Tag Archives: don heck

Revisit the History of Victor Von Doom in Marvel’s Most Villainous Volume 2: Doctor Doom

Dark Horse Books collects the iconic stories of villains Marvel Comics has created over the years in a series of hardcover archival collections that span six decades of the savage and sordid characters. 

The second volume Marvel’s Most Villainous Volume 2: Doctor Doom explores a curated collection of stories, original art, and covers from Stan Lee, Jack Kirby, John Byrne, Bob Layton, Dave Cockrum, John Romita Jr., Jim Lee, Steve Ditko, Don Heck, Gene Colan, Larry Lieber, Wallace Wood, Marv Wolfman, Keith Pollard, Joe Sinnott, Doug Moench, Tom Sutton, David Michelinie, Bob Layton, Mark Waid, Mike Wieringo, Mike Mignola, Salvador Larocca, Paolo Rivera, Daniel Acuña, John Buscema, Rich Buckler, Ron Frenz, Paul Ryan, Esad Ribić, Alex Ross, Jon Bogdanove, Terry Austin, Billy Graham, Alex Maleev, Mike Zeck, Gil Kane, John Romita Sr., George Pérez, Erik Larsen, Frank Miller, alongside insights from comics historians Chris Ryall and John Lind.  

From his battles with the Fantastic Four, to his clashes with gods and heroes alike, the stories in Marvel’s Most Villainous Volume 2: Doctor Doom HC demonstrate why Doom has remained one of the most formidable villains in the Marvel Universe. Covering four decades of material on the legacy and impact of Doctor Doom, this collection belongs on every Marvel fan’s bookshelf and demonstrates why this armored tyrant is arguably the most villainous villain to ever grace the page!

Doom has no rivals when Marvel’s Most Villainous Volume 2: Doctor Doom HC (376 pages, 7.75×11”) arrives in bookstores and comic shops on December 22, 2026, for $65.00. Pre-order now from Dark Horse Direct, Amazon, Barnes and Noble, or your local bookstore or comic shop.

Marvel’s Most Villainous Volume 2: Doctor Doom

We open a 616 Day Mystery Bag from Marvel Comics! What’s inside? Find out!

This year, Marvel Comics dedicates 616 Day to its greatest supervillain—DOCTOR DOOM! Doom will take over the celebratory day with 616 Day Marvel Mystery Bags, special sealed bags that contain each of the following:

One exclusive black and white edition of Doomquest #1, the upcoming epic by Ryan North and Francesco Mobili, with an exclusive variant cover by Simone Bianchi OR an ultra-rare, hand-drawn, original sketch cover by a surprise artist.

One facsimile edition of a classic Doctor Doom story, either with its original cover OR a variant cover by a modern superstar:

Avengers #25 Facsimile Edition
Written by Stan Lee
Art by Don Heck
Cover by Jack Kirby
Facsimile Edition Variant Cover by Alessandro Cappuccio

Fantastic Four #258 Facsimile Edition
Written by John Byrne
Art and Cover by John Byrne
Facsimile Edition Variant Cover by Peach Momoko

Iron Man #149 Facsimile Edition
Written by David Michelinie & Bob Layton
Art and Cover by John Romita Jr.
Facsimile Edition Variant Cover by Dan Panosian

A Doctor Doom paper mask featuring artwork by the legendary Jack Kirby!

We open up and show off a blind bag!

616 Day Mystery Bags Feature Classic Doctor Doom Comics and More Surprises!

This year, Marvel Comics dedicates 616 Day to its greatest supervillain—DOCTOR DOOM! Doom will take over the celebratory day with 616 Day Marvel Mystery Bags, special sealed bags that contain each of the following:

  • One exclusive black and white edition of Doomquest #1, the upcoming epic by Ryan North and Francesco Mobili, with an exclusive variant cover by Simone Bianchi OR an ultra-rare, hand-drawn, original sketch cover by a surprise artist.
  • One facsimile edition of a classic Doctor Doom story, either with its original cover OR a variant cover by a modern superstar:

Avengers #25 Facsimile Edition
Written by Stan Lee
Art by Don Heck
Cover by Jack Kirby
Facsimile Edition Variant Cover by Alessandro Cappuccio

Fantastic Four #258 Facsimile Edition
Written by John Byrne
Art and Cover by John Byrne
Facsimile Edition Variant Cover by Peach Momoko

Iron Man #149 Facsimile Edition
Written by David Michelinie & Bob Layton
Art and Cover by John Romita Jr.
Facsimile Edition Variant Cover by Dan Panosian

  • A Doctor Doom paper mask featuring artwork by the legendary Jack Kirby!

