Tag Archives: Bobby Curnow

Preview: My Little Pony: Holiday Collection

My Little Pony: Holiday Collection

Writers: Katie Cook, Bobby Curnow, Ted Anderson, James Asmus
Artists: Brenda Hickey, Agnes Garbowska, Andy Price, Tony Fleecs, Trish Forstnerm
August 26, 2025

It’s almost Hearth’s Warming Eve, and the Apple family is busy at work preparing an array of tasty apple treats for all of Ponyville. But when a mysterious creature starts ruining their crop, Applejack sets out to find out who’s behind this tomfoolery! Who, or what, is the SASS SQUASH? Then, when Twilight Sparkle and Spike get stuck in a snowstorm, Twilight reads some classic Equestrian holiday tales to pass the time, including The Flying Reindeer, The Toy and the Mouse, and ‘Twas the Night Before Hearth’s Warming Eve.

My Little Pony: Holiday Collection

Get a look at what’s coming from Magma Comix in this preview!

Magma Comix is a new publisher launching this April with three announced series. Get a look at what’s coming and make sure to pre-order them!

The Principles of Necromancy
Story: Jackson Lanzing, Collin Kelly
Art: Eamon Winkle
Color: Jay Fotos
Letterer: Shawn Lee
Editor: Bobby Curnow

Silicon Bandits
Story: Jason Starr
Art: Dalibor Talajic
Color: Stjepan Bartolic
Letterer: Shawn Lee
Editor: Bobby Curnow

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW:
The Principles of Necromancy
Silicon Bandits


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SDCC 2023: Magma Comix panel evacuated, but the show must go on

Magma Comix

Magma Comix’s debut at San Diego Comic-Con was apparently too hot to handle setting off alarms at the convention. Literally, the panel was evacuated before it could even begin. But with the fire literally put out, Magma’s most curious followers came back for an intimate look behind the imprint’s return as an independent publisher.

Founder Denton J. Tipton moderated, opening with the remark:

I came to my first San Diego Comic-Con exactly twenty years ago, and it changed my life. That’s the kind of magical place this can be, and as proof, here I am today.

The panel introduced the other principals in the new company: Editor-in-chief Bobby Curnow, Operations Manager Mike Ford, and Sales & Marketing Manager Joel Elad. Each gave their “secret origin stories” for how they came to love the medium of comics, and ended up working in the industry.

We do this for the love of stories in comic form. The catalog will feature new and original fiction for mature audiences.

Joel Elad

Originally founded in 2020 as an imprint of legendary magazine Heavy Metal, the newly minted comic book publisher is dedicated to the belief in the value of creativity. Magma Comix creators will be given a fair and transparent deal with advance royalties, as well as first-look deals with partners to be revealed.

The publisher acknowledged challenges and gaps in the current “comic system” which involves pre-ordering months ahead or crowdfunding which can take some time to be fulfilled. This creates a difficult system not just for readers and customers but retailers who must gauge the demand. Add in a splintered distribution and ordering is much more complicated.

Magma plans to simplify this for customers and retailers, reducing risk for retailers, and amplifying the creators. That includes limiting the number of variant covers, creating an easy to understand numbering/format/pricing system so its painless for readers to start, and a website to guide those seeking information.

Magma has mentioned returnability of the first two issues allowing shops to order more and decrease the risk in promoting Magma’s titles. That combined with advance reader copies, the publisher hopes the quality will stand out and be easy for shops to get behind.

They also plan to promote where adults and readers are with samples and loyalty programs as well as building a community through their website, crowdfunding campaigns, international sales, and digital distribution.

The panel was then opened up for questions from the crowd.

When asked how they will face the challenges in the market, the publisher will offer direct market support through a multi-distributor approach with simple, low-risk ordering for retailers, with a limited number of variant covers and returnability. 

A crowd member pointed out that the panelists were all white men, which was not lost on them.

Curnow responded:

If you look at our editorial track record, you’ll see our commitment to supporting different voices.

Tipton added that their publicist is “the amazing Melissa Meszaros” and more team members are coming, which will reflect Magma’s commitment to diversity, equality and inclusion.

Magma Comix will announce projects in the coming months with legendary creators and talented newcomers, and teased an innovative program to help aspiring creators get published.

