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With only a single issue left in the War of the Realms core series, the tie-in writers have fallen into the unenviable trap of wrapping up their story, connecting it to the event’s inevitable conclusion, and maybe leaving a loose thread or two when their comic returns to its normally scheduled programming.
Six comics came out this week, and one was heads and shoulders over the pack: War of the Realms Journey into Mystery #5. The McElroys, Andre Araujo, and Chris O’Halloran have finished crafting an ensemble cast that I want to read an ongoing series about, made Ares sympathetic, Laussa more than a MacGuffin, connect all the seemingly random plot threads of the series, and made me laugh out loud a couple times. No other book came close to this, but with snark, grit, and one hell of a Wasp cameo, Gail Simone and Paolo Villanelli made up for last month’s disappointment and delivered a nifty science vs magic clash in Tony Stark, Iron Man #13. I enjoyed it and wish Simone had more time on the book.
War of the Realms: War Scrolls #3
War of the Realms’ anthology tie-in War Scrolls wraps up with its third issue. There is the conclusion to Jason Aaron, Andrea Sorrentino, and Matthew Wilson’s Daredevil serial as well as a Dr. Doom story from Christopher Cantwell,Cian Tormey, and Dan Brown and a She-Hulk one from Charlie Jane Anders, Simone D’Armini, and Federico Blee. Daredevil, God without Fear continues to be an accomplishment in panel layouts, fight scenes, and theodicies. This three part story is a turning point in Sorrentino’s career as an artist as he transitions from flowing tapestry layouts to strict grids that work like slow-mo while Daredevil fights Malekith with Bifrost shruikens. Aaron’s narration continues to show the perils of omniscience, and even if Daredevil can’t defeat Malekith, he can inspire his blind children hostage to escape and cut God a break along the way.
Halt and Catch Fire co-creator Christopher Cantwell tells the story of the Dark Elf invasion of Latveria from ordinary citizens’ POVs. Dr. Doom has a godlike status in this country, and even when he makes silly mistakes like wasting his troops on a Saving Private Ryan-esque rescue mission, they look to him to save them. The switching point of views can be disorienting, but Cian Tormey gives the story a documentary feel and builds to one badass crescendo where Doom is part-Superman, part-God of the Old Testament, and still authoritarian. It’s a tasting menu that really needs to be expanded to a full feast of the regular lives of Latverians.
War Scrolls #3 wraps up with a story of She-Hulk and Freyja fighting dragons and talking about relationships. Charlie Jane Anders’ writing sometimes feels like she’s making her characters have her interests like making Blade a Beyonce fan and Punisher a Joni Mitchell aficionado, but she nails the conversations between Jennifer and Freyja. She-Hulk talks about how she is dating Thor and not sure how serious it is, and Freyja understands how much She-Hulk cares for her son and that they are both insecure about their “worthiness” and status as heroes. The cherry on top of this pretty good story is D’Armini’s artwork that makes She-Hulk incredibly muscular and monstrous. For the most part, War Scrolls has been full of thought provoking character studies and memorable visuals, and issue three is no exception earning an Overall Verdict of Buy.
War of the Realms: Journey into Mystery #5
Journey into Mystery #5 wraps up this god demon baby starring road trip saga into a neat little bow and uses continuity to enhance and deepen character development and humor instead of as a crutch. The McElroys seamlessly transition from podcasting to mainstream comics while Andre Araujo and Chris O’Halloran enhance their jokes and punch up the action scenes beginning with Wonder Man sweeping to save Laussa. They keep their character portrayals internally consistent like having Wonder Man continue to be a pacifist and having Sebastian Druid being uncertain about his powers, but reminding readers he had a relationship with Ares’ son back in Jonathan Hickman’s Secret Warriors.
This kibble of continuity isn’t just a piece of cute, fanboy trivia, but sets up Ares’ road for redemption. He isn’t a bad guy and doesn’t have a quarrel with this book’s cast; he just like to fight and wants to be reunited with son in the afterlife. Journey into Mystery #5 isn’t just a slugfest between the team and Ares, but is filled with twists and turns about Laussa that aren’t 100% deus ex machinas. The comic does have a pleasing plot, but its real magic are in the small moments like any time Miles Morales and Thori interact, or Laussa’s expressions with the world around him. And for this mastery of both the macro and micro aspects of comics, Journey into Mystery #5, and by extension, the whole miniseries earn an Overall Verdict of Buy.