Plus, participating retailers will receive a special Thank You Edition 616 Day Marvel Mystery Bag in advance containing an exclusive Doomquest #1 Black and White Edition Variant Cover by Bryan Hitch OR an original artist sketch cover; one of the aforementioned facsimile editions; and a Foil Edition of Jack Kirby’s Doctor Doom Mask!

Doctor Doom is one of Marvel’s most enduring and beloved characters. As more fans become drawn to him with his arrival in theaters later this year, 616 Day Marvel Mystery Bags offer an exciting way to explore both his latest saga and one of his most iconic battles with Marvel’s heroes. Representing the past and present of Marvel Comics storytelling, it’s a fitting celebration of Marvel’s biggest day and a perfect way to bring excitement and surprise back to where Doom’s legacy began: your local comic shop!

616 Day Marvel Mystery Bags are available while supplies last. Check out the new variant covers and inquire about their availability at your local comic shop today!

616 Day takes place on June 16.

19 announced for the 2026 Eisner Hall of Fame

Eisner Awards

Comic-Con has posted on social media that 19 individuals have been selected to be inducted into the Will Eisner Comic Awards Hall of Fame for 2026. These inductees include 8 deceased comics pioneers and 11 living persons. 

The Hall of Fame trophies will be presented in a special ceremony at the San Diego Convention Center on the morning of July 24. The Eisner Awards in 30+ other categories will be presented in the traditional Friday evening ceremony at the Hilton Bayfront Hotel.

The 19 are:

  • Edwina Dumm
  • Oliver Harrington
  • Don Heck
  • Abe Kanegson
  • Paul S. Newman
  • Hector German Osterheld
  • Tom Palmer Sr.
  • Jimmy Swinnerton
  • Bob Bolling
  • Gerry Conway
  • Denys Cowan
  • Mike Freidrich
  • Lee Marrs
  • Go Nagai
  • Bud Plant
  • Mike Royer
  • Dave Sim
  • Carol Tyler
  • Rick Veitch

Congrats to all!

Lost Marvels No. 1 Tower of Shadows is a must for fans of horror or classic Marvel comics

In 1969, with its revolutionary superhero line well established, Marvel took a chance on the kind of supernatural, EC-style anthology series that had been banned since the formation of the Comics Code in the 1950s. Tower of Shadows featured a staggering array of artists and writers, including Neal Adams, Jim Steranko, Barry Windsor-Smith, John Buscema, Gene Colan, Wally Wood, Stan Lee, Roy Thomas, John Romita, Johnny Craig, Marie Severin, Gerry Conway, and Bernie Wrightson, to name a few. Freed from the conventions of the superhero adventure, these creators brought their storytelling skills to a more quietly sinister genre, producing atmospheric gems of twisted suspense and sardonic horror.

Not only do these nine issues feature Marvel’s best creators working at their peak, but Tower of Shadows is one of the lost, never-collected Marvels. In the first of a new series of Lost Marvels, Fantagraphics and Marvel join forces to introduce these pages to a new generation of readers and restore this series to its rightful place in comics history. This gorgeous volume brings every Tower of Shadows story and cover to life in vivid color and features background and analysis by comics journalist Michael Dean.

Story: Jim Steranko, Johnny Craig, Stan Lee, Roy Thomas, Gary Friedrich, Neal Adams, Len Wein, Allyn Brodsky, Marv Wolfman, Tom Sutton, Roy Thomas, Wallace Wood, Gerry Conway, Steve Skeates
Art: Jim Steranko, Johnny Craig, John Romita, Don Heck, John Buscema, Neal Adams, Gene Colan, George Tuska, Marie Severin, Tom Sutton, Barry Windsor-Smith, Wallace Wood, Syd Shores
Ink: Don Heck, Dan Adkins, John Verpoorten, Mike Esposito, Vince Colleta

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


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Marvel settles with four artists over a superhero copyright battle

Marvel logo

A court battle has ended between Marvel and Larry Lieber and the estates of Don Heck, Gene Colan, and Don Rico. Marvel has dropped its lawsuits against the four with prejudice after an “amicable resolution” was reached. A similar fight with the estate of Steve Ditko and Marvel looks to still be ongoing. The four artists in which settlements were reached involved the creation of Iron Man, Ant-Man, Thor, Black Widow, Hawkeye, Blade,and Captain Marvel.