SDCC 2023: Magma Comix forges a new path as an independent publisher

Magma Comix

Imprint Magma Comix is forging a new path independent of legendary magazine Heavy Metal.

Originally founded in 2020 by industry veteran Denton J. Tipton (IDW Publishing, Opus Comics), the newly minted comic book publisher is dedicated to the belief in the value of creativity and also recognizes that it all starts with the creator. 

Magma Comix creators will be given a fair and transparent deal with advance royalties, as well as first-look deals with partners to be revealed. The publisher will offer direct market support through a multi-distributor approach with simple, low-risk ordering for retailers, with a limited number of variant covers and returnability. The catalog will feature new and original fiction for mature audiences.

The company launches with a team of industry veterans, including Editor-in-chief Bobby Curnow, Sales and Marketing Manager Joel Elad (IDW, Top Cow), and Operations Manager Mike Ford (IDW). Jeff Webber of The Webber Agency will represent the publisher for international sales and licensing.   

Magma Comix will announce projects in the coming months with legendary creators and talented newcomers, along with an innovative program to help all creators get published. 

To learn more, check out the Magma Comix Resurfaces! panel at San Diego Comic-Con International, Friday July 21, 7:00-8:00 PM in Room 4. Come meet the team and find out which of your favorite creators will be involved!

Preview: Godzilla: Best of Godzilla

Godzilla: Best of Godzilla

(W) Bobby Curnow, James Stokoe, Jay Fotos, Chris Mowry (A) Dean Haspiel, James Stokoe, Jeff Zornow, Matt Frank
In Shops: Jun 29, 2022
SRP: $6.99

Since the dawn of the Cold War, one monster has reigned supreme-Godzilla! Now, in this first issue in a series of reprints that showcases some of the greatest Godzilla comic book stories ever told by a variety of superstar writers and artists, find out why Godzilla is the undisputed King of the Monsters. And at almost a hundred pages, this comic is nearly as gargantuan as its monstrous star!

Godzilla: Best of Godzilla

Review: Teenage Mutant Ninja Turtles: The Last Ronin Director’s Cut #1

Teenage Mutant Ninja Turtles: The Last Ronin Director’s Cut #1

As a kid who grew up in the 1980s and a fair amount into the 90s, I saw where cartoons evolved and newer ones launched making a splash. I grew up in a time when shows like He-Man and The Masters Of The Universe was everywhere and everything to kids. I remembered asking my parents to go to Toys R Us back then to pick up my favorite character’s action figures. This was also true for shows like G.I. Joe and Robotech. They gripped my imagination in ways that they still d. Eventually, those shows faded into memory and newer shows would take their place.

We went from watching shows like those mentioned on Saturdays to watching after school every day. One of my favorites being Gargoyles and the another being Teenage Mutant Ninja Turtles. I found out The Turtles’ stories were much darker in the comics and actually were a precursor for Marvel MAX in so many ways. The creators of these beloved characters return in a story that only they can put together. Now, the hit debut gets a “director’s cut” in Teenage Mutant Ninja Turtles: The Last Ronin Director’s Cut #1.

We are taken to the not distant future, where NYC is deeply polluted, and human survival is pretty scarce, where we find Michaelangelo, without his brothers and Master Splinter, who all have died because of some mysterious circumstances. As Michaelangelo makes his way through what used to be his home, the sewers, he is met by fully integrated robotic security, as a man named Oroku Hiroto, the master of The Foot Clan, who now rules what used to be known as New York City. As Michaelangelo dismantles the security every step of the way, he gets closer to Hiroto’s lair, as Hiroto uses every contingency to delay Michaelangelo’s progress. By the issue’s end, before Michaelangelo can get any further, he gets badly injured, by Hiroto’s security, and gets aided by an old friend.

The comic is an expanded first issue. It not only comes with the excellent story but now also features notes about the comic itself. Expanded material features script information, sketches for characters, and rough page layouts. They add to the depth and excitement of the series.

Overall, Teenage Mutant Ninja Turtles: The Last Ronin Director’s Cut #1 is a timely yet worthy story added to TMNT’s canon, while this edition, gives fans a peak into the creative teams’ process, and more than elevates the franchise. The story by the creative team is harrowing and powerful. The art by the creative team is beautiful. Altogether, probably one of the best books of 2020, and with this edition, gets the Criterion Collection treatment for comic books.