War of the Realms: Spider-Man & the League of Realms #3
Unless it’s for a storytelling purpose, having two or more artists on a comic usually means it was rushed to meet its deadline, and that seems to be the case with Spider-Man & the League of Realms #3. Gone are Nico Leon’s slick cartooning and well-choreographed set pieces of the previous two issues, and writer Sean Ryan giving each League member a distinct personality beyond fantasy race action figure. This issue is mostly a slugfest against Malekith’s lieutenant, Kurse and peppered with awkward poses, constipated facial expressions, and basically, generic visuals from Leon and Marco Failla.
The angel Fernande goes a bit ballistic in the middle of the fight, and Spider-Man finds a shared connection because they have both lost loved ones. But this was already covered in the previous issue so it feels a lot like padding in Spider-Man & the League of Realms #3. The main plot point of this issue (and a cool connection to War Scrolls #3) is that Kurse was once League member, Waziria, and for the first time in all of War of the Realms (Except the Cul Borson story in Thor.), the Dark Elves aren’t treated like evil cannon fodder. In the end, this comic was about saving people instead of punching evil, and that’s a good sentiment from Ryan and Leon. However, it ends on this week’s “standard” heroes pose together and jump into the final battle panel and earns an Overall Verdict of Pass because of art issues and the difficulty of writing a large cast.
Captain Marvel #7
Spider-Man & the League of Realms #3 wasn’t the worst “War of the Realms” comic this week. That honor goes to Captain Marvel #7, which wraps up the unbearably banal if well-colored by Tamra Bonvillain body swap story featuring Carol Danvers and Dr. Strange. This issue does have a few positives like Kelly Thompson’s gift for quick banter and cutting one-liners like Strange roasting Carol for only knowing magic from various pop culture things. However, it’s pretty shallow, Strange and Carol’s ineptitude with each other’s powers are quickly resolved, and afterwards, they and an underutilized Black Widow go separate ways.
One slight positive about Captain Marvel #7 is Annapaola Martello’s art. She’s equally good at drawing fun facial expressions/hints of flirting and things that go boom/pew pew. Even if the story is thin, it’s pure joy to see Dr. Strange in Carol’s body go Binary and kick undead ass and then steal a little moment at the end. And about the ending, it seems random and tacked on even if it’s our first glimpse of a post-War of the Realms world. Carol is hanging out in her apartment like everything is normal, and the last story had no effect on her. Honestly, this is for the better as Thompson no longer has to shoehorn a quick tie-in and can tell her full story. My Overall Verdict for Captain Marvel #7 is Pass, and it’s worth skipping for regular readers of her title and those just following “War of the Realms”.
If there’s any comic that Deadpool#14 shares DNA with, it’s Simon Bisley’s Lobo books of the 1990s with their combination of serious, detailed fantasy art and silly dialogue and situations. In this comic, Skottie Young and Nic Klein chronicle Deadpool’s defense of Australia from Ulik (Which is apparently a very common name for trolls.) and his minions with the help of a knock-off Captain Britain and Daredevil and then an assist from some real superheroes. Young continues to have fun breaking the fourth wall and poking fun at his own writing like ending the issue with a deus ex machina and commenting on the legality of including a figure that’s all but named Tasmanian Devil.
Nic Klein draws and colors his own work in Deadpool #14 and turns in some gorgeous splash pages of Deadpool, Luke Cage, Iron Fist, Daredevil, and various Z-list Australian heroes beating the shit out of trolls. He can also do funny too like his depiction of the solution to Australia’s troll problem, which is feeding them and putting them to work at New Zealand’s copyright-friendly version of a Lord of the Rings set tour. The panel of trolls chasing tourists with selfie sticks around a “bobbit” hole is like something out of Mad magazine and a wonderful Deadpool-esque way to wrap up the plot. For its humor, skilled art, and ultraviolence,Deadpool #14 earns an Overall Verdict of Buy. (And, apparently, the next issue is the final one of the series.)
Tony Stark, Iron Man #13
Free of continuing subplot from previous issues (Except for the important Tony Stark relapsing in a VR environment one.), Gail Simone and Paolo Villanelli are free to tell the story of the battle between Iron Man and the wyrm Sadurang, who wants to rob the New York Stock Exchange. They make fantastic parallels between traders and hoarding dragons, and starting off a conversation between Sadurang and a now homeless broker about how riches cloud one’s morals sets the tone for the issue. And what happens is a back to basics Iron Man story where Tony must destroy or deactivate all his magic infected armor and get back to the analog days to defeat this greedy dragon.
