Tag Archives: cardinal rae

Review: League of Legends: Ashe – Warmother

League of Legends has come to comics courtesy of Marvel. League of Legends: Ashe – Warmother collects the four issue series with lots of extras.

Story: Odin Austin Shafer
Art: Nina Vakueva
Color: Nina Vakueva, Chris Blythe
Letterer: Cardinal Rae, Natalia Nesterenko

Get your copy in comic shops and book stores now! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with FREE copies for review
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League of Legends: Ashe: Warmother Gets a Special Edition

Earlier this month, Marvel and Riot Games announced a collaboration to bring League of Legends stories to comics and graphic novels. This December, explore the world of Runeterra and access exclusive, never-before-seen content with League of Legends: Ashe: Warmother Special Edition #1!

Following the origin story of one of the first League of Legends champions, League of Legends: Ashe: Warmother Special Edition #1 will feature over 20 pages of extras, including artist layouts, inks, colors, character concepts, and a glossary to dive deeper into the action and learn more about the tribes of the Freljord: The Winter’s Claw, the Avarosan, and the Frostguard. League of Legends: Ashe: Warmother Special Edition #1 will also be localized in 20 languages for fans around the world to experience Ashe’s story.

League of Legends: Ashe: Warmother #1 will be released on digital platforms on December 19, with League of Legends: Ashe: Warmother Special Edition #1 on sale on the Marvel Comics App and Digital Comics Shop, Comixology, and Kindle devices. A graphic novel collecting League of Legends: Ashe: Warmother will be released later in May 2019.

Preorder League of Legends: Ashe: Warmother Special Edition #1 digitally starting December 5! It’s written by Odin Austin Shafer with art by Nina Vakueva, and lettering by Cardinal Rae.

Marvel and Riot Games Team Up to Publish League of Legends Graphic Novels!

Marvel Entertainment and Riot Games hae announced a collaboration that will bring League of Legends stories to comics and graphic novels!

Kicking off with League of Legends: Ashe: Warmother – an origin story of one of the first League of Legends champions – players and comic fans alike will explore the world of Runeterra and dive into stories about their favorite characters. League of Legends: Ashe: Warmother issues will be released monthly on digital platforms beginning December 19, followed by a graphic novel published by Marvel and Riot in May 2019.

Raised in the savage wilds of the north, Ashe is an Iceborn, a warrior gifted with a magical connection to her frozen homeland–and burdened by her mother’s fanatical expectations. When they set out on a dangerous quest for the truth behind an ancient myth, bonds are broken, secrets come to light, and Runeterra is forever changed. Will young Ashe become the leader her people need? Or is destiny merely an empty dream?

League of Legends: Ashe: Warmother will feature the comics debut of Riot Games writer Odin Austin Shafer, along with stunning artwork by The Russ Manning Most Promising Newcomer Award-nominee Nina Vakueva and lettering by Cardinal Rae.

Review: Crowded #1

Ten minutes in the future, the world runs on an economy of job shares and apps, including Reapr: a crowdfunding platform to fund assassinations. Charlie Ellison leads a quiet, normal life until she’s suddenly targeted by a million-dollar Reapr campaign. Hunted by all of Los Angeles, Charlie hires Vita, the lowest-rated bodyguard on the Dfend app. As the campaign picks up speed, they’ll have to figure out who wants Charlie dead before the campaign’s 30 days-or their lives-are over.

Fun with a pop sense of style, that’s my general thought about Crowded #1 that feels like a spoof of both the action genre and the Uber-economy. Taking place in the future, Charlie is forced to have numerous jobs scraping together a living through a few hustles. She babysits, drives a car, rents her card, walks dogs, all through apps that enable her to hop from one thing to another. It’s the on-demand economy that’s front and center in the story written by Christopher Sebela.

Crowded feels like a brilliant commentary about today’s society and with Charlie being targeted for assassination, it also feels like it’s a statement how the Uber-economy needs to die. Sebela and team feel like they’ve put together a story that’s a subtle jab at the subject reminding me of classics like Robocop and Starship Troopers with satire and commentary throughout that needs, and deserves to be, explored. There’s of course something by issue’s end that may shake up that initial take but that seems like it’ll be part of the fun of this series.

Ro Stein provides the art along with color by Triona Farrell, ink by Ted Brandt, and lettering from Cardinal Rae. The style is one that has an Aeon Flux sense about it all mixed with bright colors that creates a pop feel to what is a gritty action story. It’s John Wick with lots of yellows and pinks, full of action and awesome to look at.

