Tag Archives: deadpool

Where the Data Ranks 2016’s Comic Book Films. Over $5 billion in 2016.

I had declared a few weeks ago that 2016’s comic adaptations had wrapped up, but was proven wrong. I’m officially declaring them done after a few weeks of no new dollars in.

2016’s comic adaptations earned over $5 billion worldwide, a record beating the previous record of $4.9 billion set in 2014. Nine films were released in 2016 earning on average $558.5 million. When the two limited release films are removed, the remaining seven earned $717.5 million.

In 2016 on average, DC films earned the most domestically and combined have earned the most domestically. Marvel films earn more on average and total internationally and by enough worldwide as well. What’s really interesting is due to the budgets for Fox’s “X” films the difference between gross and budget on the average is not that different from DC.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Lets look at how things have shifted since 1989, the year Batman came out. None of the below is adjusted for inflation or ticket prices.

Things have clearly changed over the 27 years. While 2016 didn’t have a record number of comic adaptations released (that was 2014), it did set a record of worldwide gross and difference between gross and budget. 2016 also saw a record domestic gross of $1.9 billion (beating 2014’s $1.7 billion), but it only had the second highest international gross of $3.1 billion. 2014 holds the record of $3.2 billion. 2016 also saw budgets of roughly $1.2 billion (two films’ estimated budgets are not available). That was the fourth-highest total, the record being 2014’s $1.5 billion for 13 films (2016 had 8).

But, how did the average film do?

Things are a bit mixed when you look at the average earning in 2016 (in this case all nine films released). On average the films earned $211.2 million domestically, the second highest amount ever. The record was set in 2012 with $263 million. That year saw 6 films released. Internationally, 2016 saw a record set with $446.5 million on average earned. The second highest amount was 2012 with $429.5 million. Worldwide, 2016 saw the second highest average amount earned with $558.5 million. The record was set in 2012 with $692.4 million. While budget in 2016 were high with the films costing $151.8 million on average, that’s only the third highest amount. The record was set in 2006 wiht $178 million and 2012 saw the average being $172 million. 2016 was also only the second most profitable on average for films. In 2016 the average film earned $476.5 million and the record was set in 2012 with $520.4 million.

2017 is already off to an interesting start and we’ll begin our focus on the year beginning next week.

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X-Force Wolverine, Deadpool & Black Suit Spider-Man Get One:12 Collective Figures

Mezco Toyz and One:12 Collective are releasing three new Previews exclusive figures for their Marvel line of toys. Wolverine, Deadpool, and Spider-Man get three new versions that should be popular with fans.

X-Force Wolverine features 30 points of articulation, intricate sculpting, 2 heads, 8 interchangeable hands, his Muramasa blade katana and sheath, X-Force-themed display base, and a display post!

X-Force Deadpool features over 30 points of articulation, hand painted detailing, and a multitude of extra accessories. Fans can customize Deadpool with multiple head portraits, interchangeable hands, and arm him with some of his signature weapons.

Black Suit Spider-Man features over 30 points of articulation and includes an exclusive black outfit with intricate silk-screened details, 6 interchangeable hands and assorted weblines including a posable line to recreate your favorite scenes.

 

 

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Deadpool Gets Animated at FXX

Deadpool is a pretty animated character, so it’s no surprise he’s actually getting animated in a new television show created by Donald Glover and Stephen Glover and will run on FXX. The animated show has been given a straight-to-series order with a 10 episode first season that will likely debut in 2018.

Donald and Stephen Glover will serve as showrunners and executive producers for the series. Marvel’s Jeph Loeb and Jim Chory are executive producers. The untitled series is produced by Marvel Television in association with FX Productions and ABC Signature Studios for FXX.

It should be no surprise that this is happening after the success of the live action film featuring the character which earned $783 million worldwide off of a $58 million budget and has a sequel coming out in 2018.

Donald Glover is already part of the “Marvel family” as he’ll appear in Spider-Man: Homecoming out this July and his fellow Atlanta actor Zazie Beetz has been cast as Domino in the Deadpool film sequel.

It’s unknown who will be providing the voice of the character.