Edgar Delgado’s powerful colors match Villanelli’s art, which can be loose and scratchy when Tony is getting his ass kicked and trying to quip his way out of a bad situation or tighter and tougher when he’s in the Mark I armor doing his best St. George impression. Also, Simone brings in the very winsome Wasp as a guest star in this issue, and she brings Tony hope and her stings and fast flying gives him enough time to rally his counterattack. Then, they get to share a sweet moment after the fight is over, but Tony doesn’t tell her about the relapse and is interrupted by Malekith’s initial invasion of New York. This two steps forward, one step forward approach to Tony’s journey works for Gail Simone and Paolo Villanelli and coupled with a satire of capitalism via knight/dragon metaphors, Tony Stark, Iron Man #13 earns an Overall Verdict of Buy.
Even though it’s sad to see Captain Marvel’s portrayal stumble in yet another event, and some writers love doing the “heroes join the final battle” ending to their tie-ins, this wasn’t a bad “War of the Realms” week. Skottie Young and Nic Klein turned their Deadpool two-parter into an exercise in maximum absurdity and pulled off the first funny Lord of the Rings reference of the event while Gail Simone added Iron Man to characters she excels at writing. But the real highlight was Journey into Mystery, which is a redemptive road comedy starring a great mix of heroes, tons of quick jokes, and a coherent plot that zigged where others zag. I’m definitely looking forward to Clint McElroy’s upcoming work on Marvel Team-Up.
(W) Kelly Thompson (A) Annapaola Martello (CA) Amanda Conner, Dave Johnson Rated T+ In Shops: Jun 19, 2019 SRP: $3.99
WAR OF THE REALMS TIE-IN!
Captain Marvel’s got a magical right hook – but what happens when she loses her mighty fists? When a powerful spell from the Enchantress causes Carol and DOCTOR STRANGE to body-swap, everything about their mission is called into question. What was once a covert ops mission with BLACK WIDOW to take down the Enchantress and her “Land of the Dead” is now a comedy of errors – casting spells wasn’t exactly covered in Carol’s military training. But Carol Danvers is more than her powers, and the Enchantress is about to discover that the hard way.
“War of the Realms” is starting to wind down this week with the release of the penultimate issue of the core series, War of the Realms #5. The comic has a predictable ending thanks to the marketing department, but actually feels like a Jason Aaron/Russell Dauterman/Matthew Wilson Thor comic thanks to its excellent characterization of Thor and Jane Foster to go with fight scenes a la the third act of Lord of the Rings: The Two Towers. The tie-ins aren’t bad either as I wishJourney into Mystery went on for another four issues of road trip hijinks, Greg Pak and Gang Hyuk Lim finally find their sprawling ensemble cast’s footing in New Agents of Atlas, andCaptain MarvelandDeadpool wisely choose comedy over melodrama. The only real stinker of the bunch is Tony Stark, Iron Man #12, which made feel really bad for Gail Simone, who has to do the comic book equivalent of walking, chewing bubblegum, and someone else’s calculus homework at the same time.
War of the Realms #5
War of the Realms #5 is paced like a fever dream and a reminder that Jason Aaron, Russell Dauterman, and Matthew Wilson have done fantastic work on Thor and can tell a poignant story that isn’t just fight scenes stitched together. With the death of the Valkyries and Loki and the capture of Freyja and Odin, this is a real breaking point for Thor and the “War of the Realms” as a whole. Aaron, Dauterman, and Wilson double down on the religious/mythological imagery by having cosmic powered Daredevil nail Thor on the World Tree so he can have some insight on how to defeat Malekith. It’s a big moment for a hero that has been considered “unworthy” for the past five years, and he takes responsibility for all the realms sliding into the role of All-Father and not just a rage-filled, hammer destroying warrior.