Story:  Kevin Eastman, Peter Laird, Tom Waltz Script: Tom Waltz, Kevin Eastman
Layouts: Kevin Eastman Pencils/inks: Esau Escorza, Isaac Escorza Page 39 art: Ben Bishop
Colors: Luis Antonio Delgado Color Assistance: Samuel Plata Letters: Shawn Lee
Edits: Bobby Curnow Additional Editorial coordination: R.G. Llarena
Story: 9.7 Art: 9.8 Overall: 10 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics

Review: Teenage Mutant Ninja Turtles #113

Teenage Mutant Ninja Turtles #113

I think one thing that’s pretty fascinating about TMNT is that the story is kinda blowing my mind. So much of what we see with the Ninja Turtles is a group fighting for survial. That’s been the same from the various cartoons and movies that my kids watch. Right now in the comics we have a variety of mutated individuals in their own community, Mutant Town. They’re pulling together to make life better. And that’s where we are with Teenage Mutant Ninja Turtles #113.

In Teenage Mutant Ninja Turtles #113, the core four plus Jennika are training younger mutants. It all gets crazy when Lita arrives from the future. Lita knows too much of what will transpireand how life will change if changes aren’t made. And there’s still the fact that Rahzar and Tokka are out there on the streets after a botched pick-up from Karai and the gang.

I’m totally digging the look of TMNT. Sophie Campbell’s art rocks on this book. It gives it a look that I feel is a lot like Kevin Eastman’s pencils, visuals that are traditional to the team that created the Ninja Turtles. Ronda Pattinson’s colors are great. I’ve started reading the early IDW issues and while the stories are good, I wasn’t impressed much with the art or colors. I’m glad that we are where we are now. Story-wise, I’m not sure what part of the creative team is more responsible for where the story is heading but I’m liking it a lot.

Right now, I am digging what’s going on in the world of Teenage Mutant Ninja Turtles, at least, I’m digging the publishing side of what IDW is offering. Between this and The Last Ronin mini-series, they are putting out some high-quality stories featuring the TMNT. From this issue and the deluxe editions that I’ve picked up, this isn’t the cartoon and that’s actually a good thing because I feel these stories really do speak to more than just kids.

Story Consulting: Kevin Eastman and Tom Waltz Story: Sophie Campbell Art: Sophie Campbell
Colors: Ronda Pattinson Letters: Shawn Lee Editor: Bobby Curnow
Story: 8.0 Art: 7.0 Overall: 7.5

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindle

Teenage Mutant Ninja Turtles: The Last Ronin #1’s Second Printing Gets a 50,000 Print Run

With more than 37,000 current preorders and climbing, IDW Publishing has announced that high anticipation for the second printing of Teenage Mutant Ninja Turtles: The Last Ronin #1 has necessitated a whopping 50,000-unit print run — the largest reprint quantity in the company’s history since their debut 20 years ago! Longtime TMNT readers and curious newcomers are invited to visit their local comic book shops tomorrow, December 2nd, to snag a copy of this comic book milestone!

An epic miniseries three decades in the making from the minds of TMNT co-creators Kevin Eastman and Peter LairdTeenage Mutant Ninja Turtles: The Last Ronin takes place in a future New York City far different from the one we know today, where a lone surviving Turtle goes on a seemingly hopeless mission to obtain justice for his fallen family and friends. The debut issue hit stands on October 28th, immediately selling out and prompting a new printing that features a re-colored cover by Eastman, Esau Escorza, and Isaac Escorza.

The Last Ronin is based on an unpublished 1987 story concept by Eastman and Laird, with script by Tom Waltz, layouts by Eastman, pencils and inks by Esau and Isaac Escorza, colors by Luis Antonio Delgado, letters by Shawn Lee, and edits by Bobby Curnow. The series will run for five issues, with each issue oversized at 7” x 11” and 48 pages in length.

Fans eagerly awaiting the next chapter in the TMNT: The Last Ronin storyline will be looking forward to the January 27th release date of issue #2! Secrets of this dark future will be revealed as The Ronin meets an unexpected new ally and the Foot Clan attempts to thwart his mission of vengeance.

Preview: My Little Pony: Holiday Memories

My Little Pony: Holiday Memories

(W) Katie Cook, James Asmus, Bobby Curnow (A) Agnes Garbowska, Andy Price, Trish Forstner (A/CA) Brenda Hickey
In Shops: Nov 18, 2020
SRP: $12.99

Celebrate the holiday season with all of your favorite Ponies in this collection of stories that focuses on family, friends, traditions, and all-around joy!