The first issue is a winner delivering humor and a flow visually and through the narrative that sucks in the reader and makes you want more. There’s a pacing that takes you through it all and gets you to the other end waiting for more action and wanting more humor as we explore this world and characters. And, with the shiny action outside, there’s an interior depth that begs to explored and debated.

Story: Christopher Sebela Art: Ro Stein
Color: Triona Farrel Ink: Ted Brandt Lettering: Cardinal Rae
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for reviews

Review: Bingo Love

IMG_3389.jpg

If you read my reviews regularly, you might notice that I have a certain preference for the type of comics I read. Usually, my choices are dark stories involving serious themes ranging from trauma to war. Because of these preferences, I mostly read horror, dark fantasy, or crime dramas. Despite this preference, I have explored other genres, such as slice-of-life with Slang Pictorial. There is one genre that I have rarely explored, romance. The only one I’ve read so far is Stejpan Sejic’s wonderful lesbian BDSM romcom Sunstone. I think the lack of recognition for romance’s legitimacy are bad misconceptions, mostly societal. Literary elites tend to look down on romance as frivolous and poorly written. But why? Any genre can be either good or bad based on the story’s quality. Romance is a chance to explore love and bonding in ways other genres can’t when it’s simply a subplot to the larger narrative. Also, what’s wrong with reading something that makes you happy? Why not escape into a fictional story about two people finding true love, adoring each other, and having a fantastic adventure of joy?

Which brings us to today’s review of Bingo Love by Tee Franklin, Jen St. Onge, Joy Sann, Cardinal Rae, and Gisele Lagace. I didn’t know what to expect since this was my first black queer romance, but I’m happy to say it turned out to be a beautiful, albeit short, reading experience.

Hazel Johnson and Mari McCray are a queer couple that first met when they were teenagers during the 1960s. They fell in love but were separated by bigoted family members, then forced into unhappy marriages with men. Over 50 years later, they reunite at a bingo tournament, the same kind of tournament they first met in. They realize this is fate bringing them back together, but first they must come out to their families and deal with the fallout. Only true love can guide them to eternal happiness.

If you love the description of the story, buckle up! You’re going to love it even more after I’m done talking about it.

IMG_3390.jpg

The cover by Gisele Lagace is not as flashy as other comic covers I have seen, but it succeeds in a task way more important, which is advertising the contents of the story. We have three images of the couple, Mari and Hazel, together in different stages of their lives: teens, old age, and advanced old age. We see them together, embracing, looking at each other like they’re the whole world. Bingo balls fall all around, the title of the book in the upper left-hand corner. We know by looking at this cover that this is a romantic story spanning different stages of two women’s lives. We know somehow bingo is going to play into this. Most importantly, the positive feelings the cover inspires attracts the reader to the title. It’s perfect.

 

The first thing to grab my attention was the interior art. Jenn St. Onge’s character designs are diverse with unique hairstyles, body types, and facial structures. Readers might notice a good number of characters with similarities, but that’s largely because of the fact the majority are family members. Actually, it’s refreshing to have an artist know that family members are going to look similar to each other, particularly how children are a combination of their parents with features from both even if they resemble one parent more than the other. I love that people in Bingo Love have wrinkles, stretch marks, folds of fat and muscle, sagging breasts from age and breastfeeding, and other such tiny details. It adds a level of, if not realism, relatability to a style that’s otherwise cartoony.

Joy San’s coloring is fleshes out the art. She not only gives characters their unique skin tones, she renders the entire comic with an unnatural brightness. This is not a negative criticism but a compliment because this type of coloring heightens the emotions of the book to surreal, dream-like qualities. It’s like escaping into a fantasy realm of intense love. This is no more apparent than in splash pages. Many of them are used during the most intense moments of romance, such as here:

IMG_3391.jpg

The coloring and character expressions are both fantastic and relatable, capturing the intense joy one feels when in these moments. It truly feels like a fairy tale come true. This includes scenes of family spending time with each other, grandparents hugging their grandchildren, siblings socializing with each other and their in-laws. My favorite is this splash page of a dinner table:

If I weren’t a vegetarian, I would’ve immediately cooked up this exact meal after looking at the image.