Under the Copyright Act, creators can terminate a copyright assignment after decades as long as certain circumstances are met. Marvel sued the artists whose work spanned from the 1950s to the 1970s after they sought to terminate and reclaim copyrifhts.

Marvel has consistently taken the stance that creators’ work were made for hire which prevented their ability to recapture the copyrights.

In 2013, Marvel won a similar case in a U.S. appeals court involving Jack Kirby. The case was settled as the U.S. Supreme Court was considering to take up the case.

Fantastic Four, Giant-Size Marvel, Hercules, and More are New on comiXology

There’s eight new releases available now on comiXology. You can get new comics from Marvel, Harlequin, and Tidalwave Productions. Get shopping now or check out the individual issues below.

Fantastic Four: Clobberin’ Time

Written by Todd DeZago
Art by Michael O’Hare
Cover by Randy Green
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Collects Marvel Age: Fantastic Four Tales #1, Tales Of The Thing #1-3 And Spider-Man Team-Up Special (2005) #1. Check out the Thing and the rest of his Fantastic Four pals in their latest collection of all-ages adventures! Each of these four action-packed stories features a special guest from the Mighty Marvel Universe. Join the Black Panther, Dr. Strange and other heroes as they combine forces with the Thing for this contemporary spin on classic Marvel tales.

Fantastic Four: Clobberin' Time

Fantastic Four: Unstable Molecules

Written by James Sturm
Art by Guy Davis, James Sturm
Cover by Craig Thompson
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Collects Startling Stories: Fantastic Four – Unstable Molecules #1-4. In 1961 the first issue of THE FANTASTIC FOUR was drawn and written by the brilliant team of Jack Kirby and Stan Lee and set a new standard for heroic adventure comics. Few people realize that the Fantastic Four — a family of sci-fi adventurers gifted with amazing powers — were actually based on the lives of real people. As often is the case, real life was as astonishing as fiction. UNSTABLE MOLECULES is a biography that revisits the Fantastic Four’s beginnings with a historian’s eye.

Fantastic Four: Unstable Molecules

Giant-Size Marvel

Written by Gerry Conway, Steve Gerber, Tony Isabella, Donald McGregor, Roger Slifer, Roy Thomas, Len Wein
Art by Rich Buckler, John Buscema, Dave Cockrum, Don Heck, Gil Kane, Don Perlin, Frank Robbins
Cover by John Romita Sr.
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Collects Giant-Size Fantastic Four #4; Giant-Size Avengers #1; Giant-Size Defenders #4; Giant-Size Super-Heroes #1, Giant-Size Invaders #1; Giant-Size X-Men #1, Giant-Size Creatures #1. Giants roamed the Earth in those days, and now they’re back! Witness the formation of the new X-Men and the old Invaders! The rapid return of the wartime runner called the Whizzer! The debut of the multiplying Marvel Knight Madrox! Spider-Man vs. the Man-Wolf! The Defenders vs. the Squadron Sinister! The tantalizing Tigra and more! Tales almost too tall to tell, together in a titanic tome!

Giant-Size Marvel

Hercules: The New Labors Of Hercules

Written by Frank Tieri
Art by Mark Texeira
Cover by Mark Texeira
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Collects Hercules (2005) #1-5. Reeling from the tragic death of Thor, the Prince of Power knows his star is fading fast. So what better way to pump up his Q-rating than to relive his defining moment? When his most bitter foe throws down the gauntlet, Hercules agrees to the challenge: twelve labors, each more perilous than the one before it — and each updated for reality-TV consumption. Zounds!

Hercules: The New Labors Of Hercules

Partenaire en amour

Written by Jessica Hart
Art by Marito Ai
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Darcy a fait le voyage depuis Londres pour visiter Bindaburra Ranch, une propriété que lui a léguée son grand-oncle. Sur sa route vers le ranch, sa voiture tombe en panne et elle se voit contrainte de continuer à pied sur ses talons dans une campagne qu’elle ne connaît pas. Juste au moment où elle commençait à désespérer, un homme nommé Cooper arrive dans sa voiture et la sauve. Mais Cooper déclare qu’il est le propriétaire de Bindaburra. Cooper essayait-il de profiter du décès de son grand-oncle pour accaparer le ranch que son oncle aimait tant ?