Spend time with the Apple family preparing an array of tasty apple treats for all of Poneyville; Spike and Twilight telling stories as they’re stuck in a snowstorm; and Rarity, as she tries to go to three Hearth’s Warming Ever parties in one night!

My Little Pony: Holiday Memories

Review: Teenage Mutant Ninja Turtles: The Last Ronin #1

Teenage Mutant Ninja Turtles: The Last Ronin #1

Spoiler warning: This review contains mild spoilers for Teenage Mutant Ninja Turtles: The Last Ronin #1

Sometime in the future, the Teenage Mutant Ninja Turtles are no more! Decimated by a third-generation foe, one turtle has survived and seeks his revenge. This is the tale of The Last Ronin, who travels a futuristic New York and stops at nothing and no one to avenge his fallen family. Teenage Mutant Ninja Turtles: The Last Ronin #1 is the highly-anticipated reunion of Teenage Mutant Ninja Turtle Co-creators Kevin Eastman and Peter Laird. You might have seen this reunion hinted at on Netflix’s The Toys That Made Us. I know I was excited about this book.  I have very few complaints about The Last Ronin. Let’s get the good stuff out of the way first.

It’s an exciting story, fast-paced, gritty, and heavy on the action. We don’t know yet how Splinter and the Turtles died and it’s not necessary for the first issue to show all of its cards yet. Instead, this issue focuses on our survivor and how there are not many obstacles that will stop his justice. It’s a bit difficult to get too much into who the Ninja Turtle is but I figured it out really quick and I feel like the reader will, too. And in saying that, there’s a tiny amount of hardship in talking about this book without taking away the surprise from those experiencing it. I was very happy that the one I wanted to be the surviving Turtle was the one who stars in it and it ends up feeling like the best-case scenario. And no lie: it’s great to know that Eastman and Laird were able to both come back for another TMNT project. Eastman has always been here but both creators have history, maybe had too much, but it’s good to see them going all-out with this project.

Stories like this always run the risk of being pretty much worthless and just throwing a ton of future versions of legacy characters at the hero. I don’t know what the next few issues are going to be like but I don’t see new versions of all of the big bads being represented. Visually, I think it looks great for a TMNT book. Not knocking previous artists who have worked on the various Ninja Turtles books, but Eastman and Co.’s art style fits perfectly with the story. The colors are on-point and the lettering isn’t blocking anything critical. I liked the art more than the writing, but not by much.

My negatives would be that it’s so action-packed that it almost feels like a fight for nearly the entire issue. Having read this issue twice, I’m just not sure how to feel about it. It just seems like at some point in The Last Ronin that one issue is going to have the burden of explaining a lot about what went down. Another thing is that there’s a feeling that I’ve seen this play out before in other books. It doesn’t reek of 100% originality. The Last Ronin really feels like the Turtles are back to their original inspirations and it has a bit of a Dark Knight Returns feel to it. I’m actually trying hard to be overly critical because of how I felt about this. Maybe I’m being nit-picky.

Point blank reaction: I enjoyed the hell out of this book. I’ve started reading through IDW Publishing’s TMNT books and while I haven’t read it all, The Last Ronin reads like one hell of a sendoff. I do wonder how hard this will be to actually get. Word is the print run was cut short and some shops think their full orders won’t be filled. There are also around 70 variants out there for this book. This is definitely a read but I think it’s good enough to purchase. I feel like a lifetime of enjoying the various incarnations of the TMNT, whether it’s been comics, cartoons, or movies, has prepared me for this moment where they are down to one against all the evil in the world. Maybe it’s cliche but The Last Ronin is an absolute blast.

Story:  Kevin Eastman, Peter Laird, Tom Waltz Script: Tom Waltz, Kevin Eastman
Layouts: Kevin Eastman Pencils/inks: Esau
Escorza, Isaac Escorza Page 39 art: Ben Bishop
Colors: Luis Antonio Delgado Color Assistance: Samuel Plata Letters: Shawn Lee
Edits: Bobby Curnow Additional Editorial coordination: R.G. Llarena
Story: 8.0 Art: 9.0 Overall: 8.5 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindle

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