All this said, I found that the most romantic moments were quieter scenes, gradual multi-panel sequences showing the build up to an embrace or kiss. The reason is that the quietness allows emotion to linger, to slowly, like a wave, grow with each splash. This is much more intense than the payoff. It operates on the polar opposite, yet same line, that marks great horror.

The mastermind behind the story is Tee Franklin who delivers a story that is both relatable and unique. She starts off by establishing the two main characters so well. Hazel Johnson is plus-sized and shy, but also very passionate about the people she cares about. Mari McCray is more extroverted, a Californian tomboy that loves new experiences and very upfront about her feelings. We see their relationship in three parts: Youth, Old Age, and Advanced Old Age. The most recognizable is Youth. It starts off with the recognizable trope of Meet Cute, in which a future couple meets for the first time. The setting is a bingo tournament both girls accompany their grandmothers to, hence how bingo plays such a significant role in the story. Next time the girls meet, it’s in school, and after what can be considered an unofficial first date, they become friends throughout middle and high school.

 

Watching Hazel and Mari’s teen romance uses many tropes and story beats from romance that I have taken for granted over the years. There is the aforementioned meet cute moment, the first date, walking each other home from school, the first kiss, etc. I hadn’t realized how enjoyable these tropes are, the good feelings that they give you. If we must justify them on a more intellectual level, they dramatize the core of positive human bonding: meeting people, talking to them publicly or privately, and understanding them through a combination of small talk and personal anecdote. The result is an organic relationship that develops through mutual adoration. The mark of true love is being able to listen to your partner with the same attention about a new favorite album as you would a serious revelation of personal issues.

IMG_3392.jpg

Old Age does the reunion trope seen sometimes when a couple has been distant for a number of years. It’s fresh here because it is Hazel and Mari as senior citizens and not 20-30 somethings like most of the time. Along with reconnecting, they also deal with the fact they are both married women with families. Intense emotions and buried tensions surface as Hazel and Mari navigate to their eventual happy ending. Then there is Advanced Old Age in which the couple must face the reality of mortality (No spoilers). It was a truly engaging reading experience. Advanced Old Age comes after the conflict of Old Age is resolved. Hazel, Mari, and their families have adjusted to their new lives. This is the “honeymoon”, the moment the couple gets to be together and go on fantastic journeys. They get to live out their dreams once the shackles are broken. Their love is powerful even at the end. Oh, and of course, bingo is how they reunite. Bingo doesn’t serve much else than a setting for the two distinct romantic catalysts (love at first sight and reunion), but it works. Also, it legitimizes an activity often looked down upon, much like romance stories.

What made reading Bingo Love also enriching is that it is told from fresh perspectives, specifically black and queer. I can’t remember the last time since I read August Wilson where black people were allowed to interact with each other as actual humans, in churches and at home, sitting around and talking. They are allowed the same complexity and emotional range often reserved for slice-of-life stories populated solely by white people. And Bingo Love is slice-of-life as much as it is romance. It’s not just the love of romantic couples but that of families with all the baggage it comes with.

Without giving away too much, Hazel’s family find out about her relationship with Mari. They take it hard, especially Hazel’s husband James. He yells at her, they fight, and years of tension gets worse. I give Tee Franklin credit in that no one comes off as truly a bad guy. Everyone has their reasons for the way they’re reacting to the situation. Although some of it is confusing, such as with James. He gets portrayed as a loving husband and provider, but Hazel is uninterested in sex except for the times they have a child. Later it is revealed that James only ever had sex with Hazel when he wanted children. That means James was the one in the wrong all this time, but at the beginning the refusal of sex seemed more like Hazel not wanting to it because she didn’t love him, not that she was made to only when he wanted children. We do learn that James had a secret that fueled his need to find validation in having children. I won’t give away what it is, but it’s not that hard to figure out. There is a separate story online that tells his side of the story. I haven’t read it yet, but I’m eager to.

As I analyzed this conflict, I slowly realized the real culprit: a two-headed hydra of homophobia and patriarchy. The earliest hint is an occurrence that seems to happen often, a homophobe that is a hypocrite. They will go on about how much homosexuality is a sin while having their own misconduct that’s worse. It’s just a small part though. The larger societal context is not only how homophobia keeps Hazel and Mari from being happy together, but how it forces them into restrictive woman roles. They must be married to men, they must have children, must sacrifice their happiness for that of their families. Hazel becomes a housewife, even though she dreams of being a fashion designer. Mari becomes a lawyer, but many of the burdens typically dump on women remain. There is a sublime tie between queerphobia and misogyny, one that I do not believe I am knowledgeable enough to go into detail. The fact Bingo Love is able to tackle this issue while still remaining a positive story is a great feat.