Partenaire en amour

Un mariage par nécessité

Written by Christine Rimmer
Art by Kuremi Hazama
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Le père de Megan avait stipulé dans son testament qu’elle devait se marier dans les deux ans et avoir un enfant, sous peine de perdre la propriété de la ferme d’élevage. Désormais, elle doit trouver un mari, au plus vite ! Pour cela, elle se bat pour rencontrer son ami d’enfance Nathan Bravo. Alors qu’ils ont grandi ensemble, il a quitté la ville il y a longtemps pour y pratiquer la médecine vétérinaire. À présent, douze ans plus tard, Megan est décidée à lui demander de l’épouser !

Un mariage par nécessité

Welcome to Waterbury #2

Written by Dan Rafter
Art by Byron L. Golden
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Chapter 2: The Devil You Know. Living in Waterbury in an aging inn wasn’t Audrey’s dream. It was her husbands. But now her husband is dead, and Audrey is the only one who thinks it wasn’t an accident. She’s also the only one who thinks the scarecrows scattered throughout the town have been moving. What’s really going on in Waterbury? Audrey’s about to find out.

Welcome to Waterbury #2

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Earth’s Mightiest Heroes: An Avengers Retrospective Part 3: In Battle Joined (Issues #36-56)

Avengers (1963) #36

Guest contributor Eugene Selassie is back with the second part of his retrospective of Marvel‘s The Avengers. He started at the beginning covering the first sixteen issues. He’s back discussing issues #36 to #56!


In this third installment of my deep dive, reading every single issue of The Avengers from the beginning, what we know as staples of Avengers lore are introduced in these issues. Some of these staples greatly enhance the reading experience, while others detracted more than I remembered them to. Legendary writer and artist team of Roy Thomas and John Buscema begin their iconic run on the title. Many new heroes, that would go on to become perennial mainstays of the roster, make their first appearance in the book during these issues. Past relationships and connections come back to haunt a few of the protagonists. Story elements that played out in classic Avengers stories decades later are seeded in these issues. Continuity becomes a double-edged sword during this run, potentially splitting the audience into “love it” or “hate it” camps.

Roy Thomas took over as writer with issue #36. With the constant in-fighting (now between Goliath and Hawkeye over Clint’s insistence that Black Widow be granted membership status) and the hyperbole used in the narration (ex: “Thus it is that, less than sixty seconds later, twin engines of a highly complex design burst into ear-shattering life and zoom with blinding, supersonic speed into the sub-stratosphere, as all passengers fervently hope they will not be too late!”) meant that the transition in scripting from Stan Lee to Roy Thomas was as smooth as possible. Issue #41 heralded the debut of the legendary John Buscema as penciler. His layouts were a bit splashier than what we’ve previously seen. Nevertheless, with George Bell remaining as the inker, making the characters look roughly the same, the transition from Don Heck to John Buscema was not too jarring. Fill in issues by Don Heck were still welcome, as was a one-off by George Tuska, whose level of intricate detail was only rivaled years later by George Perez.

Avengers (1963) #38

I waited with bated breath to see new members, one by one, added to the ranks of Earth’s Mightiest Heroes:

  • Black Widow accompanies the team, in issues #36-37, to rescue Scarlet Witch and Quicksilver from an alien threat, the Ultroids, near their village in the Balkans. Natasha turns out to be the ace up the heroes’ sleeve that they desperately needed. The Avengers, sticking to their moral code, prevented them from doing what was necessary to defeat Ixar. On the contrary, Black Widow had no such compunctions. Days after this adventure, as Widow rushes to Avengers mansion for a meeting to discuss her membership, she is abducted. However, it is not by enemies. Nick Fury, Director of SHIELD recruits her for a secret mission overseas, a mission that must remain secret from even Hawkeye and the other Avengers. When Widow recovers in the hospital after this mission and explains how the government lied about her husband’s death and duped her into training (even though they did the same thing to him), there was no mention of the infamous “Red Room” training that we know in the modern age.
  • Hercules makes his Avengers debut in issue #38. The Prince of Power is locked in combat against the God of War, Ares, due to events from Thor issue #129. The Enchantress shows up to convince them to squash their beef and offers alcoholic beverages to both. In reality, she’s working with Ares. Hercules’ drink is spiked with a love potion, making him do Amora’s bidding. Ares gets to tell Zeus of this forbidden passion, making Hercules a pariah in Olympus, while Enchantress gets to use her unwitting slave against the Avengers. During their fight, the potion wears off and Hercules helps the team fend off the Asgardian and Olympian. Due to the perceived forbidden affair, Hercules is then banished from his home in Olympus. The Avengers take him in as less of a member and more of a house guest who helps them whenever he deems fit.
  • Edwin Jarvis, the butler of the Stark family and for the Avengers, makes his first Avengers appearance in issue #38. He’s not given much of a personality until further down the road in issue #54, where he hides a deadly secret from the Avengers; he’s sold the new mansion security specs to the Crimson Cowl in exchange for a large sum of money he desperately needed. Cowl, of course, reneges on the deal.
  • The Sub-Mariner returns in issue #40. A nuclear sub tests weapons near his kingdom, which Namor doesn’t take too kindly to. He attacks the island base from where it came from, only to encounter the Avengers. Page 15…Hercules vs. Namor…HOLY $#I^! These two beat the stuffing out of each other. I am surprised that there wasn’t a giant crater left in their wake.
  • Dane Whitman, nephew of Nathan Garrett, the villainous Black Knight, debuts in issue #47. Garrett met his end against Iron Man in Tales of Suspense #73. Dane seeks to atone for his uncle’s evil actions and decides to use the science and nom de guerre of his uncle, to do good with it as the new Black Knight. He seeks out the Avengers for an alliance. Conversely, they mistake him for his uncle and get into a brawl.
  • Black Panther makes a cameo, alongside Captain America (who quit the team several issues earlier) in issue #51, where Steve requests they consider T’Challa for membership. Issue #52 features the Black Panther entering Avengers mansion for the first time, in a story where he finds what appear to be the bodies of Hank, Jan, and Clint. He’s arrested by SHIELD agent Jasper Sitwell and is hauled off into police custody. I don’t know if Roy Thomas understood how tone-deaf it was to see the imagery of the first Black superhero to be featured in the Avengers comic being shackled in the back of a squad car. Of course, T’Challa escapes so he can investigate what occurred.
Avengers (1963) #47

Several extended relationships are given more space to develop in these issues.

  • Issue #43 is the first appearance of the Soviet super-soldier known as Red Guardian, who happens to be the Black Widow’s ex-husband. When Clint finds out, he grows cold and emotionless for the first time in this series. This is the second time a villain is brought into the book that Hawkeye has an obvious grudge with, but their sole motive is to prove they can best Captain America, making the rest of the Avengers look “lesser than”.
  • Concurrent with this story is the arc of Tales of Suspense where Steve meets and falls for SHIELD Agent 13, aka Sharon Carter. It’s also where he’s contemplating giving up being Captain America, which didn’t quite sit well with me. I know Marvel was all about heroes with feet of clay, especially back then, but this was akin to Clark Kent no longer wanting to be Superman. I had no clue that Steve was a fan of Tolkien or fantasy novels in general, so it was cool to see that side of him.
  • Hercules travels to Olympus to beseech his father, Zeus, to reconsider his exile. However, the Prince of Power finds the fabled land completely deserted.  In issue #49, Hercules discovers that it is the dreaded ancient Titan known as Typhon who was responsible for what happened to the Olympians. By destroying the sacred Temple of the Promethean Flame, the immortals of Olympus just vanished. After confronting the Titan, Hercules finds himself banished to the same limbo that his people were banished to. Issue #50 sees Hank, Jan, and Clint search for Hercules, who has reunited with the Olympians. Zeus is able to send him back to Earth due to the magic holding them there not having as strong of a hold on the Prince of Power because he’s half-mortal. The team does their best to slow down Typhon, but the dude is a ten-foot-tall demigod with a battle axe that shoots lightning. Once Hercules arrives, he and Typhon have the grudge match of the ages. Whatever unidentified landmass in the Mediterranean where they brawled had to have been reduced by half. In the end, Hercules defeated him using not just brawn, but tactics taught by Captain America. He returns with Typhon to Olympus, bidding farewell to the Avengers for the time being. This leaves the roster to just Hank, Jan, and Clint…not the most powerhouse line up they’ve had.
  • Issues #47-49 feature Magneto, who was exiled to a planetoid far from the Earth in X-Men #18. This is indubitably pre-Chris Claremont Magneto. He’s not a sympathetic Holocaust survivor trying to prevent the same thing from happening to mutant kind. He is cranky, megalomaniacal, and vengeful. And he is quite abusive to his lackey, Toad. I completely forgot that neither Magneto nor Quicksilver & Scarlet Witch knew they were related in those early years. Magneto demands the UN for his own nation for mutants. When they refuse and he lashes out at one of the representatives with a microphone as a weapon, Hawkeye saves him, and the most fun, yet clunky, dialogue followed; “A diamond-tipped arrow…from out of nowhere…smashing the microphone. But who?” I love superhero comics. Hawkeye landing a kick right to Magneto’s face made me think that this is likely the only time that has ever happened.  The crux of Magneto’s plan was to cause one of the guard’s aim to go off wildly and accidentally shoot Wanda in the head (grazing her temple) just so it would send Pietro into a rage against the guards and the Avengers. Yeah, the “Magneto was right” crowd may want to tone it down a bit after this.