Where the Data Ranks 2016’s Comic Book Films

After a declaration that 2016’s films had stopped earning money, Doctor Strange surprised me and brought in some more. This week there has been no additional earnings, so it’s likely things have wrapped up. We’ll give it one more week before making things final.

In 2016 seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

While we’ve looked at how individual movies have done compared to the average, here’s it by property. Marvel, DC, and Fox have all released two films.

On average, DC films earn the most domestically and combined have earned the most domestically. Marvel films earn more on average and total internationally and by enough worldwide as well. What’s really interesting is due to the budgets for Fox’s “X” films the difference between gross and budget on the average is not that different from DC.

Of note:

  • Doctor Strange looks to have ended its run completely (we’ll give it another week). The film has earned $677.7 million worldwide. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Where the Data Ranks 2016’s Comic Book Films

Last week I had declared that the 2016 comic adaptation releases looked to have stopped earning money, but that was premature. Doctor Strange went and messed that up earning $100,000 since last week. So, back to what we’ve been doing and will do this until all the numbers are in. After that we’ll really dive in and look at how 2016 compares to previous years and then after that dive into 2017’s releases.

In 2016 seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is still chugging along earning another $100,000 since last week. The film has earned $677.7 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.812 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Review: Deadpool vs Punisher #2

STL040903.jpgWhen the premiere issue of Fred Van Lente’s funtastic Deadpool vs Punisher comic finished, I found myself on the edge of my couch frantically flipping the back cover hoping that more pages would mysteriously appear so I could keep going. They didn’t but, luckily Deadpool vs. Punisher #2 showed up just in time for me to get my awesomeness fix. If you missed the first issue, it’s not too late to jump in on the action, much like your favorite action based TV shows, there’s a sweet one-page recap at the beginning of this issue. Long story short, Castle wants justice with a whole lot of blood on the side, even if that blood is Deadpool’s and Deadpool wants vengeance for the death of his accountants family and maybe some chimichangas.

In the second issue Van Lente starts things off with a not dead Deadpool tied up in Castle’s battle van with no recollection of what preceded his current predicament. Things get way more interesting from there. This issue has fake deaths, psycho crime bosses, Castle sulking in dark corners, and Deadpool cracking wise and kicking ass. Almost everything you could ever want from these two anti-heroes combining forces. It’s like Lethal Weapon and Tango & Cash had a baby and it exploded on the pages of a really good comic book. As I predicted in my review of the first issue, this arc really is looking like it is going to be the buddy anti-hero road trip extravaganza of my dreams but with murder and intrigue.

Pere Perez and Ruth Redmond have been tasked with providing the art element to this action packed, quip heavy extravaganza and they do an amazing job. Perez is a master at providing so much detail that you can see every scar line and hole in the rare instances where we see under Deadpool’s mask. Redmond uses her killer color skills to make sure that we see blood and bruises so fresh and real that we have a guttural reaction. There are several pages that are pure action and none of the art seems contrived, repetitive, or boring. Each panel and page are full of detail, realism, as far as some of these kills can be real, and is filled with movement and purpose.

Van Lente provides a great story and the Perez and Redmond artwork complements his words perfectly. There are no wasted bubbles or panels and everything that is done is done deliberately and serves its purpose of moving the story along keeping the reader engaged and leaving us wanting more. Round 2 of Deadpool vs Punisher is just as intense and fun as the first issue and, if Van Lente keeps this momentum up I’m sure the finale of this arc will make your head explode in the best possible way.

Story: Fred Van Lente Art: Ruth Redmond and Pere Perez
Story: 8.9 Art: 8.8 Overall: 8.9 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review.

Where the Data Ranks 2016’s Comic Book Films. Brings in Over $5 billion

It doesn’t look like Doctor Strange has earned any more money since last week’s report so with that, I’m calling the 2016 comic movie run complete. Now, that means we can do a final look at 2016 and how the year compare’s to years past before moving on to 2017 next week!