I almost forgot, but there are scenes of Hazel participating in serious mental self care, something not often represented except going to support groups or therapy. There is a therapy scene, but it is very meaningful in affirming Hazel’s love for Mari. After that, there is a scene where Hazel helps one of her grandchildren braid their hair, and it brings her so much joy she is able to relax again after a fit of anxiety. It is referred to as self care, demonstrating how it comes in many forms.

My only gripe with the story is that it is so short. I wasn’t expecting Anna Karenina. This is young adult fiction after all. Brevity is key. But I do wish there were multiple volumes of the story. There were so many angles I wanted to see expanded upon. And while I have praised the characterizations of Hazel, Mari, and James, every other character is extremely minor. I wished there as much to Hazel’s children explored as much as her. We do not even get to know the names of Mari’s children or meet her husband. I wish there was more to her side of the story. Take note I bring this criticism up because of how I wanted more after reading. I could have read this title for the next 20 years and never been bored once!

The only other criticisms I have are 1) sometimes the coloring wasn’t done all the way, leaving empty spaces of white. 2) The otherwise effective narration and inner monologue captions by Cardinal Rae were confusing to tell apart at times. Although the former is all capitalized, the caption boxes are both colored yellow. It’s easy to mistake the two.

Bingo Love is a treasure of diversity, love, and joy. It brings fresh, underrepresented faces to romance and comics as a whole. Despite how short it is, one will find themselves lost in the lives of the characters, in the nuances of their personalities and journeys. With the poppy, dreamy art, the fantasy is complete. I urge everyone to pick up a copy of Bingo Love. Support these creators so they can make more comics, whatever it is they do next. Support black voices, queer voices, and love. Most of all, enjoy yourselves. This story will make you happy. We can all use happiness and love in our lives. Whatever helps people get through the day, make someone realize their worth as a person. No matter your ethnicity, gender, sexuality, physical presence/ability, mental health, etc., we all deserve love. Bingo Love affirms that right.

Bingo Love is out on Valentine’s Day, February 14, 2018 via Image Comics.

Story: Tee Franklin Art: Jenn St. Onge Colors: Joy San
Letters: Cardinal Rae 
Cover: Gisele Lagace
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

(Note: My copy is a pre-order version from before the book’s deal with Image Comics).

Advance Review: Bingo Love

IMG_3389.jpg

If you read my reviews regularly, you might notice that I have a certain preference for the type of comics I read. Usually, my choices are dark stories involving serious themes ranging from trauma to war. Because of these preferences, I mostly read horror, dark fantasy, or crime dramas. Despite this preference, I have explored other genres, such as slice-of-life with Slang Pictorial. There is one genre that I have rarely explored, romance. The only one I’ve read so far is Stejpan Sejic’s wonderful lesbian BDSM romcom Sunstone. I think the lack of recognition for romance’s legitimacy are bad misconceptions, mostly societal. Literary elites tend to look down on romance as frivolous and poorly written. But why? Any genre can be either good or bad based on the story’s quality. Romance is a chance to explore love and bonding in ways other genres can’t when it’s simply a subplot to the larger narrative. Also, what’s wrong with reading something that makes you happy? Why not escape into a fictional story about two people finding true love, adoring each other, and having a fantastic adventure of joy?

Which brings us to today’s review of Bingo Love by Tee Franklin, Jen St. Onge, Joy Sann, Cardinal Rae, and Gisele Lagace. I didn’t know what to expect since this was my first black queer romance, but I’m happy to say it turned out to be a beautiful, albeit short, reading experience.

Hazel Johnson and Mari McCray are a queer couple that first met when they were teenagers during the 1960s. They fell in love but were separated by bigoted family members, then forced into unhappy marriages with men. Over 50 years later, they reunite at a bingo tournament, the same kind of tournament they first met in. They realize this is fate bringing them back together, but first they must come out to their families and deal with the fallout. Only true love can guide them to eternal happiness.

If you love the description of the story, buckle up! You’re going to love it even more after I’m done talking about it.