I found myself enthralled by the number of story elements that were just the nugget of an idea that played out on a larger scale some years, even decades later:

  • Long before the Kree-Skrull War, you could tell that both Stan Lee and Roy Thomas had the idea percolating, of a war between two alien empires with Earth caught in the middle. The Ultroids made the second time that something like this was hinted at.
  • Magneto blackmailing the United Nations into giving him his own nation was something done three decades later in an X-men storyline titled “The Magneto War”.
  • Issues 54-55 bring us a new Masters of Evil, comprised of the Klaw, the Melter, Radioactive Man, Whirlwind and the new Black Knight. They’re all working for the mysterious Crimson Cowl. However, they don’t know that this Black Knight is not Nathan Garrett, but his nephew, Dane Whitman. Dane goes undercover with the group to gather intel that he can bring to the Avengers. The mission of this new incarnation of the villain group, to storm Avengers mansion and capture the team. I never knew the Masters of Evil attacked the Avengers in their home, long before the classic Siege of Avengers Mansion during Roger Stern’s run.

I am a person that loves continuity, when used the right way. When Thor or Iron Man have to leave the team due to events in their own book that month, I loved it. Realistically, the characters cannot be everywhere all the time. That era was much better with not having characters guest starring in six different books the same month “just because”. However, when a character pops into a book, carrying over from a story in another book, it gets a bit frustrating keeping up with. While the Hercules story carrying over from The Mighty Thor was explained thoroughly, Nick Fury’s subplot from Strange Tales, where he’s essentially on house arrest, Cap leaving the team due to being duped in Tales of Suspense by Swordsman and Power Man into believing Bucky was still alive, and the most egregious one, the X-men versus Magneto fight that carried over into an Avengers comic, were not given the necessary flashbacks to really flesh out these elements. In the case of the X-men one, it would’ve helped tremendously if they just made it an actual crossover with the parts 1 and 2 posted on the covers of those respective issues.

My apologies for the gargantuan length of this post, in the future, I will do my best to make sure the articles aren’t covering twenty issues worth of content. Speaking of content, when we reconvene again, we discuss several debuts (Vision, Yellowjacket, and a guest appearance by Doctor Strange) along with trips into the sci-fi, the cosmic, and even the occult. Until next time, AVENGERS ASSEMBLE!

Travel to August 1961 with Marvel

In August 1961, Fantastic Four #1 hit newsstands, heralding a new take on super hero stories and the birth of the Silver Age Marvel Universe! Now, sixty years later, experience the excitement of being a comic book fan in that momentous month with the Marvel: August 1961 Omnibus, a complete hardcover collection of every issue that shared the shelves with Fantastic Four #1, many never before reprinted!