Speaking of war, there is quite a lot of it, but Aaron, Dauterman, and Wilson do a good job balancing it with the intense, non-linear Thor/Daredevil/Jane Foster scenes. Even though they feature a variety of locations and characters, the action sequences work because they follow a uniting principle of “liberation”. There are sheer badass moments, like Okoye delivering killer one-liners while the Dora Milaje drive back the angels to Heven, Jane Foster and Roz Solomon watching Roxxon’s stock prices drop while they kick Dario Agger’s minotaur ass, and Captain Britain and Captain America teaming up to drive the Dark Elves back to the English Channel. War of the Realms #5 alternates between triumph and agony and is a treat for fans of the Jane Foster Thor stories as she is inspired by the sacrifice of the Valkyries to continue being a warrior and a hero. With operatic visuals (Especially the Daredevil/Thor scenes.) and its strong character development of Thor, War of the Realms #5 earns an Overall Verdict of Buy.
War of the Realms: Journey into Mystery #4
In its frenetic fourth issue, War of the Realms: Journey Into Mystery enters the pantheon of one of my favorite types of mainstream comics: the fun, quirky B-list cast starring book that ends too soon. We’re talking books like Hawkeye,Mockingbird, Superior Foes of Spider-Man, and Secret Six. The McElroys are definitely hip to the idea that the best comedy comes from character, and it leads to hilarious moments like Wonder Man lamenting his Tommy Bahama shirt being riddled with bullets, the underage Brooklynite Miles Morales having no idea how to act in a casino, and Balder trying to order “sack” aka the favorite drink of Shakespeare’s Falstaff at the casino. As we’ve gotten to know the cast of Journey into Mystery better, the humor level has increased along with the level of general peril.
Yes, Journey into Mystery #4 isn’t all witty banter- it’s a heist story set at a henchpeople convention because the War of the Realms isn’t great for business. Andre Araujo’s diagram-like layouts and Chris O’Halloran’s flat approach to colors gives this issue great flair especially when the heist goes sideways, and a gun fight breaks out. Araujo tilts his grid to give readers a 360 view of the casino floor while the team struggles with what to do as Ares goes mano a mano with Thori. Great jokes, an easy to follow setpiece, a down ending, and the brilliant concept of a henchperson convention earns Journey into Mystery an Overall Verdict of Buy.’
War of the Realms: New Agents of Atlas #3
Up to this point, New Agents of Atlas has had tons of potential yet has been a little bit of a mess with a huge cast of characters and middle of the road visuals from Gang Hyuk Lim and colorists Federico Blee, Andres Mossa, and Erick Arciniega. However, Greg Pak uses a team meal of spam prepared different ways to unite his Pan-Asian superhero team, and it’s a well-timed breather before Jimmy Woo puts his final plan in motion. Splitting the team into tasks that reflect their strengths finally showcases Woo’s strategic genius, and it also lets us get to know the sprawling cast of New Agents of Atlas before the big finale next issue.
Some character moments that stood out to me in New Agents of Atlas #3 was the growing master/apprentice type bond between Sword Master and Shang Chi and the fact that sexist, elitist Monkey King kept getting his ass handed to him by various team members. There is also a sad, yet relevant scene where the usually cheerful Filipina heroine Wave realizes that Sindr making the water warmer will lead to flooding in Cebu where her grandpa lives. New Agents of Atlas #3 is the issue where Pak and Lim make the majority of these characters seem like people and not interchangeable action figures with cool powers. Also, Amadeus Cho gets one hell of a redemption arc and basically is the Korean-American Wolverine as he fights off swarms of Fire Goblins so the rest of the team can accomplish teir tasks. The art is still too “house style”, the colors are still over rendered, but Greg Pak made me care about this new superhero team in this issue so New Agents of Atlas #3 earns an overall verdict of Read.
Captain Marvel #6
Opening with one hell of action scene from artists Annapaola Martello and Tamra Bonvillain where Bucky and Black Widow take out a group of undead ghouls with some acrobatics and a grenade, Captain Marvel #6 ends up being Freaky Friday with Captain Marvel and Dr. Strange, which is the result of them failing to defeat Enchantress. Writer Kelly Thompson has tons of fun with this premise that works because both Strange and Carol are Type A personalities even if his superpowers are more mental and hers are more physical. Black Widow’s dry sense of humor is on full display for most of the issue as she cuts these two big personalities down to size at least until surrounded by aforementioned ghouls.
