood. We hope we get more in the series. Nostalgia for adults and fun for kids.
  • A Calculated Man (AfterShock) – A man brilliant at math as turned witness against the mob and uses his ability in math to take out the mobsters who are after him. There’s a Rube Goldberg aspect to the series that keeps it entertaining.
  • DC vs. Vampires (DC Comics) – Each issue and its spin-offs kept us on our toes guessing who was next to get turned, who was going to die, and how the heroes might win. By the end, we want more in this world.
  • Devil’s Reign (Marvel) – One of Marvel’s best events in some time. The story kept things focused and tight as the heroes had to deal with Wilson Fisk’s reelection attempt and his tightening grip on New York City. This was an example of less is more.
  • Do a Powerbomb (Image Comics) – Wrestling in comics is back in vogue but this series stands out for it’s amazing art as well as the fantastic family drama.
  • Ducks: Two Years in the Oil Sands (Drawn & Quarterly) – Kate Beaton shines a light on her difficult time working in the Alberta tar sands. At times a tough read, it’s educational in so many ways.
  • Eight Billion Genies (Image Comics) – The series has succeeded by keeping things focused. With a concept where everyone on the planet gets a wish, the series has generally kept it tight on a small group of survivors and how they deal with the insanity that spins out of it all.
  • Fist of the North Star (VIZ Media) – The classic series continued its reprints in a beautiful hardcover. If you’ve never read this “kung-fu Mad Max”, this is a perfect edition to pick up.
  • GCPD: The Blue Wall (DC Comics) – John Ridley delivers an interesting take on the Gotham police department with a focus on three rookies as Commissioner Montoya. There’s been highs and lows as Ridley continues to show how muddied reality is.
  • Ginseng Roots (Uncivilized Books) – The release schedule was erratic but Craig Thompson’s autobiography about his growing up around ginseng and the world of its farming has been eye opening and education. Add in beautiful art and Thompson continued to show off his talents.
  • Hakim’s Odyssey (Dead Reckoning) – What does it mean to be a refugee? This series wrapped up its final two volumes in 2022 chronicling Hakim’s journey from Syria to safety. It’s hard to read this series and not come away with wanting to see how we treat refugees and immigration changed.
  • I’m a Terminal Cancer Patient But I’m Fine (Seven Seas Entertainment) – Hilnama’s autobiography about her struggle with colon cancer. The graphic novel is not as sad and ominous as the title would seem, instead it’s full of humor and tips. Sadly, Hilnama passed away not long after the manga’s release.
  • Justice Warriors (AHOY Comics) – Fantastic satire that skewers policing, politicians, celebrity, consumerism, and society as a whole.
  • Let’s Go Karaoke (Yen Press) – A mobster needs a kid’s help to get good at karaoke. It’s such a bizarre concept but a lot of fun.
  • Maniac of New York: The Bronx is Burning (AfterShock) – I’m not the biggest horror fan but love this series. In between all of the kills, there’s some smart commentary within, just like horror should.
  • Metal Society (Image Comics) – In this future, robots rule. Humans are grown to do menial tasks for them but eventually the want of choice and freedom rises leading to a mixed martial arts battle between two warriors. The action packed comic had solid themes underneath and interesting discussions within.
  • Neverlanders (Razorbill) – A new take on the story of Peter Pan, the graphic novel took us the Neverland and by the end I wanted to see what other adventures awaited. Great art, solid action, colors that popped, and fantastic characters and twists. I want more adventures in the magical world.
  • Pinball: A Graphic History of the Silver Ball (First Second) – I’m a big fan of pinball and this graphic novel not only goes through the history of the game but also some of the nuances about the game itself showing it’s far more than just pushing buttons to hit a ball.
  • Plush (Image Comics) – Two issues were released in 2022 and they were bonkers. Cannibal furries. Nuff said.
  • Radical: My Year With a Socialist Senator (IDW Publishing/Top Shelf) – The graphic novel followed an election and first year of a “radical” elected official in New York State. It’s an eye-opening look at the reality of politics.
  • Rooster Fighter (VIZ Media) – The concept might seem silly, a rooster fighting kaiju/demons, but it works so well. The series is a solid ronin/western type story with hero of little words attempting to defeat villains and save the locals. By playing it straight and serious, the series nails it.
  • Smahtguy: The Life and Times of Barney Frank (Metropolitan Books) – The biography of Barney Frank is touching and at times heartbreaking as it focuses on the firebrand politician who had no problem taking on the establishment while he struggled with his sexuality.
  • So What’s Wrong With Getting Reborn as a Goblin? Vol. 1 (Yen Press) – The debut volume was a nice take on the “reincarnation in a different world genre”. What stood out was it’s spin that focused on using intelligence to build society instead of the usual leveling up through battle we see.
  • Solo Leveling (Yen Press) – The series keeps getting better with some fantastic action, nice ominous teasing, and amazing art with colors that pop. It’s such a fun spin on the dungeon crawler genre and the series feels like it has spun out it’s own imitators.
  • A Vicious Circle (BOOM! Studios) – While we only got the debut issue, the time travel story kept things entertaining but it was the art that made our jaw drop. We immediately wanted more and can’t wait to see what 2023 has in store.
  • Wonder Woman Historia: The Amazons (DC Comics) – The first issue debuted at the end of 2021 and made the list and we got the final two issues in 2022. While it was a four month, then eight month gap, it was well worth it as each featured an engaging story and career defining artwork.