IMG_3390.jpg

The cover by Gisele Lagace is not as flashy as other comic covers I have seen, but it succeeds in a task way more important, which is advertising the contents of the story. We have three images of the couple, Mari and Hazel, together in different stages of their lives: teens, old age, and advanced old age. We see them together, embracing, looking at each other like they’re the whole world. Bingo balls fall all around, the title of the book in the upper left-hand corner. We know by looking at this cover that this is a romantic story spanning different stages of two women’s lives. We know somehow bingo is going to play into this. Most importantly, the positive feelings the cover inspires attracts the reader to the title. It’s perfect.

The first thing to grab my attention was the interior art. Jenn St. Onge’s character designs are diverse with unique hairstyles, body types, and facial structures. Readers might notice a good number of characters with similarities, but that’s largely because of the fact the majority are family members. Actually, it’s refreshing to have an artist know that family members are going to look similar to each other, particularly how children are a combination of their parents with features from both even if they resemble one parent more than the other. I love that people in Bingo Love have wrinkles, stretch marks, folds of fat and muscle, sagging breasts from age and breastfeeding, and other such tiny details. It adds a level of, if not realism, relatability to a style that’s otherwise cartoony.

Joy San’s coloring is fleshes out the art. She not only gives characters their unique skin tones, she renders the entire comic with an unnatural brightness. This is not a negative criticism but a compliment because this type of coloring heightens the emotions of the book to surreal, dream-like qualities. It’s like escaping into a fantasy realm of intense love. This is no more apparent than in splash pages. Many of them are used during the most intense moments of romance, such as here:

IMG_3391.jpg

The coloring and character expressions are both fantastic and relatable, capturing the intense joy one feels when in these moments. It truly feels like a fairy tale come true. This includes scenes of family spending time with each other, grandparents hugging their grandchildren, siblings socializing with each other and their in-laws. My favorite is this splash page of a dinner table:

If I weren’t a vegetarian, I would’ve immediately cooked up this exact meal after looking at the image.

All this said, I found that the most romantic moments were quieter scenes, gradual multi-panel sequences showing the build up to an embrace or kiss. The reason is that the quietness allows emotion to linger, to slowly, like a wave, grow with each splash. This is much more intense than the payoff. It operates on the polar opposite, yet same line, that marks great horror.

The mastermind behind the story is Tee Franklin who delivers a story that is both relatable and unique. She starts off by establishing the two main characters so well. Hazel Johnson is plus-sized and shy, but also very passionate about the people she cares about. Mari McCray is more extroverted, a Californian tomboy that loves new experiences and very upfront about her feelings. We see their relationship in three parts: Youth, Old Age, and Advanced Old Age. The most recognizable is Youth. It starts off with the recognizable trope of Meet Cute, in which a future couple meets for the first time. The setting is a bingo tournament both girls accompany their grandmothers to, hence how bingo plays such a significant role in the story. Next time the girls meet, it’s in school, and after what can be considered an unofficial first date, they become friends throughout middle and high school.

Watching Hazel and Mari’s teen romance uses many tropes and story beats from romance that I have taken for granted over the years. There is the aforementioned meet cute moment, the first date, walking each other home from school, the first kiss, etc. I hadn’t realized how enjoyable these tropes are, the good feelings that they give you. If we must justify them on a more intellectual level, they dramatize the core of positive human bonding: meeting people, talking to them publicly or privately, and understanding them through a combination of small talk and personal anecdote. The result is an organic relationship that develops through mutual adoration. The mark of true love is being able to listen to your partner with the same attention about a new favorite album as you would a serious revelation of personal issues.

IMG_3392.jpg

Old Age does the reunion trope seen sometimes when a couple has been distant for a number of years. It’s fresh here because it is Hazel and Mari as senior citizens and not 20-30 somethings like most of the time. Along with reconnecting, they also deal with the fact they are both married women with families. Intense emotions and buried tensions surface as Hazel and Mari navigate to their eventual happy ending. Then there is Advanced Old Age in which the couple must face the reality of mortality (No spoilers). It was a truly engaging reading experience. Advanced Old Age comes after the conflict of Old Age is resolved. Hazel, Mari, and their families have adjusted to their new lives. This is the “honeymoon”, the moment the couple gets to be together and go on fantastic journeys. They get to live out their dreams once the shackles are broken. Their love is powerful even at the end. Oh, and of course, bingo is how they reunite. Bingo doesn’t serve much else than a setting for the two distinct romantic catalysts (love at first sight and reunion), but it works. Also, it legitimizes an activity often looked down upon, much like romance stories.