Considering leaving the comic book industry behind, Stan Lee was persuaded by his loving wife Joan to create one more book exactly the way he wanted it. And so, Stan Lee and Jack Kirby created Fantastic Four #1 and changed the American pop culture landscape forever. Before the Silver Age kicked off, Marvel Comics had published western, romance, comedy, monster and science fiction titles — and in August 1961, Fantastic Four was just one of over a dozen very different Marvel books. This first-of-its-kind omnibus will include:

  • JOURNEY INTO MYSTERY (1952) #73-74
  • KATHY #13
  • LIFE WITH MILLIE #13
  • PATSY WALKER #97
  • AMAZING ADVENTURES (1961) #6
  • FANTASTIC FOUR (1961) #1
  • KID COLT, OUTLAW #101
  • LINDA CARTER, STUDENT NURSE #2
  • MILLIE THE MODEL #105
  • STRANGE TALES (1951) #90
  • TALES OF SUSPENSE (1959) #23
  • TALES TO ASTONISH (1959) #25
  • GUNSMOKE WESTERN #67
  • LOVE ROMANCES #96
  • TEEN-AGE ROMANCE #84
  • AMAZING ADULT FANTASY #7
  • PATSY AND HEDY #79
  • RAWHIDE KID (1960) #25

These works were brought to readers by some of the most influential comic book creators of all time including Stan Lee, Jack Kirby, Steve Ditko, Don Heck, Stan Goldberg, Al Hartley, Paul Reinman, Jack Keller, Dick Ayers, Bob Forgione, Vince Colletta, and more!

Check out the all-new cover by Javier Rodriguez as well as the exclusive Direct Market variant cover by Jack Kirby and be sure to pick up this rare and unique collection when the Marvel: August 1961 Omnibus hits shops in August 2021! 

Earth’s Mightiest Heroes: An Avengers Retrospective Part 2: Four Against…(Issues #17-35)

The Avengers #17

Guest contributor Eugene Selassie is back with the second part of his retrospective of Marvel‘s The Avengers. He started at the beginning covering the first sixteen issues. He’s back discussing issues #17 to #35!


We continue my biweekly recap of my deep dive, reading every single issue of The Avengers from the beginning. In the second half of the Stan Lee era of the book, we see more of a focus on the personalities and the private concerns of each Avenger. We also notice a shift in the power levels of the villains they face to complement the more grounded roster. The political thriller vibe of some of the arcs, predating The Ultimates by about 35 years, was welcome…but the racial caricatures were not. Several allies and Avengers mainstays debuted around this time. Finally, these issues really hit home how much a different inker can completely change an art style.

The first few issues of the “kooky quartet” era established the dynamics of the team rather quickly:

  • Captain America was now unquestionably the one in charge. Steve Rogers exuded even more confidence in action than in previous Avengers stories, if that’s even possible. Complex team strategy and tactics are now on full display with this roster, which was a treat. On the contrary, Cap’s constant brooding while alone at the mansion sometimes felt a bit off-putting. So did the fact that he took on a mission that could’ve caused an international incident, just to look good for SHIELD recruitment (issue 18). When Steve quit the team at the end of issue 22, it could have led to the end of the Avengers, if not for Kang’s subsequent attack, which brought the team back together. Cap was a bit of a dick at times. It felt justified when he was dishing it back out to Hawkeye. Conversely, demanding that Hank Pym prove he’s the real Giant-Man, even though Hank explained that there have been health concerns and the strain of changing size could kill him, went a bit overboard. Equally perplexing was insulting Hank to snap him out of his funk, but from what I’m discovering, that was a common storytelling device at Marvel during the Silver age.
  • Hawkeye was the wild card of the bunch. The action man archer trying to repent from Tales of Suspense #57 up through Avengers #16 is gone and the cocky Clint Barton that we all know and love is present. I laughed heartily because Clint’s luggage wasn’t even unpacked yet before he started mouthing off to Cap. Around issue 25 is where we start to see Clint at least being self-aware that he’s a jerk and gives Cap too much crap…yet he does nothing to actually correct this. He and Cap bickered like an old married couple.
  • While the Scarlet Witch was written not as ineffectively as Jan was in these early issues, Wanda Maximoff is still treated the way all women were written in that era. She pined for Steve 50% of the time. Also, her being a brunette back then really threw me for a loop. Her powers were not as dangerously unpredictable as they would later be written as.
  • Quicksilver’s personality is the furthest from modern renditions. Pietro Maximoff is not quite a pompous ass yet. The one trait that does carry over to modern times is him being overprotective of his sister, Wanda. His personality, for the most part, is just him shouting “don’t talk to my sister that way!”. One minor facet that I never knew existed was both Maximoffs having a fondness for show business. Pietro, especially, took a liking to daredevils and high wire acts in the circus. In battle, he was quite effective, although he used the “tie people up in cloaks/curtains/blankets shtick as his offense…a lot.