Review: Ducks: Two Years in the Oil Sands

Kate Beaton delivers a raw and honest take about her experiences working in the Alberta tar sands.

Story: Kate Beaton
Art: Kate Beaton

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
TFAW
Amazon
comiXology/Kindle


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Review: World Record Holders

World Record Holders is a nice collection of short comics from Guy Delisle from over the years.

Story: Guy Delisle
Art: Guy Delisle
Translation: Helge Dascher, Rob Aspinall

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW
Bookshop
Amazon
Kindle/comiXology
Zeus Comics


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Randall Park will Direct Shortcomings from Adrian Tomine

Shortcomings

Randall Park is mainly known for his roles in shows like Fresh Off the Boat, WandaVision, and now Young Rock. He’s also directed a bit, mostly shorts and an episode of Fresh Off the Boat. Now, he’s stepping behind the camera to direct Shortcomings. The film is based on the graphic novel by Adrian Tomine who is the executive producer and screenwriter of the adaptation.

Shortcomings was originally released in 2007 after being serialized in issues #9 to #11 of Tomine’s Optic Nerve. The graphic novel is about a young Asian-American male in American society.

Ben Tanaka, the story’s protagonist, lives in Berkeley, California with his politically active girlfriend Miko Hayashi. Ben is uninterested in Miko’s participation in the Asian-American cultural community, but he possesses a wandering eye—specifically for Caucasian women. When Miko begins to resent what she interprets as a rejection of both her Asian heritage and of herself, she moves to New York, at which point Ben disastrously attempts to pursue the type of woman he feels he really wants.

Today’s New Digital Releases Features Over 50 New Comics from DC, Yen Press, Kodansha, and More!

The Other Side of the DC Universe #3

It’s one of two new comic book days! ComiXology has your digital needs covered with over 50 new comics available right now. Start shopping or check out the releases by the publisher below.

Abrams Amulet Books

Andrews McMeel

AWA Studios

comiXology Originals

Compass Inc.

DC Comics

Drawn and Quarterly

Fantagraphics

Harlequin

Humanoids

Kodansha

la Boîte à Bulles

Les Humanoïdes Associés

Seven Seas

Yen Press


This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

The Unquotable Trump Donates $11,000 to the ACLU

Drawn & Quarterly has announced that $11,000 has been raised for the ACLU. When R. Sikoryak’s The Unquotable Trump was published by Drawn & Quarterly in 2017, 25% of net proceeds were earmarked for donation to the American Civil Liberties Union.

The ACLU is a civil rights organization focused on defending voting rights of all Americans and a focus on fighting voter suppression and minority vote dilution.

Once the remaining stock of The Unquotable Trump has been sold, the book will go out of print and Drawn & Quarterly anticipates making another donation of approximately $3,000 USD.


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The Unquotable Trump

Review: Hostage

Hostage

In the middle of the night in 1997, Doctors Without Borders administrator Christophe André was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world.

Artist and writer Guy Delisle recounts André’s experience in Hostage the new graphic novel from Drawn & Quarterly that’s one of the most fascinating graphic novels I’ve read this year. Delisle recounts André’s experience in an almost 500-page book that goes over the details no matter how mundane it may seem. And I think that’s what’s most fascinating about it all. This isn’t a story where André is being taken out and his life threatened, that experience comes from his head. Instead, the graphic novel is actually almost ordinary in a way. Day in and day out André is handcuffed in his setting given soup and bread to eat and recounting the days. How he spent the three months and what was occurring on his side is the interesting part.

This isn’t a story about negotiations and failed transfers. Instead, this story focuses on what André imagines is going on, or just straight up ponders. Why was a photo taken? Why did he have to provide a phone number? Telling the story only from André’s perspective provides us the reader a confinement that reflects what André experienced. For pages and pages, the book devotes itself to the soup André eats and how his wrist deals with the handcuffs. Because that’s what André experienced. We see how André stayed alert during his time, how he counted the days, and his general thoughts. In reality, though, we only see and experience what André did.

Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. For those in the nonprofit sector or want to see the power of graphic journalist, Hostage is a fascinating read.