Winners

  • Captain America: Civil War ruled the year earning $1.15 billion to be the top grossing film of 2016. That’s the highest grossing Captain America film so far.
  • Deadpool was one of the must successful films of the year earning $783 million it had a 13.5 multiplier for its budget. With a budget of just $58 million, the film shows you don’t need to spend a lot of money to find success.

Mixed

  • DC Comics films – For as much shit thrown at Batman v Superman and Suicide Squad, the films earned $873 million and $745 million and beat the average Marvel film at the domestic box office. Those are impressive numbers they just didn’t meet random expectations. Still, mixed reviews clearly didn’t sink these films. Where DC/Warner Bros. needs to work is at the foreign box office where their films lag Marvel’s. Boost earnings there and it’s a whole new ball game.
  • Doctor Strange – The film earned $232.6 million domestically and $444.9 internationally, both are well below Marvel’s averages. But, when you take out the universe’s billion dollar films and look at other debuts, this movie was right where you’d expect.

Losers

  • X-Men: Apocalypse – The film was a dud domestically earning $155 million and 71.42% of its earnings coming from the international box office. It earned $200 million less than X-Men: Days of Future Past. While a lot did come in, this film definitely placed the franchise on shakier ground. When Deadpool crushed this film with 1/3 the budget, it’s time to rethink the X franchise.
  • Teenage Mutant Ninja Turtles: Out of the Shadows – The film earned half of what 2014’s film earned and didn’t even cross $100 million domestically. Adjusting for inflation this film was the second worst film when it comes to domestic earnings.

How does 2016 compare to previous years?

2016 saw more than $5 billion dollars in earnings for the 8 comic adaptations that were released, the most money ever earned. That beats 2012 which saw $4.1 billion. But, what’s interesting is that record was driven by domestic earnings which saw a record $1.9 billion. Internationally, the year was the second highest earnings of $3.1 billion. The record was $3.2 billion in 2014.

You can see from below how much the adaptation of comic films has exploded in recent years, not just in the volume, but also how much money is being earned.

We’ll have a deeper examination of the year that was in an upcoming article.

Where the Data Ranks 2016’s Comic Book Films

The summer movie season is over and we’ve seen an interesting year when it comes to comic book films. For months debates have raged as to who is more successful, Marvel or DC, which movies were successes, and which were flops. The answers aren’t so simple and black and white, which is why I like to turn to data to give actual rankings as to who were winners and losers.

So far this year, seven films have been released based on comic books (counting Batman: The Killing Joke). This feature will focus on the 2016 releases until all the dollars are in, then I’ve got something special planned as we shift focus to 2017.

Of note:

  • Doctor Strange is slowing down but still bringing in international dollars, a few thousand this past week. The film has earned $677.6 million worldwide so far and will probably stop somewhere shy of $678. That puts the film at 18th of all time for comic films and right in the middle of the pack for 2016’s releases. It’s a bit mixed when it comes to Marvel films as it was below the average domestic, international, and worldwide totals, but that’s largely due to 4 films skewing things and making it a high hurdle. Compared to other “debut” films for characters, this one did about as expected.
  • Captain America: Civil War looks to be the top grossing film worldwide for 2016 though Rogue One is challenging that. The film earned $1.153 billion worldwide, about $98 million more than the next film. There’s still a chance that Rogue One catches up, but it’s unlikely to happen with $98 million to go and that film’s run winding down. Rogue One did pass the film when it comes to domestic earnings and is the top domestic film of the year. Civil War is third for the year, the best performing comic film.
  • Officer Downe continues to look like it hasn’t earned any more money. When it comes to the below stats, the film is being treated like Batman: The Killing Joke. The film is mostly a video on demand release, so it likely won’t see a wide release.
  • The Chair is currently not included in these stats. While the film is based on a comic, its release was done so through a service where receipts aren’t tracked in traditional ways.
  • DC’s films average $315.5 million a film domestically compared to Marvel’s $302.5 million. Internationally, Marvel earns $477.2 million and DC earns $446.8 million.