The big problem with Captain Marvel #6 is that much of the action is said to take place in Rio de Janeiro and Sao Paulo, Brazil, which have metropolitan areas of over 12 million each, but 90% of the comic happens in a fucking jungle. Thompson’s writing is clever, and she nails the dysfunctional personalities of Dr. Strange and Captain Marvel. But, at the bare minimum, she could have read Wikipedia and realized that Brazil is 87.5% urbanized. Despite this huge research faux pas, Captain Marvel is an enjoyable read that doesn’t take itself too seriously, has hilarious faces and well-done action choreography from Martello and Bonvillain, and has an Overall Verdict of Read.
I always love when Deadpool has an event tie-in because he always ends up mocking the premise of the event and having a fun, goofy adventure. (Also, because the first Deadpool comic I ever read was a “Secret Invasion” tie-in). Writer Skottie Young and artist Nic Klein take him on a wild ride to Australia where he’s commissioned to liberate the continent/country from Ulik and the trolls with the help of their nation’s finest heroes, Captain Outback, Nuclear Nancy, and copyright friendly Tasmanian Devil. Yep, Young peppers his script with plenty of pop culture references and jokes like having Captain Marvel use Crocodile Hunter dialogue in dream sequence, and “Skottrick” even roasts his own writing when he borrows a one-liner from Terminator and blames it on his kids being home from school.
What makes Deadpool #13 so funny and work has a comic is the blend of silly, irreverent dialogue and detailed art that is played for drama like Klein’s double page tableau recapping what’s been going in the “War of the Realms”. But Klein can do humor too like Negasonic Teenage Warhead’s deadpan expression as Deadpool reacts and laughs at various romantic comedies, or the ending when Deadpool is making jokes about the shittiness of the Hobbit movies while being surrounded by trolls and not having the best allies to help him out. Skottie Young and Nic Klein have a good handle on irreverent Deadpool comedy stylings and have some clever ideas like the trolls enjoying the sparsely populated Australian Outback so Deadpool #13 gets an Overall Verdict of Buy.
Tony Stark, Iron Man #12
I love the idea of Tony Stark fighting a greedy, Smaug-like dragon (Or wyrm. I don’t wanna piss off the fantasy geeks.) and having that fight be written by Gail Simone, who excels at writing smarmy assholes that want to be heroes in spite of it all. (See Catman.) However, Tony Stark Iron Man #12 has to deal with the effects of Dan Slott’s previous arc, introduce the dragon, and have another plot about not having artificial intelligence completely work on technology that affects human behavior. Apparently, in the last arc, Tony Stark relapsed into alcoholism in a virtual reality environment, which honestly just sounds like a weak tea substitute for “Demon in a Bottle”, or a real problem that people experience.
So, Simone and artist Paolo Villanelli are stuck trying to continue that storyline and do a kind of prequel to “War of the Realms”. The idea of Malekith sending a dragon assassin with magical abilities to take out a man of science with quite a large “hoard” is clever and gives an opportunity for Simone to write some Stark snark as he compares the wyrm to Toothless and Falkor. But it’s weighed down by too many subplots. Honestly, this comic would have worked better as a miniseries with Dan Slott continuing his alcoholism/AI/wannabe Black Mirror thing in the main Tony Stark, Iron Man series. It’s safe to say it gets an Overall Verdict of Pass.
With the exception of a bungled Iron Man tie-in, I personally enjoyed this week’s “War of the Realms”, including the core book, which lived up to the pre-release hype of combining the strong arcs and ideas from Jason Aaron’s Thor run with epic Marvel Universe-spanning battles. I’m also going to miss The McElroys when they leave comics and return to their lucrative day job of podcasting and think they would make amazing writers on a humor, character-driven Justice League or Avengers title. Finally, it definitely seems that Skottie Young or someone in the Deadpool office has played Risk because Australia is truly the key to victory…
In celebration of Marvel’s 80th Anniversary, Marvel is excited to kick off 2019 with a series of special one shots, from a variety of superstar writers and artists!
First announced at New York Comic Con, Marvel has announced an additional series of one shots on sale this February – including the return of Ziggy Pig and Silly Seal! Frank Tieri and Jacob Chabot will bring back the comedy duo in an all-new adventure, while Eisner winning writers David and Maria Lapham and Luca Pizzari will share an Old West tale in The Gunhawks #1! And writers Dennis Hopeless, Gail Simone, Jon Adams and more will join a variety of superstar artists including Roge Antonio and Annapaola Martello for Love Romances #1 — love stories that can only be told in a comic book!