But, what struck me most, and Delisle enhances with his art is how far from an action movie it all is. Seriously, I want to go pack and see how much is devoted to discussing soup. But, the way it’s all presented is in a way so that we the readers who are unfamiliar with André’s experience don’t know what’s happening next. So, through the mundane tension increases as the story goes on.

Hostage is one of the most fascinating releases this year in both its story, attention to detail, and how it’s laid out. For a slice of real-life through graphic journalism, this is a must get.

Story: Guy Delisle Art: Guy Delisle
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy


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Check Out Today’s New Digital Comic Releases on comiXology

Lost on Planet Earth

It’s Wednesday and comiXology has your hookup for new comic releases. Check out the dozens of releases you can get today to satisfy your comic needs.

AAM-Markosia

Action Lab

Albatross Funnybooks

Archie Comics

comiXology Originals

comiXology Submit

Fight Club 3

Dark Horse Comics

DC Comics

DC Thomson

Drawn and Quarterly

Dynamite Entertainment

IDW Publishing

Marvel

NBM Graphic Novels

Papercutz

SelfMadeHero

Th3rd World Studios

Top Shelf

Vault Comics

Yen Press

Zenescope


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Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors are choosing up to five books and why they’re choosing the books. In other words, this is what we’re looking forward to and think you should be taking a look!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Elana

4 Kids Walk Into A Bank issue #5 (Black Mask Studios) – One of the best mini series around, 4 Kids reaches its conclusion. If you want a Stranger Things or Stand By Me type story with an incredibly well written girl protagonist and wise humor this series is for you. Read my review of issues 1-3.

 

Paul

Top Pick: Astonishing X-Men #3 (Marvel) – This X title hit the ground running in the first issue, and shows no signs of letting up. This book has a very interesting group of X-Men making up the team, many I’m happy to see in a team book again. The action is non stop, the writing is really good and one surprise already caught me off guard, so I’m really looking forward to see what else his book is going to throw at me.

Champions #12 (Marvel) – It’s no surprise to anyone following the site that this is one of my favorite titles right now, and I’m really looking forward to this issue and seeing where the team is post Secret Empire. The solicit is promising a change to the line up, and while I do welcome change, I’m a little nervous how a change to the team could change the dynamic and the overall feel of the book. But, I’m optimistic and can’t wait to find out.

Jessica Jones #12 (Marvel) – Being one of my favorite characters (before Netflix and it was cool to be a fan of Jessica’s) I am really enjoying this title. I can’t wait for Maria Hill’s secrets to come to light and how Jessica will react, and how these revelations will shake up Jessica’s world.

 

Javier

Top Pick: World Reader #6 (Aftershock Comics) – I first came across Loveness’ writing in Marvel’s Rocket Racoon & Groot. It was one of the best emotional reads I have had in a while. Since then, if he writes it, I buy it. In his latest work–well supported by Juan Doe’s vibrant art–he gives us more sci-fi laden empathic space travels across the universe, seeking the answers to dead worlds.

Iron Fist #7 (Marvel) – Everybody has been hating on Marvel lately, but they still remain one of the top players in the comic book world and attract top talent (Disney must offer a hell of a health insurance plan). A prime example is Ed Brisson taking over and bringing life back to the Iron Fist character. This latest arc teams him up with Shang-Chi Master of Kung Fu; plus Mike Perkins’, dark colored, action packed art is a visual thrill.

Doom Patrol #8 (DC’s Young Animal) – True, it’s not Grant Morrison’s DP, but Gerard Way’s new take stands on it’s own, and has enough weird to keep me coming back month after month.

Seven to Eternity #9 (Image) – This sci-fi western fantasy by Rick Remender has become one of my favorites. I miss Opena’s art, but Harren is filling in the job nicely.

Postal #22 (Image/TopCow) – Hill and Goodhart are bringing things to a head as the town folk of Eden ready themselves for all out conflict with the FBI.

 

Brett

Top Pick: Poppies of Iraq (Drawn & Quarterly) – So many good books this week, but this is the absolute top of my list. This graphic novel is Brigitte Findakly’s chronicle of her relationship with her homeland of Iraq and the history she experienced there. Can’t wait to read this and see her take.

Ab Irato #5 (Lion Forge Comics) – Lion Forge’s “Catalyst” line of comics is making headlines but this series is some of the smartest writing in comics right now looking at a political uprising from the ground perspective.

Beirut Won’t Cry (Fantagraphics Books) – An artist’s view of the summer of 2006 Israeli attack on Lebanon. While I probably won’t agree with everything said, I want to see what’s said.

Dastardly and Muttley #1 (DC Comics) – Garth Ennis taking on the classic pair. It sounds insane and I can’t wait to read it.

Lazaretto #1 (BOOM! Studios) – A pandemic strikes a dorm complex at a small college and it’s quarantined with kids trapped inside. Sounds like an amazing concept.

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