What made reading Bingo Love also enriching is that it is told from fresh perspectives, specifically black and queer. I can’t remember the last time since I read August Wilson where black people were allowed to interact with each other as actual humans, in churches and at home, sitting around and talking. They are allowed the same complexity and emotional range often reserved for slice-of-life stories populated solely by white people. And Bingo Love is slice-of-life as much as it is romance. It’s not just the love of romantic couples but that of families with all the baggage it comes with.

Without giving away too much, Hazel’s family find out about her relationship with Mari. They take it hard, especially Hazel’s husband James. He yells at her, they fight, and years of tension gets worse. I give Tee Franklin credit in that no one comes off as truly a bad guy. Everyone has their reasons for the way they’re reacting to the situation. Although some of it is confusing, such as with James. He gets portrayed as a loving husband and provider, but Hazel is uninterested in sex except for the times they have a child. Later it is revealed that James only ever had sex with Hazel when he wanted children. That means James was the one in the wrong all this time, but at the beginning the refusal of sex seemed more like Hazel not wanting to it because she didn’t love him, not that she was made to only when he wanted children. We do learn that James had a secret that fueled his need to find validation in having children. I won’t give away what it is, but it’s not that hard to figure out. There is a separate story online that tells his side of the story. I haven’t read it yet, but I’m eager to.

As I analyzed this conflict, I slowly realized the real culprit: a two-headed hydra of homophobia and patriarchy. The earliest hint is an occurrence that seems to happen often, a homophobe that is a hypocrite. They will go on about how much homosexuality is a sin while having their own misconduct that’s worse. It’s just a small part though. The larger societal context is not only how homophobia keeps Hazel and Mari from being happy together, but how it forces them into restrictive woman roles. They must be married to men, they must have children, must sacrifice their happiness for that of their families. Hazel becomes a housewife, even though she dreams of being a fashion designer. Mari becomes a lawyer, but many of the burdens typically dump on women remain. There is a sublime tie between queerphobia and misogyny, one that I do not believe I am knowledgeable enough to go into detail. The fact Bingo Love is able to tackle this issue while still remaining a positive story is a great feat.

I almost forgot, but there are scenes of Hazel participating in serious mental self care, something not often represented except going to support groups or therapy. There is a therapy scene, but it is very meaningful in affirming Hazel’s love for Mari. After that, there is a scene where Hazel helps one of her grandchildren braid their hair, and it brings her so much joy she is able to relax again after a fit of anxiety. It is referred to as self care, demonstrating how it comes in many forms.

My only gripe with the story is that it is so short. I wasn’t expecting Anna Karenina. This is young adult fiction after all. Brevity is key. But I do wish there were multiple volumes of the story. There were so many angles I wanted to see expanded upon. And while I have praised the characterizations of Hazel, Mari, and James, every other character is extremely minor. I wished there as much to Hazel’s children explored as much as her. We do not even get to know the names of Mari’s children or meet her husband. I wish there was more to her side of the story. Take note I bring this criticism up because of how I wanted more after reading. I could have read this title for the next 20 years and never been bored once!

The only other criticisms I have are 1) sometimes the coloring wasn’t done all the way, leaving empty spaces of white. 2) The otherwise effective narration and inner monologue captions by Cardinal Rae were confusing to tell apart at times. Although the former is all capitalized, the caption boxes are both colored yellow. It’s easy to mistake the two.

Bingo Love is a treasure of diversity, love, and joy. It brings fresh, underrepresented faces to romance and comics as a whole. Despite how short it is, one will find themselves lost in the lives of the characters, in the nuances of their personalities and journeys. With the poppy, dreamy art, the fantasy is complete. I urge everyone to pick up a copy of Bingo Love. Support these creators so they can make more comics, whatever it is they do next. Support black voices, queer voices, and love. Most of all, enjoy yourselves. This story will make you happy. We can all use happiness and love in our lives. Whatever helps people get through the day, make someone realize their worth as a person. No matter your ethnicity, gender, sexuality, physical presence/ability, mental health, etc., we all deserve love. Bingo Love affirms that right.

Bingo Love is out on Valentine’s Day, February 14, 2018 via Image Comics.

Story: Tee Franklin Art: Jenn St. Onge Colors: Joy San
Letters: Cardinal Rae 
Cover: Gisele Lagace
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

(Note: My copy is a pre-order version from before the book’s deal with Image Comics).