While the team still took on “foes that no single hero could withstand” in several of these stories, there was a noticeable pulling back of the power levels of foes to coincide with the lesser powered roster.

  • The Swordsman appears in issues 19-20. This is where we get our first glimpses into Hawkeye’s past as Swordsman’s protégé and Clint getting pulled into a life of crime due to his mentor’s actions
  • Power Man (Erik Josten) in issues 21-22 makes three times (along with Wonder Man and Swordsman) in less than two years that the “villain pretending to be a hero” shtick was used against the Avengers.
  • The Keeper of the Flame (issue #31) was a change of pace in that we hadn’t seen any sort of cult leader in the book as of yet. Their eternal flame was powered by cobalt. Cobalt is treated like plutonium in this issue in that they treated it like it could destroy the entire planet. The Avengers figured both sides of this ancient conflict over ownership of the flame pose equal danger to the globe, so they snuffed out the flame. This felt like the “ending of Rocky IV” level of tone-deaf in the slightest and “violating the Prime Directive” at the worst.
  • In issue 32, the hate group, known as the Sons of the Serpent, shows up and viciously attacks a random Latinx bystander. One would think that the concept would feel dated…the last few years have proven that, sadly, they’re still relevant.
The Swordsman The Avengers #19

This period also is the starting point for several familiar faces in the annals of Avengers history, to make their appearance. It was good to see Hank Pym and Janet Van Dyne again (issues 26-28). Hank now refers to himself as Goliath. A fun fact I never knew is that Wanda designed and created his blue and yellow Goliath costume. Jan seemed much less flighty, but within the span of six issues she was captured and imprisoned three times, then is knocked out cold after falling out of a tree, ugggh. Hank’s size-changing has caused health concerns and at one point, he gets stuck at ten feet tall, with no way to shrink or grow without fatal results. To assist him in research towards a cure, Tony Stark refers him to one of the most brilliant bio-chemists on the planet, Bill Foster, who would one day become Goliath. Foster was attacked just down the block from Pym’s house by the Serpents in issue 32. Pym went into a full-on rage and canceled all experiments so he could make sure the Avengers made the Serpents a top priority. Not saying there’s anything wrong with Pym, more so than any of the other Avengers, taking umbrage with racially motivated hate crimes and wanting to plant his foot up the asses of those responsible, but I was surprised how “woke” he was. To get more intel on the Serpents, Steve reached out to Nick Fury. Having not read anything with the O.G. Fury in almost a decade I realized how much I missed him. This also marked his first appearance in an Avengers comic. Of course a barber shop is a front for a SHIELD base. This felt oddly on point for a 60s spy organization. Unbeknownst to the Serpents, one of their recruitment meetings has been infiltrated by the Black Widow. It would seem that her road to redemption began here. What also began here was an unsavory pattern.

Issue 18 saw the team go toe-to-toe with the mammoth cyborg dictator known as the Commissar…a bad East Asian stereotype. Issues 32 and 33 revealed that the mastermind behind the Sons of the Serpent was actually a Communist General…who was a bad East Asian stereotype. Issues 34 and 35 revealed that Living Laser had hired himself out to those looking to stage a coup in the fake Latin American country of Costa Verde. Guess what, they were bad Mexican stereotypes. I had to facepalm at a lot of this. I’m hoping that there’s not too much more casual racism masked as patriotism in these early years because that will severely hamper my reading experience.

One thing that stood out more than anything was the different inkers that worked with artist Don Heck. In all of my years of reading comics, I’ve never seen an art style change so drastically with the changing of an inker on a book, until now. The legendary Wally Wood brought a level of intricate detail to the layouts yet unseen during Heck’s run. Shifting to John Romita inks was fun as he was a master of highlighting the character’s acting and emotion. Frankie Ray’s inks were not as detailed as Wally Wood’s but still got the point of Heck’s pencils across, which were probably in their purest form here. The style then drastically shifted when Frank Giacoia did the inks, giving the book an almost “romance comic” vibe. All of these craftsmen were highly talented. I just never knew an inker alone could change the look of a comic to this degree.

I’m very excited to get to the next leg of this journey, the Roy Thomas era of the book. It’s here where new members of the team begin coming in fast and furiously. Hope you’ll return for the coming of Hercules, Black Panther and several others. Until next time, AVENGERS ASSEMBLE!

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