Here’s where this year’s movie crop stands as far as the actual numbers. Numbers are presented with and without The Killing Joke and Officer Downe which did not have an international run or wide release, so was not included in that average to start:

Total Domestic Gross: $1.901 billion ($1.897 billion without Killing Joke and Officer Downe)
Total International Gross: $3.126 billion
Worldwide Gross: $5.026 billion ($5.022 billion without Killing Joke and Officer Downe)
Total Reported Budgets: $1.215 billion ($1.211 billion without Killing Joke and Officer Downe)
Total “Profit”: $3.812 billion ($3.811 billion without Killing Joke and Officer Downe)

Average Domestic Gross: $271.0 million ($211.2 million with Killing Joke and Officer Downe)
Average International Gross: $446.5 million
Average: Worldwide Gross: $717.5 million ($558.5 million with Killing Joke and Officer Downe)
Average Budget: $173 million ($151.8 million with Killing Joke and Officer Downe)
Average Profit: $544.5 million ($476.5 million with Killing Joke and Officer Downe)

Now that we have those numbers down we can get a better idea as to how films have actually done this year. Below are various rankings of where films stand so far and if the films are above average (green), below average (red), or above the overall average but below the adjusted average (yellow):

Preview: Deadpool #29

Deadpool #29

(W) Gerry Duggan (A) Salva Espin (CA) Reilly Brown
Parental Advisory
In Shops: Apr 19, 2017
SRP: $3.99

‘TIL DEATH DO US… Part 6 (of 6)

Is this the end of Deadpool’s marriage?

X-Men Trading Card Variants this July

You read that right! Yes, X-Men Trading Cards. As a team comprised of some of the most fan-favorite mutants ever assembled join forces in the pages of July’s Astonishing X-Men #1, Marvel is bringing the fanfare and returning to one of the most iconic pieces of X-Men history by one of its most famed artists! To celebrate the launch of this must-read new series, Marvel’s Merry Mutants take your comic shop by storm throughout the month of July for a series of nearly thirty X-Men Trading Card Variants by legendary artist Jim Lee!

Remastered and recolored from the original trading cards, relive this iconic era of the Children of the Atom with a series of eye-popping covers. Originally penciled by legendary X-Men artist Jim Lee with inker Scott Williams, colorists such as Jesus Aburtov, Israel Silva & Chris Sotomayor apply modern coloring techniques to these classic masterpieces!

Look for these can’t-miss X-Men Trading Card Variants on your favorite Marvel titles, coming exclusively to comic shops throughout the month of July:

  1. ALL-NEW WOLVERINE #22 (Archangel)
  2. AMAZING SPIDER-MAN #30 (Bishop)
  3. AVENGERS #9 (Mystique)
  4. BLACK PANTHER #16 (Storm)
  5. CABLE #3 (Cable)
  6. CAPTAIN AMERICA: STEVE ROGERS #19 (Gambit)
  7. CHAMPIONS #10 (Cyclops)
  8. DAREDEVIL #23 (Domino)
  9. DEADPOOL #33 (Deadpool)
  10. DEFENDERS #3 (Shadow King)
  11. DOCTOR STRANGE #23 (Mr. Sinister)
  12. GENERATION X #4 (Jubilee)
  13. GWENPOOL, THE UNBELIEVABLE #18 (White Queen)
  14. INVINCIBLE IRON MAN #9 (Colossus)
  15. IRON FIST #5 (Sabretooth)
  16. JEAN GREY #4 (Dark Phoenix)
  17. MIGHTY THOR #21 (Sentinel)
  18. MS. MARVEL #20 (Lady Deathstrike)
  19. OLD MAN LOGAN #26 (Professor X)
  20. PETER PARKER: THE SPECTACULAR SPIDER-MAN #2 (Psylocke)
  21. THE PUNISHER #14 (Forge)
  22. ROYALS #5 (Magneto)
  23. SPIDER-MAN #18 (Shadowcat)
  24. THANOS #9 (Strong Guy)
  25. UNCANNY AVENGERS #25 (Rogue)
  26. VENOM #152 (Polaris)
  27. WEAPON X #5 (Warpath)
  28. X-MEN BLUE #7 (Jean Grey)
  29. X-MEN GOLD #7 (Mojo)
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