Join in the celebration as Marvel invites you to return to a time when it wasn’t stories about super heroes that drove the industry, but stories of westerns, crime, romance, humor and science fiction…and look for Marvel’s 80th Anniversary one shot titles in your local comic shops starting next year!
THE GUNHAWKS #1
Written by DAVID & MARIA LAPHAM
Art by LUCA PIZZARI
Cover by GERARDO ZAFFINO
On Sale 2/6/19
LOVE ROMANCES #1
Written by DENNIS HOPELESS, GAIL SIMONE, JON ADAMS & MORE
Art by JON ADAMS, ANNAPAOLA MARTELLO, ROGE ANTONIO & MORE
Cover by PYEONG-JUN PARK
On Sale 2/20/19
ZIGGY PIG – SILLY SEAL COMICS #1
Written by FRANK TIERI
Art by JACOB CHABOT
Cover by NIC KLEIN
On Sale 2/27/19
writer: Chris Sebela | artist: Annapaola Martello | cover: Carli Ihde
FC | 144 pages | $19.99 | Teen +
COLLECTS ISSUES 1-5
L.A. Is a strange town on the best of days, but in the summer of 1974, the City of Angels feels especially demonic. As temperatures soar and wildfires burn, all sorts of strange creatures are drawn to town, including Vampirella. While Vampi goes out and hunts down monsters all across La La Land — defending humanity from evil — she’s also killing it every night on stage as a member of the all-girl rock group Witchkraft — defending rock ’n’ roll from a dying scene. Help arrives in the form of four creatures who’ve just flown into town: The Starchild, The Demon, The Spaceman and The Catman. Away from their home turf and trying to record their new album, KISS discovers that all their favorite L.A. bands have mysteriously broken up, disappeared, sold out, or gone crazy. Led by a driver who moonlights in the occult and haunted by satanic strangers dressed in black, KISS finds themselves drawn into a web conspiracy that threatens to kill rock ’n’ roll itself.
(W) Will Pilgrim (A) Annapaola Martello
In Shops: Oct 18, 2017
Wakanda. The most technologically advanced nation in the world – and protected by the mighty BLACK PANTHER! Learn how T’CHALLA became the legendary hero of Wakanda in this ALL-NEW, NEVER-BEFORE-TOLD tale set in the Marvel Cinematic Universe! See how the mantle was passed to the future king, in a time when super heroes were just emerging in the larger world, before this winter’s BLACK PANTHER film hits theaters!
writer: Christopher Sebela
artist: Annapaola Martello
covers: Juan Doe (A), Carli Ihde (B), Roberto Castro (C), Cosplay Photo Variant (D)
Carli Ihde (RI B/W), Juan Doe (RI Virgin), Roberto Castro (RI B/W)
FC • 32 pages • $3.99 • Teen +
The demons bent on destroying rock ’n’ roll via a wave of soft rock laced with murderous messages have declared all-out war on the world. With a huge show scheduled at the Hollywood Bowl and a massive crowd of willing victims, KISS and Vampirella will storm the stage in a jam of violence and rock so loud that Los Angeles will never be the same.
writer: Chris Sebela
artist: Annapaola Martello
covers: Juan Doe (A), Carli Ihde (B), Roberto Castro (C), Cosplay Photo Variant (D)
Carli Ihde (RI B/W), Juan Doe (RI Virgin), Roberto Castro (RI B/W)
FC • 32 pages • $3.99 • Teen +
KISS storm the head offices of the record industry to confront a demonic menace hellbent on taking down rock ’n’ roll. When things go awry and get bloody, they’ll take shelter with Vampi, Witchkraft and their roadie Lily, who’s about to get a crash course in why she’s really here.
(W) Declan Shalvey, Magdalene Visaggio, Cullen Bunn (A) Annapaola Martello, Declan Shalvey, Tana Ford (CA) Francesco Mattina
In Shops: Sep 06, 2017
• Sure, you know about some of the adventures All-New Wolverine, Gwenpool, Ghost Rider, Old Man Logan and Deadpool went on with their symbiotes, but what about the rest?!
• Featuring a star-studded lineup of creators and characters, including…
• …a VENOMIZED PUNISHER story written and drawn by Declan Shalvey!
• And the awesome adventures of VENOMIZED ROCKET RACCOON by Magdalene Visaggio!